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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AE5E it is the complementary color #3B51A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AE5E shade: #C9AE59, #DAC06C, #EBD27F, #FCE492 and #FFF6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AE5E shade: #C4AE5E, #B39C4B, #A28A38, #917825 and #806612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AE5E shade: #C4AE5F, #C4935F, #C4785F and #C45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AE5E shade: #C4AE5F, #BEC45F, #A3C45F, #88C45F and #6DC45F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AE5E shade matches the following richer shades: #C4AE5F, #D6B84D, #E7C23B and #F9CC2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AE5E shade: #C4AE5F, #B2A471, #A09A82, #8F9094 and #7D86A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AE5E shade: #C4785F, #C4935F, #C4AE5F, #BFC45F and #A4C45F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AE5E shade: #988338, #B69D43, #C4AE5F, #CFBD7D and #DACC9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AE5E shade: #C4AE5E, #61C45F and #865FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AE5E shade: #C4AE5E, #5FC4AE and #AE5FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AE5E shade: #C4AE5E, #61C45F, #5F75C4 and #C25FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AE5E shade: #C4AE5E, #5FC47B, #5F75C4 and #C45FA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

Complementary color

CMYK 63 / 50 / 0 / 37

HEX #3B51A1

RGB 59 81 161

HSL 227.06, 0.46%, 0.43%

LAB 36.72, 17.73, -46.03

 

CMYK 0 / 13 / 56 / 21

HEX #C9AE59

RGB 201 174 89

HSL 45.54, 0.51%, 0.57%

LAB 71.83, -0.72, 46.63

 

CMYK 0 / 12 / 50 / 15

HEX #DAC06C

RGB 218 192 108

HSL 45.82, 0.6%, 0.64%

LAB 78.28, -1.49, 45.39

 

CMYK 0 / 11 / 46 / 8

HEX #EBD27F

RGB 235 210 127

HSL 46.11, 0.73%, 0.71%

LAB 84.63, -2.14, 44.15

 

CMYK 0 / 10 / 42 / 1

HEX #FCE492

RGB 252 228 146

HSL 46.42, 0.95%, 0.78%

LAB 90.9, -2.71, 42.94

 

CMYK 0 / 4 / 35 / 0

HEX #FFF6A5

RGB 255 246 165

HSL 54, 1%, 0.82%

LAB 95.95, -8.53, 40.09

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

CMYK 0 / 13 / 58 / 30

HEX #B39C4B

RGB 179 156 75

HSL 46.73, 0.41%, 0.5%

LAB 64.86, -1.6, 44.82

 

CMYK 0 / 15 / 65 / 36

HEX #A28A38

RGB 162 138 56

HSL 46.42, 0.49%, 0.43%

LAB 58.17, -0.63, 45.95

 

CMYK 0 / 17 / 74 / 43

HEX #917825

RGB 145 120 37

HSL 46.11, 0.59%, 0.36%

LAB 51.37, 0.58, 46.78

 

CMYK 0 / 20 / 86 / 50

HEX #806612

RGB 128 102 18

HSL 45.82, 0.75%, 0.29%

LAB 44.43, 2.1, 46.77

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 0 / 25 / 52 / 23

HEX #C4935F

RGB 196 147 95

HSL 30.89, 0.46%, 0.57%

LAB 64.51, 12.27, 34.56

 

CMYK 0 / 39 / 52 / 23

HEX #C4785F

RGB 196 120 95

HSL 14.85, 0.46%, 0.57%

LAB 58.03, 27.08, 26.26

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 3 / 0 / 52 / 23

HEX #BEC45F

RGB 190 196 95

HSL 63.56, 0.46%, 0.57%

LAB 76.83, -16.18, 49.38

 

CMYK 17 / 0 / 52 / 23

HEX #A3C45F

RGB 163 196 95

HSL 79.6, 0.46%, 0.57%

LAB 74.88, -26.95, 46.6

 

CMYK 31 / 0 / 52 / 23

HEX #88C45F

RGB 136 196 95

HSL 95.64, 0.46%, 0.57%

LAB 73.25, -37, 44.24

 

CMYK 44 / 0 / 52 / 23

HEX #6DC45F

RGB 109 196 95

HSL 111.68, 0.46%, 0.57%

LAB 71.93, -45.88, 42.35

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 0 / 14 / 64 / 16

HEX #D6B84D

RGB 214 184 77

HSL 46.86, 0.63%, 0.57%

LAB 75.52, -1.32, 56.69

 

CMYK 0 / 16 / 74 / 9

HEX #E7C23B

RGB 231 194 59

HSL 47.09, 0.78%, 0.57%

LAB 79.55, -0.22, 68.51

 

CMYK 0 / 18 / 83 / 2

HEX #F9CC2A

RGB 249 204 42

HSL 46.96, 0.95%, 0.57%

LAB 83.7, 1.73, 78.11

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 0 / 8 / 37 / 30

HEX #B2A471

RGB 178 164 113

HSL 47.08, 0.3%, 0.57%

LAB 67.43, -2.56, 28.33

 

CMYK 0 / 4 / 19 / 37

HEX #A09A82

RGB 160 154 130

HSL 48, 0.14%, 0.57%

LAB 63.5, -1.95, 13.4

 

CMYK 3 / 3 / 0 / 42

HEX #8F9094

RGB 143 144 148

HSL 228, 0.02%, 0.57%

LAB 59.82, 0.43, -2.25

 

CMYK 25 / 19 / 0 / 35

HEX #7D86A6

RGB 125 134 166

HSL 226.83, 0.19%, 0.57%

LAB 56.25, 4.01, -18.05

 

CMYK 0 / 39 / 52 / 23

HEX #C4785F

RGB 196 120 95

HSL 14.85, 0.46%, 0.57%

LAB 58.03, 27.08, 26.26

 

CMYK 0 / 25 / 52 / 23

HEX #C4935F

RGB 196 147 95

HSL 30.89, 0.46%, 0.57%

LAB 64.51, 12.27, 34.56

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 3 / 0 / 52 / 23

HEX #BFC45F

RGB 191 196 95

HSL 62.97, 0.46%, 0.57%

LAB 76.91, -15.77, 49.49

 

CMYK 16 / 0 / 52 / 23

HEX #A4C45F

RGB 164 196 95

HSL 79.01, 0.46%, 0.57%

LAB 74.95, -26.56, 46.69

 

CMYK 0 / 14 / 63 / 40

HEX #988338

RGB 152 131 56

HSL 46.88, 0.46%, 0.41%

LAB 55.27, -1.24, 42.49

 

CMYK 0 / 14 / 63 / 29

HEX #B69D43

RGB 182 157 67

HSL 46.96, 0.46%, 0.49%

LAB 65.33, -1.42, 49.22

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5F

RGB 196 174 95

HSL 46.93, 0.46%, 0.57%

LAB 71.44, -2.32, 43.09

 

CMYK 0 / 9 / 40 / 19

HEX #CFBD7D

RGB 207 189 125

HSL 46.83, 0.46%, 0.65%

LAB 76.76, -2.7, 34.66

 

CMYK 0 / 6 / 29 / 15

HEX #DACC9B

RGB 218 204 155

HSL 46.67, 0.46%, 0.73%

LAB 82.09, -2.57, 26.23

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

CMYK 51 / 0 / 52 / 23

HEX #61C45F

RGB 97 196 95

HSL 118.81, 0.46%, 0.57%

LAB 71.45, -49.34, 41.65

 

CMYK 32 / 52 / 0 / 23

HEX #865FC4

RGB 134 95 196

HSL 263.17, 0.46%, 0.57%

LAB 48.56, 37.26, -47.29

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

CMYK 52 / 0 / 11 / 23

HEX #5FC4AE

RGB 95 196 174

HSL 166.93, 0.46%, 0.57%

LAB 72.87, -34.87, 2.04

 

CMYK 11 / 52 / 0 / 23

HEX #AE5FC4

RGB 174 95 196

HSL 286.93, 0.46%, 0.57%

LAB 53.13, 48.07, -39.75

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

CMYK 51 / 0 / 52 / 23

HEX #61C45F

RGB 97 196 95

HSL 118.81, 0.46%, 0.57%

LAB 71.45, -49.34, 41.65

 

CMYK 52 / 40 / 0 / 23

HEX #5F75C4

RGB 95 117 196

HSL 226.93, 0.46%, 0.57%

LAB 50.85, 14.33, -43.84

 

CMYK 1 / 52 / 0 / 23

HEX #C25FC4

RGB 194 95 196

HSL 298.81, 0.46%, 0.57%

LAB 55.72, 53.62, -35.5

 

CMYK 0 / 11 / 52 / 23

HEX #C4AE5E

RGB 196 174 94

HSL 47.06, 0.46%, 0.57%

LAB 71.43, -2.4, 43.58

 

CMYK 52 / 0 / 37 / 23

HEX #5FC47B

RGB 95 196 123

HSL 136.63, 0.46%, 0.57%

LAB 71.79, -45.56, 27.87

 

CMYK 52 / 40 / 0 / 23

HEX #5F75C4

RGB 95 117 196

HSL 226.93, 0.46%, 0.57%

LAB 50.85, 14.33, -43.84

 

CMYK 0 / 52 / 15 / 23

HEX #C45FA7

RGB 196 95 167

HSL 317.23, 0.46%, 0.57%

LAB 54.77, 49.3, -20.21

 

Description

Color code: HEX #C4AE5E | qconv.com Color code: HEX #C4AE5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 174 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 174 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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