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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4EDB0 it is the complementary color #3B124F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4EDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4EDB0 shade: #C9EDAB, #DAFFBE, #EBFFD1, #FCFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4EDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4EDB0 shade: #C4EDB0, #B3DB9D, #A2C98A, #91B777 and #80A564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4EDB0 shade: #C4EDB0, #D4EDB0, #E4EDB0, #EDE4B0 and #EDD4B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4EDB0 shade: #C4EDB0, #B3EDB0, #B0EDBC, #B0EDCD and #B0EDDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4EDB0 shade matches the following richer shades: #C4EDB0, #C1F4A8 and #BEFCA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4EDB0 shade: #C4EDB0, #C6E5B7, #C9DDBF, #CCD5C7 and #CECDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4EDB0 shade: #E4EDB0, #D4EDB0, #C4EDB0, #B4EDB0 and #B0EDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4EDB0 shade: #91DD6C, #AAE58E, #C4EDB0, #DDF4D1 and #F6FCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4EDB0 shade: #C4EDB0, #B0EDE4 and #EDB0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4EDB0 shade: #C4EDB0, #B0C4ED and #EDB0C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4EDB0 shade: #C4EDB0, #B0EDE4, #D8B0ED and #EDB0B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4EDB0 shade: #C4EDB0, #B0E2ED, #D8B0ED and #EDBAB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

Complementary color

CMYK 25 / 77 / 0 / 69

HEX #3B124F

RGB 59 18 79

HSL 280.33, 0.63%, 0.19%

LAB 15.1, 31.2, -28.69

 

CMYK 15 / 0 / 28 / 7

HEX #C9EDAB

RGB 201 237 171

HSL 92.73, 0.65%, 0.8%

LAB 89.83, -23.16, 28.23

 

CMYK 15 / 0 / 25 / 0

HEX #DAFFBE

RGB 218 255 190

HSL 94.15, 1%, 0.87%

LAB 96.06, -23.09, 27.24

 

CMYK 8 / 0 / 18 / 0

HEX #EBFFD1

RGB 235 255 209

HSL 86.09, 1%, 0.91%

LAB 97.55, -14.35, 19.83

 

CMYK 1 / 0 / 11 / 0

HEX #FCFFE4

RGB 252 255 228

HSL 66.67, 1%, 0.95%

LAB 99.15, -5.51, 12.56

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 18 / 0 / 28 / 14

HEX #B3DB9D

RGB 179 219 157

HSL 98.71, 0.46%, 0.74%

LAB 83.27, -24.26, 26.32

 

CMYK 19 / 0 / 31 / 21

HEX #A2C98A

RGB 162 201 138

HSL 97.14, 0.37%, 0.66%

LAB 76.85, -24.37, 27.38

 

CMYK 21 / 0 / 35 / 28

HEX #91B777

RGB 145 183 119

HSL 95.63, 0.31%, 0.59%

LAB 70.33, -24.49, 28.49

 

CMYK 22 / 0 / 39 / 35

HEX #80A564

RGB 128 165 100

HSL 94.15, 0.27%, 0.52%

LAB 63.69, -24.59, 29.67

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 11 / 0 / 26 / 7

HEX #D4EDB0

RGB 212 237 176

HSL 84.59, 0.63%, 0.81%

LAB 90.64, -18.54, 26.91

 

CMYK 4 / 0 / 26 / 7

HEX #E4EDB0

RGB 228 237 176

HSL 68.85, 0.63%, 0.81%

LAB 91.77, -12.76, 28.63

 

CMYK 0 / 4 / 26 / 7

HEX #EDE4B0

RGB 237 228 176

HSL 51.15, 0.63%, 0.81%

LAB 90.15, -4.92, 26.54

 

CMYK 0 / 11 / 26 / 7

HEX #EDD4B0

RGB 237 212 176

HSL 35.41, 0.63%, 0.81%

LAB 86.12, 3.27, 21

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 24 / 0 / 26 / 7

HEX #B3EDB0

RGB 179 237 176

HSL 117.05, 0.63%, 0.81%

LAB 88.58, -29.86, 23.76

 

CMYK 26 / 0 / 21 / 7

HEX #B0EDBC

RGB 176 237 188

HSL 131.8, 0.63%, 0.81%

LAB 88.65, -28.79, 17.63

 

CMYK 26 / 0 / 14 / 7

HEX #B0EDCD

RGB 176 237 205

HSL 148.52, 0.63%, 0.81%

LAB 89.02, -25.65, 9.31

 

CMYK 26 / 0 / 7 / 7

HEX #B0EDDD

RGB 176 237 221

HSL 164.26, 0.63%, 0.81%

LAB 89.4, -22.47, 1.51

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 21 / 0 / 31 / 4

HEX #C1F4A8

RGB 193 244 168

HSL 100.26, 0.78%, 0.81%

LAB 91.17, -29.7, 31.48

 

CMYK 25 / 0 / 37 / 1

HEX #BEFCA0

RGB 190 252 160

HSL 100.43, 0.94%, 0.81%

LAB 93.06, -35.55, 37.95

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 14 / 0 / 20 / 10

HEX #C6E5B7

RGB 198 229 183

HSL 100.43, 0.47%, 0.81%

LAB 87.71, -18.45, 19.11

 

CMYK 9 / 0 / 14 / 13

HEX #C9DDBF

RGB 201 221 191

HSL 100, 0.31%, 0.81%

LAB 85.95, -12.09, 12.48

 

CMYK 4 / 0 / 7 / 16

HEX #CCD5C7

RGB 204 213 199

HSL 98.57, 0.14%, 0.81%

LAB 84.25, -5.58, 5.85

 

CMYK 0 / 1 / 0 / 19

HEX #CECDCF

RGB 206 205 207

HSL 270, 0.02%, 0.81%

LAB 82.53, 0.71, -0.88

 

CMYK 4 / 0 / 26 / 7

HEX #E4EDB0

RGB 228 237 176

HSL 68.85, 0.63%, 0.81%

LAB 91.77, -12.76, 28.63

 

CMYK 11 / 0 / 26 / 7

HEX #D4EDB0

RGB 212 237 176

HSL 84.59, 0.63%, 0.81%

LAB 90.64, -18.54, 26.91

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 24 / 0 / 26 / 7

HEX #B4EDB0

RGB 180 237 176

HSL 116.07, 0.63%, 0.81%

LAB 88.64, -29.53, 23.84

 

CMYK 26 / 0 / 21 / 7

HEX #B0EDBC

RGB 176 237 188

HSL 131.8, 0.63%, 0.81%

LAB 88.65, -28.79, 17.63

 

CMYK 34 / 0 / 51 / 13

HEX #91DD6C

RGB 145 221 108

HSL 100.35, 0.62%, 0.65%

LAB 81.19, -43.48, 47.74

 

CMYK 26 / 0 / 38 / 10

HEX #AAE58E

RGB 170 229 142

HSL 100.69, 0.63%, 0.73%

LAB 85.27, -34.29, 36.53

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 9 / 0 / 14 / 4

HEX #DDF4D1

RGB 221 244 209

HSL 99.43, 0.61%, 0.89%

LAB 93.74, -13.73, 14.34

 

CMYK 2 / 0 / 4 / 1

HEX #F6FCF3

RGB 246 252 243

HSL 100, 0.6%, 0.97%

LAB 98.31, -3.55, 3.6

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 26 / 0 / 4 / 7

HEX #B0EDE4

RGB 176 237 228

HSL 171.15, 0.63%, 0.81%

LAB 89.58, -21.01, -1.88

 

CMYK 0 / 26 / 7 / 7

HEX #EDB0DC

RGB 237 176 220

HSL 316.72, 0.63%, 0.81%

LAB 78.59, 29.08, -13.41

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 26 / 17 / 0 / 7

HEX #B0C4ED

RGB 176 196 237

HSL 220.33, 0.63%, 0.81%

LAB 78.94, 2.14, -22.55

 

CMYK 0 / 26 / 17 / 7

HEX #EDB0C4

RGB 237 176 196

HSL 340.33, 0.63%, 0.81%

LAB 77.9, 25.17, -1.41

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 26 / 0 / 4 / 7

HEX #B0EDE4

RGB 176 237 228

HSL 171.15, 0.63%, 0.81%

LAB 89.58, -21.01, -1.88

 

CMYK 9 / 26 / 0 / 7

HEX #D8B0ED

RGB 216 176 237

HSL 279.34, 0.63%, 0.81%

LAB 77.14, 25.37, -25

 

CMYK 0 / 26 / 22 / 7

HEX #EDB0B8

RGB 237 176 184

HSL 352.13, 0.63%, 0.81%

LAB 77.59, 23.37, 4.66

 

CMYK 17 / 0 / 26 / 7

HEX #C4EDB0

RGB 196 237 176

HSL 100.33, 0.63%, 0.81%

LAB 89.6, -24.15, 25.31

 

CMYK 26 / 5 / 0 / 7

HEX #B0E2ED

RGB 176 226 237

HSL 190.82, 0.63%, 0.81%

LAB 86.87, -13.56, -10.62

 

CMYK 9 / 26 / 0 / 7

HEX #D8B0ED

RGB 216 176 237

HSL 279.34, 0.63%, 0.81%

LAB 77.14, 25.37, -25

 

CMYK 0 / 22 / 26 / 7

HEX #EDBAB0

RGB 237 186 176

HSL 9.84, 0.63%, 0.81%

LAB 79.76, 16.92, 12.1

 

Description

Color code: HEX #C4EDB0 | qconv.com Color code: HEX #C4EDB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 237 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 237 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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