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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4DF78 it is the complementary color #3B2087. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4DF78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4DF78 shade: #C9DF73, #DAF186, #EBFF99, #FCFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4DF78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4DF78 shade: #C4DF78, #B3CD65, #A2BB52, #91A93F and #80972C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4DF78 shade: #C4DF77, #DFDE77, #DFC277, #DFA677 and #DF8A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4DF78 shade: #C4DF77, #A8DF77, #8BDF77, #77DF7E and #77DF9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4DF78 shade matches the following richer shades: #C4DF77, #CAED69 and #D1FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4DF78 shade: #C4DF77, #BDD184, #B7C492, #B0B6A0 and #AAA9AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4DF78 shade: #DFC177, #DFDD77, #C5DF77, #A9DF77 and #8DDF77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4DF78 shade: #A7CF34, #B5D755, #C4DF77, #D2E798 and #E1EFBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4DF78 shade: #C4DF78, #77DFA6 and #CF77DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4DF78 shade: #C4DF78, #77C5DF and #DF77C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4DF78 shade: #C4DF78, #77DFA6, #9177DF and #DF77B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4DF78 shade: #C4DF78, #77DFC5, #9177DF and #DF7791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

Complementary color

CMYK 56 / 76 / 0 / 47

HEX #3B2087

RGB 59 32 135

HSL 255.73, 0.62%, 0.33%

LAB 22.7, 39.68, -52.88

 

CMYK 10 / 0 / 48 / 13

HEX #C9DF73

RGB 201 223 115

HSL 72.22, 0.63%, 0.66%

LAB 85.22, -23.26, 50.08

 

CMYK 10 / 0 / 44 / 5

HEX #DAF186

RGB 218 241 134

HSL 72.9, 0.79%, 0.74%

LAB 91.48, -23.49, 48.96

 

CMYK 8 / 0 / 40 / 0

HEX #EBFF99

RGB 235 255 153

HSL 71.76, 1%, 0.8%

LAB 96.61, -21.76, 46.51

 

CMYK 1 / 0 / 33 / 0

HEX #FCFFAC

RGB 252 255 172

HSL 62.17, 1%, 0.84%

LAB 98.11, -13.27, 39.41

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

CMYK 13 / 0 / 51 / 20

HEX #B3CD65

RGB 179 205 101

HSL 75, 0.51%, 0.6%

LAB 78.57, -24.48, 48.39

 

CMYK 13 / 0 / 56 / 27

HEX #A2BB52

RGB 162 187 82

HSL 74.29, 0.44%, 0.53%

LAB 72.12, -24.2, 49.46

 

CMYK 14 / 0 / 63 / 34

HEX #91A93F

RGB 145 169 63

HSL 73.58, 0.46%, 0.45%

LAB 65.56, -23.82, 50.38

 

CMYK 15 / 0 / 71 / 41

HEX #80972C

RGB 128 151 44

HSL 72.9, 0.55%, 0.38%

LAB 58.89, -23.3, 50.95

 

CMYK 12 / 0 / 47 / 13

HEX #C4DF77

RGB 196 223 119

HSL 75.58, 0.62%, 0.67%

LAB 84.92, -24.78, 47.73

 

CMYK 0 / 0 / 47 / 13

HEX #DFDE77

RGB 223 222 119

HSL 59.42, 0.62%, 0.67%

LAB 86.63, -13.75, 50.28

 

CMYK 0 / 13 / 47 / 13

HEX #DFC277

RGB 223 194 119

HSL 43.27, 0.62%, 0.67%

LAB 79.39, 0.53, 41.36

 

CMYK 0 / 26 / 47 / 13

HEX #DFA677

RGB 223 166 119

HSL 27.12, 0.62%, 0.67%

LAB 72.42, 15.36, 32.48

 

CMYK 0 / 38 / 47 / 13

HEX #DF8A77

RGB 223 138 119

HSL 10.96, 0.62%, 0.67%

LAB 65.9, 30.36, 23.87

 

CMYK 12 / 0 / 47 / 13

HEX #C4DF77

RGB 196 223 119

HSL 75.58, 0.62%, 0.67%

LAB 84.92, -24.78, 47.73

 

CMYK 25 / 0 / 47 / 13

HEX #A8DF77

RGB 168 223 119

HSL 91.73, 0.62%, 0.67%

LAB 83.14, -35.16, 45.15

 

CMYK 38 / 0 / 47 / 13

HEX #8BDF77

RGB 139 223 119

HSL 108.46, 0.62%, 0.67%

LAB 81.62, -44.94, 42.92

 

CMYK 47 / 0 / 43 / 13

HEX #77DF7E

RGB 119 223 126

HSL 124.04, 0.62%, 0.67%

LAB 80.85, -49.9, 38.33

 

CMYK 47 / 0 / 31 / 13

HEX #77DF9A

RGB 119 223 154

HSL 140.19, 0.62%, 0.67%

LAB 81.31, -45.28, 24.69

 

CMYK 12 / 0 / 47 / 13

HEX #C4DF77

RGB 196 223 119

HSL 75.58, 0.62%, 0.67%

LAB 84.92, -24.78, 47.73

 

CMYK 15 / 0 / 56 / 7

HEX #CAED69

RGB 202 237 105

HSL 75.91, 0.79%, 0.67%

LAB 88.99, -30.43, 59.11

 

CMYK 16 / 0 / 64 / 2

HEX #D1FA5B

RGB 209 250 91

HSL 75.47, 0.94%, 0.67%

LAB 92.87, -34.8, 69.35

 

CMYK 12 / 0 / 47 / 13

HEX #C4DF77

RGB 196 223 119

HSL 75.58, 0.62%, 0.67%

LAB 84.92, -24.78, 47.73

 

CMYK 10 / 0 / 37 / 18

HEX #BDD184

RGB 189 209 132

HSL 75.58, 0.46%, 0.67%

LAB 80.79, -19.14, 35.99

 

CMYK 7 / 0 / 26 / 23

HEX #B7C492

RGB 183 196 146

HSL 75.6, 0.3%, 0.67%

LAB 77.05, -12.97, 23.68

 

CMYK 3 / 0 / 12 / 29

HEX #B0B6A0

RGB 176 182 160

HSL 76.36, 0.13%, 0.67%

LAB 73.04, -6.07, 10.48

 

CMYK 2 / 2 / 0 / 32

HEX #AAA9AD

RGB 170 169 173

HSL 255, 0.02%, 0.67%

LAB 69.43, 1.12, -1.94

 

CMYK 0 / 13 / 47 / 13

HEX #DFC177

RGB 223 193 119

HSL 42.69, 0.62%, 0.67%

LAB 79.13, 1.05, 41.04

 

CMYK 0 / 1 / 47 / 13

HEX #DFDD77

RGB 223 221 119

HSL 58.85, 0.62%, 0.67%

LAB 86.37, -13.25, 49.96

 

CMYK 12 / 0 / 47 / 13

HEX #C5DF77

RGB 197 223 119

HSL 75, 0.62%, 0.67%

LAB 84.98, -24.4, 47.83

 

CMYK 24 / 0 / 47 / 13

HEX #A9DF77

RGB 169 223 119

HSL 91.15, 0.62%, 0.67%

LAB 83.2, -34.8, 45.24

 

CMYK 37 / 0 / 47 / 13

HEX #8DDF77

RGB 141 223 119

HSL 107.31, 0.62%, 0.67%

LAB 81.71, -44.3, 43.06

 

CMYK 19 / 0 / 75 / 19

HEX #A7CF34

RGB 167 207 52

HSL 75.48, 0.62%, 0.51%

LAB 77.93, -33.73, 67.55

 

CMYK 16 / 0 / 60 / 16

HEX #B5D755

RGB 181 215 85

HSL 75.69, 0.62%, 0.59%

LAB 81.34, -29.86, 58.82

 

CMYK 12 / 0 / 47 / 13

HEX #C4DF77

RGB 196 223 119

HSL 75.58, 0.62%, 0.67%

LAB 84.92, -24.78, 47.73

 

CMYK 9 / 0 / 34 / 9

HEX #D2E798

RGB 210 231 152

HSL 75.95, 0.62%, 0.75%

LAB 88.51, -19.59, 36.21

 

CMYK 6 / 0 / 22 / 6

HEX #E1EFBA

RGB 225 239 186

HSL 75.85, 0.62%, 0.83%

LAB 92.26, -13.43, 24.14

 

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

CMYK 47 / 0 / 26 / 13

HEX #77DFA6

RGB 119 223 166

HSL 147.12, 0.62%, 0.67%

LAB 81.54, -43.01, 18.76

 

CMYK 7 / 47 / 0 / 13

HEX #CF77DF

RGB 207 119 223

HSL 290.77, 0.62%, 0.67%

LAB 63.17, 50.33, -38.98

 

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

CMYK 47 / 12 / 0 / 13

HEX #77C5DF

RGB 119 197 223

HSL 195, 0.62%, 0.67%

LAB 75.56, -17.21, -20.43

 

CMYK 0 / 47 / 12 / 13

HEX #DF77C5

RGB 223 119 197

HSL 315, 0.62%, 0.67%

LAB 64.09, 50.47, -22.81

 

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

CMYK 47 / 0 / 26 / 13

HEX #77DFA6

RGB 119 223 166

HSL 147.12, 0.62%, 0.67%

LAB 81.54, -43.01, 18.76

 

CMYK 35 / 47 / 0 / 13

HEX #9177DF

RGB 145 119 223

HSL 255, 0.62%, 0.67%

LAB 56.63, 33.31, -49.74

 

CMYK 0 / 47 / 21 / 13

HEX #DF77B0

RGB 223 119 176

HSL 327.12, 0.62%, 0.67%

LAB 63.36, 47.25, -12.03

 

CMYK 12 / 0 / 46 / 13

HEX #C4DF78

RGB 196 223 120

HSL 75.73, 0.62%, 0.67%

LAB 84.93, -24.68, 47.27

 

CMYK 47 / 0 / 12 / 13

HEX #77DFC5

RGB 119 223 197

HSL 165, 0.62%, 0.67%

LAB 82.23, -36.41, 3.4

 

CMYK 35 / 47 / 0 / 13

HEX #9177DF

RGB 145 119 223

HSL 255, 0.62%, 0.67%

LAB 56.63, 33.31, -49.74

 

CMYK 0 / 47 / 35 / 13

HEX #DF7791

RGB 223 119 145

HSL 345, 0.62%, 0.67%

LAB 62.45, 43.13, 4.34

 

Description

Color code: HEX #C4DF78 | qconv.com Color code: HEX #C4DF78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 223 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 223 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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