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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5419F it is the complementary color #3ABE60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5419F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5419F shade: #CA419A, #DB53AD, #EC65C0, #FD77D3 and #FF89E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5419F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5419F shade: #C5419F, #B42F8C, #A31D79, #920B66 and #810053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5419F shade: #C4409E, #C4407A, #C44057 and #C44040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5419F shade: #C4409E, #C440C2, #A340C4, #7F40C4 and #5C40C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5419F shade matches the following richer shades: #C4409E, #D82CA7 and #ED17AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5419F shade: #C4409E, #B05496, #9C688D, #887C84 and #73917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5419F shade: #A340C4, #C440C2, #C4409F, #C4407B and #C44058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5419F shade: #882A6D, #A73386, #C4409E, #CE5FAE and #D87FBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5419F shade: #C5419F, #C48040 and #40C4B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5419F shade: #C5419F, #9FC440 and #409FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5419F shade: #C5419F, #C48040, #40C465 and #4084C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5419F shade: #C5419F, #C4A840, #40C465 and #405DC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

Complementary color

CMYK 69 / 0 / 49 / 25

HEX #3ABE60

RGB 58 190 96

HSL 137.27, 0.53%, 0.49%

LAB 68.44, -55.72, 37.18

 

CMYK 0 / 68 / 24 / 21

HEX #CA419A

RGB 202 65 154

HSL 321.02, 0.56%, 0.52%

LAB 50.3, 62.35, -19.33

 

CMYK 0 / 62 / 21 / 14

HEX #DB53AD

RGB 219 83 173

HSL 320.29, 0.65%, 0.59%

LAB 56.35, 62.37, -20.98

 

CMYK 0 / 57 / 19 / 7

HEX #EC65C0

RGB 236 101 192

HSL 319.56, 0.78%, 0.66%

LAB 62.46, 62.06, -22.32

 

CMYK 0 / 53 / 17 / 1

HEX #FD77D3

RGB 253 119 211

HSL 318.81, 0.97%, 0.73%

LAB 68.59, 61.57, -23.42

 

CMYK 0 / 46 / 10 / 0

HEX #FF89E6

RGB 255 137 230

HSL 312.71, 1%, 0.77%

LAB 72.8, 56.54, -27.46

 

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

CMYK 0 / 74 / 22 / 29

HEX #B42F8C

RGB 180 47 140

HSL 318.05, 0.59%, 0.45%

LAB 43.7, 61.21, -21.39

 

CMYK 0 / 82 / 26 / 36

HEX #A31D79

RGB 163 29 121

HSL 318.81, 0.7%, 0.38%

LAB 37.92, 59.89, -18.84

 

CMYK 0 / 92 / 30 / 43

HEX #920B66

RGB 146 11 102

HSL 319.56, 0.86%, 0.31%

LAB 32.5, 57.32, -15.42

 

CMYK 0 / 100 / 36 / 49

HEX #810053

RGB 129 0 83

HSL 321.4, 1%, 0.25%

LAB 27.55, 53.07, -10.88

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 67 / 38 / 23

HEX #C4407A

RGB 196 64 122

HSL 333.64, 0.53%, 0.51%

LAB 48.02, 57.2, -3.65

 

CMYK 0 / 67 / 56 / 23

HEX #C44057

RGB 196 64 87

HSL 349.55, 0.53%, 0.51%

LAB 47.09, 53.94, 16.39

 

CMYK 0 / 67 / 67 / 23

HEX #C44040

RGB 196 64 64

HSL 0, 0.53%, 0.51%

LAB 46.67, 52.43, 29.7

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 67 / 1 / 23

HEX #C440C2

RGB 196 64 194

HSL 300.91, 0.53%, 0.51%

LAB 51.03, 67.16, -41.71

 

CMYK 17 / 67 / 0 / 23

HEX #A340C4

RGB 163 64 196

HSL 285, 0.53%, 0.51%

LAB 46.23, 60.05, -50.81

 

CMYK 35 / 67 / 0 / 23

HEX #7F40C4

RGB 127 64 196

HSL 268.64, 0.53%, 0.51%

LAB 41.48, 52.35, -58.71

 

CMYK 53 / 67 / 0 / 23

HEX #5C40C4

RGB 92 64 196

HSL 252.73, 0.53%, 0.51%

LAB 37.71, 45.77, -65

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 80 / 23 / 15

HEX #D82CA7

RGB 216 44 167

HSL 317.09, 0.69%, 0.51%

LAB 50.91, 74.01, -25.89

 

CMYK 0 / 90 / 26 / 7

HEX #ED17AF

RGB 237 23 175

HSL 317.38, 0.86%, 0.51%

LAB 53.72, 83.23, -25.94

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 52 / 15 / 31

HEX #B05496

RGB 176 84 150

HSL 316.96, 0.37%, 0.51%

LAB 49.22, 45.85, -18.96

 

CMYK 0 / 33 / 10 / 39

HEX #9C688D

RGB 156 104 141

HSL 317.31, 0.21%, 0.51%

LAB 50.56, 26.78, -11.83

 

CMYK 0 / 9 / 3 / 47

HEX #887C84

RGB 136 124 132

HSL 320, 0.05%, 0.51%

LAB 53.29, 6.1, -2.69

 

CMYK 21 / 0 / 14 / 43

HEX #73917C

RGB 115 145 124

HSL 138, 0.12%, 0.51%

LAB 57.42, -14.98, 7.7

 

CMYK 17 / 67 / 0 / 23

HEX #A340C4

RGB 163 64 196

HSL 285, 0.53%, 0.51%

LAB 46.23, 60.05, -50.81

 

CMYK 0 / 67 / 1 / 23

HEX #C440C2

RGB 196 64 194

HSL 300.91, 0.53%, 0.51%

LAB 51.03, 67.16, -41.71

 

CMYK 0 / 67 / 19 / 23

HEX #C4409F

RGB 196 64 159

HSL 316.82, 0.53%, 0.51%

LAB 49.38, 61.82, -23.79

 

CMYK 0 / 67 / 37 / 23

HEX #C4407B

RGB 196 64 123

HSL 333.18, 0.53%, 0.51%

LAB 48.05, 57.31, -4.21

 

CMYK 0 / 67 / 55 / 23

HEX #C44058

RGB 196 64 88

HSL 349.09, 0.53%, 0.51%

LAB 47.11, 54.02, 15.81

 

CMYK 0 / 69 / 20 / 47

HEX #882A6D

RGB 136 42 109

HSL 317.23, 0.53%, 0.35%

LAB 33.97, 47.03, -17.79

 

CMYK 0 / 69 / 20 / 35

HEX #A73386

RGB 167 51 134

HSL 317.07, 0.53%, 0.43%

LAB 41.7, 55.6, -21

 

CMYK 0 / 67 / 19 / 23

HEX #C4409E

RGB 196 64 158

HSL 317.27, 0.53%, 0.51%

LAB 49.34, 61.68, -23.27

 

CMYK 0 / 54 / 16 / 19

HEX #CE5FAE

RGB 206 95 174

HSL 317.3, 0.53%, 0.59%

LAB 56.45, 53.41, -21.58

 

CMYK 0 / 41 / 12 / 15

HEX #D87FBE

RGB 216 127 190

HSL 317.53, 0.53%, 0.67%

LAB 64.56, 43.04, -18.23

 

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

CMYK 0 / 35 / 67 / 23

HEX #C48040

RGB 196 128 64

HSL 29.09, 0.53%, 0.51%

LAB 59.47, 20.36, 44.61

 

CMYK 67 / 0 / 8 / 23

HEX #40C4B5

RGB 64 196 181

HSL 173.18, 0.53%, 0.51%

LAB 72.17, -38.86, -2.9

 

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

CMYK 19 / 0 / 67 / 23

HEX #9FC440

RGB 159 196 64

HSL 76.82, 0.53%, 0.51%

LAB 74.33, -31.1, 59.53

 

CMYK 67 / 19 / 0 / 23

HEX #409FC4

RGB 64 159 196

HSL 196.82, 0.53%, 0.51%

LAB 61.54, -16.13, -27.21

 

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

CMYK 0 / 35 / 67 / 23

HEX #C48040

RGB 196 128 64

HSL 29.09, 0.53%, 0.51%

LAB 59.47, 20.36, 44.61

 

CMYK 67 / 0 / 48 / 23

HEX #40C465

RGB 64 196 101

HSL 136.82, 0.53%, 0.51%

LAB 70.53, -56.06, 37.34

 

CMYK 67 / 33 / 0 / 23

HEX #4084C4

RGB 64 132 196

HSL 209.09, 0.53%, 0.51%

LAB 53.58, -0.88, -39.63

 

CMYK 0 / 67 / 19 / 23

HEX #C5419F

RGB 197 65 159

HSL 317.27, 0.53%, 0.51%

LAB 49.68, 61.7, -23.32

 

CMYK 0 / 14 / 67 / 23

HEX #C4A840

RGB 196 168 64

HSL 47.27, 0.53%, 0.51%

LAB 69.55, -1.4, 55.47

 

CMYK 67 / 0 / 48 / 23

HEX #40C465

RGB 64 196 101

HSL 136.82, 0.53%, 0.51%

LAB 70.53, -56.06, 37.34

 

CMYK 67 / 53 / 0 / 23

HEX #405DC4

RGB 64 93 196

HSL 226.82, 0.53%, 0.51%

LAB 42.62, 23.37, -57.12

 

Description

Color code: HEX #C5419F | qconv.com Color code: HEX #C5419F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 65 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 65 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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