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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CC47 it is the complementary color #3B33B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CC47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CC47 shade: #C9CC42, #DADE55, #EBF068, #FCFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CC47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CC47 shade: #C4CC47, #B3BA34, #A2A821, #91960E and #808400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CC47 shade: #C5CD47, #CDB147, #CD8C47, #CD6847 and #CD4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CC47 shade: #C5CD47, #A0CD47, #7CCD47, #58CD47 and #47CD59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CC47 shade matches the following richer shades: #C5CD47, #D5E034 and #E6F321

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CC47 shade: #C5CD47, #B4BA5A, #A3A76D, #929480 and #828193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CC47 shade: #CD8C47, #CDB047, #C6CD47, #A2CD47 and #7FCD47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CC47 shade: #919729, #B0B832, #C5CD47, #CFD567 and #D9DE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CC47 shade: #C4CC47, #47CD68 and #9E47CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CC47 shade: #C4CC47, #47C6CD and #CD47C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CC47 shade: #C4CC47, #47CD68, #4E47CD and #CD47AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CC47 shade: #C4CC47, #47CD90, #4E47CD and #CD4783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

Complementary color

CMYK 68 / 72 / 0 / 28

HEX #3B33B8

RGB 59 51 184

HSL 243.61, 0.57%, 0.46%

LAB 31.25, 44.63, -68.65

 

CMYK 1 / 0 / 68 / 20

HEX #C9CC42

RGB 201 204 66

HSL 61.3, 0.58%, 0.53%

LAB 79.61, -17.68, 65.11

 

CMYK 2 / 0 / 62 / 13

HEX #DADE55

RGB 218 222 85

HSL 61.75, 0.67%, 0.6%

LAB 85.91, -18.42, 64.54

 

CMYK 2 / 0 / 57 / 6

HEX #EBF068

RGB 235 240 104

HSL 62.21, 0.82%, 0.67%

LAB 92.12, -19.03, 63.71

 

CMYK 1 / 0 / 52 / 0

HEX #FCFF7B

RGB 252 255 123

HSL 61.36, 1%, 0.74%

LAB 97.49, -18.12, 61.84

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

CMYK 4 / 0 / 72 / 27

HEX #B3BA34

RGB 179 186 52

HSL 63.13, 0.56%, 0.47%

LAB 72.86, -18.69, 63.01

 

CMYK 4 / 0 / 80 / 34

HEX #A2A821

RGB 162 168 33

HSL 62.67, 0.67%, 0.39%

LAB 66.36, -17.73, 62.62

 

CMYK 3 / 0 / 91 / 41

HEX #91960E

RGB 145 150 14

HSL 62.21, 0.83%, 0.32%

LAB 59.77, -16.53, 60.98

 

CMYK 3 / 0 / 100 / 48

HEX #808400

RGB 128 132 0

HSL 61.82, 1%, 0.26%

LAB 53.05, -15.07, 57.54

 

CMYK 4 / 0 / 65 / 20

HEX #C5CD47

RGB 197 205 71

HSL 63.58, 0.57%, 0.54%

LAB 79.61, -19.55, 63.07

 

CMYK 0 / 14 / 65 / 20

HEX #CDB147

RGB 205 177 71

HSL 47.46, 0.57%, 0.54%

LAB 72.81, -1.86, 56.16

 

CMYK 0 / 32 / 65 / 20

HEX #CD8C47

RGB 205 140 71

HSL 30.9, 0.57%, 0.54%

LAB 63.5, 18.06, 45.96

 

CMYK 0 / 49 / 65 / 20

HEX #CD6847

RGB 205 104 71

HSL 14.78, 0.57%, 0.54%

LAB 55.42, 37.32, 36.6

 

CMYK 0 / 65 / 65 / 20

HEX #CD4747

RGB 205 71 71

HSL 0, 0.57%, 0.54%

LAB 49.42, 52.93, 29.32

 

CMYK 4 / 0 / 65 / 20

HEX #C5CD47

RGB 197 205 71

HSL 63.58, 0.57%, 0.54%

LAB 79.61, -19.55, 63.07

 

CMYK 22 / 0 / 65 / 20

HEX #A0CD47

RGB 160 205 71

HSL 80.15, 0.57%, 0.54%

LAB 77.04, -34.41, 59.59

 

CMYK 40 / 0 / 65 / 20

HEX #7CCD47

RGB 124 205 71

HSL 96.27, 0.57%, 0.54%

LAB 75.08, -47.37, 56.92

 

CMYK 57 / 0 / 65 / 20

HEX #58CD47

RGB 88 205 71

HSL 112.39, 0.57%, 0.54%

LAB 73.67, -57.85, 54.99

 

CMYK 65 / 0 / 57 / 20

HEX #47CD59

RGB 71 205 89

HSL 128.06, 0.57%, 0.54%

LAB 73.37, -59.66, 46.61

 

CMYK 4 / 0 / 65 / 20

HEX #C5CD47

RGB 197 205 71

HSL 63.58, 0.57%, 0.54%

LAB 79.61, -19.55, 63.07

 

CMYK 5 / 0 / 77 / 12

HEX #D5E034

RGB 213 224 52

HSL 63.84, 0.74%, 0.54%

LAB 85.86, -23.11, 76.05

 

CMYK 5 / 0 / 86 / 5

HEX #E6F321

RGB 230 243 33

HSL 63.71, 0.9%, 0.54%

LAB 92.15, -25.73, 86.35

 

CMYK 4 / 0 / 65 / 20

HEX #C5CD47

RGB 197 205 71

HSL 63.58, 0.57%, 0.54%

LAB 79.61, -19.55, 63.07

 

CMYK 3 / 0 / 52 / 27

HEX #B4BA5A

RGB 180 186 90

HSL 63.75, 0.41%, 0.54%

LAB 73.26, -15.66, 47.37

 

CMYK 2 / 0 / 35 / 35

HEX #A3A76D

RGB 163 167 109

HSL 64.14, 0.25%, 0.54%

LAB 66.92, -10.74, 29.57

 

CMYK 1 / 0 / 14 / 42

HEX #929480

RGB 146 148 128

HSL 66, 0.09%, 0.54%

LAB 60.65, -4.4, 10.34

 

CMYK 12 / 12 / 0 / 42

HEX #828193

RGB 130 129 147

HSL 243.33, 0.08%, 0.54%

LAB 54.61, 4.14, -9.52

 

CMYK 0 / 32 / 65 / 20

HEX #CD8C47

RGB 205 140 71

HSL 30.9, 0.57%, 0.54%

LAB 63.5, 18.06, 45.96

 

CMYK 0 / 14 / 65 / 20

HEX #CDB047

RGB 205 176 71

HSL 47.01, 0.57%, 0.54%

LAB 72.55, -1.33, 55.88

 

CMYK 3 / 0 / 65 / 20

HEX #C6CD47

RGB 198 205 71

HSL 63.13, 0.57%, 0.54%

LAB 79.68, -19.14, 63.18

 

CMYK 21 / 0 / 65 / 20

HEX #A2CD47

RGB 162 205 71

HSL 79.25, 0.57%, 0.54%

LAB 77.16, -33.64, 59.76

 

CMYK 38 / 0 / 65 / 20

HEX #7FCD47

RGB 127 205 71

HSL 94.93, 0.57%, 0.54%

LAB 75.22, -46.37, 57.12

 

CMYK 4 / 0 / 73 / 41

HEX #919729

RGB 145 151 41

HSL 63.27, 0.57%, 0.38%

LAB 60.17, -16.09, 53.8

 

CMYK 4 / 0 / 73 / 28

HEX #B0B832

RGB 176 184 50

HSL 63.58, 0.57%, 0.46%

LAB 72.06, -19.06, 62.86

 

CMYK 4 / 0 / 65 / 20

HEX #C5CD47

RGB 197 205 71

HSL 63.58, 0.57%, 0.54%

LAB 79.61, -19.55, 63.07

 

CMYK 3 / 0 / 52 / 16

HEX #CFD567

RGB 207 213 103

HSL 63.27, 0.57%, 0.62%

LAB 82.82, -17.1, 52.98

 

CMYK 2 / 0 / 39 / 13

HEX #D9DE88

RGB 217 222 136

HSL 63.49, 0.57%, 0.7%

LAB 86.39, -14.38, 41.59

 

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

CMYK 65 / 0 / 49 / 20

HEX #47CD68

RGB 71 205 104

HSL 134.78, 0.57%, 0.54%

LAB 73.55, -57.58, 39.66

 

CMYK 23 / 65 / 0 / 20

HEX #9E47CD

RGB 158 71 205

HSL 278.96, 0.57%, 0.54%

LAB 47.21, 57.72, -54.47

 

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

CMYK 65 / 3 / 0 / 20

HEX #47C6CD

RGB 71 198 205

HSL 183.13, 0.57%, 0.54%

LAB 73.63, -32.07, -13.76

 

CMYK 0 / 65 / 3 / 20

HEX #CD47C6

RGB 205 71 198

HSL 303.13, 0.57%, 0.54%

LAB 53.56, 67.29, -39.93

 

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

CMYK 65 / 0 / 49 / 20

HEX #47CD68

RGB 71 205 104

HSL 134.78, 0.57%, 0.54%

LAB 73.55, -57.58, 39.66

 

CMYK 62 / 65 / 0 / 20

HEX #4E47CD

RGB 78 71 205

HSL 243.13, 0.57%, 0.54%

LAB 38.78, 42.3, -68.53

 

CMYK 0 / 65 / 17 / 20

HEX #CD47AB

RGB 205 71 171

HSL 315.22, 0.57%, 0.54%

LAB 52.32, 63.17, -26.21

 

CMYK 4 / 0 / 65 / 20

HEX #C4CC47

RGB 196 204 71

HSL 63.61, 0.57%, 0.54%

LAB 79.26, -19.47, 62.69

 

CMYK 65 / 0 / 30 / 20

HEX #47CD90

RGB 71 205 144

HSL 152.69, 0.57%, 0.54%

LAB 74.2, -50.4, 19.95

 

CMYK 62 / 65 / 0 / 20

HEX #4E47CD

RGB 78 71 205

HSL 243.13, 0.57%, 0.54%

LAB 38.78, 42.3, -68.53

 

CMYK 0 / 65 / 36 / 20

HEX #CD4783

RGB 205 71 131

HSL 333.13, 0.57%, 0.54%

LAB 50.83, 58.04, -4.74

 

Description

Color code: HEX #C4CC47 | qconv.com Color code: HEX #C4CC47 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 204 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 204 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 65% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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