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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D58C it is the complementary color #3B2A73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D58C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D58C shade: #C9D587, #DAE79A, #EBF9AD, #FCFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D58C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D58C shade: #C4D58C, #B3C379, #A2B166, #919F53 and #808D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D58C shade: #C3D48C, #D4D28C, #D4BE8C, #D4AA8C and #D4978C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D58C shade: #C3D48C, #B0D48C, #9CD48C, #8CD48F and #8CD4A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D58C shade matches the following richer shades: #C3D48C, #CAE17F, #D1EE72 and #D8FB65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D58C shade: #C3D48C, #BDC898, #B6BBA5, #AFAEB2 and #A8A1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D58C shade: #D4BD8C, #D4D18C, #C5D48C, #B1D48C and #9ED48C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D58C shade: #A4BE4F, #B4C96D, #C3D48C, #D3DFAA and #E2EBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D58C shade: #C4D58C, #8CD4AA and #C78CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D58C shade: #C4D58C, #8CC5D4 and #D48CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D58C shade: #C4D58C, #8CD4AA, #9B8CD4 and #D48CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D58C shade: #C4D58C, #8CD4C0, #9B8CD4 and #D48CA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

Complementary color

CMYK 49 / 63 / 0 / 55

HEX #3B2A73

RGB 59 42 115

HSL 253.97, 0.46%, 0.31%

LAB 23.08, 27.56, -39.58

 

CMYK 6 / 0 / 37 / 16

HEX #C9D587

RGB 201 213 135

HSL 69.23, 0.48%, 0.68%

LAB 82.78, -16.18, 37.22

 

CMYK 6 / 0 / 33 / 9

HEX #DAE79A

RGB 218 231 154

HSL 70.13, 0.62%, 0.75%

LAB 89.11, -16.35, 36.1

 

CMYK 6 / 0 / 31 / 2

HEX #EBF9AD

RGB 235 249 173

HSL 71.05, 0.86%, 0.83%

LAB 95.34, -16.49, 35.02

 

CMYK 1 / 0 / 25 / 0

HEX #FCFFC0

RGB 252 255 192

HSL 62.86, 1%, 0.88%

LAB 98.44, -10.77, 29.86

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

CMYK 8 / 0 / 38 / 24

HEX #B3C379

RGB 179 195 121

HSL 72.97, 0.38%, 0.62%

LAB 76.07, -17.34, 35.38

 

CMYK 8 / 0 / 42 / 31

HEX #A2B166

RGB 162 177 102

HSL 72, 0.32%, 0.55%

LAB 69.53, -17.17, 36.56

 

CMYK 9 / 0 / 48 / 38

HEX #919F53

RGB 145 159 83

HSL 71.05, 0.31%, 0.47%

LAB 62.88, -16.94, 37.76

 

CMYK 9 / 0 / 55 / 45

HEX #808D40

RGB 128 141 64

HSL 70.13, 0.38%, 0.4%

LAB 56.1, -16.61, 38.95

 

CMYK 8 / 0 / 34 / 17

HEX #C3D48C

RGB 195 212 140

HSL 74.17, 0.46%, 0.69%

LAB 82.15, -17.35, 33.77

 

CMYK 0 / 1 / 34 / 17

HEX #D4D28C

RGB 212 210 140

HSL 58.33, 0.46%, 0.69%

LAB 82.9, -9.83, 35

 

CMYK 0 / 10 / 34 / 17

HEX #D4BE8C

RGB 212 190 140

HSL 41.67, 0.46%, 0.69%

LAB 77.71, 0.52, 28.13

 

CMYK 0 / 20 / 34 / 17

HEX #D4AA8C

RGB 212 170 140

HSL 25, 0.46%, 0.69%

LAB 72.65, 11.17, 21.3

 

CMYK 0 / 29 / 34 / 17

HEX #D4978C

RGB 212 151 140

HSL 9.17, 0.46%, 0.69%

LAB 68.04, 21.46, 14.92

 

CMYK 8 / 0 / 34 / 17

HEX #C3D48C

RGB 195 212 140

HSL 74.17, 0.46%, 0.69%

LAB 82.15, -17.35, 33.77

 

CMYK 17 / 0 / 34 / 17

HEX #B0D48C

RGB 176 212 140

HSL 90, 0.46%, 0.69%

LAB 80.86, -24.4, 31.82

 

CMYK 26 / 0 / 34 / 17

HEX #9CD48C

RGB 156 212 140

HSL 106.67, 0.46%, 0.69%

LAB 79.64, -31.45, 29.99

 

CMYK 34 / 0 / 33 / 17

HEX #8CD48F

RGB 140 212 143

HSL 122.5, 0.46%, 0.69%

LAB 78.84, -36.23, 27.21

 

CMYK 34 / 0 / 24 / 17

HEX #8CD4A2

RGB 140 212 162

HSL 138.33, 0.46%, 0.69%

LAB 79.2, -32.91, 17.74

 

CMYK 8 / 0 / 34 / 17

HEX #C3D48C

RGB 195 212 140

HSL 74.17, 0.46%, 0.69%

LAB 82.15, -17.35, 33.77

 

CMYK 10 / 0 / 44 / 12

HEX #CAE17F

RGB 202 225 127

HSL 74.08, 0.62%, 0.69%

LAB 85.98, -22.61, 45.26

 

CMYK 12 / 0 / 52 / 7

HEX #D1EE72

RGB 209 238 114

HSL 74.03, 0.78%, 0.69%

LAB 89.82, -27.43, 56.16

 

CMYK 14 / 0 / 60 / 2

HEX #D8FB65

RGB 216 251 101

HSL 74, 0.95%, 0.69%

LAB 93.68, -31.88, 66.32

 

CMYK 8 / 0 / 34 / 17

HEX #C3D48C

RGB 195 212 140

HSL 74.17, 0.46%, 0.69%

LAB 82.15, -17.35, 33.77

 

CMYK 5 / 0 / 24 / 22

HEX #BDC898

RGB 189 200 152

HSL 73.75, 0.3%, 0.69%

LAB 78.69, -11.9, 22.81

 

CMYK 3 / 0 / 12 / 27

HEX #B6BBA5

RGB 182 187 165

HSL 73.64, 0.14%, 0.69%

LAB 74.95, -5.68, 10.55

 

CMYK 2 / 2 / 0 / 30

HEX #AFAEB2

RGB 175 174 178

HSL 255, 0.03%, 0.69%

LAB 71.28, 1.11, -1.93

 

CMYK 12 / 16 / 0 / 25

HEX #A8A1BF

RGB 168 161 191

HSL 254, 0.19%, 0.69%

LAB 67.71, 8.49, -14.5

 

CMYK 0 / 11 / 34 / 17

HEX #D4BD8C

RGB 212 189 140

HSL 40.83, 0.46%, 0.69%

LAB 77.45, 1.04, 27.79

 

CMYK 0 / 1 / 34 / 17

HEX #D4D18C

RGB 212 209 140

HSL 57.5, 0.46%, 0.69%

LAB 82.64, -9.32, 34.66

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 17 / 0 / 34 / 17

HEX #B1D48C

RGB 177 212 140

HSL 89.17, 0.46%, 0.69%

LAB 80.92, -24.04, 31.92

 

CMYK 25 / 0 / 34 / 17

HEX #9ED48C

RGB 158 212 140

HSL 105, 0.46%, 0.69%

LAB 79.76, -30.76, 30.17

 

CMYK 14 / 0 / 58 / 25

HEX #A4BE4F

RGB 164 190 79

HSL 74.05, 0.46%, 0.53%

LAB 73.08, -25.12, 51.96

 

CMYK 10 / 0 / 46 / 21

HEX #B4C96D

RGB 180 201 109

HSL 73.7, 0.46%, 0.61%

LAB 77.63, -21.31, 43.4

 

CMYK 8 / 0 / 34 / 17

HEX #C3D48C

RGB 195 212 140

HSL 74.17, 0.46%, 0.69%

LAB 82.15, -17.35, 33.77

 

CMYK 5 / 0 / 24 / 13

HEX #D3DFAA

RGB 211 223 170

HSL 73.58, 0.45%, 0.77%

LAB 86.76, -12.83, 24.69

 

CMYK 4 / 0 / 15 / 8

HEX #E2EBC8

RGB 226 235 200

HSL 75.43, 0.47%, 0.85%

LAB 91.58, -8.95, 15.98

 

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

CMYK 34 / 0 / 20 / 17

HEX #8CD4AA

RGB 140 212 170

HSL 145, 0.46%, 0.69%

LAB 79.37, -31.39, 13.74

 

CMYK 6 / 34 / 0 / 17

HEX #C78CD4

RGB 199 140 212

HSL 289.17, 0.46%, 0.69%

LAB 66.25, 34.62, -28.13

 

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

CMYK 34 / 7 / 0 / 17

HEX #8CC5D4

RGB 140 197 212

HSL 192.5, 0.46%, 0.69%

LAB 76.23, -14.7, -13.38

 

CMYK 0 / 34 / 7 / 17

HEX #D48CC5

RGB 212 140 197

HSL 312.5, 0.46%, 0.69%

LAB 67.11, 36.03, -18.33

 

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

CMYK 34 / 0 / 20 / 17

HEX #8CD4AA

RGB 140 212 170

HSL 145, 0.46%, 0.69%

LAB 79.37, -31.39, 13.74

 

CMYK 27 / 34 / 0 / 17

HEX #9B8CD4

RGB 155 140 212

HSL 252.5, 0.46%, 0.69%

LAB 62.06, 21.14, -34.95

 

CMYK 0 / 34 / 14 / 17

HEX #D48CB6

RGB 212 140 182

HSL 325, 0.46%, 0.69%

LAB 66.62, 33.5, -10.67

 

CMYK 8 / 0 / 34 / 16

HEX #C4D58C

RGB 196 213 140

HSL 73.97, 0.46%, 0.69%

LAB 82.5, -17.47, 34.24

 

CMYK 34 / 0 / 9 / 17

HEX #8CD4C0

RGB 140 212 192

HSL 163.33, 0.46%, 0.69%

LAB 79.88, -26.86, 2.76

 

CMYK 27 / 34 / 0 / 17

HEX #9B8CD4

RGB 155 140 212

HSL 252.5, 0.46%, 0.69%

LAB 62.06, 21.14, -34.95

 

CMYK 0 / 34 / 25 / 17

HEX #D48CA0

RGB 212 140 160

HSL 343.33, 0.46%, 0.69%

LAB 65.97, 30.12, 0.76

 

Description

Color code: HEX #C4D58C | qconv.com Color code: HEX #C4D58C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 213 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 213 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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