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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4FB7ACE it is the complementary color #3B0485CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4FB7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4FB7ACE shade: #C9FB75CE, #DAFF88CE, #EBFF9BCE, #FCFFAECE and #FFFFC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4FB7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4FB7ACE shade: #C4FB7ACE, #B3E967CE, #A2D754CE, #91C541CE and #80B32ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4FB7ACE shade: #C4FB79, #E7FB79, #FBEC79, #FBC979 and #FBA679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4FB7ACE shade: #C4FB79, #A1FB79, #7EFB79, #79FB98 and #79FBBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4FB7ACE shade matches the following richer shades: #C4FB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4FB7ACE shade: #C4FB79, #C2F085, #C0E590, #BFD99B and #BDCEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4FB7ACE shade: #FBEC79, #E7FB79, #C5FB79, #A2FB79 and #80FB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4FB7ACE shade: #A0F829, #B2FA51, #C4FB79, #D5FCA1 and #E7FDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4FB7ACE shade: #C4FB7A, #79FBC9 and #FB79F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4FB7ACE shade: #C4FB7A, #79C5FB and #FB79C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4FB7ACE shade: #C4FB7A, #79FBC9, #AF79FB and #FB79AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4FB7ACE shade: #C4FB7A, #79FBF0, #AF79FB and #FB7984

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 42 / 1

HEX #C4FB7ACE

RGBA 196 251 122 0.81

HSLA 85.58, 0.94%, 0.73%, 0.81

LABA 92.63, -37.5, 55.64, 0.81

 

Complementary color

CMYK 45 / 79 / 0 / 39

HEX #3B0485CE

RGBA 59 4 133 0.81

HSLA 265.58, 0.94%, 0.27%, 0.81

LABA 18.84, 49.79, -57.98, 0.81

 

CMYK 16 / 0 / 43 / 1

HEX #C9FB75CE

RGBA 201 251 117 0.81

HSLA 82.39, 0.94%, 0.72%, 0.81

LABA 92.88, -36.16, 58.26, 0.81

 

CMYK 12 / 0 / 38 / 0

HEX #DAFF88CE

RGBA 218 255 136 0.81

HSLA 78.66, 1%, 0.77%, 0.81

LABA 95.25, -29.88, 52.65, 0.81

 

CMYK 6 / 0 / 32 / 0

HEX #EBFF9BCE

RGBA 235 255 155 0.81

HSLA 72, 1%, 0.8%, 0.81

LABA 96.64, -21.54, 45.58, 0.81

 

CMYK 1 / 0 / 26 / 0

HEX #FCFFAECE

RGBA 252 255 174 0.81

HSLA 62.22, 1%, 0.84%, 0.81

LABA 98.14, -13.03, 38.46, 0.81

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFC1CE

RGBA 255 255 193 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.68, -9.55, 29.73, 0.81

 

CMYK 18 / 0 / 42 / 1

HEX #C4FB7ACE

RGBA 196 251 122 0.81

HSLA 85.58, 0.94%, 0.73%, 0.81

LABA 92.63, -37.5, 55.64, 0.81

 

CMYK 19 / 0 / 45 / 7

HEX #B3E967CE

RGBA 179 233 103 0.81

HSLA 84.92, 0.75%, 0.66%, 0.81

LABA 86.43, -37.38, 56.67, 0.81

 

CMYK 20 / 0 / 49 / 13

HEX #A2D754CE

RGBA 162 215 84 0.81

HSLA 84.27, 0.62%, 0.59%, 0.81

LABA 80.14, -37.2, 57.59, 0.81

 

CMYK 21 / 0 / 54 / 18

HEX #91C541CE

RGBA 145 197 65 0.81

HSLA 83.64, 0.53%, 0.51%, 0.81

LABA 73.76, -36.92, 58.27, 0.81

 

CMYK 23 / 0 / 60 / 24

HEX #80B32ECE

RGBA 128 179 46 0.81

HSLA 83.01, 0.59%, 0.44%, 0.81

LABA 67.3, -36.49, 58.52, 0.81

 

CMYK 22 / 0 / 52 / 2

HEX #C4FB79

RGB 196 251 121

HSL 85.38, 0.94%, 0.73%

LAB 92.62, -37.59, 56.08

 

CMYK 8 / 0 / 52 / 2

HEX #E7FB79

RGB 231 251 121

HSL 69.23, 0.94%, 0.73%

LAB 94.89, -24.52, 59.32

 

CMYK 0 / 6 / 52 / 2

HEX #FBEC79

RGB 251 236 121

HSL 53.08, 0.94%, 0.73%

LAB 92.52, -9.39, 56.92

 

CMYK 0 / 20 / 52 / 2

HEX #FBC979

RGB 251 201 121

HSL 36.92, 0.94%, 0.73%

LAB 83.79, 8.39, 46.4

 

CMYK 0 / 34 / 52 / 2

HEX #FBA679

RGB 251 166 121

HSL 20.77, 0.94%, 0.73%

LAB 75.55, 26.71, 36.07

 

CMYK 22 / 0 / 52 / 2

HEX #C4FB79

RGB 196 251 121

HSL 85.38, 0.94%, 0.73%

LAB 92.62, -37.59, 56.08

 

CMYK 36 / 0 / 52 / 2

HEX #A1FB79

RGB 161 251 121

HSL 101.54, 0.94%, 0.73%

LAB 90.76, -49.54, 53.4

 

CMYK 50 / 0 / 52 / 2

HEX #7EFB79

RGB 126 251 121

HSL 117.69, 0.94%, 0.73%

LAB 89.3, -59.77, 51.31

 

CMYK 52 / 0 / 39 / 2

HEX #79FB98

RGB 121 251 152

HSL 134.31, 0.94%, 0.73%

LAB 89.55, -56.63, 36.72

 

CMYK 52 / 0 / 25 / 2

HEX #79FBBB

RGB 121 251 187

HSL 150.46, 0.94%, 0.73%

LAB 90.16, -50.35, 19.89

 

CMYK 22 / 0 / 52 / 2

HEX #C4FB79

RGB 196 251 121

HSL 85.38, 0.94%, 0.73%

LAB 92.62, -37.59, 56.08

 

CMYK 22 / 0 / 52 / 2

HEX #C4FB79

RGB 196 251 121

HSL 85.38, 0.94%, 0.73%

LAB 92.62, -37.59, 56.08

 

CMYK 19 / 0 / 45 / 6

HEX #C2F085

RGB 194 240 133

HSL 85.79, 0.78%, 0.73%

LAB 89.62, -32.03, 46.79

 

CMYK 16 / 0 / 37 / 10

HEX #C0E590

RGB 192 229 144

HSL 86.12, 0.62%, 0.73%

LAB 86.63, -26.25, 37.56

 

CMYK 12 / 0 / 29 / 15

HEX #BFD99B

RGB 191 217 155

HSL 85.16, 0.45%, 0.73%

LAB 83.48, -19.28, 27.76

 

CMYK 8 / 0 / 19 / 19

HEX #BDCEA6

RGB 189 206 166

HSL 85.5, 0.29%, 0.73%

LAB 80.58, -12.83, 18

 

CMYK 0 / 6 / 52 / 2

HEX #FBEC79

RGB 251 236 121

HSL 53.08, 0.94%, 0.73%

LAB 92.52, -9.39, 56.92

 

CMYK 8 / 0 / 52 / 2

HEX #E7FB79

RGB 231 251 121

HSL 69.23, 0.94%, 0.73%

LAB 94.89, -24.52, 59.32

 

CMYK 22 / 0 / 52 / 2

HEX #C5FB79

RGB 197 251 121

HSL 84.92, 0.94%, 0.73%

LAB 92.68, -37.23, 56.17

 

CMYK 35 / 0 / 52 / 2

HEX #A2FB79

RGB 162 251 121

HSL 101.08, 0.94%, 0.73%

LAB 90.81, -49.22, 53.47

 

CMYK 49 / 0 / 52 / 2

HEX #80FB79

RGB 128 251 121

HSL 116.77, 0.94%, 0.73%

LAB 89.38, -59.24, 51.41

 

CMYK 35 / 0 / 83 / 3

HEX #A0F829

RGB 160 248 41

HSL 85.51, 0.94%, 0.57%

LAB 89.28, -54.36, 80.64

 

CMYK 29 / 0 / 68 / 2

HEX #B2FA51

RGB 178 250 81

HSL 85.56, 0.94%, 0.65%

LAB 90.98, -46.91, 70.61

 

CMYK 22 / 0 / 52 / 2

HEX #C4FB79

RGB 196 251 121

HSL 85.38, 0.94%, 0.73%

LAB 92.62, -37.59, 56.08

 

CMYK 15 / 0 / 36 / 1

HEX #D5FCA1

RGB 213 252 161

HSL 85.71, 0.94%, 0.81%

LAB 94.46, -27.42, 39.55

 

CMYK 9 / 0 / 21 / 1

HEX #E7FDC9

RGB 231 253 201

HSL 85.38, 0.93%, 0.89%

LAB 96.6, -15.97, 22.54

 

CMYK 22 / 0 / 51 / 2

HEX #C4FB7A

RGB 196 251 122

HSL 85.58, 0.94%, 0.73%

LAB 92.63, -37.5, 55.64

 

CMYK 52 / 0 / 20 / 2

HEX #79FBC9

RGB 121 251 201

HSL 156.92, 0.94%, 0.73%

LAB 90.45, -47.48, 13.1

 

CMYK 0 / 52 / 1 / 2

HEX #FB79F9

RGB 251 121 249

HSL 300.92, 0.94%, 0.73%

LAB 70.19, 66.09, -41.95

 

CMYK 22 / 0 / 51 / 2

HEX #C4FB7A

RGB 196 251 122

HSL 85.58, 0.94%, 0.73%

LAB 92.63, -37.5, 55.64

 

CMYK 52 / 22 / 0 / 2

HEX #79C5FB

RGB 121 197 251

HSL 204.92, 0.94%, 0.73%

LAB 76.66, -8.92, -33.82

 

CMYK 0 / 52 / 22 / 2

HEX #FB79C5

RGB 251 121 197

HSL 324.92, 0.94%, 0.73%

LAB 68.18, 58.06, -16.25

 

CMYK 22 / 0 / 51 / 2

HEX #C4FB7A

RGB 196 251 122

HSL 85.58, 0.94%, 0.73%

LAB 92.63, -37.5, 55.64

 

CMYK 52 / 0 / 20 / 2

HEX #79FBC9

RGB 121 251 201

HSL 156.92, 0.94%, 0.73%

LAB 90.45, -47.48, 13.1

 

CMYK 30 / 52 / 0 / 2

HEX #AF79FB

RGB 175 121 251

HSL 264.92, 0.94%, 0.73%

LAB 61.44, 46.83, -57.46

 

CMYK 0 / 52 / 32 / 2

HEX #FB79AB

RGB 251 121 171

HSL 336.92, 0.94%, 0.73%

LAB 67.37, 54.69, -2.82

 

CMYK 22 / 0 / 51 / 2

HEX #C4FB7A

RGB 196 251 122

HSL 85.58, 0.94%, 0.73%

LAB 92.63, -37.5, 55.64

 

CMYK 52 / 0 / 4 / 2

HEX #79FBF0

RGB 121 251 240

HSL 174.92, 0.94%, 0.73%

LAB 91.39, -38.53, -5.74

 

CMYK 30 / 52 / 0 / 2

HEX #AF79FB

RGB 175 121 251

HSL 264.92, 0.94%, 0.73%

LAB 61.44, 46.83, -57.46

 

CMYK 0 / 52 / 47 / 2

HEX #FB7984

RGB 251 121 132

HSL 354.92, 0.94%, 0.73%

LAB 66.41, 50.54, 17.88

 

Description

Color code: HEX #C4FB7ACE | qconv.com Color code: HEX #C4FB7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 251 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 251 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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