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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C547BD it is the complementary color #3AB842. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C547BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C547BD shade: #CA47B8, #DB59CB, #EC6BDE, #FD7DF1 and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C547BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C547BD shade: #C547BD, #B435AA, #A32397, #921184 and #810071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C547BD shade: #C549BE, #C5499C, #C5497A, #C54959 and #C54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C547BD shade: #C549BE, #AC49C5, #8A49C5, #6949C5 and #4949C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C547BD shade matches the following richer shades: #C549BE, #D935CE and #EC22DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C547BD shade: #C549BE, #B25CAD, #9F709C, #8B838B and #78967A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C547BD shade: #8949C5, #AA49C5, #C549BF, #C5499E and #C5497D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C547BD shade: #8F2D89, #AE37A7, #C549BE, #CF68C9 and #D988D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C547BD shade: #C547BD, #C56849 and #49C59A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C547BD shade: #C547BD, #BFC549 and #49BFC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C547BD shade: #C547BD, #C56849, #49C54F and #49A6C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C547BD shade: #C547BD, #C58D49, #49C54F and #4981C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

Complementary color

CMYK 68 / 0 / 64 / 28

HEX #3AB842

RGB 58 184 66

HSL 123.81, 0.52%, 0.47%

LAB 66.19, -57.54, 48.64

 

CMYK 0 / 65 / 9 / 21

HEX #CA47B8

RGB 202 71 184

HSL 308.24, 0.55%, 0.54%

LAB 52.42, 64.34, -33.66

 

CMYK 0 / 59 / 7 / 14

HEX #DB59CB

RGB 219 89 203

HSL 307.38, 0.64%, 0.6%

LAB 58.52, 64.29, -34.86

 

CMYK 0 / 55 / 6 / 7

HEX #EC6BDE

RGB 236 107 222

HSL 306.51, 0.77%, 0.67%

LAB 64.66, 63.95, -35.82

 

CMYK 0 / 51 / 5 / 1

HEX #FD7DF1

RGB 253 125 241

HSL 305.63, 0.97%, 0.74%

LAB 70.8, 63.45, -36.6

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 0 / 71 / 6 / 29

HEX #B435AA

RGB 180 53 170

HSL 304.72, 0.55%, 0.46%

LAB 45.84, 63.55, -36.03

 

CMYK 0 / 79 / 7 / 36

HEX #A32397

RGB 163 35 151

HSL 305.63, 0.65%, 0.39%

LAB 39.95, 62.48, -34.13

 

CMYK 0 / 88 / 10 / 43

HEX #921184

RGB 146 17 132

HSL 306.51, 0.79%, 0.32%

LAB 34.35, 60.31, -31.52

 

CMYK 0 / 100 / 12 / 49

HEX #810071

RGB 129 0 113

HSL 307.44, 1%, 0.25%

LAB 29.05, 56.87, -28.12

 

CMYK 0 / 63 / 4 / 23

HEX #C549BE

RGB 197 73 190

HSL 303.39, 0.52%, 0.53%

LAB 52.23, 63.25, -37.49

 

CMYK 0 / 63 / 21 / 23

HEX #C5499C

RGB 197 73 156

HSL 319.84, 0.52%, 0.53%

LAB 50.73, 58.06, -19.93

 

CMYK 0 / 63 / 38 / 23

HEX #C5497A

RGB 197 73 122

HSL 336.29, 0.52%, 0.53%

LAB 49.55, 53.78, -1.38

 

CMYK 0 / 63 / 55 / 23

HEX #C54959

RGB 197 73 89

HSL 352.26, 0.52%, 0.53%

LAB 48.71, 50.63, 17.39

 

CMYK 0 / 63 / 63 / 23

HEX #C54949

RGB 197 73 73

HSL 0, 0.52%, 0.53%

LAB 48.41, 49.48, 26.57

 

CMYK 0 / 63 / 4 / 23

HEX #C549BE

RGB 197 73 190

HSL 303.39, 0.52%, 0.53%

LAB 52.23, 63.25, -37.49

 

CMYK 13 / 63 / 0 / 23

HEX #AC49C5

RGB 172 73 197

HSL 287.9, 0.52%, 0.53%

LAB 48.97, 58.4, -46.94

 

CMYK 30 / 63 / 0 / 23

HEX #8A49C5

RGB 138 73 197

HSL 271.45, 0.52%, 0.53%

LAB 44.52, 50.46, -54.31

 

CMYK 47 / 63 / 0 / 23

HEX #6949C5

RGB 105 73 197

HSL 255.48, 0.52%, 0.53%

LAB 40.9, 43.41, -60.35

 

CMYK 63 / 63 / 0 / 23

HEX #4949C5

RGB 73 73 197

HSL 240, 0.52%, 0.53%

LAB 38.22, 37.73, -64.82

 

CMYK 0 / 63 / 4 / 23

HEX #C549BE

RGB 197 73 190

HSL 303.39, 0.52%, 0.53%

LAB 52.23, 63.25, -37.49

 

CMYK 0 / 76 / 5 / 15

HEX #D935CE

RGB 217 53 206

HSL 304.02, 0.68%, 0.53%

LAB 53.77, 77.17, -44.07

 

CMYK 0 / 86 / 6 / 7

HEX #EC22DF

RGB 236 34 223

HSL 303.86, 0.84%, 0.53%

LAB 56.39, 87.47, -49.39

 

CMYK 0 / 63 / 4 / 23

HEX #C549BE

RGB 197 73 190

HSL 303.39, 0.52%, 0.53%

LAB 52.23, 63.25, -37.49

 

CMYK 0 / 48 / 3 / 30

HEX #B25CAD

RGB 178 92 173

HSL 303.49, 0.36%, 0.53%

LAB 51.99, 46.34, -28.19

 

CMYK 0 / 30 / 2 / 38

HEX #9F709C

RGB 159 112 156

HSL 303.83, 0.2%, 0.53%

LAB 53.34, 26.08, -16.4

 

CMYK 0 / 6 / 0 / 45

HEX #8B838B

RGB 139 131 139

HSL 300, 0.03%, 0.53%

LAB 55.67, 4.56, -3.22

 

CMYK 20 / 0 / 19 / 41

HEX #78967A

RGB 120 150 122

HSL 124, 0.13%, 0.53%

LAB 59.17, -16.24, 11.37

 

CMYK 30 / 63 / 0 / 23

HEX #8949C5

RGB 137 73 197

HSL 270.97, 0.52%, 0.53%

LAB 44.4, 50.24, -54.52

 

CMYK 14 / 63 / 0 / 23

HEX #AA49C5

RGB 170 73 197

HSL 286.94, 0.52%, 0.53%

LAB 48.69, 57.92, -47.4

 

CMYK 0 / 63 / 3 / 23

HEX #C549BF

RGB 197 73 191

HSL 302.9, 0.52%, 0.53%

LAB 52.28, 63.42, -37.99

 

CMYK 0 / 63 / 20 / 23

HEX #C5499E

RGB 197 73 158

HSL 318.87, 0.52%, 0.53%

LAB 50.81, 58.34, -20.99

 

CMYK 0 / 63 / 37 / 23

HEX #C5497D

RGB 197 73 125

HSL 334.84, 0.52%, 0.53%

LAB 49.64, 54.12, -3.05

 

CMYK 0 / 69 / 4 / 44

HEX #8F2D89

RGB 143 45 137

HSL 303.67, 0.52%, 0.37%

LAB 36.97, 52.17, -30.52

 

CMYK 0 / 68 / 4 / 32

HEX #AE37A7

RGB 174 55 167

HSL 303.53, 0.52%, 0.45%

LAB 44.97, 60.92, -35.69

 

CMYK 0 / 63 / 4 / 23

HEX #C549BE

RGB 197 73 190

HSL 303.39, 0.52%, 0.53%

LAB 52.23, 63.25, -37.49

 

CMYK 0 / 50 / 3 / 19

HEX #CF68C9

RGB 207 104 201

HSL 303.5, 0.52%, 0.61%

LAB 59.33, 53.79, -32.6

 

CMYK 0 / 37 / 2 / 15

HEX #D988D4

RGB 217 136 212

HSL 303.7, 0.52%, 0.69%

LAB 67.36, 42.42, -26.26

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 0 / 47 / 63 / 23

HEX #C56849

RGB 197 104 73

HSL 15, 0.52%, 0.53%

LAB 54.29, 34.31, 33.88

 

CMYK 63 / 0 / 22 / 23

HEX #49C59A

RGB 73 197 154

HSL 159.19, 0.52%, 0.53%

LAB 72.02, -44.53, 11.56

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 3 / 0 / 63 / 23

HEX #BFC549

RGB 191 197 73

HSL 62.9, 0.52%, 0.53%

LAB 76.97, -17.95, 59.37

 

CMYK 63 / 3 / 0 / 23

HEX #49BFC5

RGB 73 191 197

HSL 182.9, 0.52%, 0.53%

LAB 71.36, -30.68, -12.81

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 0 / 47 / 63 / 23

HEX #C56849

RGB 197 104 73

HSL 15, 0.52%, 0.53%

LAB 54.29, 34.31, 33.88

 

CMYK 63 / 0 / 60 / 23

HEX #49C54F

RGB 73 197 79

HSL 122.9, 0.52%, 0.53%

LAB 70.81, -57.61, 48.21

 

CMYK 63 / 16 / 0 / 23

HEX #49A6C5

RGB 73 166 197

HSL 195, 0.52%, 0.53%

LAB 63.93, -18.06, -24.07

 

CMYK 0 / 64 / 4 / 23

HEX #C547BD

RGB 197 71 189

HSL 303.81, 0.52%, 0.53%

LAB 51.89, 63.9, -37.44

 

CMYK 0 / 28 / 63 / 23

HEX #C58D49

RGB 197 141 73

HSL 32.9, 0.52%, 0.53%

LAB 62.84, 14.23, 43.98

 

CMYK 63 / 0 / 60 / 23

HEX #49C54F

RGB 73 197 79

HSL 122.9, 0.52%, 0.53%

LAB 70.81, -57.61, 48.21

 

CMYK 63 / 35 / 0 / 23

HEX #4981C5

RGB 73 129 197

HSL 212.9, 0.52%, 0.53%

LAB 53.11, 2.81, -40.91

 

Description

Color code: HEX #C547BD | qconv.com Color code: HEX #C547BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 71 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 71 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 4 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 4% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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