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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4B496 it is the complementary color #3B4B69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4B496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4B496 shade: #C9B491, #DAC6A4, #EBD8B7, #FCEACA and #FFFCDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4B496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4B496 shade: #C4B496, #B3A283, #A29070, #917E5D and #806C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4B496 shade: #C4B497, #C4A897, #C49C97 and #C49797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4B496 shade: #C4B497, #C4C197, #BBC497, #AFC497 and #A3C497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4B496 shade matches the following richer shades: #C4B497, #D1B889, #DFBC7C, #ECC06F and #F9C462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4B496 shade: #C4B497, #B7B0A4, #AAACB1, #9DA8BE and #8FA4CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4B496 shade: #C49C97, #C4A897, #C4B497, #C4C097 and #BCC497

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4B496 shade: #A78F62, #B5A17C, #C4B497, #D3C7B1 and #E2DACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4B496 shade: #C4B496, #9DC497 and #A297C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4B496 shade: #C4B496, #97C4B4 and #B497C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4B496 shade: #C4B496, #9DC497, #97A7C4 and #BD97C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4B496 shade: #C4B496, #97C49D, #97A7C4 and #C497BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

Complementary color

CMYK 44 / 29 / 0 / 59

HEX #3B4B69

RGB 59 75 105

HSL 219.13, 0.28%, 0.32%

LAB 31.77, 2.39, -19.43

 

CMYK 0 / 10 / 28 / 21

HEX #C9B491

RGB 201 180 145

HSL 37.5, 0.34%, 0.68%

LAB 74.26, 2.16, 20.62

 

CMYK 0 / 9 / 25 / 15

HEX #DAC6A4

RGB 218 198 164

HSL 37.78, 0.42%, 0.75%

LAB 80.72, 1.77, 19.61

 

CMYK 0 / 8 / 22 / 8

HEX #EBD8B7

RGB 235 216 183

HSL 38.08, 0.57%, 0.82%

LAB 87.09, 1.43, 18.66

 

CMYK 0 / 7 / 20 / 1

HEX #FCEACA

RGB 252 234 202

HSL 38.4, 0.89%, 0.89%

LAB 93.37, 1.13, 17.75

 

CMYK 0 / 1 / 13 / 0

HEX #FFFCDD

RGB 255 252 221

HSL 54.71, 1%, 0.93%

LAB 98.47, -4.07, 15.21

 

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

CMYK 0 / 9 / 27 / 30

HEX #B3A283

RGB 179 162 131

HSL 38.75, 0.24%, 0.61%

LAB 67.32, 1.29, 18.4

 

CMYK 0 / 11 / 31 / 36

HEX #A29070

RGB 162 144 112

HSL 38.4, 0.21%, 0.54%

LAB 60.6, 1.71, 19.49

 

CMYK 0 / 13 / 36 / 43

HEX #917E5D

RGB 145 126 93

HSL 38.08, 0.22%, 0.47%

LAB 53.74, 2.21, 20.67

 

CMYK 0 / 16 / 42 / 50

HEX #806C4A

RGB 128 108 74

HSL 37.78, 0.27%, 0.4%

LAB 46.72, 2.82, 21.96

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 14 / 23 / 23

HEX #C4A897

RGB 196 168 151

HSL 22.67, 0.28%, 0.68%

LAB 70.85, 7.53, 12.55

 

CMYK 0 / 20 / 23 / 23

HEX #C49C97

RGB 196 156 151

HSL 6.67, 0.28%, 0.68%

LAB 67.83, 14.09, 8.27

 

CMYK 0 / 23 / 23 / 23

HEX #C49797

RGB 196 151 151

HSL 0, 0.28%, 0.68%

LAB 66.6, 16.84, 6.5

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 2 / 23 / 23

HEX #C4C197

RGB 196 193 151

HSL 56, 0.28%, 0.68%

LAB 77.35, -5.79, 21.58

 

CMYK 5 / 0 / 23 / 23

HEX #BBC497

RGB 187 196 151

HSL 72, 0.28%, 0.68%

LAB 77.45, -10.74, 21.61

 

CMYK 11 / 0 / 23 / 23

HEX #AFC497

RGB 175 196 151

HSL 88, 0.28%, 0.68%

LAB 76.57, -15.18, 20.27

 

CMYK 17 / 0 / 23 / 23

HEX #A3C497

RGB 163 196 151

HSL 104, 0.28%, 0.68%

LAB 75.76, -19.49, 19.02

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 12 / 34 / 18

HEX #D1B889

RGB 209 184 137

HSL 39.17, 0.44%, 0.68%

LAB 75.85, 2.13, 27.18

 

CMYK 0 / 16 / 44 / 13

HEX #DFBC7C

RGB 223 188 124

HSL 38.79, 0.61%, 0.68%

LAB 77.94, 4.16, 36.97

 

CMYK 0 / 19 / 53 / 7

HEX #ECC06F

RGB 236 192 111

HSL 38.88, 0.77%, 0.68%

LAB 80, 6.15, 46.39

 

CMYK 0 / 21 / 61 / 2

HEX #F9C462

RGB 249 196 98

HSL 38.94, 0.93%, 0.68%

LAB 82.11, 8.43, 55.43

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 4 / 10 / 28

HEX #B7B0A4

RGB 183 176 164

HSL 37.89, 0.12%, 0.68%

LAB 72.09, 0.38, 7.02

 

CMYK 4 / 3 / 0 / 31

HEX #AAACB1

RGB 170 172 177

HSL 222.86, 0.04%, 0.68%

LAB 70.33, 0.26, -2.82

 

CMYK 17 / 12 / 0 / 25

HEX #9DA8BE

RGB 157 168 190

HSL 220, 0.2%, 0.68%

LAB 68.67, 0.78, -12.58

 

CMYK 30 / 19 / 0 / 20

HEX #8FA4CB

RGB 143 164 203

HSL 219, 0.37%, 0.68%

LAB 67.05, 1.7, -22.32

 

CMYK 0 / 20 / 23 / 23

HEX #C49C97

RGB 196 156 151

HSL 6.67, 0.28%, 0.68%

LAB 67.83, 14.09, 8.27

 

CMYK 0 / 14 / 23 / 23

HEX #C4A897

RGB 196 168 151

HSL 22.67, 0.28%, 0.68%

LAB 70.85, 7.53, 12.55

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 2 / 23 / 23

HEX #C4C097

RGB 196 192 151

HSL 54.67, 0.28%, 0.68%

LAB 77.08, -5.27, 21.22

 

CMYK 4 / 0 / 23 / 23

HEX #BCC497

RGB 188 196 151

HSL 70.67, 0.28%, 0.68%

LAB 77.52, -10.37, 21.72

 

CMYK 0 / 14 / 41 / 35

HEX #A78F62

RGB 167 143 98

HSL 39.13, 0.28%, 0.52%

LAB 60.55, 2.58, 27.27

 

CMYK 0 / 11 / 31 / 29

HEX #B5A17C

RGB 181 161 124

HSL 38.95, 0.28%, 0.6%

LAB 67.1, 1.67, 21.97

 

CMYK 0 / 8 / 23 / 23

HEX #C4B497

RGB 196 180 151

HSL 38.67, 0.28%, 0.68%

LAB 73.94, 1.07, 16.88

 

CMYK 0 / 6 / 16 / 17

HEX #D3C7B1

RGB 211 199 177

HSL 38.82, 0.28%, 0.76%

LAB 80.67, 0.55, 12.52

 

CMYK 0 / 4 / 10 / 11

HEX #E2DACB

RGB 226 218 203

HSL 39.13, 0.28%, 0.84%

LAB 87.3, 0.2, 8.34

 

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

CMYK 20 / 0 / 23 / 23

HEX #9DC497

RGB 157 196 151

HSL 112, 0.28%, 0.68%

LAB 75.38, -21.59, 18.43

 

CMYK 17 / 23 / 0 / 23

HEX #A297C4

RGB 162 151 196

HSL 254.67, 0.28%, 0.68%

LAB 64.8, 13.24, -21.74

 

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

CMYK 23 / 0 / 8 / 23

HEX #97C4B4

RGB 151 196 180

HSL 158.67, 0.28%, 0.68%

LAB 75.67, -18.14, 3.18

 

CMYK 8 / 23 / 0 / 23

HEX #B497C4

RGB 180 151 196

HSL 278.67, 0.28%, 0.68%

LAB 66.38, 19.13, -19.18

 

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

CMYK 20 / 0 / 23 / 23

HEX #9DC497

RGB 157 196 151

HSL 112, 0.28%, 0.68%

LAB 75.38, -21.59, 18.43

 

CMYK 23 / 15 / 0 / 23

HEX #97A7C4

RGB 151 167 196

HSL 218.67, 0.28%, 0.68%

LAB 68.17, 0.78, -16.7

 

CMYK 4 / 23 / 0 / 23

HEX #BD97C4

RGB 189 151 196

HSL 290.67, 0.28%, 0.68%

LAB 67.23, 22.14, -17.82

 

CMYK 0 / 8 / 23 / 23

HEX #C4B496

RGB 196 180 150

HSL 39.13, 0.28%, 0.68%

LAB 73.92, 0.93, 17.39

 

CMYK 23 / 0 / 20 / 23

HEX #97C49D

RGB 151 196 157

HSL 128, 0.28%, 0.68%

LAB 75.14, -22.59, 14.82

 

CMYK 23 / 15 / 0 / 23

HEX #97A7C4

RGB 151 167 196

HSL 218.67, 0.28%, 0.68%

LAB 68.17, 0.78, -16.7

 

CMYK 0 / 23 / 4 / 23

HEX #C497BD

RGB 196 151 189

HSL 309.33, 0.28%, 0.68%

LAB 67.68, 23.19, -13.17

 

Description

Color code: HEX #C4B496 | qconv.com Color code: HEX #C4B496 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 180 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 180 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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