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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4F0C5 it is the complementary color #3B0F3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4F0C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4F0C5 shade: #C9F0C0, #DAFFD3, #EBFFE6, #FCFFF9 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4F0C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4F0C5 shade: #C4F0C5, #B3DEB2, #A2CC9F, #91BA8C and #80A879

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4F0C5 shade: #C2EFC3, #CDEFC2, #DAEFC2, #E6EFC2 and #EFEDC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4F0C5 shade: #C2EFC3, #C2EFCF, #C2EFDC, #C2EFE8 and #C2EBEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4F0C5 shade matches the following richer shades: #C2EFC3, #BCF6BD and #B6FCB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4F0C5 shade: #C2EFC3, #C8E9C9, #CFE3CF, #D5DDD5 and #DBD7DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4F0C5 shade: #DAEFC2, #CDEFC2, #C2EFC3, #C2EFCF and #C2EFDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4F0C5 shade: #81DE83, #A1E7A3, #C2EFC3, #E3F8E3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4F0C5 shade: #C4F0C5, #C2E6EF and #EFC2D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4F0C5 shade: #C4F0C5, #C3C2EF and #EFC3C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4F0C5 shade: #C4F0C5, #C2E6EF, #EFC2EF and #EFCCC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4F0C5 shade: #C4F0C5, #C2D8EF, #EFC2EF and #EFDAC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

Complementary color

CMYK 0 / 75 / 2 / 77

HEX #3B0F3A

RGB 59 15 58

HSL 301.36, 0.59%, 0.15%

LAB 13.09, 27.89, -17.22

 

CMYK 16 / 0 / 20 / 6

HEX #C9F0C0

RGB 201 240 192

HSL 108.75, 0.62%, 0.85%

LAB 91.03, -21.35, 19.1

 

CMYK 15 / 0 / 17 / 0

HEX #DAFFD3

RGB 218 255 211

HSL 110.45, 1%, 0.91%

LAB 96.46, -19.8, 17.12

 

CMYK 8 / 0 / 10 / 0

HEX #EBFFE6

RGB 235 255 230

HSL 108, 1%, 0.95%

LAB 97.99, -10.94, 9.72

 

CMYK 1 / 0 / 2 / 0

HEX #FCFFF9

RGB 252 255 249

HSL 90, 1%, 0.99%

LAB 99.63, -2.03, 2.5

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

CMYK 19 / 0 / 20 / 13

HEX #B3DEB2

RGB 179 222 178

HSL 118.64, 0.4%, 0.78%

LAB 84.5, -22.32, 17.06

 

CMYK 21 / 0 / 22 / 20

HEX #A2CC9F

RGB 162 204 159

HSL 116, 0.31%, 0.71%

LAB 78.09, -22.48, 17.98

 

CMYK 22 / 0 / 25 / 27

HEX #91BA8C

RGB 145 186 140

HSL 113.48, 0.25%, 0.64%

LAB 71.58, -22.65, 18.96

 

CMYK 24 / 0 / 28 / 34

HEX #80A879

RGB 128 168 121

HSL 111.06, 0.21%, 0.57%

LAB 64.94, -22.84, 20

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 14 / 0 / 19 / 6

HEX #CDEFC2

RGB 205 239 194

HSL 105.33, 0.58%, 0.85%

LAB 91.06, -19.18, 18.15

 

CMYK 9 / 0 / 19 / 6

HEX #DAEFC2

RGB 218 239 194

HSL 88, 0.58%, 0.85%

LAB 91.92, -14.69, 19.49

 

CMYK 4 / 0 / 19 / 6

HEX #E6EFC2

RGB 230 239 194

HSL 72, 0.58%, 0.85%

LAB 92.77, -10.46, 20.8

 

CMYK 0 / 1 / 19 / 6

HEX #EFEDC2

RGB 239 237 194

HSL 57.33, 0.58%, 0.85%

LAB 92.93, -6.23, 21.12

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 19 / 0 / 13 / 6

HEX #C2EFCF

RGB 194 239 207

HSL 137.33, 0.58%, 0.85%

LAB 90.65, -20.58, 10.74

 

CMYK 19 / 0 / 8 / 6

HEX #C2EFDC

RGB 194 239 220

HSL 154.67, 0.58%, 0.85%

LAB 90.95, -18.15, 4.41

 

CMYK 19 / 0 / 3 / 6

HEX #C2EFE8

RGB 194 239 232

HSL 170.67, 0.58%, 0.85%

LAB 91.25, -15.78, -1.41

 

CMYK 19 / 2 / 0 / 6

HEX #C2EBEF

RGB 194 235 239

HSL 185.33, 0.58%, 0.85%

LAB 90.38, -12.34, -6.34

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 24 / 0 / 23 / 4

HEX #BCF6BD

RGB 188 246 189

HSL 121.03, 0.76%, 0.85%

LAB 91.81, -29.02, 21.61

 

CMYK 28 / 0 / 27 / 1

HEX #B6FCB7

RGB 182 252 183

HSL 120.86, 0.92%, 0.85%

LAB 93.01, -34.72, 26.27

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 14 / 0 / 14 / 9

HEX #C8E9C9

RGB 200 233 201

HSL 121.82, 0.43%, 0.85%

LAB 89.29, -16.72, 11.97

 

CMYK 9 / 0 / 9 / 11

HEX #CFE3CF

RGB 207 227 207

HSL 120, 0.26%, 0.85%

LAB 88.31, -10.3, 7.5

 

CMYK 4 / 0 / 4 / 13

HEX #D5DDD5

RGB 213 221 213

HSL 120, 0.11%, 0.85%

LAB 87.32, -4.14, 2.98

 

CMYK 0 / 2 / 0 / 14

HEX #DBD7DB

RGB 219 215 219

HSL 300, 0.05%, 0.85%

LAB 86.39, 2.09, -1.49

 

CMYK 9 / 0 / 19 / 6

HEX #DAEFC2

RGB 218 239 194

HSL 88, 0.58%, 0.85%

LAB 91.92, -14.69, 19.49

 

CMYK 14 / 0 / 19 / 6

HEX #CDEFC2

RGB 205 239 194

HSL 105.33, 0.58%, 0.85%

LAB 91.06, -19.18, 18.15

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 19 / 0 / 13 / 6

HEX #C2EFCF

RGB 194 239 207

HSL 137.33, 0.58%, 0.85%

LAB 90.65, -20.58, 10.74

 

CMYK 19 / 0 / 8 / 6

HEX #C2EFDB

RGB 194 239 219

HSL 153.33, 0.58%, 0.85%

LAB 90.92, -18.34, 4.89

 

CMYK 42 / 0 / 41 / 13

HEX #81DE83

RGB 129 222 131

HSL 121.29, 0.58%, 0.69%

LAB 81.04, -45.88, 36.16

 

CMYK 30 / 0 / 29 / 9

HEX #A1E7A3

RGB 161 231 163

HSL 121.71, 0.59%, 0.77%

LAB 85.69, -35.01, 26.33

 

CMYK 19 / 0 / 18 / 6

HEX #C2EFC3

RGB 194 239 195

HSL 121.33, 0.58%, 0.85%

LAB 90.39, -22.7, 16.59

 

CMYK 8 / 0 / 8 / 3

HEX #E3F8E3

RGB 227 248 227

HSL 120, 0.6%, 0.93%

LAB 95.59, -10.64, 7.74

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

CMYK 19 / 4 / 0 / 6

HEX #C2E6EF

RGB 194 230 239

HSL 192, 0.58%, 0.85%

LAB 89.06, -9.81, -8.29

 

CMYK 0 / 19 / 12 / 6

HEX #EFC2D3

RGB 239 194 211

HSL 337.33, 0.58%, 0.85%

LAB 82.72, 18.69, -2.42

 

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

CMYK 18 / 19 / 0 / 6

HEX #C3C2EF

RGB 195 194 239

HSL 241.33, 0.58%, 0.85%

LAB 79.85, 9.42, -22.11

 

CMYK 0 / 18 / 19 / 6

HEX #EFC3C2

RGB 239 195 194

HSL 1.33, 0.58%, 0.85%

LAB 82.53, 15.49, 6.41

 

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

CMYK 19 / 4 / 0 / 6

HEX #C2E6EF

RGB 194 230 239

HSL 192, 0.58%, 0.85%

LAB 89.06, -9.81, -8.29

 

CMYK 0 / 19 / 0 / 6

HEX #EFC2EF

RGB 239 194 239

HSL 300, 0.58%, 0.85%

LAB 83.53, 23.53, -16.19

 

CMYK 0 / 15 / 19 / 6

HEX #EFCCC2

RGB 239 204 194

HSL 13.33, 0.58%, 0.85%

LAB 84.71, 10.75, 9.53

 

CMYK 18 / 0 / 18 / 6

HEX #C4F0C5

RGB 196 240 197

HSL 121.36, 0.59%, 0.85%

LAB 90.82, -22.18, 16.18

 

CMYK 19 / 10 / 0 / 6

HEX #C2D8EF

RGB 194 216 239

HSL 210.67, 0.58%, 0.85%

LAB 85.41, -2.58, -13.73

 

CMYK 0 / 19 / 0 / 6

HEX #EFC2EF

RGB 239 194 239

HSL 300, 0.58%, 0.85%

LAB 83.53, 23.53, -16.19

 

CMYK 0 / 9 / 19 / 6

HEX #EFDAC2

RGB 239 218 194

HSL 32, 0.58%, 0.85%

LAB 88.16, 3.46, 14.43

 

Description

Color code: HEX #C4F0C5 | qconv.com Color code: HEX #C4F0C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 240 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 240 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 18 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 18% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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