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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C51276 it is the complementary color #3AED89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C51276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C51276 shade: #CA1271, #DB2484, #EC3697, #FD48AA and #FF5ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C51276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C51276 shade: #C51276, #B40063, #A30050, #92003D and #81002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C51276 shade: #C41276, #C41246, #C41216 and #C41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C51276 shade: #C41276, #C412A5, #B312C4, #8312C4 and #5312C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C51276 shade matches the following richer shades: #C41276 and #D50178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C51276 shade: #C41276, #B32473, #A13571, #90466F and #7F586D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C51276 shade: #B212C4, #C412A6, #C41277, #C41248 and #C41218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C51276 shade: #780B48, #9E0F5F, #C41276, #E9168C and #ED3C9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C51276 shade: #C51276, #C48312 and #12BEC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C51276 shade: #C51276, #77C412 and #1277C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C51276 shade: #C51276, #C48312, #12C45F and #1253C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C51276 shade: #C51276, #C4B812, #12C45F and #121EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

Complementary color

CMYK 76 / 0 / 42 / 7

HEX #3AED89

RGB 58 237 137

HSL 146.48, 0.83%, 0.58%

LAB 83.59, -65.67, 36.08

 

CMYK 0 / 91 / 44 / 21

HEX #CA1271

RGB 202 18 113

HSL 329.02, 0.84%, 0.43%

LAB 44.49, 70.18, -3.2

 

CMYK 0 / 84 / 40 / 14

HEX #DB2484

RGB 219 36 132

HSL 328.52, 0.72%, 0.5%

LAB 49.48, 72.72, -7.09

 

CMYK 0 / 77 / 36 / 7

HEX #EC3697

RGB 236 54 151

HSL 328.02, 0.83%, 0.57%

LAB 54.77, 74.28, -10.23

 

CMYK 0 / 72 / 33 / 1

HEX #FD48AA

RGB 253 72 170

HSL 327.51, 0.98%, 0.64%

LAB 60.27, 75.11, -12.78

 

CMYK 0 / 65 / 26 / 0

HEX #FF5ABD

RGB 255 90 189

HSL 324, 1%, 0.68%

LAB 63.55, 71.45, -18.7

 

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

CMYK 0 / 100 / 45 / 29

HEX #B40063

RGB 180 0 99

HSL 327, 1%, 0.35%

LAB 38.91, 65.97, -3.16

 

CMYK 0 / 100 / 51 / 36

HEX #A30050

RGB 163 0 80

HSL 330.55, 1%, 0.32%

LAB 34.73, 60.54, 2.56

 

CMYK 0 / 100 / 58 / 43

HEX #92003D

RGB 146 0 61

HSL 334.93, 1%, 0.29%

LAB 30.52, 55.1, 8.63

 

CMYK 0 / 100 / 67 / 49

HEX #81002A

RGB 129 0 42

HSL 340.47, 1%, 0.25%

LAB 26.26, 49.66, 15.09

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 91 / 64 / 23

HEX #C41246

RGB 196 18 70

HSL 342.47, 0.83%, 0.42%

LAB 42.17, 65.67, 20.33

 

CMYK 0 / 91 / 89 / 23

HEX #C41216

RGB 196 18 22

HSL 358.65, 0.83%, 0.42%

LAB 41.57, 63.98, 47.39

 

CMYK 0 / 91 / 91 / 23

HEX #C41212

RGB 196 18 18

HSL 0, 0.83%, 0.42%

LAB 41.55, 63.92, 49.12

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 91 / 16 / 23

HEX #C412A5

RGB 196 18 165

HSL 310.45, 0.83%, 0.42%

LAB 45.48, 74.59, -33.45

 

CMYK 9 / 91 / 0 / 23

HEX #B312C4

RGB 179 18 196

HSL 294.27, 0.83%, 0.42%

LAB 44.24, 76.08, -53.88

 

CMYK 33 / 91 / 0 / 23

HEX #8312C4

RGB 131 18 196

HSL 278.09, 0.83%, 0.42%

LAB 36.45, 69.03, -66.88

 

CMYK 58 / 91 / 0 / 23

HEX #5312C4

RGB 83 18 196

HSL 261.91, 0.83%, 0.42%

LAB 30.05, 63.96, -77.64

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 100 / 44 / 16

HEX #D50178

RGB 213 1 120

HSL 326.32, 0.99%, 0.42%

LAB 46.34, 74.86, -4.55

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 80 / 36 / 30

HEX #B32473

RGB 179 36 115

HSL 326.85, 0.67%, 0.42%

LAB 41.35, 61.27, -9.61

 

CMYK 0 / 67 / 30 / 37

HEX #A13571

RGB 161 53 113

HSL 326.67, 0.5%, 0.42%

LAB 40.11, 50.27, -10.55

 

CMYK 0 / 51 / 23 / 44

HEX #90466F

RGB 144 70 111

HSL 326.76, 0.35%, 0.42%

LAB 40.34, 36.42, -9.23

 

CMYK 0 / 31 / 14 / 50

HEX #7F586D

RGB 127 88 109

HSL 327.69, 0.18%, 0.42%

LAB 42.15, 19.58, -5.52

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 0 / 91 / 15 / 23

HEX #C412A6

RGB 196 18 166

HSL 310.11, 0.83%, 0.42%

LAB 45.53, 74.72, -33.96

 

CMYK 0 / 91 / 39 / 23

HEX #C41277

RGB 196 18 119

HSL 325.96, 0.83%, 0.42%

LAB 43.51, 69.37, -8.52

 

CMYK 0 / 91 / 63 / 23

HEX #C41248

RGB 196 18 72

HSL 341.8, 0.83%, 0.42%

LAB 42.21, 65.79, 19.12

 

CMYK 0 / 91 / 88 / 23

HEX #C41218

RGB 196 18 24

HSL 357.98, 0.83%, 0.42%

LAB 41.59, 64.02, 46.47

 

CMYK 0 / 91 / 40 / 53

HEX #780B48

RGB 120 11 72

HSL 326.42, 0.83%, 0.26%

LAB 25.86, 47.75, -6.23

 

CMYK 0 / 91 / 40 / 38

HEX #9E0F5F

RGB 158 15 95

HSL 326.43, 0.83%, 0.34%

LAB 34.88, 58.7, -7.08

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 91 / 40 / 9

HEX #E9168C

RGB 233 22 140

HSL 326.45, 0.83%, 0.5%

LAB 51.6, 78.97, -8.47

 

CMYK 0 / 75 / 33 / 7

HEX #ED3C9F

RGB 237 60 159

HSL 326.44, 0.83%, 0.58%

LAB 55.83, 73.64, -13.33

 

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

CMYK 0 / 33 / 91 / 23

HEX #C48312

RGB 196 131 18

HSL 38.09, 0.83%, 0.42%

LAB 59.9, 16.98, 62.51

 

CMYK 91 / 3 / 0 / 23

HEX #12BEC4

RGB 18 190 196

HSL 182.02, 0.83%, 0.42%

LAB 70.13, -36.11, -14.19

 

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

CMYK 39 / 0 / 91 / 23

HEX #77C412

RGB 119 196 18

HSL 85.96, 0.83%, 0.42%

LAB 71.86, -48.16, 69.45

 

CMYK 91 / 39 / 0 / 23

HEX #1277C4

RGB 18 119 196

HSL 205.96, 0.83%, 0.42%

LAB 48.65, 2.02, -47.51

 

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

CMYK 0 / 33 / 91 / 23

HEX #C48312

RGB 196 131 18

HSL 38.09, 0.83%, 0.42%

LAB 59.9, 16.98, 62.51

 

CMYK 91 / 0 / 52 / 23

HEX #12C45F

RGB 18 196 95

HSL 145.96, 0.83%, 0.42%

LAB 69.78, -62.48, 39.22

 

CMYK 91 / 58 / 0 / 23

HEX #1253C4

RGB 18 83 196

HSL 218.09, 0.83%, 0.42%

LAB 38.38, 25.24, -64.08

 

CMYK 0 / 91 / 40 / 23

HEX #C51276

RGB 197 18 118

HSL 326.48, 0.83%, 0.42%

LAB 43.67, 69.5, -7.63

 

CMYK 0 / 6 / 91 / 23

HEX #C4B812

RGB 196 184 18

HSL 55.96, 0.83%, 0.42%

LAB 73.58, -11.4, 73.01

 

CMYK 91 / 0 / 52 / 23

HEX #12C45F

RGB 18 196 95

HSL 145.96, 0.83%, 0.42%

LAB 69.78, -62.48, 39.22

 

CMYK 91 / 85 / 0 / 23

HEX #121EC4

RGB 18 30 196

HSL 235.96, 0.83%, 0.42%

LAB 26.86, 56.53, -83.08

 

Description

Color code: HEX #C51276 | qconv.com Color code: HEX #C51276 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 18 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 18 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 40 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 40% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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