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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4BA38 it is the complementary color #3B45C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4BA38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4BA38 shade: #C9BA33, #DACC46, #EBDE59, #FCF06C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4BA38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4BA38 shade: #C4BA38, #B3A825, #A29612, #918400 and #807200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4BA38 shade: #C3B937, #C39337, #C36D37, #C34837 and #C33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4BA38 shade: #C3B937, #A7C337, #81C337, #5CC337 and #37C338

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4BA38 shade matches the following richer shades: #C3B937, #D7CA23 and #EBDC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4BA38 shade: #C3B937, #AFA84B, #9A965F, #868574 and #727488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4BA38 shade: #C36D37, #C39237, #C3B737, #A9C337 and #84C337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4BA38 shade: #837C25, #A39A2E, #C3B937, #CFC654 and #D8D174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4BA38 shade: #C4BA38, #37C347 and #7F37C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4BA38 shade: #C4BA38, #37C3B7 and #B737C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4BA38 shade: #C4BA38, #37C347, #3743C3 and #C337B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4BA38 shade: #C4BA38, #37C371, #3743C3 and #C33789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

Complementary color

CMYK 70 / 65 / 0 / 22

HEX #3B45C7

RGB 59 69 199

HSL 235.71, 0.56%, 0.51%

LAB 36.57, 38.95, -68.71

 

CMYK 0 / 7 / 75 / 21

HEX #C9BA33

RGB 201 186 51

HSL 54, 0.6%, 0.49%

LAB 74.68, -9.3, 65.73

 

CMYK 0 / 6 / 68 / 15

HEX #DACC46

RGB 218 204 70

HSL 54.32, 0.67%, 0.56%

LAB 81.03, -10.33, 65.47

 

CMYK 0 / 6 / 62 / 8

HEX #EBDE59

RGB 235 222 89

HSL 54.66, 0.78%, 0.64%

LAB 87.3, -11.21, 64.79

 

CMYK 0 / 5 / 57 / 1

HEX #FCF06C

RGB 252 240 108

HSL 55, 0.96%, 0.71%

LAB 93.49, -11.95, 63.88

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

CMYK 0 / 6 / 79 / 30

HEX #B3A825

RGB 179 168 37

HSL 55.35, 0.66%, 0.42%

LAB 67.82, -10.11, 63.28

 

CMYK 0 / 7 / 89 / 36

HEX #A29612

RGB 162 150 18

HSL 55, 0.8%, 0.35%

LAB 61.25, -8.76, 62.02

 

CMYK 0 / 9 / 100 / 43

HEX #918400

RGB 145 132 0

HSL 54.62, 1%, 0.28%

LAB 54.58, -7.17, 59.35

 

CMYK 0 / 11 / 100 / 50

HEX #807200

RGB 128 114 0

HSL 53.44, 1%, 0.25%

LAB 47.78, -5.21, 53.72

 

CMYK 0 / 5 / 72 / 24

HEX #C3B937

RGB 195 185 55

HSL 55.71, 0.56%, 0.49%

LAB 73.92, -11.19, 63.41

 

CMYK 0 / 25 / 72 / 24

HEX #C39337

RGB 195 147 55

HSL 39.43, 0.56%, 0.49%

LAB 63.95, 9.01, 53.52

 

CMYK 0 / 44 / 72 / 24

HEX #C36D37

RGB 195 109 55

HSL 23.14, 0.56%, 0.49%

LAB 54.88, 29.78, 44.01

 

CMYK 0 / 63 / 72 / 24

HEX #C34837

RGB 195 72 55

HSL 7.29, 0.56%, 0.49%

LAB 47.64, 48.22, 35.99

 

CMYK 0 / 72 / 72 / 24

HEX #C33737

RGB 195 55 55

HSL 0, 0.56%, 0.49%

LAB 45.1, 55.13, 33.06

 

CMYK 0 / 5 / 72 / 24

HEX #C3B937

RGB 195 185 55

HSL 55.71, 0.56%, 0.49%

LAB 73.92, -11.19, 63.41

 

CMYK 14 / 0 / 72 / 24

HEX #A7C337

RGB 167 195 55

HSL 72, 0.56%, 0.49%

LAB 74.52, -27.95, 63.26

 

CMYK 34 / 0 / 72 / 24

HEX #81C337

RGB 129 195 55

HSL 88.29, 0.56%, 0.49%

LAB 72.21, -42.62, 60.2

 

CMYK 53 / 0 / 72 / 24

HEX #5CC337

RGB 92 195 55

HSL 104.14, 0.56%, 0.49%

LAB 70.58, -54.47, 58.02

 

CMYK 72 / 0 / 71 / 24

HEX #37C338

RGB 55 195 56

HSL 120.43, 0.56%, 0.49%

LAB 69.56, -62.71, 56.28

 

CMYK 0 / 5 / 72 / 24

HEX #C3B937

RGB 195 185 55

HSL 55.71, 0.56%, 0.49%

LAB 73.92, -11.19, 63.41

 

CMYK 0 / 6 / 84 / 16

HEX #D7CA23

RGB 215 202 35

HSL 55.67, 0.72%, 0.49%

LAB 80.07, -11.97, 75.56

 

CMYK 0 / 6 / 94 / 8

HEX #EBDC0F

RGB 235 220 15

HSL 55.91, 0.88%, 0.49%

LAB 86.45, -12.8, 84.66

 

CMYK 0 / 5 / 72 / 24

HEX #C3B937

RGB 195 185 55

HSL 55.71, 0.56%, 0.49%

LAB 73.92, -11.19, 63.41

 

CMYK 0 / 4 / 57 / 31

HEX #AFA84B

RGB 175 168 75

HSL 55.8, 0.4%, 0.49%

LAB 67.74, -9.72, 48.01

 

CMYK 0 / 3 / 38 / 40

HEX #9A965F

RGB 154 150 95

HSL 55.93, 0.24%, 0.49%

LAB 61.23, -7.07, 29.55

 

CMYK 0 / 1 / 13 / 47

HEX #868574

RGB 134 133 116

HSL 56.67, 0.07%, 0.49%

LAB 55.18, -2.77, 9.31

 

CMYK 16 / 15 / 0 / 47

HEX #727488

RGB 114 116 136

HSL 234.55, 0.09%, 0.49%

LAB 49.31, 3.64, -11.17

 

CMYK 0 / 44 / 72 / 24

HEX #C36D37

RGB 195 109 55

HSL 23.14, 0.56%, 0.49%

LAB 54.88, 29.78, 44.01

 

CMYK 0 / 25 / 72 / 24

HEX #C39237

RGB 195 146 55

HSL 39, 0.56%, 0.49%

LAB 63.7, 9.56, 53.26

 

CMYK 0 / 6 / 72 / 24

HEX #C3B737

RGB 195 183 55

HSL 54.86, 0.56%, 0.49%

LAB 73.38, -10.16, 62.89

 

CMYK 13 / 0 / 72 / 24

HEX #A9C337

RGB 169 195 55

HSL 71.14, 0.56%, 0.49%

LAB 74.66, -27.13, 63.44

 

CMYK 32 / 0 / 72 / 24

HEX #84C337

RGB 132 195 55

HSL 87, 0.56%, 0.49%

LAB 72.37, -41.53, 60.41

 

CMYK 0 / 5 / 72 / 49

HEX #837C25

RGB 131 124 37

HSL 55.53, 0.56%, 0.33%

LAB 51.12, -8.15, 46.08

 

CMYK 0 / 6 / 72 / 36

HEX #A39A2E

RGB 163 154 46

HSL 55.38, 0.56%, 0.41%

LAB 62.59, -9.44, 54.79

 

CMYK 0 / 5 / 72 / 24

HEX #C3B937

RGB 195 185 55

HSL 55.71, 0.56%, 0.49%

LAB 73.92, -11.19, 63.41

 

CMYK 0 / 4 / 59 / 19

HEX #CFC654

RGB 207 198 84

HSL 55.61, 0.56%, 0.57%

LAB 78.63, -11.04, 56.83

 

CMYK 0 / 3 / 46 / 15

HEX #D8D174

RGB 216 209 116

HSL 55.8, 0.56%, 0.65%

LAB 82.63, -10.3, 46.72

 

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

CMYK 72 / 0 / 64 / 24

HEX #37C347

RGB 55 195 71

HSL 126.86, 0.56%, 0.49%

LAB 69.68, -61.26, 50.35

 

CMYK 35 / 72 / 0 / 24

HEX #7F37C3

RGB 127 55 195

HSL 270.86, 0.56%, 0.49%

LAB 39.89, 56.34, -60.7

 

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

CMYK 72 / 0 / 6 / 24

HEX #37C3B7

RGB 55 195 183

HSL 174.86, 0.56%, 0.49%

LAB 71.73, -39.1, -4.65

 

CMYK 6 / 72 / 0 / 24

HEX #B737C3

RGB 183 55 195

HSL 294.86, 0.56%, 0.49%

LAB 47.93, 67.66, -47.34

 

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

CMYK 72 / 0 / 64 / 24

HEX #37C347

RGB 55 195 71

HSL 126.86, 0.56%, 0.49%

LAB 69.68, -61.26, 50.35

 

CMYK 72 / 66 / 0 / 24

HEX #3743C3

RGB 55 67 195

HSL 234.86, 0.56%, 0.49%

LAB 35.53, 38.33, -68.1

 

CMYK 0 / 72 / 8 / 24

HEX #C337B3

RGB 195 55 179

HSL 306.86, 0.56%, 0.49%

LAB 48.99, 67.72, -36.2

 

CMYK 0 / 5 / 71 / 23

HEX #C4BA38

RGB 196 186 56

HSL 55.71, 0.56%, 0.49%

LAB 74.28, -11.23, 63.42

 

CMYK 72 / 0 / 42 / 24

HEX #37C371

RGB 55 195 113

HSL 144.86, 0.56%, 0.49%

LAB 70.2, -55.21, 30.78

 

CMYK 72 / 66 / 0 / 24

HEX #3743C3

RGB 55 67 195

HSL 234.86, 0.56%, 0.49%

LAB 35.53, 38.33, -68.1

 

CMYK 0 / 72 / 30 / 24

HEX #C33789

RGB 195 55 137

HSL 324.86, 0.56%, 0.49%

LAB 47.16, 61.98, -14.04

 

Description

Color code: HEX #C4BA38 | qconv.com Color code: HEX #C4BA38 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 186 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 186 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 71% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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