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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C547B9 it is the complementary color #3AB846. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C547B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C547B9 shade: #CA47B4, #DB59C7, #EC6BDA, #FD7DED and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C547B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C547B9 shade: #C547B9, #B435A6, #A32393, #921180 and #81006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C547B9 shade: #C549BA, #C54998, #C54976, #C54955 and #C54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C547B9 shade: #C549BA, #B049C5, #8E49C5, #6C49C5 and #4B49C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C547B9 shade matches the following richer shades: #C549BA, #D935C9 and #EC22D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C547B9 shade: #C549BA, #B25CAA, #9F709A, #8B838B and #78967B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C547B9 shade: #8D49C5, #AF49C5, #C549BB, #C5499A and #C54979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C547B9 shade: #8F2D85, #AE37A3, #C549BA, #CF68C6 and #D988D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C547B9 shade: #C547B9, #C56C49 and #49C59E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C547B9 shade: #C547B9, #BBC549 and #49BBC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C547B9 shade: #C547B9, #C56C49, #49C553 and #49A2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C547B9 shade: #C547B9, #C59249, #49C553 and #497DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

Complementary color

CMYK 68 / 0 / 62 / 28

HEX #3AB846

RGB 58 184 70

HSL 125.71, 0.52%, 0.47%

LAB 66.23, -57.09, 46.92

 

CMYK 0 / 65 / 11 / 21

HEX #CA47B4

RGB 202 71 180

HSL 310.08, 0.55%, 0.54%

LAB 52.24, 63.73, -31.62

 

CMYK 0 / 59 / 9 / 14

HEX #DB59C7

RGB 219 89 199

HSL 309.23, 0.64%, 0.6%

LAB 58.35, 63.66, -32.86

 

CMYK 0 / 55 / 8 / 7

HEX #EC6BDA

RGB 236 107 218

HSL 308.37, 0.77%, 0.67%

LAB 64.49, 63.31, -33.84

 

CMYK 0 / 51 / 6 / 1

HEX #FD7DED

RGB 253 125 237

HSL 307.5, 0.97%, 0.74%

LAB 70.64, 62.8, -34.66

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

CMYK 0 / 71 / 8 / 29

HEX #B435A6

RGB 180 53 166

HSL 306.61, 0.55%, 0.46%

LAB 45.64, 62.92, -33.98

 

CMYK 0 / 79 / 10 / 36

HEX #A32393

RGB 163 35 147

HSL 307.5, 0.65%, 0.39%

LAB 39.74, 61.88, -32.04

 

CMYK 0 / 88 / 12 / 43

HEX #921180

RGB 146 17 128

HSL 308.37, 0.79%, 0.32%

LAB 34.13, 59.72, -29.38

 

CMYK 0 / 100 / 16 / 49

HEX #81006D

RGB 129 0 109

HSL 309.3, 1%, 0.25%

LAB 28.83, 56.3, -25.91

 

CMYK 0 / 63 / 6 / 23

HEX #C549BA

RGB 197 73 186

HSL 305.32, 0.52%, 0.53%

LAB 52.04, 62.6, -35.48

 

CMYK 0 / 63 / 23 / 23

HEX #C54998

RGB 197 73 152

HSL 321.77, 0.52%, 0.53%

LAB 50.57, 57.5, -17.8

 

CMYK 0 / 63 / 40 / 23

HEX #C54976

RGB 197 73 118

HSL 338.23, 0.52%, 0.53%

LAB 49.43, 53.34, 0.86

 

CMYK 0 / 63 / 57 / 23

HEX #C54955

RGB 197 73 85

HSL 354.19, 0.52%, 0.53%

LAB 48.62, 50.32, 19.69

 

CMYK 0 / 63 / 63 / 23

HEX #C54949

RGB 197 73 73

HSL 0, 0.52%, 0.53%

LAB 48.41, 49.48, 26.57

 

CMYK 0 / 63 / 6 / 23

HEX #C549BA

RGB 197 73 186

HSL 305.32, 0.52%, 0.53%

LAB 52.04, 62.6, -35.48

 

CMYK 11 / 63 / 0 / 23

HEX #B049C5

RGB 176 73 197

HSL 289.84, 0.52%, 0.53%

LAB 49.53, 59.36, -46.01

 

CMYK 28 / 63 / 0 / 23

HEX #8E49C5

RGB 142 73 197

HSL 273.39, 0.52%, 0.53%

LAB 45.01, 51.37, -53.5

 

CMYK 45 / 63 / 0 / 23

HEX #6C49C5

RGB 108 73 197

HSL 256.94, 0.52%, 0.53%

LAB 41.19, 44.01, -59.85

 

CMYK 62 / 63 / 0 / 23

HEX #4B49C5

RGB 75 73 197

HSL 240.97, 0.52%, 0.53%

LAB 38.36, 38.04, -64.58

 

CMYK 0 / 63 / 6 / 23

HEX #C549BA

RGB 197 73 186

HSL 305.32, 0.52%, 0.53%

LAB 52.04, 62.6, -35.48

 

CMYK 0 / 76 / 7 / 15

HEX #D935C9

RGB 217 53 201

HSL 305.85, 0.68%, 0.53%

LAB 53.51, 76.43, -41.61

 

CMYK 0 / 86 / 8 / 7

HEX #EC22D9

RGB 236 34 217

HSL 305.64, 0.84%, 0.53%

LAB 56.07, 86.64, -46.49

 

CMYK 0 / 63 / 6 / 23

HEX #C549BA

RGB 197 73 186

HSL 305.32, 0.52%, 0.53%

LAB 52.04, 62.6, -35.48

 

CMYK 0 / 48 / 4 / 30

HEX #B25CAA

RGB 178 92 170

HSL 305.58, 0.36%, 0.53%

LAB 51.86, 45.81, -26.65

 

CMYK 0 / 30 / 3 / 38

HEX #9F709A

RGB 159 112 154

HSL 306.38, 0.2%, 0.53%

LAB 53.27, 25.69, -15.34

 

CMYK 0 / 6 / 0 / 45

HEX #8B838B

RGB 139 131 139

HSL 300, 0.03%, 0.53%

LAB 55.67, 4.56, -3.22

 

CMYK 20 / 0 / 18 / 41

HEX #78967B

RGB 120 150 123

HSL 126, 0.13%, 0.53%

LAB 59.19, -16.05, 10.83

 

CMYK 28 / 63 / 0 / 23

HEX #8D49C5

RGB 141 73 197

HSL 272.9, 0.52%, 0.53%

LAB 44.88, 51.14, -53.71

 

CMYK 11 / 63 / 0 / 23

HEX #AF49C5

RGB 175 73 197

HSL 289.35, 0.52%, 0.53%

LAB 49.39, 59.12, -46.25

 

CMYK 0 / 63 / 5 / 23

HEX #C549BB

RGB 197 73 187

HSL 304.84, 0.52%, 0.53%

LAB 52.09, 62.76, -35.98

 

CMYK 0 / 63 / 22 / 23

HEX #C5499A

RGB 197 73 154

HSL 320.81, 0.52%, 0.53%

LAB 50.65, 57.78, -18.87

 

CMYK 0 / 63 / 39 / 23

HEX #C54979

RGB 197 73 121

HSL 336.77, 0.52%, 0.53%

LAB 49.52, 53.67, -0.82

 

CMYK 0 / 69 / 7 / 44

HEX #8F2D85

RGB 143 45 133

HSL 306.12, 0.52%, 0.37%

LAB 36.76, 51.5, -28.38

 

CMYK 0 / 68 / 6 / 32

HEX #AE37A3

RGB 174 55 163

HSL 305.55, 0.52%, 0.45%

LAB 44.77, 60.27, -33.63

 

CMYK 0 / 63 / 6 / 23

HEX #C549BA

RGB 197 73 186

HSL 305.32, 0.52%, 0.53%

LAB 52.04, 62.6, -35.48

 

CMYK 0 / 50 / 4 / 19

HEX #CF68C6

RGB 207 104 198

HSL 305.24, 0.52%, 0.61%

LAB 59.2, 53.28, -31.09

 

CMYK 0 / 37 / 4 / 15

HEX #D988D1

RGB 217 136 209

HSL 305.93, 0.52%, 0.69%

LAB 67.25, 41.89, -24.76

 

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

CMYK 0 / 45 / 63 / 23

HEX #C56C49

RGB 197 108 73

HSL 16.94, 0.52%, 0.53%

LAB 55.15, 32.19, 34.92

 

CMYK 63 / 0 / 20 / 23

HEX #49C59E

RGB 73 197 158

HSL 161.13, 0.52%, 0.53%

LAB 72.11, -43.61, 9.53

 

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

CMYK 5 / 0 / 63 / 23

HEX #BBC549

RGB 187 197 73

HSL 64.84, 0.52%, 0.53%

LAB 76.67, -19.61, 58.95

 

CMYK 63 / 5 / 0 / 23

HEX #49BBC5

RGB 73 187 197

HSL 184.84, 0.52%, 0.53%

LAB 70.17, -28.74, -14.6

 

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

CMYK 0 / 45 / 63 / 23

HEX #C56C49

RGB 197 108 73

HSL 16.94, 0.52%, 0.53%

LAB 55.15, 32.19, 34.92

 

CMYK 63 / 0 / 58 / 23

HEX #49C553

RGB 73 197 83

HSL 124.84, 0.52%, 0.53%

LAB 70.85, -57.13, 46.44

 

CMYK 63 / 18 / 0 / 23

HEX #49A2C5

RGB 73 162 197

HSL 196.94, 0.52%, 0.53%

LAB 62.75, -15.93, -25.89

 

CMYK 0 / 64 / 6 / 23

HEX #C547B9

RGB 197 71 185

HSL 305.71, 0.52%, 0.53%

LAB 51.7, 63.25, -35.43

 

CMYK 0 / 26 / 63 / 23

HEX #C59249

RGB 197 146 73

HSL 35.32, 0.52%, 0.53%

LAB 64.09, 11.49, 45.4

 

CMYK 63 / 0 / 58 / 23

HEX #49C553

RGB 73 197 83

HSL 124.84, 0.52%, 0.53%

LAB 70.85, -57.13, 46.44

 

CMYK 63 / 37 / 0 / 23

HEX #497DC5

RGB 73 125 197

HSL 214.84, 0.52%, 0.53%

LAB 51.97, 5.22, -42.72

 

Description

Color code: HEX #C547B9 | qconv.com Color code: HEX #C547B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 71 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 71 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 6 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 6% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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