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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4FF80CE it is the complementary color #3B007FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4FF80CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4FF80CE shade: #C9FF7BCE, #DAFF8ECE, #EBFFA1CE, #FCFFB4CE and #FFFFC7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4FF80CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4FF80CE shade: #C4FF80CE, #B3ED6DCE, #A2DB5ACE, #91C947CE and #80B734CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4FF80CE shade: #C4FF80, #E6FF80, #FFF580, #FFD380 and #FFB180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4FF80CE shade: #C4FF80, #A1FF80, #80FF80, #80FFA2 and #80FFC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4FF80CE shade matches the following richer shades: #C4FF80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4FF80CE shade: #C4FF80, #C3F58A, #C2EA94, #C2E09E and #C1D6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4FF80CE shade: #FFF480, #E8FF80, #C6FF80, #A4FF80 and #82FF80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4FF80CE shade: #9DFF2D, #B1FF56, #C4FF80, #D7FFA9 and #EAFFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4FF80CE shade: #C4FF80, #80FFD2 and #FF80F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4FF80CE shade: #C4FF80, #80C6FF and #FF80C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4FF80CE shade: #C4FF80, #80FFD2, #B980FF and #FF80AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4FF80CE shade: #C4FF80, #80FFF9, #B980FF and #FF8086

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 40 / 0

HEX #C4FF80CE

RGBA 196 255 128 0.81

HSLA 87.87, 1%, 0.75%, 0.81

LABA 93.8, -38.68, 54.29, 0.81

 

Complementary color

CMYK 43 / 81 / 0 / 41

HEX #3B007FCE

RGBA 59 0 127 0.81

HSLA 267.87, 1%, 0.25%, 0.81

LABA 17.75, 49.5, -55.99, 0.81

 

CMYK 17 / 0 / 42 / 0

HEX #C9FF7BCE

RGBA 201 255 123 0.81

HSLA 84.55, 1%, 0.74%, 0.81

LABA 94.04, -37.39, 56.93, 0.81

 

CMYK 12 / 0 / 36 / 0

HEX #DAFF8ECE

RGBA 218 255 142 0.81

HSLA 79.65, 1%, 0.78%, 0.81

LABA 95.32, -29.25, 49.91, 0.81

 

CMYK 6 / 0 / 30 / 0

HEX #EBFFA1CE

RGBA 235 255 161 0.81

HSLA 72.77, 1%, 0.82%, 0.81

LABA 96.72, -20.86, 42.77, 0.81

 

CMYK 1 / 0 / 24 / 0

HEX #FCFFB4CE

RGBA 252 255 180 0.81

HSLA 62.4, 1%, 0.85%, 0.81

LABA 98.24, -12.3, 35.6, 0.81

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFC7CE

RGBA 255 255 199 0.81

HSLA 60, 1%, 0.89%, 0.81

LABA 98.79, -8.74, 26.85, 0.81

 

CMYK 19 / 0 / 40 / 0

HEX #C4FF80CE

RGBA 196 255 128 0.81

HSLA 87.87, 1%, 0.75%, 0.81

LABA 93.8, -38.68, 54.29, 0.81

 

CMYK 20 / 0 / 44 / 6

HEX #B3ED6DCE

RGBA 179 237 109 0.81

HSLA 87.19, 0.78%, 0.68%, 0.81

LABA 87.61, -38.61, 55.36, 0.81

 

CMYK 21 / 0 / 48 / 11

HEX #A2DB5ACE

RGBA 162 219 90 0.81

HSLA 86.51, 0.64%, 0.61%, 0.81

LABA 81.34, -38.48, 56.34, 0.81

 

CMYK 23 / 0 / 52 / 17

HEX #91C947CE

RGBA 145 201 71 0.81

HSLA 85.85, 0.55%, 0.53%, 0.81

LABA 74.98, -38.27, 57.14, 0.81

 

CMYK 24 / 0 / 58 / 23

HEX #80B734CE

RGBA 128 183 52 0.81

HSLA 85.19, 0.56%, 0.46%, 0.81

LABA 68.54, -37.92, 57.59, 0.81

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 10 / 0 / 50 / 0

HEX #E6FF80

RGB 230 255 128

HSL 71.81, 1%, 0.75%

LAB 95.96, -26.17, 57.39

 

CMYK 0 / 4 / 50 / 0

HEX #FFF580

RGB 255 245 128

HSL 55.28, 1%, 0.75%

LAB 95.21, -11.67, 56.95

 

CMYK 0 / 17 / 50 / 0

HEX #FFD380

RGB 255 211 128

HSL 39.21, 1%, 0.75%

LAB 86.71, 5.44, 46.63

 

CMYK 0 / 31 / 50 / 0

HEX #FFB180

RGB 255 177 128

HSL 23.15, 1%, 0.75%

LAB 78.61, 23.13, 36.42

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 37 / 0 / 50 / 0

HEX #A1FF80

RGB 161 255 128

HSL 104.41, 1%, 0.75%

LAB 91.98, -50.4, 51.66

 

CMYK 50 / 0 / 50 / 0

HEX #80FF80

RGB 128 255 128

HSL 120, 1%, 0.75%

LAB 90.63, -59.89, 49.7

 

CMYK 50 / 0 / 36 / 0

HEX #80FFA2

RGB 128 255 162

HSL 136.06, 1%, 0.75%

LAB 91.11, -54.88, 33.86

 

CMYK 50 / 0 / 23 / 0

HEX #80FFC5

RGB 128 255 197

HSL 152.6, 1%, 0.75%

LAB 91.75, -48.43, 17.02

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 20 / 0 / 44 / 4

HEX #C3F58A

RGB 195 245 138

HSL 88.04, 0.84%, 0.75%

LAB 91.12, -33.4, 46.27

 

CMYK 17 / 0 / 37 / 8

HEX #C2EA94

RGB 194 234 148

HSL 87.91, 0.67%, 0.75%

LAB 88.19, -27.39, 37.6

 

CMYK 13 / 0 / 29 / 12

HEX #C2E09E

RGB 194 224 158

HSL 87.27, 0.52%, 0.75%

LAB 85.63, -21.21, 29.15

 

CMYK 10 / 0 / 21 / 16

HEX #C1D6A9

RGB 193 214 169

HSL 88, 0.35%, 0.75%

LAB 83.07, -14.97, 19.92

 

CMYK 0 / 4 / 50 / 0

HEX #FFF480

RGB 255 244 128

HSL 54.8, 1%, 0.75%

LAB 94.96, -11.18, 56.65

 

CMYK 9 / 0 / 50 / 0

HEX #E8FF80

RGB 232 255 128

HSL 70.87, 1%, 0.75%

LAB 96.09, -25.41, 57.59

 

CMYK 22 / 0 / 50 / 0

HEX #C6FF80

RGB 198 255 128

HSL 86.93, 1%, 0.75%

LAB 93.92, -37.97, 54.46

 

CMYK 36 / 0 / 50 / 0

HEX #A4FF80

RGB 164 255 128

HSL 102.99, 1%, 0.75%

LAB 92.12, -49.46, 51.86

 

CMYK 49 / 0 / 50 / 0

HEX #82FF80

RGB 130 255 128

HSL 119.06, 1%, 0.75%

LAB 90.7, -59.37, 49.8

 

CMYK 38 / 0 / 82 / 0

HEX #9DFF2D

RGB 157 255 45

HSL 88, 1%, 0.59%

LAB 91.18, -57.98, 81.35

 

CMYK 31 / 0 / 66 / 0

HEX #B1FF56

RGB 177 255 86

HSL 87.69, 1%, 0.67%

LAB 92.37, -49.02, 70.18

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 16 / 0 / 34 / 0

HEX #D7FFA9

RGB 215 255 169

HSL 87.91, 1%, 0.83%

LAB 95.51, -27.09, 36.99

 

CMYK 8 / 0 / 18 / 0

HEX #EAFFD2

RGB 234 255 210

HSL 88, 1%, 0.91%

LAB 97.5, -14.53, 19.24

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD2

RGB 128 255 210

HSL 158.74, 1%, 0.75%

LAB 92.03, -45.73, 10.73

 

CMYK 0 / 50 / 2 / 0

HEX #FF80F9

RGB 255 128 249

HSL 302.83, 1%, 0.75%

LAB 71.92, 63.93, -39.22

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 50 / 22 / 0 / 0

HEX #80C6FF

RGB 128 198 255

HSL 206.93, 1%, 0.75%

LAB 77.4, -6.78, -34.79

 

CMYK 0 / 50 / 22 / 0

HEX #FF80C6

RGB 255 128 198

HSL 326.93, 1%, 0.75%

LAB 70.02, 56.12, -13.98

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD2

RGB 128 255 210

HSL 158.74, 1%, 0.75%

LAB 92.03, -45.73, 10.73

 

CMYK 27 / 50 / 0 / 0

HEX #B980FF

RGB 185 128 255

HSL 266.93, 1%, 0.75%

LAB 64.14, 46.5, -55.3

 

CMYK 0 / 50 / 33 / 0

HEX #FF80AC

RGB 255 128 172

HSL 339.21, 1%, 0.75%

LAB 69.24, 52.77, -0.58

 

CMYK 23 / 0 / 50 / 0

HEX #C4FF80

RGB 196 255 128

HSL 87.87, 1%, 0.75%

LAB 93.8, -38.68, 54.29

 

CMYK 50 / 0 / 2 / 0

HEX #80FFF9

RGB 128 255 249

HSL 177.17, 1%, 0.75%

LAB 92.99, -36.72, -8.02

 

CMYK 27 / 50 / 0 / 0

HEX #B980FF

RGB 185 128 255

HSL 266.93, 1%, 0.75%

LAB 64.14, 46.5, -55.3

 

CMYK 0 / 50 / 47 / 0

HEX #FF8086

RGB 255 128 134

HSL 357.17, 1%, 0.75%

LAB 68.33, 48.74, 19.49

 

Description

Color code: HEX #C4FF80CE | qconv.com Color code: HEX #C4FF80CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 255 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 255 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 40 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 40% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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