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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51ABE it is the complementary color #3AE541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51ABE shade: #CA1AB9, #DB2CCC, #EC3EDF, #FD50F2 and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51ABE shade: #C51ABE, #B408AB, #A30098, #920085 and #810072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51ABE shade: #C71AC0, #C71A91, #C71A62, #C71A34 and #C71A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51ABE shade: #C71AC0, #9F1AC7, #701AC7, #421AC7 and #1A1AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51ABE shade matches the following richer shades: #C71AC0 and #D908D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51ABE shade: #C71AC0, #B42CAF, #A23E9E, #90508E and #7E627D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51ABE shade: #701AC7, #9E1AC7, #C71AC1, #C71A93 and #C71A65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51ABE shade: #7E1079, #A2159C, #C71AC0, #E327DB and #E84BE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51ABE shade: #C51ABE, #C7421A and #1AC787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51ABE shade: #C51ABE, #C1C71A and #1AC1C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51ABE shade: #C51ABE, #C7421A, #1AC720 and #1A9EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51ABE shade: #C51ABE, #C7761A, #1AC720 and #1A6AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

Complementary color

CMYK 75 / 0 / 72 / 10

HEX #3AE541

RGB 58 229 65

HSL 122.46, 0.77%, 0.56%

LAB 80.36, -72.21, 64.13

 

CMYK 0 / 87 / 8 / 21

HEX #CA1AB9

RGB 202 26 185

HSL 305.8, 0.77%, 0.45%

LAB 48, 77.25, -41.2

 

CMYK 0 / 80 / 7 / 14

HEX #DB2CCC

RGB 219 44 204

HSL 305.14, 0.71%, 0.52%

LAB 53.19, 79.6, -43.81

 

CMYK 0 / 74 / 6 / 7

HEX #EC3EDF

RGB 236 62 223

HSL 304.48, 0.82%, 0.58%

LAB 58.61, 81.06, -45.88

 

CMYK 0 / 68 / 4 / 1

HEX #FD50F2

RGB 253 80 242

HSL 303.82, 0.98%, 0.65%

LAB 64.19, 81.86, -47.51

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

CMYK 0 / 96 / 5 / 29

HEX #B408AB

RGB 180 8 171

HSL 303.14, 0.91%, 0.37%

LAB 42.49, 73.56, -41.94

 

CMYK 0 / 100 / 7 / 36

HEX #A30098

RGB 163 0 152

HSL 304.05, 1%, 0.32%

LAB 37.94, 68.68, -37.94

 

CMYK 0 / 100 / 9 / 43

HEX #920085

RGB 146 0 133

HSL 305.34, 1%, 0.29%

LAB 33.57, 62.91, -33.38

 

CMYK 0 / 100 / 12 / 49

HEX #810072

RGB 129 0 114

HSL 306.98, 1%, 0.25%

LAB 29.11, 57.01, -28.67

 

CMYK 0 / 87 / 4 / 22

HEX #C71AC0

RGB 199 26 192

HSL 302.43, 0.77%, 0.44%

LAB 47.86, 77.7, -45.55

 

CMYK 0 / 87 / 27 / 22

HEX #C71A91

RGB 199 26 145

HSL 318.73, 0.77%, 0.44%

LAB 45.53, 71.51, -21.3

 

CMYK 0 / 87 / 51 / 22

HEX #C71A62

RGB 199 26 98

HSL 335.03, 0.77%, 0.44%

LAB 43.89, 66.95, 5.2

 

CMYK 0 / 87 / 74 / 22

HEX #C71A34

RGB 199 26 52

HSL 350.98, 0.77%, 0.44%

LAB 42.96, 64.27, 32.56

 

CMYK 0 / 87 / 87 / 22

HEX #C71A1A

RGB 199 26 26

HSL 0, 0.77%, 0.44%

LAB 42.7, 63.51, 46.67

 

CMYK 0 / 87 / 4 / 22

HEX #C71AC0

RGB 199 26 192

HSL 302.43, 0.77%, 0.44%

LAB 47.86, 77.7, -45.55

 

CMYK 20 / 87 / 0 / 22

HEX #9F1AC7

RGB 159 26 199

HSL 286.13, 0.77%, 0.44%

LAB 41.58, 72.05, -60.07

 

CMYK 44 / 87 / 0 / 22

HEX #701AC7

RGB 112 26 199

HSL 269.83, 0.77%, 0.44%

LAB 34.61, 65.52, -71.75

 

CMYK 67 / 87 / 0 / 22

HEX #421AC7

RGB 66 26 199

HSL 253.87, 0.77%, 0.44%

LAB 29.46, 61.15, -80.42

 

CMYK 87 / 87 / 0 / 22

HEX #1A1AC7

RGB 26 26 199

HSL 240, 0.77%, 0.44%

LAB 26.97, 59.23, -84.65

 

CMYK 0 / 87 / 4 / 22

HEX #C71AC0

RGB 199 26 192

HSL 302.43, 0.77%, 0.44%

LAB 47.86, 77.7, -45.55

 

CMYK 0 / 96 / 4 / 15

HEX #D908D0

RGB 217 8 208

HSL 302.58, 0.93%, 0.44%

LAB 51.24, 85.12, -49.23

 

CMYK 0 / 87 / 4 / 22

HEX #C71AC0

RGB 199 26 192

HSL 302.43, 0.77%, 0.44%

LAB 47.86, 77.7, -45.55

 

CMYK 0 / 76 / 3 / 29

HEX #B42CAF

RGB 180 44 175

HSL 302.21, 0.61%, 0.44%

LAB 45.08, 67.26, -40.19

 

CMYK 0 / 62 / 2 / 36

HEX #A23E9E

RGB 162 62 158

HSL 302.4, 0.45%, 0.44%

LAB 43.65, 53.55, -32.54

 

CMYK 0 / 44 / 1 / 44

HEX #90508E

RGB 144 80 142

HSL 301.88, 0.29%, 0.44%

LAB 43.68, 36.39, -23.07

 

CMYK 0 / 22 / 1 / 51

HEX #7E627D

RGB 126 98 125

HSL 302.14, 0.13%, 0.44%

LAB 45.15, 16.31, -10.76

 

CMYK 44 / 87 / 0 / 22

HEX #701AC7

RGB 112 26 199

HSL 269.83, 0.77%, 0.44%

LAB 34.61, 65.52, -71.75

 

CMYK 21 / 87 / 0 / 22

HEX #9E1AC7

RGB 158 26 199

HSL 285.78, 0.77%, 0.44%

LAB 41.42, 71.89, -60.34

 

CMYK 0 / 87 / 3 / 22

HEX #C71AC1

RGB 199 26 193

HSL 302.08, 0.77%, 0.44%

LAB 47.92, 77.84, -46.04

 

CMYK 0 / 87 / 26 / 22

HEX #C71A93

RGB 199 26 147

HSL 318.03, 0.77%, 0.44%

LAB 45.62, 71.75, -22.38

 

CMYK 0 / 87 / 49 / 22

HEX #C71A65

RGB 199 26 101

HSL 333.99, 0.77%, 0.44%

LAB 43.97, 67.19, 3.44

 

CMYK 0 / 87 / 4 / 51

HEX #7E1079

RGB 126 16 121

HSL 302.73, 0.77%, 0.28%

LAB 29.88, 54.75, -31.95

 

CMYK 0 / 87 / 4 / 36

HEX #A2159C

RGB 162 21 156

HSL 302.55, 0.77%, 0.36%

LAB 38.93, 66.32, -38.8

 

CMYK 0 / 87 / 4 / 22

HEX #C71AC0

RGB 199 26 192

HSL 302.43, 0.77%, 0.44%

LAB 47.86, 77.7, -45.55

 

CMYK 0 / 83 / 4 / 11

HEX #E327DB

RGB 227 39 219

HSL 302.55, 0.77%, 0.52%

LAB 54.97, 84.36, -49.48

 

CMYK 0 / 68 / 3 / 9

HEX #E84BE1

RGB 232 75 225

HSL 302.68, 0.77%, 0.6%

LAB 59.55, 76.33, -45.56

 

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

CMYK 0 / 67 / 87 / 22

HEX #C7421A

RGB 199 66 26

HSL 13.87, 0.77%, 0.44%

LAB 47.12, 51.19, 50.27

 

CMYK 87 / 0 / 32 / 22

HEX #1AC787

RGB 26 199 135

HSL 157.8, 0.77%, 0.44%

LAB 71.43, -55.55, 20.81

 

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

CMYK 3 / 0 / 87 / 22

HEX #C1C71A

RGB 193 199 26

HSL 62.08, 0.77%, 0.44%

LAB 77.44, -20.09, 74.56

 

CMYK 87 / 3 / 0 / 22

HEX #1AC1C7

RGB 26 193 199

HSL 182.08, 0.77%, 0.44%

LAB 71.2, -36.18, -14.22

 

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

CMYK 0 / 67 / 87 / 22

HEX #C7421A

RGB 199 66 26

HSL 13.87, 0.77%, 0.44%

LAB 47.12, 51.19, 50.27

 

CMYK 87 / 0 / 84 / 22

HEX #1AC720

RGB 26 199 32

HSL 122.08, 0.77%, 0.44%

LAB 70.3, -69.16, 64.32

 

CMYK 87 / 21 / 0 / 22

HEX #1A9EC7

RGB 26 158 199

HSL 194.22, 0.77%, 0.44%

LAB 60.6, -18.78, -30.41

 

CMYK 0 / 87 / 4 / 23

HEX #C51ABE

RGB 197 26 190

HSL 302.46, 0.77%, 0.44%

LAB 47.4, 77.04, -45.14

 

CMYK 0 / 41 / 87 / 22

HEX #C7761A

RGB 199 118 26

HSL 31.91, 0.77%, 0.44%

LAB 57.24, 25.55, 58.47

 

CMYK 87 / 0 / 84 / 22

HEX #1AC720

RGB 26 199 32

HSL 122.08, 0.77%, 0.44%

LAB 70.3, -69.16, 64.32

 

CMYK 87 / 47 / 0 / 22

HEX #1A6AC7

RGB 26 106 199

HSL 212.25, 0.77%, 0.44%

LAB 45.15, 11.85, -54.83

 

Description

Color code: HEX #C51ABE | qconv.com Color code: HEX #C51ABE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 26 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 26 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 4 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 4% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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