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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AA5E it is the complementary color #3B55A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AA5E shade: #C9AA59, #DABC6C, #EBCE7F, #FCE092 and #FFF2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AA5E shade: #C4AA5E, #B3984B, #A28638, #917425 and #806212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AA5E shade: #C4AA5F, #C48F5F, #C4745F and #C45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AA5E shade: #C4AA5F, #C2C45F, #A7C45F, #8CC45F and #71C45F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AA5E shade matches the following richer shades: #C4AA5F, #D6B34D, #E7BB3B and #F9C42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AA5E shade: #C4AA5F, #B2A171, #A09982, #8F9094 and #7D87A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AA5E shade: #C4735F, #C48E5F, #C4A95F, #C4C45F and #A9C45F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AA5E shade: #988038, #B69943, #C4AA5F, #CFBA7D and #DACA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AA5E shade: #C4AA5E, #66C45F and #815FC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AA5E shade: #C4AA5E, #5FC4A9 and #A95FC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AA5E shade: #C4AA5E, #66C45F, #5F7AC4 and #BD5FC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AA5E shade: #C4AA5E, #5FC476, #5F7AC4 and #C45FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

Complementary color

CMYK 63 / 47 / 0 / 37

HEX #3B55A1

RGB 59 85 161

HSL 224.71, 0.46%, 0.43%

LAB 37.84, 15.11, -44.23

 

CMYK 0 / 15 / 56 / 21

HEX #C9AA59

RGB 201 170 89

HSL 43.39, 0.51%, 0.57%

LAB 70.79, 1.41, 45.41

 

CMYK 0 / 14 / 50 / 15

HEX #DABC6C

RGB 218 188 108

HSL 43.64, 0.6%, 0.64%

LAB 77.25, 0.6, 44.14

 

CMYK 0 / 12 / 46 / 8

HEX #EBCE7F

RGB 235 206 127

HSL 43.89, 0.73%, 0.71%

LAB 83.62, -0.09, 42.88

 

CMYK 0 / 11 / 42 / 1

HEX #FCE092

RGB 252 224 146

HSL 44.15, 0.95%, 0.78%

LAB 89.9, -0.68, 41.67

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A5

RGB 255 242 165

HSL 51.33, 1%, 0.82%

LAB 94.94, -6.54, 38.77

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

CMYK 0 / 15 / 58 / 30

HEX #B3984B

RGB 179 152 75

HSL 44.42, 0.41%, 0.5%

LAB 63.79, 0.56, 43.59

 

CMYK 0 / 17 / 65 / 36

HEX #A28638

RGB 162 134 56

HSL 44.15, 0.49%, 0.43%

LAB 57.09, 1.59, 44.78

 

CMYK 0 / 20 / 74 / 43

HEX #917425

RGB 145 116 37

HSL 43.89, 0.59%, 0.36%

LAB 50.27, 2.85, 45.69

 

CMYK 0 / 23 / 86 / 50

HEX #806212

RGB 128 98 18

HSL 43.64, 0.75%, 0.29%

LAB 43.31, 4.44, 45.82

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5F

RGB 196 170 95

HSL 44.55, 0.46%, 0.57%

LAB 70.39, -0.19, 41.82

 

CMYK 0 / 27 / 52 / 23

HEX #C48F5F

RGB 196 143 95

HSL 28.51, 0.46%, 0.57%

LAB 63.51, 14.46, 33.3

 

CMYK 0 / 41 / 52 / 23

HEX #C4745F

RGB 196 116 95

HSL 12.48, 0.46%, 0.57%

LAB 57.13, 29.25, 25.08

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5F

RGB 196 170 95

HSL 44.55, 0.46%, 0.57%

LAB 70.39, -0.19, 41.82

 

CMYK 1 / 0 / 52 / 23

HEX #C2C45F

RGB 194 196 95

HSL 61.19, 0.46%, 0.57%

LAB 77.15, -14.55, 49.83

 

CMYK 15 / 0 / 52 / 23

HEX #A7C45F

RGB 167 196 95

HSL 77.23, 0.46%, 0.57%

LAB 75.15, -25.39, 46.98

 

CMYK 29 / 0 / 52 / 23

HEX #8CC45F

RGB 140 196 95

HSL 93.27, 0.46%, 0.57%

LAB 73.47, -35.57, 44.57

 

CMYK 42 / 0 / 52 / 23

HEX #71C45F

RGB 113 196 95

HSL 109.31, 0.46%, 0.57%

LAB 72.11, -44.65, 42.6

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5F

RGB 196 170 95

HSL 44.55, 0.46%, 0.57%

LAB 70.39, -0.19, 41.82

 

CMYK 0 / 16 / 64 / 16

HEX #D6B34D

RGB 214 179 77

HSL 44.67, 0.63%, 0.57%

LAB 74.24, 1.3, 55.3

 

CMYK 0 / 19 / 74 / 9

HEX #E7BB3B

RGB 231 187 59

HSL 44.65, 0.78%, 0.57%

LAB 77.78, 3.42, 66.82

 

CMYK 0 / 21 / 83 / 2

HEX #F9C42A

RGB 249 196 42

HSL 44.64, 0.95%, 0.57%

LAB 81.72, 5.85, 76.46

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5F

RGB 196 170 95

HSL 44.55, 0.46%, 0.57%

LAB 70.39, -0.19, 41.82

 

CMYK 0 / 10 / 37 / 30

HEX #B2A171

RGB 178 161 113

HSL 44.31, 0.3%, 0.57%

LAB 66.63, -0.94, 27.28

 

CMYK 0 / 4 / 19 / 37

HEX #A09982

RGB 160 153 130

HSL 46, 0.14%, 0.57%

LAB 63.23, -1.4, 13.02

 

CMYK 3 / 3 / 0 / 42

HEX #8F9094

RGB 143 144 148

HSL 228, 0.02%, 0.57%

LAB 59.82, 0.43, -2.25

 

CMYK 25 / 19 / 0 / 35

HEX #7D87A6

RGB 125 135 166

HSL 225.37, 0.19%, 0.57%

LAB 56.53, 3.43, -17.63

 

CMYK 0 / 41 / 52 / 23

HEX #C4735F

RGB 196 115 95

HSL 11.88, 0.46%, 0.57%

LAB 56.9, 29.79, 24.78

 

CMYK 0 / 28 / 52 / 23

HEX #C48E5F

RGB 196 142 95

HSL 27.92, 0.46%, 0.57%

LAB 63.27, 15.01, 32.99

 

CMYK 0 / 14 / 52 / 23

HEX #C4A95F

RGB 196 169 95

HSL 43.96, 0.46%, 0.57%

LAB 70.13, 0.34, 41.51

 

CMYK 0 / 0 / 52 / 23

HEX #C4C45F

RGB 196 196 95

HSL 60, 0.46%, 0.57%

LAB 77.31, -13.73, 50.05

 

CMYK 14 / 0 / 52 / 23

HEX #A9C45F

RGB 169 196 95

HSL 76.04, 0.46%, 0.57%

LAB 75.29, -24.61, 47.18

 

CMYK 0 / 16 / 63 / 40

HEX #988038

RGB 152 128 56

HSL 45, 0.46%, 0.41%

LAB 54.45, 0.44, 41.58

 

CMYK 0 / 16 / 63 / 29

HEX #B69943

RGB 182 153 67

HSL 44.87, 0.46%, 0.49%

LAB 64.27, 0.75, 48.05

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5F

RGB 196 170 95

HSL 44.55, 0.46%, 0.57%

LAB 70.39, -0.19, 41.82

 

CMYK 0 / 10 / 40 / 19

HEX #CFBA7D

RGB 207 186 125

HSL 44.63, 0.46%, 0.65%

LAB 75.99, -1.12, 33.65

 

CMYK 0 / 7 / 29 / 15

HEX #DACA9B

RGB 218 202 155

HSL 44.76, 0.46%, 0.73%

LAB 81.57, -1.53, 25.53

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

CMYK 48 / 0 / 52 / 23

HEX #66C45F

RGB 102 196 95

HSL 115.84, 0.46%, 0.57%

LAB 71.64, -47.94, 41.93

 

CMYK 34 / 52 / 0 / 23

HEX #815FC4

RGB 129 95 196

HSL 260.2, 0.46%, 0.57%

LAB 48.05, 35.98, -48.12

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

CMYK 52 / 0 / 14 / 23

HEX #5FC4A9

RGB 95 196 169

HSL 163.96, 0.46%, 0.57%

LAB 72.75, -36.07, 4.57

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

CMYK 48 / 0 / 52 / 23

HEX #66C45F

RGB 102 196 95

HSL 115.84, 0.46%, 0.57%

LAB 71.64, -47.94, 41.93

 

CMYK 52 / 38 / 0 / 23

HEX #5F7AC4

RGB 95 122 196

HSL 223.96, 0.46%, 0.57%

LAB 52.22, 11.29, -41.68

 

CMYK 4 / 52 / 0 / 23

HEX #BD5FC4

RGB 189 95 196

HSL 295.84, 0.46%, 0.57%

LAB 55.06, 52.23, -36.58

 

CMYK 0 / 13 / 52 / 23

HEX #C4AA5E

RGB 196 170 94

HSL 44.71, 0.46%, 0.57%

LAB 70.38, -0.28, 42.31

 

CMYK 52 / 0 / 40 / 23

HEX #5FC476

RGB 95 196 118

HSL 133.66, 0.46%, 0.57%

LAB 71.7, -46.42, 30.37

 

CMYK 52 / 38 / 0 / 23

HEX #5F7AC4

RGB 95 122 196

HSL 223.96, 0.46%, 0.57%

LAB 52.22, 11.29, -41.68

 

CMYK 0 / 52 / 12 / 23

HEX #C45FAC

RGB 196 95 172

HSL 314.26, 0.46%, 0.57%

LAB 54.97, 50.09, -22.81

 

Description

Color code: HEX #C4AA5E | qconv.com Color code: HEX #C4AA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 170 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 170 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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