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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C522DF it is the complementary color #3ADD20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C522DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C522DF shade: #CA22DA, #DB34ED, #EC46FF, #FD58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C522DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C522DF shade: #C522DF, #B410CC, #A300B9, #9200A6 and #810093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C522DF shade: #C520DF, #DF20C6, #DF2092, #DF205F and #DF202B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C522DF shade: #C520DF, #9120DF, #5E20DF, #2A20DF and #2020DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C522DF shade matches the following richer shades: #C520DF and #D40BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C522DF shade: #C520DF, #B635CA, #A749B6, #985EA1 and #89728D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C522DF shade: #5C20DF, #8F20DF, #C220DF, #DF20C9 and #DF2096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C522DF shade: #851697, #A51BBB, #C520DF, #CE44E4 and #D868E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C522DF shade: #C522DF, #DF2920 and #20DF76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C522DF shade: #C522DF, #DFC220 and #20DFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C522DF shade: #C522DF, #DF2920, #3DDF20 and #20D6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C522DF shade: #C522DF, #DF6320, #3DDF20 and #209CDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

Complementary color

CMYK 74 / 0 / 86 / 13

HEX #3ADD20

RGB 58 221 32

HSL 111.75, 0.75%, 0.5%

LAB 77.71, -71.77, 71.11

 

CMYK 7 / 84 / 0 / 15

HEX #CA22DA

RGB 202 34 218

HSL 294.78, 0.73%, 0.49%

LAB 50.41, 80.75, -56.43

 

CMYK 8 / 78 / 0 / 7

HEX #DB34ED

RGB 219 52 237

HSL 294.16, 0.84%, 0.57%

LAB 55.72, 82.67, -58.51

 

CMYK 7 / 73 / 0 / 0

HEX #EC46FF

RGB 236 70 255

HSL 293.84, 1%, 0.64%

LAB 61.16, 83.64, -59.67

 

CMYK 1 / 65 / 0 / 0

HEX #FD58FF

RGB 253 88 255

HSL 299.28, 1%, 0.67%

LAB 65.81, 81.1, -52.12

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

CMYK 12 / 92 / 0 / 20

HEX #B410CC

RGB 180 16 204

HSL 292.34, 0.85%, 0.43%

LAB 44.85, 77.8, -57.53

 

CMYK 12 / 100 / 0 / 27

HEX #A300B9

RGB 163 0 185

HSL 292.86, 1%, 0.36%

LAB 40.06, 73.77, -54.3

 

CMYK 12 / 100 / 0 / 35

HEX #9200A6

RGB 146 0 166

HSL 292.77, 1%, 0.33%

LAB 35.72, 68.06, -50.14

 

CMYK 12 / 100 / 0 / 42

HEX #810093

RGB 129 0 147

HSL 292.65, 1%, 0.29%

LAB 31.29, 62.23, -45.89

 

CMYK 12 / 86 / 0 / 13

HEX #C520DF

RGB 197 32 223

HSL 291.83, 0.75%, 0.5%

LAB 49.78, 81.11, -60.34

 

CMYK 0 / 86 / 11 / 13

HEX #DF20C6

RGB 223 32 198

HSL 307.85, 0.75%, 0.5%

LAB 52.73, 81.98, -41.05

 

CMYK 0 / 86 / 35 / 13

HEX #DF2092

RGB 223 32 146

HSL 324.19, 0.75%, 0.5%

LAB 50.45, 75.81, -13.99

 

CMYK 0 / 86 / 57 / 13

HEX #DF205F

RGB 223 32 95

HSL 340.21, 0.75%, 0.5%

LAB 48.94, 71.55, 14.84

 

CMYK 0 / 86 / 81 / 13

HEX #DF202B

RGB 223 32 43

HSL 356.54, 0.75%, 0.5%

LAB 48.13, 69.18, 44.68

 

CMYK 12 / 86 / 0 / 13

HEX #C520DF

RGB 197 32 223

HSL 291.83, 0.75%, 0.5%

LAB 49.78, 81.11, -60.34

 

CMYK 35 / 86 / 0 / 13

HEX #9120DF

RGB 145 32 223

HSL 275.5, 0.75%, 0.5%

LAB 41.81, 73.33, -73.64

 

CMYK 58 / 86 / 0 / 13

HEX #5E20DF

RGB 94 32 223

HSL 259.48, 0.75%, 0.5%

LAB 35.48, 67.62, -84.29

 

CMYK 81 / 86 / 0 / 13

HEX #2A20DF

RGB 42 32 223

HSL 243.14, 0.75%, 0.5%

LAB 31.47, 64.33, -91.06

 

CMYK 86 / 86 / 0 / 13

HEX #2020DF

RGB 32 32 223

HSL 240, 0.75%, 0.5%

LAB 31.04, 63.99, -91.79

 

CMYK 12 / 86 / 0 / 13

HEX #C520DF

RGB 197 32 223

HSL 291.83, 0.75%, 0.5%

LAB 49.78, 81.11, -60.34

 

CMYK 13 / 95 / 0 / 4

HEX #D40BF4

RGB 212 11 244

HSL 291.76, 0.91%, 0.5%

LAB 52.69, 89.52, -67.36

 

CMYK 12 / 86 / 0 / 13

HEX #C520DF

RGB 197 32 223

HSL 291.83, 0.75%, 0.5%

LAB 49.78, 81.11, -60.34

 

CMYK 10 / 74 / 0 / 21

HEX #B635CA

RGB 182 53 202

HSL 291.95, 0.58%, 0.5%

LAB 47.95, 69.36, -51.37

 

CMYK 8 / 60 / 0 / 29

HEX #A749B6

RGB 167 73 182

HSL 291.74, 0.43%, 0.5%

LAB 47.44, 54.27, -40.69

 

CMYK 6 / 42 / 0 / 37

HEX #985EA1

RGB 152 94 161

HSL 291.94, 0.26%, 0.5%

LAB 48.58, 34.95, -26.72

 

CMYK 3 / 19 / 0 / 45

HEX #89728D

RGB 137 114 141

HSL 291.11, 0.11%, 0.5%

LAB 51.01, 14.12, -11.36

 

CMYK 59 / 86 / 0 / 13

HEX #5C20DF

RGB 92 32 223

HSL 258.85, 0.75%, 0.5%

LAB 35.27, 67.44, -84.63

 

CMYK 36 / 86 / 0 / 13

HEX #8F20DF

RGB 143 32 223

HSL 274.87, 0.75%, 0.5%

LAB 41.53, 73.07, -74.11

 

CMYK 13 / 86 / 0 / 13

HEX #C220DF

RGB 194 32 223

HSL 290.89, 0.75%, 0.5%

LAB 49.29, 80.62, -61.15

 

CMYK 0 / 86 / 10 / 13

HEX #DF20C9

RGB 223 32 201

HSL 306.91, 0.75%, 0.5%

LAB 52.88, 82.39, -42.53

 

CMYK 0 / 86 / 33 / 13

HEX #DF2096

RGB 223 32 150

HSL 322.93, 0.75%, 0.5%

LAB 50.6, 76.22, -16.16

 

CMYK 12 / 85 / 0 / 41

HEX #851697

RGB 133 22 151

HSL 291.63, 0.75%, 0.34%

LAB 33.55, 59.85, -44.65

 

CMYK 12 / 86 / 0 / 27

HEX #A51BBB

RGB 165 27 187

HSL 291.75, 0.75%, 0.42%

LAB 41.8, 70.7, -52.66

 

CMYK 12 / 86 / 0 / 13

HEX #C520DF

RGB 197 32 223

HSL 291.83, 0.75%, 0.5%

LAB 49.78, 81.11, -60.34

 

CMYK 10 / 70 / 0 / 11

HEX #CE44E4

RGB 206 68 228

HSL 291.75, 0.75%, 0.58%

LAB 54.93, 73.68, -54.83

 

CMYK 7 / 55 / 0 / 9

HEX #D868E9

RGB 216 104 233

HSL 292.09, 0.75%, 0.66%

LAB 61.98, 61.98, -46.34

 

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

CMYK 0 / 82 / 86 / 13

HEX #DF2920

RGB 223 41 32

HSL 2.83, 0.75%, 0.5%

LAB 48.73, 66.94, 50.79

 

CMYK 86 / 0 / 47 / 13

HEX #20DF76

RGB 32 223 118

HSL 147.02, 0.75%, 0.5%

LAB 78.69, -66.75, 39.11

 

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

CMYK 0 / 13 / 86 / 13

HEX #DFC220

RGB 223 194 32

HSL 50.89, 0.75%, 0.5%

LAB 78.68, -4.52, 75.39

 

CMYK 86 / 0 / 13 / 13

HEX #20DFC2

RGB 32 223 194

HSL 170.89, 0.75%, 0.5%

LAB 80.17, -50.35, 1.74

 

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

CMYK 0 / 82 / 86 / 13

HEX #DF2920

RGB 223 41 32

HSL 2.83, 0.75%, 0.5%

LAB 48.73, 66.94, 50.79

 

CMYK 73 / 0 / 86 / 13

HEX #3DDF20

RGB 61 223 32

HSL 110.89, 0.75%, 0.5%

LAB 78.39, -71.89, 71.73

 

CMYK 86 / 4 / 0 / 13

HEX #20D6DF

RGB 32 214 223

HSL 182.83, 0.75%, 0.5%

LAB 78.3, -38.26, -16.5

 

CMYK 12 / 85 / 0 / 13

HEX #C522DF

RGB 197 34 223

HSL 291.75, 0.75%, 0.5%

LAB 49.91, 80.72, -60.13

 

CMYK 0 / 56 / 86 / 13

HEX #DF6320

RGB 223 99 32

HSL 21.05, 0.75%, 0.5%

LAB 56.8, 45.12, 57.49

 

CMYK 73 / 0 / 86 / 13

HEX #3DDF20

RGB 61 223 32

HSL 110.89, 0.75%, 0.5%

LAB 78.39, -71.89, 71.73

 

CMYK 86 / 30 / 0 / 13

HEX #209CDF

RGB 32 156 223

HSL 201.05, 0.75%, 0.5%

LAB 61.14, -8.76, -42.94

 

Description

Color code: HEX #C522DF | qconv.com Color code: HEX #C522DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 34 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 34 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 85 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 85% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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