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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CF113F it is the complementary color #3B30EE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CF113F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CF113F shade: #C9CF0C3F, #DAE11F3F, #EBF3323F, #FCFF453F and #FFFF583F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CF113F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CF113F shade: #C4CF113F, #B3BD003F, #A2AB003F, #9199003F and #8087003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CF113F shade: #C5D011, #D0A711, #D07411, #D04011 and #D01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CF113F shade: #C5D011, #91D011, #5ED011, #2AD011 and #11D02B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CF113F shade matches the following richer shades: #C5D011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CF113F shade: #C5D011, #B4BD23, #A4AB35, #949947 and #848759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CF113F shade: #D07311, #D0A611, #C6D011, #93D011 and #60D011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CF113F shade: #7C830B, #A0A90E, #C5D011, #E1ED1D and #E6F043

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CF113F shade: #C4CF11, #11D041 and #8D11D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CF113F shade: #C4CF11, #11C6D0 and #D011C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CF113F shade: #C4CF11, #11D041, #1A11D0 and #D011A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CF113F shade: #C4CF11, #11D07A, #1A11D0 and #D01167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 23 / 5

HEX #C4CF113F

RGBA 196 207 17 0.25

HSLA 63.47, 0.85%, 0.44%, 0.25

LABA 79.84, -22.9, 78.01, 0.25

 

Complementary color

CMYK 19 / 20 / 0 / 2

HEX #3B30EE3F

RGBA 59 48 238 0.25

HSLA 243.47, 0.85%, 0.56%, 0.25

LABA 36.4, 62.83, -91.4, 0.25

 

CMYK 1 / 0 / 24 / 5

HEX #C9CF0C3F

RGBA 201 207 12 0.25

HSLA 61.85, 0.89%, 0.43%, 0.25

LABA 80.22, -20.85, 79.05, 0.25

 

CMYK 1 / 0 / 22 / 3

HEX #DAE11F3F

RGBA 218 225 31 0.25

HSLA 62.16, 0.76%, 0.5%, 0.25

LABA 86.43, -22.14, 81.71, 0.25

 

CMYK 1 / 0 / 20 / 1

HEX #EBF3323F

RGBA 235 243 50 0.25

HSLA 62.49, 0.89%, 0.57%, 0.25

LABA 92.57, -23.24, 83.17, 0.25

 

CMYK 0 / 0 / 18 / 0

HEX #FCFF453F

RGBA 252 255 69 0.25

HSLA 60.97, 1%, 0.64%, 0.25

LABA 97.08, -21.36, 82.32, 0.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFF583F

RGBA 255 255 88 0.25

HSLA 60, 1%, 0.67%, 0.25

LABA 97.42, -19.26, 76.23, 0.25

 

CMYK 1 / 0 / 23 / 5

HEX #C4CF113F

RGBA 196 207 17 0.25

HSLA 63.47, 0.85%, 0.44%, 0.25

LABA 79.84, -22.9, 78.01, 0.25

 

CMYK 1 / 0 / 25 / 6

HEX #B3BD003F

RGBA 179 189 0 0.25

HSLA 63.17, 1%, 0.37%, 0.25

LABA 73.53, -21.53, 74.49, 0.25

 

CMYK 1 / 0 / 25 / 8

HEX #A2AB003F

RGBA 162 171 0 0.25

HSLA 63.16, 1%, 0.34%, 0.25

LABA 67.13, -19.94, 69.17, 0.25

HEX #A2AB003F

CMYK 1 / 0 / 25 / 10

HEX #9199003F

RGBA 145 153 0 0.25

HSLA 63.14, 1%, 0.3%, 0.25

LABA 60.61, -18.32, 63.74, 0.25

HEX #9199003F

CMYK 1 / 0 / 25 / 12

HEX #8087003F

RGBA 128 135 0 0.25

HSLA 63.11, 1%, 0.26%, 0.25

LABA 53.94, -16.66, 58.2, 0.25

HEX #8087003F

CMYK 5 / 0 / 92 / 18

HEX #C5D011

RGB 197 208 17

HSL 63.46, 0.85%, 0.44%

LAB 80.19, -22.96, 78.31

 

CMYK 0 / 20 / 92 / 18

HEX #D0A711

RGB 208 167 17

HSL 47.12, 0.85%, 0.44%

LAB 70.24, 2.77, 71.1

 

CMYK 0 / 44 / 92 / 18

HEX #D07411

RGB 208 116 17

HSL 31.1, 0.85%, 0.44%

LAB 57.98, 30.25, 62.01

 

CMYK 0 / 69 / 92 / 18

HEX #D04011

RGB 208 64 17

HSL 14.76, 0.85%, 0.44%

LAB 48.41, 54.86, 55.27

 

CMYK 0 / 92 / 92 / 18

HEX #D01111

RGB 208 17 17

HSL 0, 0.85%, 0.44%

LAB 44.02, 67.17, 52.37

 

CMYK 5 / 0 / 92 / 18

HEX #C5D011

RGB 197 208 17

HSL 63.46, 0.85%, 0.44%

LAB 80.19, -22.96, 78.31

 

CMYK 30 / 0 / 92 / 18

HEX #91D011

RGB 145 208 17

HSL 79.79, 0.85%, 0.44%

LAB 76.78, -43.83, 74.17

 

CMYK 55 / 0 / 92 / 18

HEX #5ED011

RGB 94 208 17

HSL 95.81, 0.85%, 0.44%

LAB 74.53, -60.42, 71.39

 

CMYK 80 / 0 / 92 / 18

HEX #2AD011

RGB 42 208 17

HSL 112.15, 0.85%, 0.44%

LAB 73.31, -70.66, 69.89

 

CMYK 92 / 0 / 79 / 18

HEX #11D02B

RGB 17 208 43

HSL 128.17, 0.85%, 0.44%

LAB 73.16, -71.72, 64.01

 

CMYK 5 / 0 / 92 / 18

HEX #C5D011

RGB 197 208 17

HSL 63.46, 0.85%, 0.44%

LAB 80.19, -22.96, 78.31

 

CMYK 5 / 0 / 92 / 18

HEX #C5D011

RGB 197 208 17

HSL 63.46, 0.85%, 0.44%

LAB 80.19, -22.96, 78.31

 

CMYK 5 / 0 / 81 / 26

HEX #B4BD23

RGB 180 189 35

HSL 63.51, 0.69%, 0.44%

LAB 73.69, -20.44, 69.01

 

CMYK 4 / 0 / 69 / 33

HEX #A4AB35

RGB 164 171 53

HSL 63.56, 0.53%, 0.44%

LAB 67.48, -17.47, 56.96

 

CMYK 3 / 0 / 54 / 40

HEX #949947

RGB 148 153 71

HSL 63.66, 0.37%, 0.44%

LAB 61.25, -13.72, 41.89

 

CMYK 2 / 0 / 34 / 47

HEX #848759

RGB 132 135 89

HSL 63.91, 0.21%, 0.44%

LAB 55.03, -8.84, 24.41

 

CMYK 0 / 45 / 92 / 18

HEX #D07311

RGB 208 115 17

HSL 30.79, 0.85%, 0.44%

LAB 57.76, 30.78, 61.85

 

CMYK 0 / 20 / 92 / 18

HEX #D0A611

RGB 208 166 17

HSL 46.81, 0.85%, 0.44%

LAB 69.98, 3.3, 70.91

 

CMYK 5 / 0 / 92 / 18

HEX #C6D011

RGB 198 208 17

HSL 63.14, 0.85%, 0.44%

LAB 80.27, -22.54, 78.41

 

CMYK 29 / 0 / 92 / 18

HEX #93D011

RGB 147 208 17

HSL 79.16, 0.85%, 0.44%

LAB 76.89, -43.08, 74.3

 

CMYK 54 / 0 / 92 / 18

HEX #60D011

RGB 96 208 17

HSL 95.18, 0.85%, 0.44%

LAB 74.6, -59.88, 71.48

 

CMYK 5 / 0 / 92 / 49

HEX #7C830B

RGB 124 131 11

HSL 63.5, 0.85%, 0.28%

LAB 52.44, -16.16, 54.95

 

CMYK 5 / 0 / 92 / 34

HEX #A0A90E

RGB 160 169 14

HSL 63.48, 0.85%, 0.36%

LAB 66.43, -19.6, 66.76

 

CMYK 5 / 0 / 92 / 18

HEX #C5D011

RGB 197 208 17

HSL 63.46, 0.85%, 0.44%

LAB 80.19, -22.96, 78.31

 

CMYK 5 / 0 / 88 / 7

HEX #E1ED1D

RGB 225 237 29

HSL 63.46, 0.85%, 0.52%

LAB 90.17, -25.02, 85.29

 

CMYK 4 / 0 / 72 / 6

HEX #E6F043

RGB 230 240 67

HSL 63.47, 0.85%, 0.6%

LAB 91.48, -23.21, 77.1

 

CMYK 5 / 0 / 92 / 19

HEX #C4CF11

RGB 196 207 17

HSL 63.47, 0.85%, 0.44%

LAB 79.84, -22.9, 78.01

 

CMYK 92 / 0 / 69 / 18

HEX #11D041

RGB 17 208 65

HSL 135.08, 0.85%, 0.44%

LAB 73.29, -70, 56.61

 

CMYK 32 / 92 / 0 / 18

HEX #8D11D0

RGB 141 17 208

HSL 278.95, 0.85%, 0.44%

LAB 38.93, 72.86, -69.75

 

CMYK 5 / 0 / 92 / 19

HEX #C4CF11

RGB 196 207 17

HSL 63.47, 0.85%, 0.44%

LAB 79.84, -22.9, 78.01

 

CMYK 92 / 5 / 0 / 18

HEX #11C6D0

RGB 17 198 208

HSL 183.14, 0.85%, 0.44%

LAB 72.93, -36.18, -16.52

 

CMYK 0 / 92 / 5 / 18

HEX #D011C6

RGB 208 17 198

HSL 303.14, 0.85%, 0.44%

LAB 49.36, 81.39, -46.55

 

CMYK 5 / 0 / 92 / 19

HEX #C4CF11

RGB 196 207 17

HSL 63.47, 0.85%, 0.44%

LAB 79.84, -22.9, 78.01

 

CMYK 92 / 0 / 69 / 18

HEX #11D041

RGB 17 208 65

HSL 135.08, 0.85%, 0.44%

LAB 73.29, -70, 56.61

 

CMYK 88 / 92 / 0 / 18

HEX #1A11D0

RGB 26 17 208

HSL 242.83, 0.85%, 0.44%

LAB 27.23, 64.59, -89.48

 

CMYK 0 / 92 / 23 / 18

HEX #D011A0

RGB 208 17 160

HSL 315.08, 0.85%, 0.44%

LAB 47.43, 76.45, -27.25

 

CMYK 5 / 0 / 92 / 19

HEX #C4CF11

RGB 196 207 17

HSL 63.47, 0.85%, 0.44%

LAB 79.84, -22.9, 78.01

 

CMYK 92 / 0 / 41 / 18

HEX #11D07A

RGB 17 208 122

HSL 152.98, 0.85%, 0.44%

LAB 73.96, -61.92, 30.97

 

CMYK 88 / 92 / 0 / 18

HEX #1A11D0

RGB 26 17 208

HSL 242.83, 0.85%, 0.44%

LAB 27.23, 64.59, -89.48

 

CMYK 0 / 92 / 50 / 18

HEX #D01167

RGB 208 17 103

HSL 332.98, 0.85%, 0.44%

LAB 45.35, 70.87, 4.4

 

Description

Color code: HEX #C4CF113F | qconv.com Color code: HEX #C4CF113F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 207 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 207 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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