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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C50173 it is the complementary color #3AFE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C50173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C50173 shade: #CA016E, #DB1381, #EC2594, #FD37A7 and #FF49BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C50173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C50173 shade: #C50173, #B40060, #A3004D, #92003A and #810027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C50173 shade: #C60174, #C6013E, #C60109 and #C60101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C50173 shade: #C60174, #C601A9, #AE01C6, #7901C6 and #4401C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C50173 shade matches the following richer shades: #C60174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C50173 shade: #C60174, #B61171, #A6216E, #96316C and #864169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C50173 shade: #AF01C6, #C601A8, #C60174, #C6013F and #C6010B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C50173 shade: #740144, #9D015C, #C60174, #EF018B and #FE1C9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C50173 shade: #C50173, #C67A01 and #01C3C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C50173 shade: #C50173, #74C601 and #0174C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C50173 shade: #C50173, #C67A01, #01C653 and #014CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C50173 shade: #C50173, #C6B501, #01C653 and #0111C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

Complementary color

CMYK 77 / 0 / 45 / 0

HEX #3AFE8C

RGB 58 254 140

HSL 145.1, 0.99%, 0.61%

LAB 88.77, -71, 41.3

 

CMYK 0 / 100 / 46 / 21

HEX #CA016E

RGB 202 1 110

HSL 327.46, 0.99%, 0.4%

LAB 43.81, 71.64, -2.35

 

CMYK 0 / 91 / 41 / 14

HEX #DB1381

RGB 219 19 129

HSL 327, 0.84%, 0.47%

LAB 48.4, 75.28, -6.88

 

CMYK 0 / 84 / 37 / 7

HEX #EC2594

RGB 236 37 148

HSL 326.53, 0.84%, 0.54%

LAB 53.27, 77.98, -10.69

 

CMYK 0 / 78 / 34 / 1

HEX #FD37A7

RGB 253 55 167

HSL 326.06, 0.98%, 0.6%

LAB 58.42, 79.73, -13.82

 

CMYK 0 / 71 / 27 / 0

HEX #FF49BA

RGB 255 73 186

HSL 322.75, 1%, 0.64%

LAB 61.28, 77.1, -20.43

 

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

CMYK 0 / 100 / 47 / 29

HEX #B40060

RGB 180 0 96

HSL 328, 1%, 0.35%

LAB 38.81, 65.71, -1.39

 

CMYK 0 / 100 / 53 / 36

HEX #A3004D

RGB 163 0 77

HSL 331.66, 1%, 0.32%

LAB 34.65, 60.31, 4.4

 

CMYK 0 / 100 / 60 / 43

HEX #92003A

RGB 146 0 58

HSL 336.16, 1%, 0.29%

LAB 30.44, 54.89, 10.53

 

CMYK 0 / 100 / 70 / 49

HEX #810027

RGB 129 0 39

HSL 341.86, 1%, 0.25%

LAB 26.2, 49.5, 17.05

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 99 / 69 / 22

HEX #C6013E

RGB 198 1 62

HSL 341.42, 0.99%, 0.39%

LAB 41.81, 67.6, 24.97

 

CMYK 0 / 99 / 95 / 22

HEX #C60109

RGB 198 1 9

HSL 357.56, 0.99%, 0.39%

LAB 41.29, 66.2, 52.45

 

CMYK 0 / 99 / 99 / 22

HEX #C60101

RGB 198 1 1

HSL 0, 0.99%, 0.39%

LAB 41.26, 66.12, 55.2

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 99 / 15 / 22

HEX #C601A9

RGB 198 1 169

HSL 308.83, 0.99%, 0.39%

LAB 45.49, 77.14, -35.79

 

CMYK 12 / 99 / 0 / 22

HEX #AE01C6

RGB 174 1 198

HSL 292.69, 0.99%, 0.39%

LAB 42.91, 77.42, -57.22

 

CMYK 39 / 99 / 0 / 22

HEX #7901C6

RGB 121 1 198

HSL 276.55, 0.99%, 0.39%

LAB 34.32, 70.7, -71.6

 

CMYK 66 / 99 / 0 / 22

HEX #4401C6

RGB 68 1 198

HSL 260.41, 0.99%, 0.39%

LAB 27.65, 66.72, -82.85

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 91 / 38 / 29

HEX #B61171

RGB 182 17 113

HSL 325.09, 0.83%, 0.39%

LAB 40.47, 65.76, -9.62

 

CMYK 0 / 80 / 34 / 35

HEX #A6216E

RGB 166 33 110

HSL 325.26, 0.67%, 0.39%

LAB 38.41, 58.25, -11.15

 

CMYK 0 / 67 / 28 / 41

HEX #96316C

RGB 150 49 108

HSL 324.95, 0.51%, 0.39%

LAB 37.41, 48.03, -11.68

 

CMYK 0 / 51 / 22 / 47

HEX #864169

RGB 134 65 105

HSL 325.22, 0.35%, 0.39%

LAB 37.61, 34.69, -9.75

 

CMYK 12 / 99 / 0 / 22

HEX #AF01C6

RGB 175 1 198

HSL 292.99, 0.99%, 0.39%

LAB 43.08, 77.56, -56.94

 

CMYK 0 / 99 / 15 / 22

HEX #C601A8

RGB 198 1 168

HSL 309.14, 0.99%, 0.39%

LAB 45.43, 77.01, -35.27

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 99 / 68 / 22

HEX #C6013F

RGB 198 1 63

HSL 341.12, 0.99%, 0.39%

LAB 41.82, 67.65, 24.37

 

CMYK 0 / 99 / 94 / 22

HEX #C6010B

RGB 198 1 11

HSL 356.95, 0.99%, 0.39%

LAB 41.3, 66.22, 51.81

 

CMYK 0 / 99 / 41 / 55

HEX #740144

RGB 116 1 68

HSL 325.04, 0.98%, 0.23%

LAB 24.17, 48.3, -6.15

 

CMYK 0 / 99 / 41 / 38

HEX #9D015C

RGB 157 1 92

HSL 325, 0.99%, 0.31%

LAB 33.9, 60.09, -6.61

 

CMYK 0 / 99 / 41 / 22

HEX #C60174

RGB 198 1 116

HSL 324.97, 0.99%, 0.39%

LAB 43.19, 71.3, -7.08

 

CMYK 0 / 100 / 42 / 6

HEX #EF018B

RGB 239 1 139

HSL 325.21, 0.99%, 0.47%

LAB 52.1, 81.98, -6.99

 

CMYK 0 / 89 / 37 / 0

HEX #FE1C9F

RGB 254 28 159

HSL 325.22, 0.99%, 0.55%

LAB 56.49, 84.45, -12.03

 

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

CMYK 0 / 38 / 99 / 22

HEX #C67A01

RGB 198 122 1

HSL 36.85, 0.99%, 0.39%

LAB 57.97, 22.56, 64.31

 

CMYK 99 / 2 / 0 / 22

HEX #01C3C6

RGB 1 195 198

HSL 180.91, 0.99%, 0.39%

LAB 71.63, -38.35, -13.04

 

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

CMYK 41 / 0 / 99 / 22

HEX #74C601

RGB 116 198 1

HSL 84.97, 0.99%, 0.39%

LAB 72.3, -50.29, 71.75

 

CMYK 99 / 41 / 0 / 22

HEX #0174C6

RGB 1 116 198

HSL 204.97, 0.99%, 0.39%

LAB 47.72, 3.99, -50.15

 

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

CMYK 0 / 38 / 99 / 22

HEX #C67A01

RGB 198 122 1

HSL 36.85, 0.99%, 0.39%

LAB 57.97, 22.56, 64.31

 

CMYK 99 / 0 / 58 / 22

HEX #01C653

RGB 1 198 83

HSL 144.97, 0.99%, 0.39%

LAB 70.19, -65.59, 45.41

 

CMYK 99 / 62 / 0 / 22

HEX #014CC6

RGB 1 76 198

HSL 217.16, 0.99%, 0.39%

LAB 36.47, 30.07, -68.38

 

CMYK 0 / 99 / 42 / 23

HEX #C50173

RGB 197 1 115

HSL 325.1, 0.99%, 0.39%

LAB 42.96, 70.99, -6.83

 

CMYK 0 / 9 / 99 / 22

HEX #C6B501

RGB 198 181 1

HSL 54.82, 0.99%, 0.39%

LAB 72.93, -9.19, 74.66

 

CMYK 99 / 0 / 58 / 22

HEX #01C653

RGB 1 198 83

HSL 144.97, 0.99%, 0.39%

LAB 70.19, -65.59, 45.41

 

CMYK 99 / 91 / 0 / 22

HEX #0111C6

RGB 1 17 198

HSL 235.13, 0.99%, 0.39%

LAB 25.21, 61.55, -87

 

Description

Color code: HEX #C50173 | qconv.com Color code: HEX #C50173 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 1 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 1 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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