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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A40D it is the complementary color #3B5BF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A40D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A40D shade: #C9A408, #DAB61B, #EBC82E, #FCDA41 and #FFEC54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A40D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A40D shade: #C4A40D, #B39200, #A28000, #916E00 and #805C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A40D shade: #C5A40D, #C5730D, #C5410D, #C5100D and #C50D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A40D shade: #C5A40D, #B3C50D, #81C50D, #50C50D and #1EC50D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A40D shade matches the following richer shades: #C5A40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A40D shade: #C5A40D, #B4991D, #A38E2E, #92833F and #817850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A40D shade: #C5410D, #C5720D, #C5A30D, #B5C50D and #84C50D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A40D shade: #776408, #9E840A, #C5A40D, #EBC50F and #F2D032

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A40D shade: #C4A40D, #0DC510 and #590DC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A40D shade: #C4A40D, #0DC5A3 and #A30DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A40D shade: #C4A40D, #0DC510, #0D2EC5 and #C50DC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A40D shade: #C4A40D, #0DC547, #0D2EC5 and #C50D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

Complementary color

CMYK 76 / 62 / 0 / 5

HEX #3B5BF2

RGB 59 91 242

HSL 229.51, 0.88%, 0.59%

LAB 45.39, 40.38, -78.83

 

CMYK 0 / 18 / 96 / 21

HEX #C9A408

RGB 201 164 8

HSL 48.5, 0.92%, 0.41%

LAB 68.74, 1.15, 70.93

 

CMYK 0 / 17 / 88 / 15

HEX #DAB61B

RGB 218 182 27

HSL 48.69, 0.78%, 0.48%

LAB 75.1, -0.58, 73.41

 

CMYK 0 / 15 / 80 / 8

HEX #EBC82E

RGB 235 200 46

HSL 48.89, 0.83%, 0.55%

LAB 81.38, -2.07, 74.52

 

CMYK 0 / 13 / 74 / 1

HEX #FCDA41

RGB 252 218 65

HSL 49.09, 0.97%, 0.62%

LAB 87.59, -3.37, 74.72

 

CMYK 0 / 7 / 67 / 0

HEX #FFEC54

RGB 255 236 84

HSL 53.33, 1%, 0.66%

LAB 92.53, -10.24, 72.76

 

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

CMYK 0 / 18 / 100 / 30

HEX #B39200

RGB 179 146 0

HSL 48.94, 1%, 0.35%

LAB 61.78, 0.86, 66.01

 

CMYK 0 / 21 / 100 / 36

HEX #A28000

RGB 162 128 0

HSL 47.41, 1%, 0.32%

LAB 55.2, 2.97, 60.58

 

CMYK 0 / 24 / 100 / 43

HEX #916E00

RGB 145 110 0

HSL 45.52, 1%, 0.28%

LAB 48.48, 5.19, 55.05

 

CMYK 0 / 28 / 100 / 50

HEX #805C00

RGB 128 92 0

HSL 43.13, 1%, 0.25%

LAB 41.6, 7.54, 49.4

 

CMYK 0 / 17 / 93 / 23

HEX #C5A40D

RGB 197 164 13

HSL 49.24, 0.88%, 0.41%

LAB 68.35, -0.57, 69.81

 

CMYK 0 / 42 / 93 / 23

HEX #C5730D

RGB 197 115 13

HSL 33.26, 0.88%, 0.41%

LAB 56.25, 26.08, 60.95

 

CMYK 0 / 67 / 93 / 23

HEX #C5410D

RGB 197 65 13

HSL 16.96, 0.88%, 0.41%

LAB 46.55, 50.69, 54.3

 

CMYK 0 / 92 / 93 / 23

HEX #C5100D

RGB 197 16 13

HSL 0.98, 0.88%, 0.41%

LAB 41.64, 64.4, 51.21

 

CMYK 0 / 93 / 93 / 23

HEX #C50D0D

RGB 197 13 13

HSL 0, 0.88%, 0.41%

LAB 41.51, 64.77, 51.13

 

CMYK 0 / 17 / 93 / 23

HEX #C5A40D

RGB 197 164 13

HSL 49.24, 0.88%, 0.41%

LAB 68.35, -0.57, 69.81

 

CMYK 9 / 0 / 93 / 23

HEX #B3C50D

RGB 179 197 13

HSL 65.87, 0.88%, 0.41%

LAB 75.79, -25.28, 74.81

 

CMYK 35 / 0 / 93 / 23

HEX #81C50D

RGB 129 197 13

HSL 82.17, 0.88%, 0.41%

LAB 72.65, -45.13, 70.99

 

CMYK 59 / 0 / 93 / 23

HEX #50C50D

RGB 80 197 13

HSL 98.15, 0.88%, 0.41%

LAB 70.64, -60.31, 68.53

 

CMYK 85 / 0 / 93 / 23

HEX #1EC50D

RGB 30 197 13

HSL 114.46, 0.88%, 0.41%

LAB 69.64, -68.92, 67.29

 

CMYK 0 / 17 / 93 / 23

HEX #C5A40D

RGB 197 164 13

HSL 49.24, 0.88%, 0.41%

LAB 68.35, -0.57, 69.81

 

CMYK 0 / 17 / 93 / 23

HEX #C5A40D

RGB 197 164 13

HSL 49.24, 0.88%, 0.41%

LAB 68.35, -0.57, 69.81

 

CMYK 0 / 15 / 84 / 29

HEX #B4991D

RGB 180 153 29

HSL 49.27, 0.72%, 0.41%

LAB 63.81, -1.96, 62.16

 

CMYK 0 / 13 / 72 / 36

HEX #A38E2E

RGB 163 142 46

HSL 49.23, 0.56%, 0.41%

LAB 59.28, -2.97, 51.51

 

CMYK 0 / 10 / 57 / 43

HEX #92833F

RGB 146 131 63

HSL 49.16, 0.4%, 0.41%

LAB 54.76, -3.39, 38.29

 

CMYK 0 / 7 / 38 / 49

HEX #817850

RGB 129 120 80

HSL 48.98, 0.23%, 0.41%

LAB 50.31, -2.91, 23.24

 

CMYK 0 / 67 / 93 / 23

HEX #C5410D

RGB 197 65 13

HSL 16.96, 0.88%, 0.41%

LAB 46.55, 50.69, 54.3

 

CMYK 0 / 42 / 93 / 23

HEX #C5720D

RGB 197 114 13

HSL 32.93, 0.88%, 0.41%

LAB 56.02, 26.62, 60.79

 

CMYK 0 / 17 / 93 / 23

HEX #C5A30D

RGB 197 163 13

HSL 48.91, 0.88%, 0.41%

LAB 68.09, -0.04, 69.62

 

CMYK 8 / 0 / 93 / 23

HEX #B5C50D

RGB 181 197 13

HSL 65.22, 0.88%, 0.41%

LAB 75.94, -24.43, 74.99

 

CMYK 33 / 0 / 93 / 23

HEX #84C50D

RGB 132 197 13

HSL 81.2, 0.88%, 0.41%

LAB 72.8, -44.04, 71.19

 

CMYK 0 / 16 / 93 / 53

HEX #776408

RGB 119 100 8

HSL 49.73, 0.87%, 0.25%

LAB 42.84, -1.36, 47.77

 

CMYK 0 / 16 / 94 / 38

HEX #9E840A

RGB 158 132 10

HSL 49.46, 0.88%, 0.33%

LAB 55.88, -0.95, 59.16

 

CMYK 0 / 17 / 93 / 23

HEX #C5A40D

RGB 197 164 13

HSL 49.24, 0.88%, 0.41%

LAB 68.35, -0.57, 69.81

 

CMYK 0 / 16 / 94 / 8

HEX #EBC50F

RGB 235 197 15

HSL 49.64, 0.88%, 0.49%

LAB 80.53, -1.17, 80.25

 

CMYK 0 / 14 / 79 / 5

HEX #F2D032

RGB 242 208 50

HSL 49.38, 0.88%, 0.57%

LAB 84.08, -3.06, 75.96

 

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

CMYK 93 / 0 / 92 / 23

HEX #0DC510

RGB 13 197 16

HSL 120.98, 0.88%, 0.41%

LAB 69.51, -70.06, 66.72

 

CMYK 55 / 93 / 0 / 23

HEX #590DC5

RGB 89 13 197

HSL 264.78, 0.88%, 0.41%

LAB 30.5, 65.74, -77.46

 

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

CMYK 93 / 0 / 17 / 23

HEX #0DC5A3

RGB 13 197 163

HSL 168.91, 0.88%, 0.41%

LAB 71.33, -48.76, 5.58

 

CMYK 17 / 93 / 0 / 23

HEX #A30DC5

RGB 163 13 197

HSL 288.91, 0.88%, 0.41%

LAB 41.38, 74.4, -59.2

 

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

CMYK 93 / 0 / 92 / 23

HEX #0DC510

RGB 13 197 16

HSL 120.98, 0.88%, 0.41%

LAB 69.51, -70.06, 66.72

 

CMYK 93 / 77 / 0 / 23

HEX #0D2EC5

RGB 13 46 197

HSL 229.24, 0.88%, 0.41%

LAB 29.59, 48.77, -79.12

 

CMYK 0 / 93 / 2 / 23

HEX #C50DC1

RGB 197 13 193

HSL 301.3, 0.88%, 0.41%

LAB 46.99, 79.2, -47.55

 

CMYK 0 / 16 / 93 / 23

HEX #C4A40D

RGB 196 164 13

HSL 49.51, 0.88%, 0.41%

LAB 68.25, -1.02, 69.7

 

CMYK 93 / 0 / 64 / 23

HEX #0DC547

RGB 13 197 71

HSL 138.91, 0.88%, 0.41%

LAB 69.81, -66.29, 50.34

 

CMYK 93 / 77 / 0 / 23

HEX #0D2EC5

RGB 13 46 197

HSL 229.24, 0.88%, 0.41%

LAB 29.59, 48.77, -79.12

 

CMYK 0 / 93 / 30 / 23

HEX #C50D8A

RGB 197 13 138

HSL 319.24, 0.88%, 0.41%

LAB 44.22, 72.15, -19.1

 

Description

Color code: HEX #C4A40D | qconv.com Color code: HEX #C4A40D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 164 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 164 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 93 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 93% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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