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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D2DB3F it is the complementary color #3B2D243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D2DB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D2DB3F shade: #C9D2D63F, #DAE4E93F, #EBF6FC3F, #FCFFFF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D2DB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D2DB3F shade: #C4D2DB3F, #B3C0C83F, #A2AEB53F, #919CA23F and #808A8F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D2DB3F shade: #C3D1DA, #C3CBDA, #C3C5DA, #C8C3DA and #CEC3DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D2DB3F shade: #C3D1DA, #C3CBDA, #C3C5DA and #C3C3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D2DB3F shade matches the following richer shades: #C3D1DA, #BBD3E2, #B3D4EA, #ABD6F2 and #A4D8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D2DB3F shade: #C3D1DA, #CBCFD2, #D3CECA, #DACCC3 and #E2CABB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D2DB3F shade: #C3DAD7, #C3D7DA, #C3D1DA, #C3CBDA and #C3C5DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D2DB3F shade: #90AABB, #A9BECA, #C3D1DA, #DDE5EA and #F6F8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D2DB3F shade: #C4D2DB, #D0C3DA and #DADAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D2DB3F shade: #C4D2DB, #DAC3D1 and #D1DAC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D2DB3F shade: #C4D2DB, #D0C3DA, #DACCC3 and #CDDAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D2DB3F shade: #C4D2DB, #D7C3DA, #DACCC3 and #C6DAC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 1 / 0 / 4

HEX #C4D2DB3F

RGBA 196 210 219 0.25

HSLA 203.48, 0.24%, 0.81%, 0.25

LABA 83.41, -2.95, -6.07, 0.25

 

Complementary color

CMYK 0 / 6 / 10 / 19

HEX #3B2D243F

RGBA 59 45 36 0.25

HSLA 23.48, 0.24%, 0.19%, 0.25

LABA 19.78, 4.86, 8.27, 0.25

 

CMYK 2 / 0 / 0 / 4

HEX #C9D2D63F

RGBA 201 210 214 0.25

HSLA 198.46, 0.14%, 0.81%, 0.25

LABA 83.63, -2.28, -3.04, 0.25

 

CMYK 2 / 1 / 0 / 2

HEX #DAE4E93F

RGBA 218 228 233 0.25

HSLA 200, 0.25%, 0.88%, 0.25

LABA 89.99, -2.39, -3.6, 0.25

 

CMYK 2 / 1 / 0 / 0

HEX #EBF6FC3F

RGBA 235 246 252 0.25

HSLA 201.18, 0.74%, 0.95%, 0.25

LABA 96.25, -2.5, -4.14, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FCFFFF3F

RGBA 252 255 255 0.25

HSLA 180, 1%, 0.99%, 0.25

LABA 99.78, -0.98, -0.36, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 3 / 1 / 0 / 4

HEX #C4D2DB3F

RGBA 196 210 219 0.25

HSLA 203.48, 0.24%, 0.81%, 0.25

LABA 83.41, -2.95, -6.07, 0.25

 

CMYK 3 / 1 / 0 / 5

HEX #B3C0C83F

RGBA 179 192 200 0.25

HSLA 202.86, 0.16%, 0.74%, 0.25

LABA 76.95, -2.86, -5.55, 0.25

 

CMYK 3 / 1 / 0 / 7

HEX #A2AEB53F

RGBA 162 174 181 0.25

HSLA 202.11, 0.11%, 0.67%, 0.25

LABA 70.38, -2.76, -5.02, 0.25

 

CMYK 3 / 1 / 0 / 9

HEX #919CA23F

RGBA 145 156 162 0.25

HSLA 201.18, 0.08%, 0.6%, 0.25

LABA 63.68, -2.67, -4.48, 0.25

 

CMYK 3 / 1 / 0 / 11

HEX #808A8F3F

RGBA 128 138 143 0.25

HSLA 200, 0.06%, 0.53%, 0.25

LABA 56.83, -2.58, -3.92, 0.25

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 11 / 7 / 0 / 15

HEX #C3CBDA

RGB 195 203 218

HSL 219.13, 0.24%, 0.81%

LAB 81.5, 0.2, -8.38

 

CMYK 11 / 10 / 0 / 15

HEX #C3C5DA

RGB 195 197 218

HSL 234.78, 0.24%, 0.81%

LAB 79.95, 3.39, -10.68

 

CMYK 8 / 11 / 0 / 15

HEX #C8C3DA

RGB 200 195 218

HSL 253.04, 0.24%, 0.81%

LAB 79.82, 6.1, -10.83

 

CMYK 6 / 11 / 0 / 15

HEX #CEC3DA

RGB 206 195 218

HSL 268.7, 0.24%, 0.81%

LAB 80.3, 8.09, -10.07

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 11 / 7 / 0 / 15

HEX #C3CBDA

RGB 195 203 218

HSL 219.13, 0.24%, 0.81%

LAB 81.5, 0.2, -8.38

 

CMYK 11 / 10 / 0 / 15

HEX #C3C5DA

RGB 195 197 218

HSL 234.78, 0.24%, 0.81%

LAB 79.95, 3.39, -10.68

 

CMYK 11 / 11 / 0 / 15

HEX #C3C3DA

RGB 195 195 218

HSL 240, 0.24%, 0.81%

LAB 79.44, 4.46, -11.45

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 17 / 7 / 0 / 11

HEX #BBD3E2

RGB 187 211 226

HSL 203.08, 0.4%, 0.81%

LAB 83.25, -4.91, -10.1

 

CMYK 24 / 9 / 0 / 8

HEX #B3D4EA

RGB 179 212 234

HSL 204, 0.57%, 0.81%

LAB 83.24, -6.14, -14.43

 

CMYK 29 / 12 / 0 / 5

HEX #ABD6F2

RGB 171 214 242

HSL 203.66, 0.73%, 0.81%

LAB 83.53, -7.68, -18.3

 

CMYK 34 / 14 / 0 / 2

HEX #A4D8FA

RGB 164 216 250

HSL 203.72, 0.9%, 0.81%

LAB 83.92, -8.73, -21.98

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 3 / 1 / 0 / 18

HEX #CBCFD2

RGB 203 207 210

HSL 205.71, 0.07%, 0.81%

LAB 82.9, -0.8, -1.97

 

CMYK 0 / 2 / 4 / 17

HEX #D3CECA

RGB 211 206 202

HSL 26.67, 0.09%, 0.81%

LAB 83.05, 1.02, 2.59

 

CMYK 0 / 6 / 11 / 15

HEX #DACCC3

RGB 218 204 195

HSL 23.48, 0.24%, 0.81%

LAB 82.93, 3.34, 6.22

 

CMYK 0 / 11 / 17 / 11

HEX #E2CABB

RGB 226 202 187

HSL 23.08, 0.4%, 0.81%

LAB 82.91, 6.01, 10.54

 

CMYK 11 / 0 / 1 / 15

HEX #C3DAD7

RGB 195 218 215

HSL 172.17, 0.24%, 0.81%

LAB 85.33, -8.21, -1.14

 

CMYK 11 / 1 / 0 / 15

HEX #C3D7DA

RGB 195 215 218

HSL 187.83, 0.24%, 0.81%

LAB 84.62, -6.08, -3.77

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 11 / 7 / 0 / 15

HEX #C3CBDA

RGB 195 203 218

HSL 219.13, 0.24%, 0.81%

LAB 81.5, 0.2, -8.38

 

CMYK 11 / 10 / 0 / 15

HEX #C3C5DA

RGB 195 197 218

HSL 234.78, 0.24%, 0.81%

LAB 79.95, 3.39, -10.68

 

CMYK 23 / 9 / 0 / 27

HEX #90AABB

RGB 144 170 187

HSL 203.72, 0.24%, 0.65%

LAB 68.22, -5.15, -11.69

 

CMYK 16 / 6 / 0 / 21

HEX #A9BECA

RGB 169 190 202

HSL 201.82, 0.24%, 0.73%

LAB 75.78, -4.64, -8.46

 

CMYK 11 / 4 / 0 / 15

HEX #C3D1DA

RGB 195 209 218

HSL 203.48, 0.24%, 0.81%

LAB 83.05, -2.95, -6.08

 

CMYK 6 / 2 / 0 / 8

HEX #DDE5EA

RGB 221 229 234

HSL 203.08, 0.24%, 0.89%

LAB 90.48, -1.74, -3.37

 

CMYK 2 / 1 / 0 / 2

HEX #F6F8FA

RGB 246 248 250

HSL 210, 0.29%, 0.97%

LAB 97.48, -0.3, -1.2

 

CMYK 11 / 4 / 0 / 14

HEX #C4D2DB

RGB 196 210 219

HSL 203.48, 0.24%, 0.81%

LAB 83.41, -2.95, -6.07

 

CMYK 5 / 11 / 0 / 15

HEX #D0C3DA

RGB 208 195 218

HSL 273.91, 0.24%, 0.81%

LAB 80.46, 8.76, -9.82

 

CMYK 0 / 0 / 11 / 15

HEX #DADAC3

RGB 218 218 195

HSL 60, 0.24%, 0.81%

LAB 86.5, -3.93, 11.32

 

CMYK 11 / 4 / 0 / 14

HEX #C4D2DB

RGB 196 210 219

HSL 203.48, 0.24%, 0.81%

LAB 83.41, -2.95, -6.07

 

CMYK 0 / 11 / 4 / 15

HEX #DAC3D1

RGB 218 195 209

HSL 323.48, 0.24%, 0.81%

LAB 81.04, 10.5, -4.03

 

CMYK 4 / 0 / 11 / 15

HEX #D1DAC3

RGB 209 218 195

HSL 83.48, 0.24%, 0.81%

LAB 85.83, -7.11, 10.27

 

CMYK 11 / 4 / 0 / 14

HEX #C4D2DB

RGB 196 210 219

HSL 203.48, 0.24%, 0.81%

LAB 83.41, -2.95, -6.07

 

CMYK 5 / 11 / 0 / 15

HEX #D0C3DA

RGB 208 195 218

HSL 273.91, 0.24%, 0.81%

LAB 80.46, 8.76, -9.82

 

CMYK 0 / 6 / 11 / 15

HEX #DACCC3

RGB 218 204 195

HSL 23.48, 0.24%, 0.81%

LAB 82.93, 3.34, 6.22

 

CMYK 6 / 0 / 11 / 15

HEX #CDDAC3

RGB 205 218 195

HSL 93.91, 0.24%, 0.81%

LAB 85.54, -8.5, 9.82

 

CMYK 11 / 4 / 0 / 14

HEX #C4D2DB

RGB 196 210 219

HSL 203.48, 0.24%, 0.81%

LAB 83.41, -2.95, -6.07

 

CMYK 1 / 11 / 0 / 15

HEX #D7C3DA

RGB 215 195 218

HSL 292.17, 0.24%, 0.81%

LAB 81.04, 11.11, -8.9

 

CMYK 0 / 6 / 11 / 15

HEX #DACCC3

RGB 218 204 195

HSL 23.48, 0.24%, 0.81%

LAB 82.93, 3.34, 6.22

 

CMYK 9 / 0 / 11 / 15

HEX #C6DAC3

RGB 198 218 195

HSL 112.17, 0.24%, 0.81%

LAB 85.04, -10.91, 9.05

 

Description

Color code: HEX #C4D2DB3F | qconv.com Color code: HEX #C4D2DB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 210 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 210 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 1 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 1% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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