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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4ACE4 it is the complementary color #3B531B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4ACE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4ACE4 shade: #C9ACDF, #DABEF2, #EBD0FF, #FCE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4ACE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4ACE4 shade: #C4ACE4, #B39AD1, #A288BE, #9176AB and #806498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4ACE4 shade: #C3AAE4, #D2AAE4, #E2AAE4, #E4AAD6 and #E4AAC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4ACE4 shade: #C3AAE4, #B3AAE4 and #AAAAE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4ACE4 shade matches the following richer shades: #C3AAE4, #C2A1ED, #C098F6 and #BF8FFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4ACE4 shade: #C3AAE4, #C4B3DA, #C5BCD1, #C7C6C8 and #C8CFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4ACE4 shade: #AAB1E4, #B3AAE4, #C2AAE4, #D1AAE4 and #E1AAE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4ACE4 shade: #976CCF, #AD8BD9, #C3AAE4, #D9C9EE and #EFE9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4ACE4 shade: #C4ACE4, #E4AAC0 and #AAE4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4ACE4 shade: #C4ACE4, #E4C2AA and #AAE4C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4ACE4 shade: #C4ACE4, #E4AAC0, #CCE4AA and #AAE4CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4ACE4 shade: #C4ACE4, #E4AAAF, #CCE4AA and #AAE4DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

Complementary color

CMYK 29 / 0 / 67 / 67

HEX #3B531B

RGB 59 83 27

HSL 85.71, 0.51%, 0.22%

LAB 32.25, -19.44, 29.07

 

CMYK 10 / 23 / 0 / 13

HEX #C9ACDF

RGB 201 172 223

HSL 274.12, 0.44%, 0.77%

LAB 74.35, 19.92, -21.78

 

CMYK 10 / 21 / 0 / 5

HEX #DABEF2

RGB 218 190 242

HSL 272.31, 0.67%, 0.85%

LAB 80.82, 19.45, -22.07

 

CMYK 8 / 18 / 0 / 0

HEX #EBD0FF

RGB 235 208 255

HSL 274.47, 1%, 0.91%

LAB 86.99, 17.83, -19.5

 

CMYK 1 / 11 / 0 / 0

HEX #FCE2FF

RGB 252 226 255

HSL 293.79, 1%, 0.94%

LAB 92.71, 13.88, -10.78

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

CMYK 14 / 26 / 0 / 18

HEX #B39AD1

RGB 179 154 209

HSL 267.27, 0.37%, 0.71%

LAB 67.5, 19.88, -24.72

 

CMYK 15 / 28 / 0 / 25

HEX #A288BE

RGB 162 136 190

HSL 268.89, 0.29%, 0.64%

LAB 60.79, 20.43, -24.51

 

CMYK 15 / 31 / 0 / 33

HEX #9176AB

RGB 145 118 171

HSL 270.57, 0.24%, 0.57%

LAB 53.94, 21.05, -24.32

 

CMYK 16 / 34 / 0 / 40

HEX #806498

RGB 128 100 152

HSL 272.31, 0.21%, 0.49%

LAB 46.94, 21.73, -24.16

 

CMYK 14 / 25 / 0 / 11

HEX #C3AAE4

RGB 195 170 228

HSL 265.86, 0.52%, 0.78%

LAB 73.52, 20.15, -25.82

 

CMYK 8 / 25 / 0 / 11

HEX #D2AAE4

RGB 210 170 228

HSL 281.38, 0.52%, 0.78%

LAB 74.86, 24.92, -23.65

 

CMYK 1 / 25 / 0 / 11

HEX #E2AAE4

RGB 226 170 228

HSL 297.93, 0.52%, 0.78%

LAB 76.39, 30.08, -21.18

 

CMYK 0 / 25 / 6 / 11

HEX #E4AAD6

RGB 228 170 214

HSL 314.48, 0.52%, 0.78%

LAB 76.13, 28.22, -13.94

 

CMYK 0 / 25 / 13 / 11

HEX #E4AAC6

RGB 228 170 198

HSL 331.03, 0.52%, 0.78%

LAB 75.65, 25.52, -5.92

 

CMYK 14 / 25 / 0 / 11

HEX #C3AAE4

RGB 195 170 228

HSL 265.86, 0.52%, 0.78%

LAB 73.52, 20.15, -25.82

 

CMYK 21 / 25 / 0 / 11

HEX #B3AAE4

RGB 179 170 228

HSL 249.31, 0.52%, 0.78%

LAB 72.18, 15.19, -27.98

 

CMYK 25 / 25 / 0 / 11

HEX #AAAAE4

RGB 170 170 228

HSL 240, 0.52%, 0.78%

LAB 71.48, 12.48, -29.11

 

CMYK 14 / 25 / 0 / 11

HEX #C3AAE4

RGB 195 170 228

HSL 265.86, 0.52%, 0.78%

LAB 73.52, 20.15, -25.82

 

CMYK 18 / 32 / 0 / 7

HEX #C2A1ED

RGB 194 161 237

HSL 266.05, 0.68%, 0.78%

LAB 71.6, 26.77, -33.68

 

CMYK 22 / 38 / 0 / 4

HEX #C098F6

RGB 192 152 246

HSL 265.53, 0.84%, 0.78%

LAB 69.69, 33.18, -41.57

 

CMYK 25 / 44 / 0 / 0

HEX #BF8FFF

RGB 191 143 255

HSL 265.71, 1%, 0.78%

LAB 67.98, 39.92, -49.18

 

CMYK 14 / 25 / 0 / 11

HEX #C3AAE4

RGB 195 170 228

HSL 265.86, 0.52%, 0.78%

LAB 73.52, 20.15, -25.82

 

CMYK 10 / 18 / 0 / 15

HEX #C4B3DA

RGB 196 179 218

HSL 266.15, 0.35%, 0.78%

LAB 75.47, 13.44, -17.39

 

CMYK 6 / 10 / 0 / 18

HEX #C5BCD1

RGB 197 188 209

HSL 265.71, 0.19%, 0.78%

LAB 77.54, 7.09, -9.4

 

CMYK 0 / 1 / 0 / 22

HEX #C7C6C8

RGB 199 198 200

HSL 270, 0.02%, 0.78%

LAB 80.01, 0.72, -0.89

 

CMYK 3 / 0 / 8 / 19

HEX #C8CFBF

RGB 200 207 191

HSL 86.25, 0.14%, 0.78%

LAB 82.2, -5.27, 7.11

 

CMYK 25 / 22 / 0 / 11

HEX #AAB1E4

RGB 170 177 228

HSL 232.76, 0.52%, 0.78%

LAB 73.28, 8.6, -26.36

 

CMYK 21 / 25 / 0 / 11

HEX #B3AAE4

RGB 179 170 228

HSL 249.31, 0.52%, 0.78%

LAB 72.18, 15.19, -27.98

 

CMYK 15 / 25 / 0 / 11

HEX #C2AAE4

RGB 194 170 228

HSL 264.83, 0.52%, 0.78%

LAB 73.43, 19.84, -25.96

 

CMYK 8 / 25 / 0 / 11

HEX #D1AAE4

RGB 209 170 228

HSL 280.34, 0.52%, 0.78%

LAB 74.77, 24.6, -23.8

 

CMYK 1 / 25 / 0 / 11

HEX #E1AAE4

RGB 225 170 228

HSL 296.9, 0.52%, 0.78%

LAB 76.29, 29.76, -21.34

 

CMYK 27 / 48 / 0 / 19

HEX #976CCF

RGB 151 108 207

HSL 266.06, 0.51%, 0.62%

LAB 53.82, 37.13, -45.11

 

CMYK 20 / 36 / 0 / 15

HEX #AD8BD9

RGB 173 139 217

HSL 266.15, 0.51%, 0.7%

LAB 63.64, 28.25, -35.17

 

CMYK 14 / 25 / 0 / 11

HEX #C3AAE4

RGB 195 170 228

HSL 265.86, 0.52%, 0.78%

LAB 73.52, 20.15, -25.82

 

CMYK 9 / 16 / 0 / 7

HEX #D9C9EE

RGB 217 201 238

HSL 265.95, 0.52%, 0.86%

LAB 83.28, 12.42, -16.22

 

CMYK 4 / 6 / 0 / 3

HEX #EFE9F8

RGB 239 233 248

HSL 264, 0.52%, 0.94%

LAB 93.19, 4.71, -6.53

 

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

CMYK 0 / 25 / 16 / 11

HEX #E4AAC0

RGB 228 170 192

HSL 337.24, 0.52%, 0.78%

LAB 75.48, 24.56, -2.89

 

CMYK 25 / 0 / 25 / 11

HEX #AAE4AB

RGB 170 228 171

HSL 121.03, 0.52%, 0.78%

LAB 85.49, -29.38, 22

 

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

CMYK 0 / 15 / 25 / 11

HEX #E4C2AA

RGB 228 194 170

HSL 24.83, 0.52%, 0.78%

LAB 80.73, 8.49, 16.55

 

CMYK 25 / 0 / 15 / 11

HEX #AAE4C2

RGB 170 228 194

HSL 144.83, 0.52%, 0.78%

LAB 85.97, -25.26, 10.67

 

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

CMYK 0 / 25 / 16 / 11

HEX #E4AAC0

RGB 228 170 192

HSL 337.24, 0.52%, 0.78%

LAB 75.48, 24.56, -2.89

 

CMYK 11 / 0 / 25 / 11

HEX #CCE4AA

RGB 204 228 170

HSL 84.83, 0.52%, 0.78%

LAB 87.59, -17.85, 25.74

 

CMYK 25 / 0 / 10 / 11

HEX #AAE4CE

RGB 170 228 206

HSL 157.24, 0.52%, 0.78%

LAB 86.25, -22.92, 4.76

 

CMYK 14 / 25 / 0 / 11

HEX #C4ACE4

RGB 196 172 228

HSL 265.71, 0.51%, 0.78%

LAB 74.09, 19.37, -24.94

 

CMYK 0 / 25 / 23 / 11

HEX #E4AAAF

RGB 228 170 175

HSL 354.83, 0.52%, 0.78%

LAB 75.04, 21.99, 5.77

 

CMYK 11 / 0 / 25 / 11

HEX #CCE4AA

RGB 204 228 170

HSL 84.83, 0.52%, 0.78%

LAB 87.59, -17.85, 25.74

 

CMYK 25 / 0 / 2 / 11

HEX #AAE4DF

RGB 170 228 223

HSL 174.83, 0.52%, 0.78%

LAB 86.68, -19.38, -3.55

 

Description

Color code: HEX #C4ACE4 | qconv.com Color code: HEX #C4ACE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 172 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 172 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 25 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 25% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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