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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AD5E it is the complementary color #3B52A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AD5E shade: #C9AD59, #DABF6C, #EBD17F, #FCE392 and #FFF5A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AD5E shade: #C4AD5E, #B39B4B, #A28938, #917725 and #806512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AD5E shade: #C4AD5F, #C4925F, #C4775F and #C45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AD5E shade: #C4AD5F, #BFC45F, #A4C45F, #89C45F and #6EC45F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AD5E shade matches the following richer shades: #C4AD5F, #D6B74D, #E7C13B and #F9CA2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AD5E shade: #C4AD5F, #B2A371, #A09A82, #8F9094 and #7D86A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AD5E shade: #C4765F, #C4915F, #C4AC5F, #C0C45F and #A6C45F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AD5E shade: #988238, #B69C43, #C4AD5F, #CFBC7D and #DACC9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AD5E shade: #C4AD5E, #62C45F and #845FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AD5E shade: #C4AD5E, #5FC4AC and #AC5FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AD5E shade: #C4AD5E, #62C45F, #5F76C4 and #C05FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AD5E shade: #C4AD5E, #5FC47A, #5F76C4 and #C45FA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

Complementary color

CMYK 63 / 49 / 0 / 37

HEX #3B52A1

RGB 59 82 161

HSL 226.47, 0.46%, 0.43%

LAB 37, 17.08, -45.58

 

CMYK 0 / 14 / 56 / 21

HEX #C9AD59

RGB 201 173 89

HSL 45, 0.51%, 0.57%

LAB 71.57, -0.19, 46.33

 

CMYK 0 / 12 / 50 / 15

HEX #DABF6C

RGB 218 191 108

HSL 45.27, 0.6%, 0.64%

LAB 78.02, -0.97, 45.07

 

CMYK 0 / 11 / 46 / 8

HEX #EBD17F

RGB 235 209 127

HSL 45.56, 0.73%, 0.71%

LAB 84.38, -1.63, 43.83

 

CMYK 0 / 10 / 42 / 1

HEX #FCE392

RGB 252 227 146

HSL 45.85, 0.95%, 0.78%

LAB 90.65, -2.2, 42.62

 

CMYK 0 / 4 / 35 / 0

HEX #FFF5A5

RGB 255 245 165

HSL 53.33, 1%, 0.82%

LAB 95.7, -8.03, 39.76

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

CMYK 0 / 13 / 58 / 30

HEX #B39B4B

RGB 179 155 75

HSL 46.15, 0.41%, 0.5%

LAB 64.59, -1.06, 44.51

 

CMYK 0 / 15 / 65 / 36

HEX #A28938

RGB 162 137 56

HSL 45.85, 0.49%, 0.43%

LAB 57.9, -0.08, 45.66

 

CMYK 0 / 18 / 74 / 43

HEX #917725

RGB 145 119 37

HSL 45.56, 0.59%, 0.36%

LAB 51.09, 1.14, 46.51

 

CMYK 0 / 21 / 86 / 50

HEX #806512

RGB 128 101 18

HSL 45.27, 0.75%, 0.29%

LAB 44.15, 2.68, 46.53

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5F

RGB 196 173 95

HSL 46.34, 0.46%, 0.57%

LAB 71.18, -1.79, 42.78

 

CMYK 0 / 26 / 52 / 23

HEX #C4925F

RGB 196 146 95

HSL 30.3, 0.46%, 0.57%

LAB 64.26, 12.82, 34.24

 

CMYK 0 / 39 / 52 / 23

HEX #C4775F

RGB 196 119 95

HSL 14.26, 0.46%, 0.57%

LAB 57.8, 27.63, 25.96

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5F

RGB 196 173 95

HSL 46.34, 0.46%, 0.57%

LAB 71.18, -1.79, 42.78

 

CMYK 3 / 0 / 52 / 23

HEX #BFC45F

RGB 191 196 95

HSL 62.97, 0.46%, 0.57%

LAB 76.91, -15.77, 49.49

 

CMYK 16 / 0 / 52 / 23

HEX #A4C45F

RGB 164 196 95

HSL 79.01, 0.46%, 0.57%

LAB 74.95, -26.56, 46.69

 

CMYK 30 / 0 / 52 / 23

HEX #89C45F

RGB 137 196 95

HSL 95.05, 0.46%, 0.57%

LAB 73.3, -36.64, 44.32

 

CMYK 44 / 0 / 52 / 23

HEX #6EC45F

RGB 110 196 95

HSL 111.09, 0.46%, 0.57%

LAB 71.97, -45.58, 42.41

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5F

RGB 196 173 95

HSL 46.34, 0.46%, 0.57%

LAB 71.18, -1.79, 42.78

 

CMYK 0 / 14 / 64 / 16

HEX #D6B74D

RGB 214 183 77

HSL 46.42, 0.63%, 0.57%

LAB 75.26, -0.8, 56.41

 

CMYK 0 / 16 / 74 / 9

HEX #E7C13B

RGB 231 193 59

HSL 46.74, 0.78%, 0.57%

LAB 79.3, 0.3, 68.27

 

CMYK 0 / 19 / 83 / 2

HEX #F9CA2A

RGB 249 202 42

HSL 46.38, 0.95%, 0.57%

LAB 83.2, 2.75, 77.7

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5F

RGB 196 173 95

HSL 46.34, 0.46%, 0.57%

LAB 71.18, -1.79, 42.78

 

CMYK 0 / 8 / 37 / 30

HEX #B2A371

RGB 178 163 113

HSL 46.15, 0.3%, 0.57%

LAB 67.17, -2.02, 27.98

 

CMYK 0 / 4 / 19 / 37

HEX #A09A82

RGB 160 154 130

HSL 48, 0.14%, 0.57%

LAB 63.5, -1.95, 13.4

 

CMYK 3 / 3 / 0 / 42

HEX #8F9094

RGB 143 144 148

HSL 228, 0.02%, 0.57%

LAB 59.82, 0.43, -2.25

 

CMYK 25 / 19 / 0 / 35

HEX #7D86A6

RGB 125 134 166

HSL 226.83, 0.19%, 0.57%

LAB 56.25, 4.01, -18.05

 

CMYK 0 / 40 / 52 / 23

HEX #C4765F

RGB 196 118 95

HSL 13.66, 0.46%, 0.57%

LAB 57.58, 28.17, 25.67

 

CMYK 0 / 26 / 52 / 23

HEX #C4915F

RGB 196 145 95

HSL 29.7, 0.46%, 0.57%

LAB 64.01, 13.37, 33.93

 

CMYK 0 / 12 / 52 / 23

HEX #C4AC5F

RGB 196 172 95

HSL 45.74, 0.46%, 0.57%

LAB 70.92, -1.25, 42.46

 

CMYK 2 / 0 / 52 / 23

HEX #C0C45F

RGB 192 196 95

HSL 62.38, 0.46%, 0.57%

LAB 76.99, -15.36, 49.6

 

CMYK 15 / 0 / 52 / 23

HEX #A6C45F

RGB 166 196 95

HSL 77.82, 0.46%, 0.57%

LAB 75.08, -25.78, 46.89

 

CMYK 0 / 14 / 63 / 40

HEX #988238

RGB 152 130 56

HSL 46.25, 0.46%, 0.41%

LAB 55, -0.68, 42.19

 

CMYK 0 / 14 / 63 / 29

HEX #B69C43

RGB 182 156 67

HSL 46.43, 0.46%, 0.49%

LAB 65.06, -0.88, 48.93

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5F

RGB 196 173 95

HSL 46.34, 0.46%, 0.57%

LAB 71.18, -1.79, 42.78

 

CMYK 0 / 9 / 40 / 19

HEX #CFBC7D

RGB 207 188 125

HSL 46.1, 0.46%, 0.65%

LAB 76.5, -2.17, 34.32

 

CMYK 0 / 6 / 29 / 15

HEX #DACC9B

RGB 218 204 155

HSL 46.67, 0.46%, 0.73%

LAB 82.09, -2.57, 26.23

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

CMYK 50 / 0 / 52 / 23

HEX #62C45F

RGB 98 196 95

HSL 118.22, 0.46%, 0.57%

LAB 71.49, -49.06, 41.71

 

CMYK 33 / 52 / 0 / 23

HEX #845FC4

RGB 132 95 196

HSL 261.98, 0.46%, 0.57%

LAB 48.35, 36.75, -47.62

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

CMYK 52 / 0 / 12 / 23

HEX #5FC4AC

RGB 95 196 172

HSL 165.74, 0.46%, 0.57%

LAB 72.82, -35.35, 3.05

 

CMYK 12 / 52 / 0 / 23

HEX #AC5FC4

RGB 172 95 196

HSL 285.74, 0.46%, 0.57%

LAB 52.88, 47.51, -40.16

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

CMYK 50 / 0 / 52 / 23

HEX #62C45F

RGB 98 196 95

HSL 118.22, 0.46%, 0.57%

LAB 71.49, -49.06, 41.71

 

CMYK 52 / 40 / 0 / 23

HEX #5F76C4

RGB 95 118 196

HSL 226.34, 0.46%, 0.57%

LAB 51.12, 13.72, -43.41

 

CMYK 2 / 52 / 0 / 23

HEX #C05FC4

RGB 192 95 196

HSL 297.62, 0.46%, 0.57%

LAB 55.46, 53.06, -35.93

 

CMYK 0 / 12 / 52 / 23

HEX #C4AD5E

RGB 196 173 94

HSL 46.47, 0.46%, 0.57%

LAB 71.17, -1.87, 43.26

 

CMYK 52 / 0 / 38 / 23

HEX #5FC47A

RGB 95 196 122

HSL 136.04, 0.46%, 0.57%

LAB 71.77, -45.74, 28.37

 

CMYK 52 / 40 / 0 / 23

HEX #5F76C4

RGB 95 118 196

HSL 226.34, 0.46%, 0.57%

LAB 51.12, 13.72, -43.41

 

CMYK 0 / 52 / 14 / 23

HEX #C45FA9

RGB 196 95 169

HSL 316.04, 0.46%, 0.57%

LAB 54.85, 49.61, -21.25

 

Description

Color code: HEX #C4AD5E | qconv.com Color code: HEX #C4AD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 173 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 173 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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