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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51694 it is the complementary color #3AE96B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51694 shade: #CA168F, #DB28A2, #EC3AB5, #FD4CC8 and #FF5EDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51694 shade: #C51694, #B40481, #A3006E, #92005B and #810048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51694 shade: #C51694, #C51665, #C51636 and #C51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51694 shade: #C51694, #C516C4, #9816C5, #6916C5 and #3916C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51694 shade matches the following richer shades: #C51694 and #D7049C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51694 shade: #C51694, #B4288C, #A23985, #904B7D and #7E5D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51694 shade: #9716C5, #C516C5, #C51697, #C51668 and #C51639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51694 shade: #7B0E5C, #A01278, #C51694, #E61FAE and #EA44BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51694 shade: #C51694, #C56816 and #16C5AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51694 shade: #C51694, #97C516 and #1697C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51694 shade: #C51694, #C56816, #16C545 and #1673C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51694 shade: #C51694, #C59C16, #16C545 and #163FC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

Complementary color

CMYK 75 / 0 / 54 / 9

HEX #3AE96B

RGB 58 233 107

HSL 136.8, 0.8%, 0.57%

LAB 81.97, -68.96, 48.49

 

CMYK 0 / 89 / 29 / 21

HEX #CA168F

RGB 202 22 143

HSL 319.67, 0.8%, 0.44%

LAB 45.79, 72.59, -19.65

 

CMYK 0 / 82 / 26 / 14

HEX #DB28A2

RGB 219 40 162

HSL 319.11, 0.71%, 0.51%

LAB 50.9, 75.03, -22.9

 

CMYK 0 / 75 / 23 / 7

HEX #EC3AB5

RGB 236 58 181

HSL 318.54, 0.82%, 0.58%

LAB 56.28, 76.53, -25.49

 

CMYK 0 / 70 / 21 / 1

HEX #FD4CC8

RGB 253 76 200

HSL 317.97, 0.98%, 0.65%

LAB 61.85, 77.34, -27.59

 

CMYK 0 / 63 / 14 / 0

HEX #FF5EDB

RGB 255 94 219

HSL 313.42, 1%, 0.68%

LAB 65.26, 73.9, -32.99

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 98 / 28 / 29

HEX #B40481

RGB 180 4 129

HSL 317.39, 0.96%, 0.36%

LAB 40.21, 68.54, -20.03

 

CMYK 0 / 100 / 33 / 36

HEX #A3006E

RGB 163 0 110

HSL 319.51, 1%, 0.32%

LAB 35.81, 63.36, -15.15

 

CMYK 0 / 100 / 38 / 43

HEX #92005B

RGB 146 0 91

HSL 322.6, 1%, 0.29%

LAB 31.5, 57.68, -9.81

 

CMYK 0 / 100 / 44 / 49

HEX #810048

RGB 129 0 72

HSL 326.51, 1%, 0.25%

LAB 27.12, 51.94, -4.16

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 89 / 49 / 23

HEX #C51665

RGB 197 22 101

HSL 332.91, 0.8%, 0.43%

LAB 43.34, 67.4, 2.47

 

CMYK 0 / 89 / 73 / 23

HEX #C51636

RGB 197 22 54

HSL 349.03, 0.8%, 0.43%

LAB 42.32, 64.54, 30.5

 

CMYK 0 / 89 / 89 / 23

HEX #C51616

RGB 197 22 22

HSL 0, 0.8%, 0.43%

LAB 42, 63.62, 47.81

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 89 / 1 / 23

HEX #C516C4

RGB 197 22 196

HSL 300.34, 0.8%, 0.43%

LAB 47.53, 78.55, -48.42

 

CMYK 23 / 89 / 0 / 23

HEX #9816C5

RGB 152 22 197

HSL 284.57, 0.8%, 0.43%

LAB 40.05, 71.4, -61.45

 

CMYK 47 / 89 / 0 / 23

HEX #6916C5

RGB 105 22 197

HSL 268.46, 0.8%, 0.43%

LAB 33.15, 65.3, -73.01

 

CMYK 71 / 89 / 0 / 23

HEX #3916C5

RGB 57 22 197

HSL 252, 0.8%, 0.43%

LAB 28.05, 61.34, -81.63

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 98 / 27 / 16

HEX #D7049C

RGB 215 4 156

HSL 316.78, 0.96%, 0.43%

LAB 48.18, 78.55, -23.59

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 78 / 22 / 29

HEX #B4288C

RGB 180 40 140

HSL 317.14, 0.64%, 0.43%

LAB 42.94, 63.38, -22.56

 

CMYK 0 / 65 / 18 / 36

HEX #A23985

RGB 162 57 133

HSL 316.57, 0.48%, 0.43%

LAB 41.69, 51.66, -20.47

 

CMYK 0 / 48 / 13 / 44

HEX #904B7D

RGB 144 75 125

HSL 316.52, 0.32%, 0.43%

LAB 41.91, 36.02, -15.47

 

CMYK 0 / 26 / 7 / 51

HEX #7E5D75

RGB 126 93 117

HSL 316.36, 0.15%, 0.43%

LAB 43.58, 17.71, -8.28

 

CMYK 23 / 89 / 0 / 23

HEX #9716C5

RGB 151 22 197

HSL 284.23, 0.8%, 0.43%

LAB 39.89, 71.25, -61.72

 

CMYK 0 / 89 / 0 / 23

HEX #C516C5

RGB 197 22 197

HSL 300, 0.8%, 0.43%

LAB 47.59, 78.7, -48.91

 

CMYK 0 / 89 / 23 / 23

HEX #C51697

RGB 197 22 151

HSL 315.77, 0.8%, 0.43%

LAB 45.19, 72.46, -25.49

 

CMYK 0 / 89 / 47 / 23

HEX #C51668

RGB 197 22 104

HSL 331.89, 0.8%, 0.43%

LAB 43.42, 67.65, 0.72

 

CMYK 0 / 89 / 71 / 23

HEX #C51639

RGB 197 22 57

HSL 348, 0.8%, 0.43%

LAB 42.37, 64.67, 28.72

 

CMYK 0 / 89 / 25 / 52

HEX #7B0E5C

RGB 123 14 92

HSL 317.06, 0.8%, 0.27%

LAB 27.57, 50.26, -16.91

 

CMYK 0 / 89 / 25 / 37

HEX #A01278

RGB 160 18 120

HSL 316.9, 0.8%, 0.35%

LAB 36.48, 61.46, -20.49

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 87 / 24 / 10

HEX #E61FAE

RGB 230 31 174

HSL 316.88, 0.8%, 0.51%

LAB 52.79, 80.53, -26.89

 

CMYK 0 / 71 / 20 / 8

HEX #EA44BC

RGB 234 68 188

HSL 316.63, 0.8%, 0.59%

LAB 57.33, 73.86, -27.96

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 47 / 89 / 23

HEX #C56816

RGB 197 104 22

HSL 28.11, 0.8%, 0.43%

LAB 53.84, 32.12, 56.89

 

CMYK 89 / 0 / 12 / 23

HEX #16C5AE

RGB 22 197 174

HSL 172.11, 0.8%, 0.43%

LAB 71.66, -45.41, 0.1

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 23 / 0 / 89 / 23

HEX #97C516

RGB 151 197 22

HSL 75.77, 0.8%, 0.43%

LAB 73.91, -36.59, 71.2

 

CMYK 89 / 23 / 0 / 23

HEX #1697C5

RGB 22 151 197

HSL 195.77, 0.8%, 0.43%

LAB 58.35, -15.95, -32.78

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 47 / 89 / 23

HEX #C56816

RGB 197 104 22

HSL 28.11, 0.8%, 0.43%

LAB 53.84, 32.12, 56.89

 

CMYK 89 / 0 / 65 / 23

HEX #16C545

RGB 22 197 69

HSL 136.11, 0.8%, 0.43%

LAB 69.85, -65.99, 51.26

 

CMYK 89 / 42 / 0 / 23

HEX #1673C5

RGB 22 115 197

HSL 208.11, 0.8%, 0.43%

LAB 47.58, 5.11, -49.79

 

CMYK 0 / 89 / 25 / 23

HEX #C51694

RGB 197 22 148

HSL 316.8, 0.8%, 0.43%

LAB 45.06, 72.1, -23.88

 

CMYK 0 / 21 / 89 / 23

HEX #C59C16

RGB 197 156 22

HSL 45.94, 0.8%, 0.43%

LAB 66.29, 3.87, 66.62

 

CMYK 89 / 0 / 65 / 23

HEX #16C545

RGB 22 197 69

HSL 136.11, 0.8%, 0.43%

LAB 69.85, -65.99, 51.26

 

CMYK 89 / 68 / 0 / 23

HEX #163FC5

RGB 22 63 197

HSL 225.94, 0.8%, 0.43%

LAB 33.47, 38.89, -72.7

 

Description

Color code: HEX #C51694 | qconv.com Color code: HEX #C51694 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 22 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 22 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 25 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 25% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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