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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AB28 it is the complementary color #3B54D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AB28 shade: #C9AB23, #DABD36, #EBCF49, #FCE15C and #FFF36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AB28 shade: #C4AB28, #B39915, #A28702, #917500 and #806300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AB28 shade: #C3AA28, #C38028, #C35628, #C32D28 and #C32828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AB28 shade: #C3AA28, #B2C328, #88C328, #5EC328 and #35C328

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AB28 shade matches the following richer shades: #C3AA28, #D6B715 and #E9C402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AB28 shade: #C3AA28, #B09D3B, #9D904E, #8A8361 and #777674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AB28 shade: #C35628, #C38028, #C3A928, #B3C328 and #8AC328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AB28 shade: #7E6E1A, #A08C21, #C3AA28, #D7BE3D and #DECA5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AB28 shade: #C4AB28, #28C32D and #6B28C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AB28 shade: #C4AB28, #28C3A9 and #A928C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AB28 shade: #C4AB28, #28C32D, #2842C3 and #C328BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AB28 shade: #C4AB28, #28C35B, #2842C3 and #C3288F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

Complementary color

CMYK 73 / 61 / 0 / 16

HEX #3B54D7

RGB 59 84 215

HSL 230.38, 0.66%, 0.54%

LAB 41.5, 35.2, -69.9

 

CMYK 0 / 15 / 83 / 21

HEX #C9AB23

RGB 201 171 35

HSL 49.16, 0.7%, 0.46%

LAB 70.64, -2.05, 67.11

 

CMYK 0 / 13 / 75 / 15

HEX #DABD36

RGB 218 189 54

HSL 49.39, 0.69%, 0.53%

LAB 77.02, -3.4, 67.44

 

CMYK 0 / 12 / 69 / 8

HEX #EBCF49

RGB 235 207 73

HSL 49.63, 0.8%, 0.6%

LAB 83.32, -4.55, 67.1

 

CMYK 0 / 11 / 63 / 1

HEX #FCE15C

RGB 252 225 92

HSL 49.88, 0.96%, 0.67%

LAB 89.54, -5.55, 66.37

 

CMYK 0 / 5 / 56 / 0

HEX #FFF36F

RGB 255 243 111

HSL 55, 1%, 0.72%

LAB 94.53, -12.01, 63.81

 

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

CMYK 0 / 15 / 88 / 30

HEX #B39915

RGB 179 153 21

HSL 50.13, 0.79%, 0.39%

LAB 63.69, -2.61, 64

 

CMYK 0 / 17 / 99 / 36

HEX #A28702

RGB 162 135 2

HSL 49.88, 0.98%, 0.32%

LAB 57.09, -0.88, 61.57

 

CMYK 0 / 19 / 100 / 43

HEX #917500

RGB 145 117 0

HSL 48.41, 1%, 0.28%

LAB 50.38, 1.2, 56.37

 

CMYK 0 / 23 / 100 / 50

HEX #806300

RGB 128 99 0

HSL 46.41, 1%, 0.25%

LAB 43.53, 3.42, 50.72

 

CMYK 0 / 13 / 79 / 24

HEX #C3AA28

RGB 195 170 40

HSL 50.32, 0.66%, 0.46%

LAB 69.83, -4, 64.7

 

CMYK 0 / 34 / 79 / 24

HEX #C38028

RGB 195 128 40

HSL 34.06, 0.66%, 0.46%

LAB 59.15, 18.78, 55.01

 

CMYK 0 / 56 / 79 / 24

HEX #C35628

RGB 195 86 40

HSL 17.81, 0.66%, 0.46%

LAB 49.99, 41.03, 46.31

 

CMYK 0 / 77 / 79 / 24

HEX #C32D28

RGB 195 45 40

HSL 1.94, 0.66%, 0.46%

LAB 43.7, 57.94, 40.06

 

CMYK 0 / 79 / 79 / 24

HEX #C32828

RGB 195 40 40

HSL 0, 0.66%, 0.46%

LAB 43.17, 59.42, 39.52

 

CMYK 0 / 13 / 79 / 24

HEX #C3AA28

RGB 195 170 40

HSL 50.32, 0.66%, 0.46%

LAB 69.83, -4, 64.7

 

CMYK 9 / 0 / 79 / 24

HEX #B2C328

RGB 178 195 40

HSL 66.58, 0.66%, 0.46%

LAB 75.23, -24.07, 68.96

 

CMYK 30 / 0 / 79 / 24

HEX #88C328

RGB 136 195 40

HSL 82.84, 0.66%, 0.46%

LAB 72.51, -40.87, 65.49

 

CMYK 52 / 0 / 79 / 24

HEX #5EC328

RGB 94 195 40

HSL 99.1, 0.66%, 0.46%

LAB 70.57, -54.87, 62.99

 

CMYK 73 / 0 / 79 / 24

HEX #35C328

RGB 53 195 40

HSL 114.97, 0.66%, 0.46%

LAB 69.43, -64.2, 61.51

 

CMYK 0 / 13 / 79 / 24

HEX #C3AA28

RGB 195 170 40

HSL 50.32, 0.66%, 0.46%

LAB 69.83, -4, 64.7

 

CMYK 0 / 14 / 90 / 16

HEX #D6B715

RGB 214 183 21

HSL 50.36, 0.82%, 0.46%

LAB 74.96, -2.96, 74.29

 

CMYK 0 / 16 / 99 / 9

HEX #E9C402

RGB 233 196 2

HSL 50.39, 0.98%, 0.46%

LAB 80.07, -1.64, 81.15

 

CMYK 0 / 13 / 79 / 24

HEX #C3AA28

RGB 195 170 40

HSL 50.32, 0.66%, 0.46%

LAB 69.83, -4, 64.7

 

CMYK 0 / 11 / 66 / 31

HEX #B09D3B

RGB 176 157 59

HSL 50.26, 0.5%, 0.46%

LAB 64.69, -4.56, 51.96

 

CMYK 0 / 8 / 50 / 38

HEX #9D904E

RGB 157 144 78

HSL 50.13, 0.34%, 0.46%

LAB 59.58, -4.36, 36.56

 

CMYK 0 / 5 / 30 / 46

HEX #8A8361

RGB 138 131 97

HSL 49.76, 0.17%, 0.46%

LAB 54.55, -3.01, 19.37

 

CMYK 0 / 1 / 3 / 53

HEX #777674

RGB 119 118 116

HSL 40, 0.01%, 0.46%

LAB 49.67, -0.01, 1.23

 

CMYK 0 / 56 / 79 / 24

HEX #C35628

RGB 195 86 40

HSL 17.81, 0.66%, 0.46%

LAB 49.99, 41.03, 46.31

 

CMYK 0 / 34 / 79 / 24

HEX #C38028

RGB 195 128 40

HSL 34.06, 0.66%, 0.46%

LAB 59.15, 18.78, 55.01

 

CMYK 0 / 13 / 79 / 24

HEX #C3A928

RGB 195 169 40

HSL 49.94, 0.66%, 0.46%

LAB 69.56, -3.47, 64.46

 

CMYK 8 / 0 / 79 / 24

HEX #B3C328

RGB 179 195 40

HSL 66.19, 0.66%, 0.46%

LAB 75.31, -23.65, 69.06

 

CMYK 29 / 0 / 79 / 24

HEX #8AC328

RGB 138 195 40

HSL 82.06, 0.66%, 0.46%

LAB 72.62, -40.12, 65.63

 

CMYK 0 / 13 / 79 / 51

HEX #7E6E1A

RGB 126 110 26

HSL 50.4, 0.66%, 0.3%

LAB 46.53, -3.17, 45.81

 

CMYK 0 / 13 / 79 / 37

HEX #A08C21

RGB 160 140 33

HSL 50.55, 0.66%, 0.38%

LAB 58.36, -3.82, 55.41

 

CMYK 0 / 13 / 79 / 24

HEX #C3AA28

RGB 195 170 40

HSL 50.32, 0.66%, 0.46%

LAB 69.83, -4, 64.7

 

CMYK 0 / 12 / 72 / 16

HEX #D7BE3D

RGB 215 190 61

HSL 50.26, 0.66%, 0.54%

LAB 77.05, -4.9, 64.85

 

CMYK 0 / 9 / 57 / 13

HEX #DECA5F

RGB 222 202 95

HSL 50.55, 0.66%, 0.62%

LAB 81.07, -6.06, 54.96

 

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

CMYK 79 / 0 / 77 / 24

HEX #28C32D

RGB 40 195 45

HSL 121.94, 0.66%, 0.46%

LAB 69.23, -65.77, 59.71

 

CMYK 45 / 79 / 0 / 24

HEX #6B28C3

RGB 107 40 195

HSL 265.94, 0.66%, 0.46%

LAB 35.17, 59.33, -68.51

 

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

CMYK 79 / 0 / 13 / 24

HEX #28C3A9

RGB 40 195 169

HSL 169.94, 0.66%, 0.46%

LAB 71.11, -44.56, 2.04

 

CMYK 13 / 79 / 0 / 24

HEX #A928C3

RGB 169 40 195

HSL 289.94, 0.66%, 0.46%

LAB 44.08, 69.61, -53.63

 

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

CMYK 79 / 0 / 77 / 24

HEX #28C32D

RGB 40 195 45

HSL 121.94, 0.66%, 0.46%

LAB 69.23, -65.77, 59.71

 

CMYK 79 / 66 / 0 / 24

HEX #2842C3

RGB 40 66 195

HSL 229.94, 0.66%, 0.46%

LAB 34.57, 37.45, -69.69

 

CMYK 0 / 79 / 3 / 24

HEX #C328BE

RGB 195 40 190

HSL 301.94, 0.66%, 0.46%

LAB 48.05, 73.75, -44.12

 

CMYK 0 / 13 / 80 / 23

HEX #C4AB28

RGB 196 171 40

HSL 50.38, 0.66%, 0.46%

LAB 70.19, -4.09, 65.05

 

CMYK 79 / 0 / 53 / 24

HEX #28C35B

RGB 40 195 91

HSL 139.74, 0.66%, 0.46%

LAB 69.64, -60.84, 41.05

 

CMYK 79 / 66 / 0 / 24

HEX #2842C3

RGB 40 66 195

HSL 229.94, 0.66%, 0.46%

LAB 34.57, 37.45, -69.69

 

CMYK 0 / 79 / 27 / 24

HEX #C3288F

RGB 195 40 143

HSL 320.13, 0.66%, 0.46%

LAB 45.77, 67.3, -19.78

 

Description

Color code: HEX #C4AB28 | qconv.com Color code: HEX #C4AB28 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 171 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 171 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 80 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 80% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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