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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AD47 it is the complementary color #3B52B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AD47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AD47 shade: #C9AD42, #DABF55, #EBD168, #FCE37B and #FFF58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AD47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AD47 shade: #C4AD47, #B39B34, #A28921, #91770E and #806500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AD47 shade: #C3AC46, #C38A46, #C36946, #C34746 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AD47 shade: #C3AC46, #B8C346, #97C346, #75C346 and #53C346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AD47 shade matches the following richer shades: #C3AC46, #D7B932, #EBC51F and #FED20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AD47 shade: #C3AC46, #AFA05A, #9B936E, #888782 and #747A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AD47 shade: #C36746, #C38946, #C3AA46, #BBC346 and #99C346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AD47 shade: #8A792D, #A99437, #C3AC46, #CDBA65 and #D7C884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AD47 shade: #C4AD47, #46C346 and #7846C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AD47 shade: #C4AD47, #46C3AA and #AA46C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AD47 shade: #C4AD47, #46C346, #465FC3 and #C346C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AD47 shade: #C4AD47, #46C36C, #465FC3 and #C3469E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

Complementary color

CMYK 68 / 55 / 0 / 28

HEX #3B52B8

RGB 59 82 184

HSL 228.96, 0.51%, 0.48%

LAB 38.59, 25.38, -56.64

 

CMYK 0 / 14 / 67 / 21

HEX #C9AD42

RGB 201 173 66

HSL 47.56, 0.56%, 0.52%

LAB 71.35, -1.77, 56.65

 

CMYK 0 / 12 / 61 / 15

HEX #DABF55

RGB 218 191 85

HSL 47.82, 0.64%, 0.59%

LAB 77.77, -2.76, 55.7

 

CMYK 0 / 11 / 56 / 8

HEX #EBD168

RGB 235 209 104

HSL 48.09, 0.77%, 0.66%

LAB 84.1, -3.61, 54.59

 

CMYK 0 / 10 / 51 / 1

HEX #FCE37B

RGB 252 227 123

HSL 48.37, 0.96%, 0.74%

LAB 90.35, -4.33, 53.42

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58E

RGB 255 245 142

HSL 54.69, 1%, 0.78%

LAB 95.38, -10.42, 50.58

 

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

CMYK 0 / 13 / 71 / 30

HEX #B39B34

RGB 179 155 52

HSL 48.66, 0.55%, 0.45%

LAB 64.38, -2.56, 54.68

 

CMYK 0 / 15 / 80 / 36

HEX #A28921

RGB 162 137 33

HSL 48.37, 0.66%, 0.38%

LAB 57.73, -1.26, 54.92

 

CMYK 0 / 18 / 90 / 43

HEX #91770E

RGB 145 119 14

HSL 48.09, 0.82%, 0.31%

LAB 50.97, 0.32, 53.99

 

CMYK 0 / 21 / 100 / 50

HEX #806500

RGB 128 101 0

HSL 47.34, 1%, 0.25%

LAB 44.08, 2.25, 51.11

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 0 / 29 / 64 / 24

HEX #C38A46

RGB 195 138 70

HSL 32.64, 0.51%, 0.52%

LAB 61.84, 14.81, 44.27

 

CMYK 0 / 46 / 64 / 24

HEX #C36946

RGB 195 105 70

HSL 16.8, 0.51%, 0.52%

LAB 54.18, 32.78, 35.33

 

CMYK 0 / 64 / 64 / 24

HEX #C34746

RGB 195 71 70

HSL 0.48, 0.51%, 0.52%

LAB 47.69, 49.49, 27.37

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 6 / 0 / 64 / 24

HEX #B8C346

RGB 184 195 70

HSL 65.28, 0.51%, 0.52%

LAB 75.86, -20.05, 59.27

 

CMYK 23 / 0 / 64 / 24

HEX #97C346

RGB 151 195 70

HSL 81.12, 0.51%, 0.52%

LAB 73.58, -33.34, 56.16

 

CMYK 40 / 0 / 64 / 24

HEX #75C346

RGB 117 195 70

HSL 97.44, 0.51%, 0.52%

LAB 71.73, -45.61, 53.61

 

CMYK 57 / 0 / 64 / 24

HEX #53C346

RGB 83 195 70

HSL 113.76, 0.51%, 0.52%

LAB 70.39, -55.53, 51.77

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 0 / 14 / 77 / 16

HEX #D7B932

RGB 215 185 50

HSL 49.09, 0.67%, 0.52%

LAB 75.68, -2.77, 67.46

 

CMYK 0 / 16 / 87 / 8

HEX #EBC51F

RGB 235 197 31

HSL 48.82, 0.84%, 0.52%

LAB 80.57, -0.92, 77.6

 

CMYK 0 / 17 / 96 / 0

HEX #FED20B

RGB 254 210 11

HSL 49.14, 0.99%, 0.52%

LAB 85.6, 0.27, 85.2

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 0 / 9 / 49 / 31

HEX #AFA05A

RGB 175 160 90

HSL 49.41, 0.35%, 0.52%

LAB 65.74, -4.16, 38.25

 

CMYK 0 / 5 / 29 / 39

HEX #9B936E

RGB 155 147 110

HSL 49.33, 0.18%, 0.52%

LAB 60.75, -3.08, 20.7

 

CMYK 0 / 1 / 4 / 47

HEX #888782

RGB 136 135 130

HSL 50, 0.02%, 0.52%

LAB 56.26, -0.59, 2.81

HEX #888782

CMYK 22 / 18 / 0 / 42

HEX #747A95

RGB 116 122 149

HSL 229.09, 0.13%, 0.52%

LAB 51.61, 3.9, -15.31

HEX #747A95

CMYK 0 / 47 / 64 / 24

HEX #C36746

RGB 195 103 70

HSL 15.84, 0.51%, 0.52%

LAB 53.76, 33.84, 34.82

 

CMYK 0 / 30 / 64 / 24

HEX #C38946

RGB 195 137 70

HSL 32.16, 0.51%, 0.52%

LAB 61.6, 15.36, 43.99

 

CMYK 0 / 13 / 64 / 24

HEX #C3AA46

RGB 195 170 70

HSL 48, 0.51%, 0.52%

LAB 70.03, -2.53, 53.34

 

CMYK 4 / 0 / 64 / 24

HEX #BBC346

RGB 187 195 70

HSL 63.84, 0.51%, 0.52%

LAB 76.09, -18.81, 59.58

 

CMYK 22 / 0 / 64 / 24

HEX #99C346

RGB 153 195 70

HSL 80.16, 0.51%, 0.52%

LAB 73.7, -32.57, 56.33

 

CMYK 0 / 12 / 67 / 46

HEX #8A792D

RGB 138 121 45

HSL 49.03, 0.51%, 0.36%

LAB 51, -2.76, 42.66

 

CMYK 0 / 12 / 67 / 34

HEX #A99437

RGB 169 148 55

HSL 48.95, 0.51%, 0.44%

LAB 61.56, -3.04, 50.21

 

CMYK 0 / 12 / 64 / 24

HEX #C3AC46

RGB 195 172 70

HSL 48.96, 0.51%, 0.52%

LAB 70.56, -3.59, 53.91

 

CMYK 0 / 9 / 51 / 20

HEX #CDBA65

RGB 205 186 101

HSL 49.04, 0.51%, 0.6%

LAB 75.47, -4.34, 45.17

 

CMYK 0 / 7 / 39 / 16

HEX #D7C884

RGB 215 200 132

HSL 49.16, 0.51%, 0.68%

LAB 80.42, -4.45, 35.91

 

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

CMYK 64 / 0 / 64 / 24

HEX #46C346

RGB 70 195 70

HSL 120, 0.51%, 0.52%

LAB 70.02, -58.53, 51.25

 

CMYK 38 / 64 / 0 / 24

HEX #7846C3

RGB 120 70 195

HSL 264, 0.51%, 0.52%

LAB 41.71, 47.58, -57.79

 

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

CMYK 64 / 0 / 13 / 24

HEX #46C3AA

RGB 70 195 170

HSL 168, 0.51%, 0.52%

LAB 71.71, -40.33, 2.44

 

CMYK 13 / 64 / 0 / 24

HEX #AA46C3

RGB 170 70 195

HSL 288, 0.51%, 0.52%

LAB 48.09, 58.87, -47.2

 

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

CMYK 64 / 0 / 64 / 24

HEX #46C346

RGB 70 195 70

HSL 120, 0.51%, 0.52%

LAB 70.02, -58.53, 51.25

 

CMYK 64 / 51 / 0 / 24

HEX #465FC3

RGB 70 95 195

HSL 228, 0.51%, 0.52%

LAB 43.4, 22.71, -55.26

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

CMYK 0 / 12 / 64 / 23

HEX #C4AD47

RGB 196 173 71

HSL 48.96, 0.51%, 0.52%

LAB 70.92, -3.62, 53.89

 

CMYK 64 / 0 / 45 / 24

HEX #46C36C

RGB 70 195 108

HSL 138.24, 0.51%, 0.52%

LAB 70.47, -53.42, 33.75

 

CMYK 64 / 51 / 0 / 24

HEX #465FC3

RGB 70 95 195

HSL 228, 0.51%, 0.52%

LAB 43.4, 22.71, -55.26

 

CMYK 0 / 64 / 19 / 24

HEX #C3469E

RGB 195 70 158

HSL 317.76, 0.51%, 0.52%

LAB 50.04, 59.03, -22.2

 

Description

Color code: HEX #C4AD47 | qconv.com Color code: HEX #C4AD47 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 173 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 173 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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