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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A72F it is the complementary color #3B58D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A72F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A72F shade: #C9A72A, #DAB93D, #EBCB50, #FCDD63 and #FFEF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A72F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A72F shade: #C4A72F, #B3951C, #A28309, #917100 and #805F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A72F shade: #C5A830, #C58030, #C55730 and #C53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A72F shade: #C5A830, #BAC530, #92C530, #69C530 and #41C530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A72F shade matches the following richer shades: #C5A830, #D9B41C and #EDC008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A72F shade: #C5A830, #B19C44, #9D9057, #8A846B and #76787F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A72F shade: #C55830, #C57F30, #C5A730, #BBC530 and #93C530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A72F shade: #836F20, #A48C28, #C5A830, #D3B94B and #DBC66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A72F shade: #C4A72F, #30C530 and #6B30C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A72F shade: #C4A72F, #30C5A7 and #A730C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A72F shade: #C4A72F, #30C530, #304EC5 and #C530C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A72F shade: #C4A72F, #30C55D, #304EC5 and #C53098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

Complementary color

CMYK 72 / 58 / 0 / 18

HEX #3B58D0

RGB 59 88 208

HSL 228.32, 0.61%, 0.52%

LAB 41.94, 30.17, -65.15

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 0 / 15 / 72 / 15

HEX #DAB93D

RGB 218 185 61

HSL 47.39, 0.68%, 0.55%

LAB 76.03, -1.01, 63.94

 

CMYK 0 / 14 / 66 / 8

HEX #EBCB50

RGB 235 203 80

HSL 47.61, 0.79%, 0.62%

LAB 82.35, -2.13, 63.28

 

CMYK 0 / 12 / 61 / 1

HEX #FCDD63

RGB 252 221 99

HSL 47.84, 0.96%, 0.69%

LAB 88.59, -3.09, 62.35

 

CMYK 0 / 6 / 54 / 0

HEX #FFEF76

RGB 255 239 118

HSL 52.99, 1%, 0.73%

LAB 93.58, -9.52, 59.61

 

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

CMYK 0 / 17 / 84 / 30

HEX #B3951C

RGB 179 149 28

HSL 48.08, 0.73%, 0.41%

LAB 62.64, -0.27, 61.41

 

CMYK 0 / 19 / 94 / 36

HEX #A28309

RGB 162 131 9

HSL 47.84, 0.89%, 0.34%

LAB 56.02, 1.44, 59.61

 

CMYK 0 / 22 / 100 / 43

HEX #917100

RGB 145 113 0

HSL 46.76, 1%, 0.28%

LAB 49.29, 3.47, 55.61

 

CMYK 0 / 26 / 100 / 50

HEX #805F00

RGB 128 95 0

HSL 44.53, 1%, 0.25%

LAB 42.42, 5.77, 49.96

 

CMYK 0 / 15 / 76 / 23

HEX #C5A830

RGB 197 168 48

HSL 48.32, 0.61%, 0.48%

LAB 69.53, -1.75, 61.81

 

CMYK 0 / 35 / 76 / 23

HEX #C58030

RGB 197 128 48

HSL 32.21, 0.61%, 0.48%

LAB 59.45, 19.97, 52.09

 

CMYK 0 / 56 / 76 / 23

HEX #C55730

RGB 197 87 48

HSL 15.7, 0.61%, 0.48%

LAB 50.57, 41.61, 43.05

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

CMYK 0 / 15 / 76 / 23

HEX #C5A830

RGB 197 168 48

HSL 48.32, 0.61%, 0.48%

LAB 69.53, -1.75, 61.81

 

CMYK 6 / 0 / 76 / 23

HEX #BAC530

RGB 186 197 48

HSL 64.43, 0.61%, 0.48%

LAB 76.43, -21.37, 67.9

 

CMYK 26 / 0 / 76 / 23

HEX #92C530

RGB 146 197 48

HSL 80.54, 0.61%, 0.48%

LAB 73.71, -37.58, 64.38

 

CMYK 47 / 0 / 76 / 23

HEX #69C530

RGB 105 197 48

HSL 97.05, 0.61%, 0.48%

LAB 71.66, -51.9, 61.69

 

CMYK 67 / 0 / 76 / 23

HEX #41C530

RGB 65 197 48

HSL 113.15, 0.61%, 0.48%

LAB 70.36, -62.14, 59.99

 

CMYK 0 / 15 / 76 / 23

HEX #C5A830

RGB 197 168 48

HSL 48.32, 0.61%, 0.48%

LAB 69.53, -1.75, 61.81

 

CMYK 0 / 17 / 87 / 15

HEX #D9B41C

RGB 217 180 28

HSL 48.25, 0.77%, 0.48%

LAB 74.49, 0.06, 72.67

 

CMYK 0 / 19 / 97 / 7

HEX #EDC008

RGB 237 192 8

HSL 48.21, 0.93%, 0.48%

LAB 79.45, 2.21, 80.3

 

CMYK 0 / 15 / 76 / 23

HEX #C5A830

RGB 197 168 48

HSL 48.32, 0.61%, 0.48%

LAB 69.53, -1.75, 61.81

 

CMYK 0 / 12 / 62 / 31

HEX #B19C44

RGB 177 156 68

HSL 48.44, 0.44%, 0.48%

LAB 64.6, -2.99, 47.81

 

CMYK 0 / 8 / 45 / 38

HEX #9D9057

RGB 157 144 87

HSL 48.86, 0.29%, 0.48%

LAB 59.71, -3.44, 31.97

 

CMYK 0 / 4 / 22 / 46

HEX #8A846B

RGB 138 132 107

HSL 48.39, 0.13%, 0.48%

LAB 55.04, -2.09, 14.33

 

CMYK 7 / 6 / 0 / 50

HEX #76787F

RGB 118 120 127

HSL 226.67, 0.04%, 0.48%

LAB 50.47, 0.71, -4.09

 

CMYK 0 / 55 / 76 / 23

HEX #C55830

RGB 197 88 48

HSL 16.11, 0.61%, 0.48%

LAB 50.76, 41.12, 43.25

 

CMYK 0 / 36 / 76 / 23

HEX #C57F30

RGB 197 127 48

HSL 31.81, 0.61%, 0.48%

LAB 59.22, 20.51, 51.85

 

CMYK 0 / 15 / 76 / 23

HEX #C5A730

RGB 197 167 48

HSL 47.92, 0.61%, 0.48%

LAB 69.27, -1.22, 61.56

 

CMYK 5 / 0 / 76 / 23

HEX #BBC530

RGB 187 197 48

HSL 64.03, 0.61%, 0.48%

LAB 76.5, -20.95, 68

 

CMYK 25 / 0 / 76 / 23

HEX #93C530

RGB 147 197 48

HSL 80.13, 0.61%, 0.48%

LAB 73.77, -37.19, 64.46

 

CMYK 0 / 15 / 76 / 49

HEX #836F20

RGB 131 111 32

HSL 47.88, 0.61%, 0.32%

LAB 47.36, -1.1, 44.43

 

CMYK 0 / 15 / 76 / 36

HEX #A48C28

RGB 164 140 40

HSL 48.39, 0.61%, 0.4%

LAB 58.79, -1.71, 53.44

 

CMYK 0 / 15 / 76 / 23

HEX #C5A830

RGB 197 168 48

HSL 48.32, 0.61%, 0.48%

LAB 69.53, -1.75, 61.81

 

CMYK 0 / 12 / 64 / 17

HEX #D3B94B

RGB 211 185 75

HSL 48.53, 0.61%, 0.56%

LAB 75.49, -3.25, 57.45

 

CMYK 0 / 10 / 51 / 14

HEX #DBC66C

RGB 219 198 108

HSL 48.65, 0.61%, 0.64%

LAB 79.92, -4.19, 47.39

 

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

CMYK 76 / 0 / 76 / 23

HEX #30C530

RGB 48 197 48

HSL 120, 0.61%, 0.48%

LAB 70.02, -65.08, 59.53

 

CMYK 46 / 76 / 0 / 23

HEX #6B30C5

RGB 107 48 197

HSL 263.76, 0.61%, 0.48%

LAB 36.5, 56.51, -67.5

 

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

CMYK 76 / 0 / 15 / 23

HEX #30C5A7

RGB 48 197 167

HSL 167.92, 0.61%, 0.48%

LAB 71.79, -45.09, 4.13

 

CMYK 15 / 76 / 0 / 23

HEX #A730C5

RGB 167 48 197

HSL 287.92, 0.61%, 0.48%

LAB 44.75, 67.14, -53.74

 

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

CMYK 76 / 0 / 76 / 23

HEX #30C530

RGB 48 197 48

HSL 120, 0.61%, 0.48%

LAB 70.02, -65.08, 59.53

 

CMYK 76 / 60 / 0 / 23

HEX #304EC5

RGB 48 78 197

HSL 227.92, 0.61%, 0.48%

LAB 38.04, 31.28, -65.18

 

CMYK 0 / 76 / 0 / 23

HEX #C530C5

RGB 197 48 197

HSL 300, 0.61%, 0.48%

LAB 49.51, 73.1, -45.84

 

CMYK 0 / 15 / 76 / 23

HEX #C4A72F

RGB 196 167 47

HSL 48.32, 0.61%, 0.48%

LAB 69.17, -1.7, 61.79

 

CMYK 76 / 0 / 53 / 23

HEX #30C55D

RGB 48 197 93

HSL 138.12, 0.61%, 0.48%

LAB 70.42, -60.2, 41.06

 

CMYK 76 / 60 / 0 / 23

HEX #304EC5

RGB 48 78 197

HSL 227.92, 0.61%, 0.48%

LAB 38.04, 31.28, -65.18

 

CMYK 0 / 76 / 23 / 23

HEX #C53098

RGB 197 48 152

HSL 318.12, 0.61%, 0.48%

LAB 47.3, 66.63, -22.82

 

Description

Color code: HEX #C4A72F | qconv.com Color code: HEX #C4A72F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 167 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 167 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 76 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 76% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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