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Color name
HEX #C4FAAB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4FAAB it is the complementary color #3B0554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4FAAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4FAAB shade: #C9FAA6, #DAFFB9, #EBFFCC, #FCFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4FAAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4FAAB shade: #C4FAAB, #B3E898, #A2D685, #91C472 and #80B25F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4FAAB shade: #C5FAAD, #DAFAAD, #EFFAAD, #FAF1AD and #FADCAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4FAAB shade: #C5FAAD, #B1FAAD, #ADFABE, #ADFAD3 and #ADFAE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4FAAB shade matches the following richer shades: #C5FAAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4FAAB shade: #C5FAAD, #C8F3B4, #CBECBB, #CDE5C2 and #D0DEC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4FAAB shade: #EFFAAD, #DAFAAD, #C6FAAD, #B1FAAD and #ADFABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4FAAB shade: #8FF65F, #AAF886, #C5FAAD, #E1FDD4 and #FCFFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4FAAB shade: #C4FAAB, #ADFAF1 and #FAADE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4FAAB shade: #C4FAAB, #ADC6FA and #FAADC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4FAAB shade: #C4FAAB, #ADFAF1, #E2ADFA and #FAADB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4FAAB shade: #C4FAAB, #ADECFA, #E2ADFA and #FABBAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

Complementary color

CMYK 30 / 94 / 0 / 67

HEX #3B0554

RGB 59 5 84

HSL 281.01, 0.89%, 0.17%

LAB 13.7, 37.66, -34.37

 

CMYK 20 / 0 / 34 / 2

HEX #C9FAA6

RGB 201 250 166

HSL 95, 0.89%, 0.82%

LAB 93.25, -30.04, 35.34

 

CMYK 15 / 0 / 27 / 0

HEX #DAFFB9

RGB 218 255 185

HSL 91.71, 1%, 0.86%

LAB 95.97, -23.82, 29.64

 

CMYK 8 / 0 / 20 / 0

HEX #EBFFCC

RGB 235 255 204

HSL 83.53, 1%, 0.9%

LAB 97.45, -15.11, 22.23

 

CMYK 1 / 0 / 13 / 0

HEX #FCFFDF

RGB 252 255 223

HSL 65.63, 1%, 0.94%

LAB 99.04, -6.3, 14.96

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

CMYK 23 / 0 / 34 / 9

HEX #B3E898

RGB 179 232 152

HSL 99.75, 0.63%, 0.75%

LAB 86.78, -31.19, 33.57

 

CMYK 24 / 0 / 38 / 16

HEX #A2D685

RGB 162 214 133

HSL 98.52, 0.5%, 0.68%

LAB 80.44, -31.33, 34.7

 

CMYK 26 / 0 / 42 / 23

HEX #91C472

RGB 145 196 114

HSL 97.32, 0.41%, 0.61%

LAB 74.01, -31.45, 35.87

 

CMYK 28 / 0 / 47 / 30

HEX #80B25F

RGB 128 178 95

HSL 96.14, 0.35%, 0.54%

LAB 67.47, -31.55, 37.07

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 13 / 0 / 31 / 2

HEX #DAFAAD

RGB 218 250 173

HSL 84.94, 0.89%, 0.83%

LAB 94.44, -23.12, 33.61

 

CMYK 4 / 0 / 31 / 2

HEX #EFFAAD

RGB 239 250 173

HSL 68.57, 0.89%, 0.83%

LAB 95.89, -15.51, 35.8

 

CMYK 0 / 4 / 31 / 2

HEX #FAF1AD

RGB 250 241 173

HSL 52.99, 0.89%, 0.83%

LAB 94.42, -6.99, 34

 

CMYK 0 / 12 / 31 / 2

HEX #FADCAD

RGB 250 220 173

HSL 36.62, 0.89%, 0.83%

LAB 89.17, 3.65, 26.93

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 29 / 0 / 31 / 2

HEX #B1FAAD

RGB 177 250 173

HSL 116.88, 0.89%, 0.83%

LAB 92.01, -36.99, 29.94

 

CMYK 31 / 0 / 24 / 2

HEX #ADFABE

RGB 173 250 190

HSL 133.25, 0.89%, 0.83%

LAB 92.12, -35.42, 21.41

 

CMYK 31 / 0 / 16 / 2

HEX #ADFAD3

RGB 173 250 211

HSL 149.61, 0.89%, 0.83%

LAB 92.56, -31.56, 11.23

 

CMYK 31 / 0 / 7 / 2

HEX #ADFAE8

RGB 173 250 232

HSL 165.97, 0.89%, 0.83%

LAB 93.05, -27.31, 1.09

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 18 / 0 / 26 / 5

HEX #C8F3B4

RGB 200 243 180

HSL 100.95, 0.72%, 0.83%

LAB 91.54, -25.04, 25.96

 

CMYK 14 / 0 / 21 / 7

HEX #CBECBB

RGB 203 236 187

HSL 100.41, 0.56%, 0.83%

LAB 89.99, -19.52, 20.25

 

CMYK 10 / 0 / 15 / 10

HEX #CDE5C2

RGB 205 229 194

HSL 101.14, 0.4%, 0.83%

LAB 88.41, -14.23, 14.42

 

CMYK 6 / 0 / 9 / 13

HEX #D0DEC9

RGB 208 222 201

HSL 100, 0.24%, 0.83%

LAB 86.93, -8.47, 8.69

 

CMYK 4 / 0 / 31 / 2

HEX #EFFAAD

RGB 239 250 173

HSL 68.57, 0.89%, 0.83%

LAB 95.89, -15.51, 35.8

 

CMYK 13 / 0 / 31 / 2

HEX #DAFAAD

RGB 218 250 173

HSL 84.94, 0.89%, 0.83%

LAB 94.44, -23.12, 33.61

 

CMYK 21 / 0 / 31 / 2

HEX #C6FAAD

RGB 198 250 173

HSL 100.52, 0.89%, 0.83%

LAB 93.19, -30.08, 31.72

 

CMYK 29 / 0 / 31 / 2

HEX #B1FAAD

RGB 177 250 173

HSL 116.88, 0.89%, 0.83%

LAB 92.01, -36.99, 29.94

 

CMYK 31 / 0 / 24 / 2

HEX #ADFABE

RGB 173 250 190

HSL 133.25, 0.89%, 0.83%

LAB 92.12, -35.42, 21.41

 

CMYK 42 / 0 / 61 / 4

HEX #8FF65F

RGB 143 246 95

HSL 100.93, 0.89%, 0.67%

LAB 88.25, -55.78, 61.68

 

CMYK 31 / 0 / 46 / 3

HEX #AAF886

RGB 170 248 134

HSL 101.05, 0.89%, 0.75%

LAB 90.51, -43.82, 47.12

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 11 / 0 / 16 / 1

HEX #E1FDD4

RGB 225 253 212

HSL 100.98, 0.91%, 0.91%

LAB 96.41, -16.31, 16.61

 

CMYK 1 / 0 / 2 / 0

HEX #FCFFFB

RGB 252 255 251

HSL 105, 1%, 0.99%

LAB 99.68, -1.68, 1.55

 

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

CMYK 31 / 0 / 4 / 2

HEX #ADFAF1

RGB 173 250 241

HSL 172.99, 0.89%, 0.83%

LAB 93.28, -25.39, -3.24

 

CMYK 0 / 31 / 9 / 2

HEX #FAADE4

RGB 250 173 228

HSL 317.14, 0.89%, 0.83%

LAB 79.51, 36.34, -16.23

 

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

CMYK 31 / 21 / 0 / 2

HEX #ADC6FA

RGB 173 198 250

HSL 220.52, 0.89%, 0.83%

LAB 79.71, 3.3, -28.34

 

CMYK 0 / 31 / 21 / 2

HEX #FAADC6

RGB 250 173 198

HSL 340.52, 0.89%, 0.83%

LAB 78.63, 31.64, -1.27

 

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

CMYK 31 / 0 / 4 / 2

HEX #ADFAF1

RGB 173 250 241

HSL 172.99, 0.89%, 0.83%

LAB 93.28, -25.39, -3.24

 

CMYK 10 / 31 / 0 / 2

HEX #E2ADFA

RGB 226 173 250

HSL 281.3, 0.89%, 0.83%

LAB 77.85, 32.72, -30.84

 

CMYK 0 / 31 / 27 / 2

HEX #FAADB6

RGB 250 173 182

HSL 352.99, 0.89%, 0.83%

LAB 78.22, 29.39, 6.84

 

CMYK 22 / 0 / 32 / 2

HEX #C4FAAB

RGB 196 250 171

HSL 101.01, 0.89%, 0.83%

LAB 93.04, -31.05, 32.5

 

CMYK 31 / 6 / 0 / 2

HEX #ADECFA

RGB 173 236 250

HSL 190.91, 0.89%, 0.83%

LAB 89.76, -16.5, -13.14

 

CMYK 10 / 31 / 0 / 2

HEX #E2ADFA

RGB 226 173 250

HSL 281.3, 0.89%, 0.83%

LAB 77.85, 32.72, -30.84

 

CMYK 0 / 25 / 31 / 2

HEX #FABBAD

RGB 250 187 173

HSL 10.91, 0.89%, 0.83%

LAB 81.23, 20.84, 15.96

 

Description

Color code: HEX #C4FAAB | qconv.com Color code: HEX #C4FAAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 250 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 250 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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