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Color name
HEX #C4BA10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4BA10 it is the complementary color #3B45EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4BA10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4BA10 shade: #C9BA0B, #DACC1E, #EBDE31, #FCF044 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4BA10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4BA10 shade: #C4BA10, #B3A800, #A29600, #918400 and #807200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4BA10 shade: #C6BC10, #C68B10, #C65A10, #C62910 and #C61010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4BA10 shade: #C6BC10, #9FC610, #6EC610, #3DC610 and #10C614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4BA10 shade matches the following richer shades: #C6BC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4BA10 shade: #C6BC10, #B5AD21, #A39D33, #928E44 and #817E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4BA10 shade: #C65910, #C68910, #C6BA10, #A2C610 and #71C610

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4BA10 shade: #7A740A, #A0980D, #C6BC10, #ECE014 and #EFE53A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4BA10 shade: #C4BA10, #10C628 and #7110C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4BA10 shade: #C4BA10, #10C6BA and #BA10C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4BA10 shade: #C4BA10, #10C628, #101CC6 and #C610AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4BA10 shade: #C4BA10, #10C65F, #101CC6 and #C61077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

Complementary color

CMYK 75 / 71 / 0 / 6

HEX #3B45EF

RGB 59 69 239

HSL 236.67, 0.85%, 0.58%

LAB 40.28, 52.39, -85.55

 

CMYK 0 / 7 / 95 / 21

HEX #C9BA0B

RGB 201 186 11

HSL 55.26, 0.9%, 0.42%

LAB 74.55, -10.34, 74.87

 

CMYK 0 / 6 / 86 / 15

HEX #DACC1E

RGB 218 204 30

HSL 55.53, 0.76%, 0.49%

LAB 80.84, -11.81, 77.38

 

CMYK 0 / 6 / 79 / 8

HEX #EBDE31

RGB 235 222 49

HSL 55.81, 0.82%, 0.56%

LAB 87.06, -13.08, 78.63

 

CMYK 0 / 5 / 73 / 1

HEX #FCF044

RGB 252 240 68

HSL 56.09, 0.97%, 0.63%

LAB 93.2, -14.18, 79.01

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

CMYK 0 / 6 / 100 / 30

HEX #B3A800

RGB 179 168 0

HSL 56.31, 1%, 0.35%

LAB 67.72, -10.88, 70.24

 

CMYK 0 / 7 / 100 / 36

HEX #A29600

RGB 162 150 0

HSL 55.56, 1%, 0.32%

LAB 61.22, -9.06, 64.85

 

CMYK 0 / 9 / 100 / 43

HEX #918400

RGB 145 132 0

HSL 54.62, 1%, 0.28%

LAB 54.58, -7.17, 59.35

 

CMYK 0 / 11 / 100 / 50

HEX #807200

RGB 128 114 0

HSL 53.44, 1%, 0.25%

LAB 47.78, -5.21, 53.72

 

CMYK 0 / 5 / 92 / 22

HEX #C6BC10

RGB 198 188 16

HSL 56.7, 0.85%, 0.42%

LAB 74.83, -12.6, 74.34

 

CMYK 0 / 30 / 92 / 22

HEX #C68B10

RGB 198 139 16

HSL 40.55, 0.85%, 0.42%

LAB 62.09, 13.45, 64.68

 

CMYK 0 / 55 / 92 / 22

HEX #C65A10

RGB 198 90 16

HSL 24.4, 0.85%, 0.42%

LAB 51.1, 39.61, 56.65

 

CMYK 0 / 79 / 92 / 22

HEX #C62910

RGB 198 41 16

HSL 8.24, 0.85%, 0.42%

LAB 43.7, 59.49, 51.54

 

CMYK 0 / 92 / 92 / 22

HEX #C61010

RGB 198 16 16

HSL 0, 0.85%, 0.42%

LAB 41.87, 64.7, 50.34

 

CMYK 0 / 5 / 92 / 22

HEX #C6BC10

RGB 198 188 16

HSL 56.7, 0.85%, 0.42%

LAB 74.83, -12.6, 74.34

 

CMYK 20 / 0 / 92 / 22

HEX #9FC610

RGB 159 198 16

HSL 72.86, 0.85%, 0.42%

LAB 74.7, -33.97, 72.98

 

CMYK 44 / 0 / 92 / 22

HEX #6EC610

RGB 110 198 16

HSL 89.01, 0.85%, 0.42%

LAB 72.05, -52.01, 69.74

 

CMYK 69 / 0 / 92 / 22

HEX #3DC610

RGB 61 198 16

HSL 105.16, 0.85%, 0.42%

LAB 70.47, -64.73, 67.78

 

CMYK 92 / 0 / 90 / 22

HEX #10C614

RGB 16 198 20

HSL 121.32, 0.85%, 0.42%

LAB 69.86, -70.06, 66.39

 

CMYK 0 / 5 / 92 / 22

HEX #C6BC10

RGB 198 188 16

HSL 56.7, 0.85%, 0.42%

LAB 74.83, -12.6, 74.34

 

CMYK 0 / 5 / 92 / 22

HEX #C6BC10

RGB 198 188 16

HSL 56.7, 0.85%, 0.42%

LAB 74.83, -12.6, 74.34

 

CMYK 0 / 4 / 82 / 29

HEX #B5AD21

RGB 181 173 33

HSL 56.76, 0.69%, 0.42%

LAB 69.34, -11.96, 65.82

 

CMYK 0 / 4 / 69 / 36

HEX #A39D33

RGB 163 157 51

HSL 56.79, 0.52%, 0.42%

LAB 63.46, -10.76, 53.68

 

CMYK 0 / 3 / 53 / 43

HEX #928E44

RGB 146 142 68

HSL 56.92, 0.36%, 0.42%

LAB 57.92, -8.98, 39.45

 

CMYK 0 / 2 / 34 / 49

HEX #817E55

RGB 129 126 85

HSL 55.91, 0.21%, 0.42%

LAB 52.11, -5.64, 22.77

 

CMYK 0 / 55 / 92 / 22

HEX #C65910

RGB 198 89 16

HSL 24.07, 0.85%, 0.42%

LAB 50.91, 40.11, 56.51

 

CMYK 0 / 31 / 92 / 22

HEX #C68910

RGB 198 137 16

HSL 39.89, 0.85%, 0.42%

LAB 61.6, 14.55, 64.31

 

CMYK 0 / 6 / 92 / 22

HEX #C6BA10

RGB 198 186 16

HSL 56.04, 0.85%, 0.42%

LAB 74.29, -11.58, 73.93

 

CMYK 18 / 0 / 92 / 22

HEX #A2C610

RGB 162 198 16

HSL 71.87, 0.85%, 0.42%

LAB 74.89, -32.75, 73.22

 

CMYK 43 / 0 / 92 / 22

HEX #71C610

RGB 113 198 16

HSL 88.02, 0.85%, 0.42%

LAB 72.19, -51.03, 69.91

 

CMYK 0 / 5 / 92 / 52

HEX #7A740A

RGB 122 116 10

HSL 56.79, 0.85%, 0.26%

LAB 47.82, -8.98, 51.38

 

CMYK 0 / 5 / 92 / 37

HEX #A0980D

RGB 160 152 13

HSL 56.73, 0.85%, 0.34%

LAB 61.62, -10.83, 63.16

 

CMYK 0 / 5 / 92 / 22

HEX #C6BC10

RGB 198 188 16

HSL 56.7, 0.85%, 0.42%

LAB 74.83, -12.6, 74.34

 

CMYK 0 / 5 / 92 / 7

HEX #ECE014

RGB 236 224 20

HSL 56.67, 0.85%, 0.5%

LAB 87.58, -14.3, 84.96

 

CMYK 0 / 4 / 76 / 6

HEX #EFE53A

RGB 239 229 58

HSL 56.69, 0.85%, 0.58%

LAB 89.25, -14.55, 78.11

 

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

CMYK 92 / 0 / 80 / 22

HEX #10C628

RGB 16 198 40

HSL 127.91, 0.85%, 0.42%

LAB 69.93, -69.13, 61.82

 

CMYK 43 / 92 / 0 / 22

HEX #7110C6

RGB 113 16 198

HSL 271.98, 0.85%, 0.42%

LAB 33.9, 67.68, -72.34

 

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

CMYK 92 / 0 / 6 / 22

HEX #10C6BA

RGB 16 198 186

HSL 176.04, 0.85%, 0.42%

LAB 72.26, -42.77, -5.57

 

CMYK 6 / 92 / 0 / 22

HEX #BA10C6

RGB 186 16 198

HSL 296.04, 0.85%, 0.42%

LAB 45.48, 77.8, -52.98

 

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

CMYK 92 / 0 / 80 / 22

HEX #10C628

RGB 16 198 40

HSL 127.91, 0.85%, 0.42%

LAB 69.93, -69.13, 61.82

 

CMYK 92 / 86 / 0 / 22

HEX #101CC6

RGB 16 28 198

HSL 236.04, 0.85%, 0.42%

LAB 26.79, 57.92, -84.37

 

CMYK 0 / 92 / 12 / 22

HEX #C610AE

RGB 198 16 174

HSL 307.91, 0.85%, 0.42%

LAB 46.22, 76.4, -37.59

 

CMYK 0 / 5 / 92 / 23

HEX #C4BA10

RGB 196 186 16

HSL 56.67, 0.85%, 0.42%

LAB 74.12, -12.46, 73.72

 

CMYK 92 / 0 / 52 / 22

HEX #10C65F

RGB 16 198 95

HSL 146.04, 0.85%, 0.42%

LAB 70.4, -63.24, 39.99

 

CMYK 92 / 86 / 0 / 22

HEX #101CC6

RGB 16 28 198

HSL 236.04, 0.85%, 0.42%

LAB 26.79, 57.92, -84.37

 

CMYK 0 / 92 / 40 / 22

HEX #C61077

RGB 198 16 119

HSL 326.04, 0.85%, 0.42%

LAB 43.81, 70.08, -8.02

 

Description

Color code: HEX #C4BA10 | qconv.com Color code: HEX #C4BA10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 186 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 186 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 92 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 92% 23% C M Y K

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Provide designers and agencies with accurate color values.

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