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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AA46 it is the complementary color #3B55B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AA46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AA46 shade: #C9AA41, #DABC54, #EBCE67, #FCE07A and #FFF28D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AA46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AA46 shade: #C4AA46, #B39833, #A28620, #91740D and #806200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AA46 shade: #C4AA45, #C48845, #C46545 and #C44545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AA46 shade: #C4AA45, #BCC445, #9AC445, #78C445 and #55C445

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AA46 shade matches the following richer shades: #C4AA45, #D8B631 and #ECC11D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AA46 shade: #C4AA45, #B09E59, #9D936D, #898780 and #757B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AA46 shade: #C46545, #C48745, #C4A945, #BEC445 and #9CC445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AA46 shade: #8B772C, #AA9236, #C4AA45, #CEB864 and #D8C784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AA46 shade: #C4AA46, #47C445 and #7645C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AA46 shade: #C4AA46, #45C4A9 and #A945C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AA46 shade: #C4AA46, #47C445, #4561C4 and #C245C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AA46 shade: #C4AA46, #45C469, #4561C4 and #C445A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

Complementary color

CMYK 68 / 54 / 0 / 27

HEX #3B55B9

RGB 59 85 185

HSL 227.62, 0.52%, 0.48%

LAB 39.46, 23.79, -55.83

 

CMYK 0 / 15 / 68 / 21

HEX #C9AA41

RGB 201 170 65

HSL 46.32, 0.56%, 0.52%

LAB 70.56, -0.23, 56.25

 

CMYK 0 / 14 / 61 / 15

HEX #DABC54

RGB 218 188 84

HSL 46.57, 0.64%, 0.59%

LAB 76.99, -1.27, 55.28

 

CMYK 0 / 12 / 56 / 8

HEX #EBCE67

RGB 235 206 103

HSL 46.82, 0.77%, 0.66%

LAB 83.33, -2.15, 54.16

 

CMYK 0 / 11 / 52 / 1

HEX #FCE07A

RGB 252 224 122

HSL 47.08, 0.96%, 0.73%

LAB 89.59, -2.9, 52.98

 

CMYK 0 / 5 / 45 / 0

HEX #FFF28D

RGB 255 242 141

HSL 53.16, 1%, 0.78%

LAB 94.61, -9.03, 50.1

 

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

CMYK 0 / 15 / 72 / 30

HEX #B39833

RGB 179 152 51

HSL 47.34, 0.56%, 0.45%

LAB 63.57, -0.99, 54.28

 

CMYK 0 / 17 / 80 / 36

HEX #A28620

RGB 162 134 32

HSL 47.08, 0.67%, 0.38%

LAB 56.92, 0.36, 54.52

 

CMYK 0 / 20 / 91 / 43

HEX #91740D

RGB 145 116 13

HSL 46.82, 0.84%, 0.31%

LAB 50.14, 2, 53.56

 

CMYK 0 / 23 / 100 / 50

HEX #806200

RGB 128 98 0

HSL 45.94, 1%, 0.25%

LAB 43.25, 4, 50.53

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 0 / 31 / 65 / 23

HEX #C48845

RGB 196 136 69

HSL 31.65, 0.52%, 0.52%

LAB 61.46, 16.28, 44.36

 

CMYK 0 / 48 / 65 / 23

HEX #C46545

RGB 196 101 69

HSL 15.12, 0.52%, 0.52%

LAB 53.46, 35.22, 35.05

 

CMYK 0 / 65 / 65 / 23

HEX #C44545

RGB 196 69 69

HSL 0, 0.52%, 0.52%

LAB 47.52, 50.63, 27.79

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 4 / 0 / 65 / 23

HEX #BCC445

RGB 188 196 69

HSL 63.78, 0.52%, 0.52%

LAB 76.44, -18.95, 60.37

 

CMYK 21 / 0 / 65 / 23

HEX #9AC445

RGB 154 196 69

HSL 79.84, 0.52%, 0.52%

LAB 74.05, -32.72, 57.13

 

CMYK 39 / 0 / 65 / 23

HEX #78C445

RGB 120 196 69

HSL 95.91, 0.52%, 0.52%

LAB 72.16, -45.12, 54.55

 

CMYK 57 / 0 / 65 / 23

HEX #55C445

RGB 85 196 69

HSL 112.44, 0.52%, 0.52%

LAB 70.76, -55.5, 52.61

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 0 / 16 / 77 / 15

HEX #D8B631

RGB 216 182 49

HSL 47.78, 0.68%, 0.52%

LAB 75, -0.81, 67.2

 

CMYK 0 / 18 / 88 / 7

HEX #ECC11D

RGB 236 193 29

HSL 47.54, 0.84%, 0.52%

LAB 79.65, 1.54, 77.33

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 0 / 10 / 49 / 31

HEX #B09E59

RGB 176 158 89

HSL 47.59, 0.36%, 0.52%

LAB 65.28, -2.76, 38.22

 

CMYK 0 / 6 / 31 / 38

HEX #9D936D

RGB 157 147 109

HSL 47.5, 0.2%, 0.52%

LAB 60.9, -2.4, 21.49

 

CMYK 0 / 1 / 7 / 46

HEX #898780

RGB 137 135 128

HSL 46.67, 0.04%, 0.52%

LAB 56.29, -0.58, 4.02

 

CMYK 21 / 17 / 0 / 42

HEX #757B94

RGB 117 123 148

HSL 228.39, 0.13%, 0.52%

LAB 51.93, 3.4, -14.23

 

CMYK 0 / 48 / 65 / 23

HEX #C46545

RGB 196 101 69

HSL 15.12, 0.52%, 0.52%

LAB 53.46, 35.22, 35.05

 

CMYK 0 / 31 / 65 / 23

HEX #C48745

RGB 196 135 69

HSL 31.18, 0.52%, 0.52%

LAB 61.21, 16.83, 44.08

 

CMYK 0 / 14 / 65 / 23

HEX #C4A945

RGB 196 169 69

HSL 47.24, 0.52%, 0.52%

LAB 69.85, -1.63, 53.62

 

CMYK 3 / 0 / 65 / 23

HEX #BEC445

RGB 190 196 69

HSL 62.83, 0.52%, 0.52%

LAB 76.59, -18.12, 60.58

 

CMYK 20 / 0 / 65 / 23

HEX #9CC445

RGB 156 196 69

HSL 78.9, 0.52%, 0.52%

LAB 74.18, -31.94, 57.3

 

CMYK 0 / 14 / 68 / 45

HEX #8B772C

RGB 139 119 44

HSL 47.37, 0.52%, 0.36%

LAB 50.53, -1.24, 42.65

 

CMYK 0 / 14 / 68 / 33

HEX #AA9236

RGB 170 146 54

HSL 47.59, 0.52%, 0.44%

LAB 61.11, -1.57, 50.21

 

CMYK 0 / 13 / 65 / 23

HEX #C4AA45

RGB 196 170 69

HSL 47.72, 0.52%, 0.52%

LAB 70.12, -2.16, 53.9

 

CMYK 0 / 11 / 51 / 19

HEX #CEB864

RGB 206 184 100

HSL 47.55, 0.52%, 0.6%

LAB 75.03, -2.97, 45.15

 

CMYK 0 / 8 / 39 / 15

HEX #D8C784

RGB 216 199 132

HSL 47.86, 0.52%, 0.68%

LAB 80.24, -3.53, 35.7

 

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

CMYK 64 / 0 / 65 / 23

HEX #47C445

RGB 71 196 69

HSL 119.06, 0.52%, 0.52%

LAB 70.35, -58.77, 52.05

 

CMYK 40 / 65 / 0 / 23

HEX #7645C4

RGB 118 69 196

HSL 263.15, 0.52%, 0.52%

LAB 41.36, 47.96, -58.94

 

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

CMYK 65 / 0 / 14 / 23

HEX #45C4A9

RGB 69 196 169

HSL 167.24, 0.52%, 0.52%

LAB 71.97, -41.19, 3.35

 

CMYK 14 / 65 / 0 / 23

HEX #A945C4

RGB 169 69 196

HSL 287.24, 0.52%, 0.52%

LAB 47.85, 59.27, -48.17

 

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

CMYK 64 / 0 / 65 / 23

HEX #47C445

RGB 71 196 69

HSL 119.06, 0.52%, 0.52%

LAB 70.35, -58.77, 52.05

 

CMYK 65 / 51 / 0 / 23

HEX #4561C4

RGB 69 97 196

HSL 226.77, 0.52%, 0.52%

LAB 43.94, 21.62, -54.96

 

CMYK 1 / 65 / 0 / 23

HEX #C245C4

RGB 194 69 196

HSL 299.06, 0.52%, 0.52%

LAB 51.51, 65.13, -42.13

 

CMYK 0 / 13 / 64 / 23

HEX #C4AA46

RGB 196 170 70

HSL 47.62, 0.52%, 0.52%

LAB 70.13, -2.1, 53.47

 

CMYK 65 / 0 / 46 / 23

HEX #45C469

RGB 69 196 105

HSL 137.01, 0.52%, 0.52%

LAB 70.71, -54.48, 35.58

 

CMYK 65 / 51 / 0 / 23

HEX #4561C4

RGB 69 97 196

HSL 226.77, 0.52%, 0.52%

LAB 43.94, 21.62, -54.96

 

CMYK 0 / 65 / 18 / 23

HEX #C445A0

RGB 196 69 160

HSL 317.01, 0.52%, 0.52%

LAB 50.13, 60, -23.23

 

Description

Color code: HEX #C4AA46 | qconv.com Color code: HEX #C4AA46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 170 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 170 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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