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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C526C6 it is the complementary color #3AD939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C526C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C526C6 shade: #CA26C1, #DB38D4, #EC4AE7, #FD5CFA and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C526C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C526C6 shade: #C526C6, #B414B3, #A302A0, #92008D and #81007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C526C6 shade: #C426C5, #C5269B, #C52670, #C52645 and #C52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C526C6 shade: #C426C5, #9926C5, #6E26C5, #4326C5 and #2626C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C526C6 shade matches the following richer shades: #C426C5 and #D713D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C526C6 shade: #C426C5, #B139B2, #9F4B9F, #8C5E8C and #797179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C526C6 shade: #6D26C5, #9826C5, #C226C5, #C5269D and #C52673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C526C6 shade: #7F1880, #A21FA2, #C426C5, #D93ADA and #DF5DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C526C6 shade: #C526C6, #C54326 and #26C583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C526C6 shade: #C526C6, #C5C226 and #26C5C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C526C6 shade: #C526C6, #C54326, #28C526 and #26A8C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C526C6 shade: #C526C6, #C57326, #28C526 and #2678C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

Complementary color

CMYK 73 / 0 / 74 / 15

HEX #3AD939

RGB 58 217 57

HSL 119.63, 0.68%, 0.54%

LAB 76.57, -69.13, 63.08

 

CMYK 0 / 81 / 4 / 21

HEX #CA26C1

RGB 202 38 193

HSL 303.29, 0.68%, 0.47%

LAB 49.24, 76.05, -43.9

 

CMYK 0 / 74 / 3 / 14

HEX #DB38D4

RGB 219 56 212

HSL 302.58, 0.69%, 0.54%

LAB 54.7, 77.63, -46

 

CMYK 0 / 69 / 2 / 7

HEX #EC4AE7

RGB 236 74 231

HSL 301.85, 0.81%, 0.61%

LAB 60.34, 78.49, -47.63

 

CMYK 0 / 64 / 1 / 1

HEX #FD5CFA

RGB 253 92 250

HSL 301.12, 0.98%, 0.68%

LAB 66.09, 78.84, -48.93

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

CMYK 0 / 89 / 1 / 29

HEX #B414B3

RGB 180 20 179

HSL 300.38, 0.8%, 0.39%

LAB 43.45, 73.3, -45.16

 

CMYK 0 / 99 / 2 / 36

HEX #A302A0

RGB 163 2 160

HSL 301.12, 0.98%, 0.32%

LAB 38.49, 69.62, -41.9

 

CMYK 0 / 100 / 3 / 43

HEX #92008D

RGB 146 0 141

HSL 302.05, 1%, 0.29%

LAB 34.05, 64.08, -37.58

 

CMYK 0 / 100 / 5 / 49

HEX #81007A

RGB 129 0 122

HSL 303.26, 1%, 0.25%

LAB 29.59, 58.19, -33

 

CMYK 1 / 81 / 0 / 23

HEX #C426C5

RGB 196 38 197

HSL 299.62, 0.68%, 0.46%

LAB 48.45, 75.5, -47.54

 

CMYK 0 / 81 / 21 / 23

HEX #C5269B

RGB 197 38 155

HSL 315.85, 0.68%, 0.46%

LAB 46.48, 69.75, -25.89

 

CMYK 0 / 81 / 43 / 23

HEX #C52670

RGB 197 38 112

HSL 332.08, 0.68%, 0.46%

LAB 44.84, 65, -2.18

 

CMYK 0 / 81 / 65 / 23

HEX #C52645

RGB 197 38 69

HSL 348.3, 0.68%, 0.46%

LAB 43.78, 61.8, 23.08

 

CMYK 0 / 81 / 81 / 23

HEX #C52626

RGB 197 38 38

HSL 0, 0.68%, 0.46%

LAB 43.35, 60.49, 40.93

 

CMYK 1 / 81 / 0 / 23

HEX #C426C5

RGB 196 38 197

HSL 299.62, 0.68%, 0.46%

LAB 48.45, 75.5, -47.54

 

CMYK 22 / 81 / 0 / 23

HEX #9926C5

RGB 153 38 197

HSL 283.4, 0.68%, 0.46%

LAB 41.52, 67.71, -59.06

 

CMYK 44 / 81 / 0 / 23

HEX #6E26C5

RGB 110 38 197

HSL 267.17, 0.68%, 0.46%

LAB 35.46, 60.99, -69.19

 

CMYK 66 / 81 / 0 / 23

HEX #4326C5

RGB 67 38 197

HSL 250.94, 0.68%, 0.46%

LAB 30.9, 56.01, -76.86

 

CMYK 81 / 81 / 0 / 23

HEX #2626C5

RGB 38 38 197

HSL 240, 0.68%, 0.46%

LAB 28.98, 53.93, -80.11

 

CMYK 1 / 81 / 0 / 23

HEX #C426C5

RGB 196 38 197

HSL 299.62, 0.68%, 0.46%

LAB 48.45, 75.5, -47.54

 

CMYK 0 / 91 / 0 / 15

HEX #D713D8

RGB 215 19 216

HSL 299.7, 0.84%, 0.46%

LAB 51.69, 84.95, -53.11

 

CMYK 1 / 81 / 0 / 23

HEX #C426C5

RGB 196 38 197

HSL 299.62, 0.68%, 0.46%

LAB 48.45, 75.5, -47.54

 

CMYK 1 / 68 / 0 / 30

HEX #B139B2

RGB 177 57 178

HSL 299.5, 0.51%, 0.46%

LAB 46.3, 62.71, -40.07

 

CMYK 0 / 53 / 0 / 38

HEX #9F4B9F

RGB 159 75 159

HSL 300, 0.36%, 0.46%

LAB 45.51, 46.79, -30.25

 

CMYK 0 / 33 / 0 / 45

HEX #8C5E8C

RGB 140 94 140

HSL 300, 0.2%, 0.46%

LAB 46.28, 26.72, -17.91

 

CMYK 0 / 7 / 0 / 53

HEX #797179

RGB 121 113 121

HSL 300, 0.03%, 0.46%

LAB 48.58, 4.68, -3.3

 

CMYK 45 / 81 / 0 / 23

HEX #6D26C5

RGB 109 38 197

HSL 266.79, 0.68%, 0.46%

LAB 35.34, 60.86, -69.4

 

CMYK 23 / 81 / 0 / 23

HEX #9826C5

RGB 152 38 197

HSL 283.02, 0.68%, 0.46%

LAB 41.36, 67.54, -59.32

 

CMYK 2 / 81 / 0 / 23

HEX #C226C5

RGB 194 38 197

HSL 298.87, 0.68%, 0.46%

LAB 48.12, 75.12, -48.1

 

CMYK 0 / 81 / 20 / 23

HEX #C5269D

RGB 197 38 157

HSL 315.09, 0.68%, 0.46%

LAB 46.57, 70.01, -26.95

 

CMYK 0 / 81 / 42 / 23

HEX #C52673

RGB 197 38 115

HSL 330.94, 0.68%, 0.46%

LAB 44.93, 65.28, -3.9

 

CMYK 1 / 81 / 0 / 50

HEX #7F1880

RGB 127 24 128

HSL 299.42, 0.68%, 0.3%

LAB 31.17, 54.13, -34.29

 

CMYK 0 / 81 / 0 / 36

HEX #A21FA2

RGB 162 31 162

HSL 300, 0.68%, 0.38%

LAB 40.03, 65.07, -40.66

 

CMYK 1 / 81 / 0 / 23

HEX #C426C5

RGB 196 38 197

HSL 299.62, 0.68%, 0.46%

LAB 48.45, 75.5, -47.54

 

CMYK 0 / 73 / 0 / 15

HEX #D93ADA

RGB 217 58 218

HSL 299.63, 0.68%, 0.54%

LAB 54.91, 77.56, -49.1

 

CMYK 0 / 58 / 0 / 12

HEX #DF5DE0

RGB 223 93 224

HSL 299.54, 0.68%, 0.62%

LAB 60.69, 67.05, -43.28

 

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

CMYK 0 / 66 / 81 / 23

HEX #C54326

RGB 197 67 38

HSL 10.94, 0.68%, 0.46%

LAB 47.01, 50.41, 44.51

 

CMYK 81 / 0 / 34 / 23

HEX #26C583

RGB 38 197 131

HSL 155.09, 0.68%, 0.46%

LAB 70.86, -54.62, 22.17

 

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

CMYK 0 / 2 / 81 / 23

HEX #C5C226

RGB 197 194 38

HSL 58.87, 0.68%, 0.46%

LAB 76.43, -15.57, 71.13

 

CMYK 81 / 0 / 2 / 23

HEX #26C5C2

RGB 38 197 194

HSL 178.87, 0.68%, 0.46%

LAB 72.39, -38.66, -9.7

 

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

CMYK 0 / 66 / 81 / 23

HEX #C54326

RGB 197 67 38

HSL 10.94, 0.68%, 0.46%

LAB 47.01, 50.41, 44.51

 

CMYK 80 / 0 / 81 / 23

HEX #28C526

RGB 40 197 38

HSL 119.25, 0.68%, 0.46%

LAB 69.84, -66.82, 62.39

 

CMYK 81 / 15 / 0 / 23

HEX #26A8C5

RGB 38 168 197

HSL 190.94, 0.68%, 0.46%

LAB 63.71, -23.74, -24.48

 

CMYK 1 / 81 / 0 / 22

HEX #C526C6

RGB 197 38 198

HSL 299.63, 0.68%, 0.46%

LAB 48.68, 75.85, -47.75

 

CMYK 0 / 42 / 81 / 23

HEX #C57326

RGB 197 115 38

HSL 29.06, 0.68%, 0.46%

LAB 56.36, 26.66, 53.31

 

CMYK 80 / 0 / 81 / 23

HEX #28C526

RGB 40 197 38

HSL 119.25, 0.68%, 0.46%

LAB 69.84, -66.82, 62.39

 

CMYK 81 / 39 / 0 / 23

HEX #2678C5

RGB 38 120 197

HSL 209.06, 0.68%, 0.46%

LAB 49.35, 3.29, -46.95

 

Description

Color code: HEX #C526C6 | qconv.com Color code: HEX #C526C6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 38 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 38 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 81 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 81% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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