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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5136B it is the complementary color #3AEC94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5136B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5136B shade: #CA1366, #DB2579, #EC378C, #FD499F and #FF5BB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5136B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5136B shade: #C5136B, #B40158, #A30045, #920032 and #81001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5136B shade: #C3136A, #C3133B and #C31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5136B shade: #C3136A, #C31399, #BD13C3, #8E13C3 and #5E13C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5136B shade matches the following richer shades: #C3136A and #D4026A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5136B shade: #C3136A, #B2256A, #A0366A, #8F476B and #7E596B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5136B shade: #BD13C3, #C3139A, #C3136B, #C3133C and #C31913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5136B shade: #780C41, #9D1056, #C3136A, #E8177F and #EC3D93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5136B shade: #C5136B, #C38E13 and #13B1C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5136B shade: #C5136B, #6BC313 and #136BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5136B shade: #C5136B, #C38E13, #13C36B and #1348C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5136B shade: #C5136B, #C3C313, #13C36B and #1313C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

Complementary color

CMYK 75 / 0 / 37 / 7

HEX #3AEC94

RGB 58 236 148

HSL 150.34, 0.82%, 0.58%

LAB 83.46, -63.33, 30.39

 

CMYK 0 / 91 / 50 / 21

HEX #CA1366

RGB 202 19 102

HSL 332.79, 0.83%, 0.43%

LAB 44.21, 69.13, 3.23

 

CMYK 0 / 83 / 45 / 14

HEX #DB2579

RGB 219 37 121

HSL 332.31, 0.72%, 0.5%

LAB 49.21, 71.51, -0.81

 

CMYK 0 / 77 / 41 / 7

HEX #EC378C

RGB 236 55 140

HSL 331.82, 0.83%, 0.57%

LAB 54.51, 72.92, -4.08

 

CMYK 0 / 71 / 37 / 1

HEX #FD499F

RGB 253 73 159

HSL 331.33, 0.98%, 0.64%

LAB 60.02, 73.63, -6.76

 

CMYK 0 / 64 / 30 / 0

HEX #FF5BB2

RGB 255 91 178

HSL 328.17, 1%, 0.68%

LAB 63.31, 69.75, -12.78

 

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

CMYK 0 / 99 / 51 / 29

HEX #B40158

RGB 180 1 88

HSL 330.84, 0.99%, 0.35%

LAB 38.6, 64.96, 3.43

 

CMYK 0 / 100 / 58 / 36

HEX #A30045

RGB 163 0 69

HSL 334.6, 1%, 0.32%

LAB 34.43, 59.73, 9.33

 

CMYK 0 / 100 / 66 / 43

HEX #920032

RGB 146 0 50

HSL 339.45, 1%, 0.29%

LAB 30.26, 54.41, 15.64

 

CMYK 0 / 100 / 76 / 49

HEX #81001F

RGB 129 0 31

HSL 345.58, 1%, 0.25%

LAB 26.06, 49.12, 22.27

 

CMYK 0 / 90 / 46 / 24

HEX #C3136A

RGB 195 19 106

HSL 330.34, 0.82%, 0.42%

LAB 42.93, 67.81, -1.31

 

CMYK 0 / 90 / 70 / 24

HEX #C3133B

RGB 195 19 59

HSL 346.36, 0.82%, 0.42%

LAB 41.82, 64.72, 26.72

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 90 / 46 / 24

HEX #C3136A

RGB 195 19 106

HSL 330.34, 0.82%, 0.42%

LAB 42.93, 67.81, -1.31

 

CMYK 0 / 90 / 22 / 24

HEX #C31399

RGB 195 19 153

HSL 314.32, 0.82%, 0.42%

LAB 44.76, 72.74, -27.4

 

CMYK 3 / 90 / 0 / 24

HEX #BD13C3

RGB 189 19 195

HSL 297.95, 0.82%, 0.42%

LAB 45.94, 77.45, -50.46

 

CMYK 27 / 90 / 0 / 24

HEX #8E13C3

RGB 142 19 195

HSL 281.93, 0.82%, 0.42%

LAB 38.12, 70.13, -63.49

 

CMYK 52 / 90 / 0 / 24

HEX #5E13C3

RGB 94 19 195

HSL 265.57, 0.82%, 0.42%

LAB 31.31, 64.45, -74.92

 

CMYK 0 / 90 / 46 / 24

HEX #C3136A

RGB 195 19 106

HSL 330.34, 0.82%, 0.42%

LAB 42.93, 67.81, -1.31

 

CMYK 0 / 99 / 50 / 17

HEX #D4026A

RGB 212 2 106

HSL 330.29, 0.98%, 0.42%

LAB 45.75, 73.44, 3.22

 

CMYK 0 / 90 / 46 / 24

HEX #C3136A

RGB 195 19 106

HSL 330.34, 0.82%, 0.42%

LAB 42.93, 67.81, -1.31

 

CMYK 0 / 79 / 40 / 30

HEX #B2256A

RGB 178 37 106

HSL 330.64, 0.66%, 0.42%

LAB 40.94, 59.79, -4.61

 

CMYK 0 / 66 / 34 / 37

HEX #A0366A

RGB 160 54 106

HSL 330.57, 0.5%, 0.42%

LAB 39.84, 48.66, -6.6

 

CMYK 0 / 50 / 25 / 44

HEX #8F476B

RGB 143 71 107

HSL 330, 0.34%, 0.42%

LAB 40.26, 34.93, -6.88

 

CMYK 0 / 29 / 15 / 51

HEX #7E596B

RGB 126 89 107

HSL 330.81, 0.17%, 0.42%

LAB 42.22, 18.24, -4.21

 

CMYK 3 / 90 / 0 / 24

HEX #BD13C3

RGB 189 19 195

HSL 297.95, 0.82%, 0.42%

LAB 45.94, 77.45, -50.46

 

CMYK 0 / 90 / 21 / 24

HEX #C3139A

RGB 195 19 154

HSL 313.98, 0.82%, 0.42%

LAB 44.8, 72.86, -27.93

 

CMYK 0 / 90 / 45 / 24

HEX #C3136B

RGB 195 19 107

HSL 330, 0.82%, 0.42%

LAB 42.96, 67.9, -1.89

 

CMYK 0 / 90 / 69 / 24

HEX #C3133C

RGB 195 19 60

HSL 346.02, 0.82%, 0.42%

LAB 41.84, 64.77, 26.12

 

CMYK 0 / 87 / 90 / 24

HEX #C31913

RGB 195 25 19

HSL 2.05, 0.82%, 0.42%

LAB 41.76, 62.49, 48.75

 

CMYK 0 / 90 / 46 / 53

HEX #780C41

RGB 120 12 65

HSL 330.56, 0.82%, 0.26%

LAB 25.68, 46.82, -1.76

 

CMYK 0 / 90 / 45 / 38

HEX #9D1056

RGB 157 16 86

HSL 330.21, 0.82%, 0.34%

LAB 34.42, 57.43, -1.96

 

CMYK 0 / 90 / 46 / 24

HEX #C3136A

RGB 195 19 106

HSL 330.34, 0.82%, 0.42%

LAB 42.93, 67.81, -1.31

 

CMYK 0 / 90 / 45 / 9

HEX #E8177F

RGB 232 23 127

HSL 330.14, 0.82%, 0.5%

LAB 51.04, 77.49, -1.48

 

CMYK 0 / 74 / 38 / 7

HEX #EC3D93

RGB 236 61 147

HSL 330.51, 0.82%, 0.58%

LAB 55.36, 71.83, -6.98

 

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

CMYK 0 / 27 / 90 / 24

HEX #C38E13

RGB 195 142 19

HSL 41.93, 0.82%, 0.42%

LAB 62.5, 10.53, 64.23

 

CMYK 90 / 9 / 0 / 24

HEX #13B1C3

RGB 19 177 195

HSL 186.14, 0.82%, 0.42%

LAB 66.15, -30.2, -19.66

 

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

CMYK 45 / 0 / 90 / 24

HEX #6BC313

RGB 107 195 19

HSL 90, 0.82%, 0.42%

LAB 71.01, -51.74, 68.37

 

CMYK 90 / 45 / 0 / 24

HEX #136BC3

RGB 19 107 195

HSL 210, 0.82%, 0.42%

LAB 45.07, 9.2, -52.66

 

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

CMYK 0 / 27 / 90 / 24

HEX #C38E13

RGB 195 142 19

HSL 41.93, 0.82%, 0.42%

LAB 62.5, 10.53, 64.23

 

CMYK 90 / 0 / 45 / 24

HEX #13C36B

RGB 19 195 107

HSL 150, 0.82%, 0.42%

LAB 69.63, -60.09, 33.03

 

CMYK 90 / 63 / 0 / 24

HEX #1348C3

RGB 19 72 195

HSL 221.93, 0.82%, 0.42%

LAB 35.43, 32.17, -68.32

 

CMYK 0 / 90 / 46 / 23

HEX #C5136B

RGB 197 19 107

HSL 330.34, 0.82%, 0.42%

LAB 43.36, 68.36, -1.25

 

CMYK 0 / 0 / 90 / 24

HEX #C3C313

RGB 195 195 19

HSL 60, 0.82%, 0.42%

LAB 76.48, -17.38, 75.07

 

CMYK 90 / 0 / 45 / 24

HEX #13C36B

RGB 19 195 107

HSL 150, 0.82%, 0.42%

LAB 69.63, -60.09, 33.03

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

Description

Color code: HEX #C5136B | qconv.com Color code: HEX #C5136B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 19 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 19 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 46 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 46% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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