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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A273 it is the complementary color #3B5D8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A273. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A273 shade: #C9A26E, #DAB481, #EBC694, #FCD8A7 and #FFEABA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A273. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A273 shade: #C4A273, #B39060, #A27E4D, #916C3A and #805A27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A273 shade: #C4A273, #C48C73, #C47673 and #C47373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A273 shade: #C4A273, #C4B873, #BBC473, #A5C473 and #8FC473

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A273 shade matches the following richer shades: #C4A273, #D4A563, #E5A753 and #F5AA43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A273 shade: #C4A273, #B4A083, #A49D93, #949AA3 and #8498B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A273 shade: #C47573, #C48B73, #C4A173, #C4B773 and #BCC473

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A273 shade: #A17A43, #B88F56, #C4A273, #D0B590 and #DDC9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A273 shade: #C4A273, #86C473 and #8073C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A273 shade: #C4A273, #73C4A1 and #A173C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A273 shade: #C4A273, #86C473, #7396C4 and #B173C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A273 shade: #C4A273, #73C478, #7396C4 and #C473BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

Complementary color

CMYK 58 / 34 / 0 / 45

HEX #3B5D8C

RGB 59 93 140

HSL 214.81, 0.41%, 0.39%

LAB 38.99, 2.53, -29.77

 

CMYK 0 / 19 / 45 / 21

HEX #C9A26E

RGB 201 162 110

HSL 34.29, 0.46%, 0.61%

LAB 69.03, 7.64, 32.43

 

CMYK 0 / 17 / 41 / 15

HEX #DAB481

RGB 218 180 129

HSL 34.38, 0.55%, 0.68%

LAB 75.53, 6.91, 31.15

 

CMYK 0 / 16 / 37 / 8

HEX #EBC694

RGB 235 198 148

HSL 34.48, 0.69%, 0.75%

LAB 81.94, 6.28, 29.95

 

CMYK 0 / 14 / 34 / 1

HEX #FCD8A7

RGB 252 216 167

HSL 34.59, 0.93%, 0.82%

LAB 88.26, 5.73, 28.82

 

CMYK 0 / 8 / 27 / 0

HEX #FFEABA

RGB 255 234 186

HSL 41.74, 1%, 0.86%

LAB 93.3, 0.04, 25.94

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 20 / 46 / 30

HEX #B39060

RGB 179 144 96

HSL 34.7, 0.35%, 0.54%

LAB 61.98, 6.86, 30.44

 

CMYK 0 / 22 / 52 / 36

HEX #A27E4D

RGB 162 126 77

HSL 34.59, 0.36%, 0.47%

LAB 55.22, 7.75, 31.84

 

CMYK 0 / 26 / 60 / 43

HEX #916C3A

RGB 145 108 58

HSL 34.48, 0.43%, 0.4%

LAB 48.32, 8.83, 33.32

 

CMYK 0 / 30 / 70 / 50

HEX #805A27

RGB 128 90 39

HSL 34.38, 0.53%, 0.33%

LAB 41.29, 10.17, 34.8

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 29 / 41 / 23

HEX #C48C73

RGB 196 140 115

HSL 18.52, 0.41%, 0.61%

LAB 63.12, 18.16, 21.81

 

CMYK 0 / 40 / 41 / 23

HEX #C47673

RGB 196 118 115

HSL 2.22, 0.41%, 0.61%

LAB 57.97, 30.22, 14.76

 

CMYK 0 / 41 / 41 / 23

HEX #C47373

RGB 196 115 115

HSL 0, 0.41%, 0.61%

LAB 57.3, 31.84, 13.84

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 6 / 41 / 23

HEX #C4B873

RGB 196 184 115

HSL 51.11, 0.41%, 0.61%

LAB 74.35, -5.61, 36.54

 

CMYK 5 / 0 / 41 / 23

HEX #BBC473

RGB 187 196 115

HSL 66.67, 0.41%, 0.61%

LAB 76.85, -15.4, 39.55

 

CMYK 16 / 0 / 41 / 23

HEX #A5C473

RGB 165 196 115

HSL 82.96, 0.41%, 0.61%

LAB 75.27, -23.95, 37.23

 

CMYK 27 / 0 / 41 / 23

HEX #8FC473

RGB 143 196 115

HSL 99.26, 0.41%, 0.61%

LAB 73.91, -32.03, 35.2

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 22 / 53 / 17

HEX #D4A563

RGB 212 165 99

HSL 35.04, 0.57%, 0.61%

LAB 70.74, 9.54, 40.57

 

CMYK 0 / 27 / 64 / 10

HEX #E5A753

RGB 229 167 83

HSL 34.52, 0.74%, 0.61%

LAB 72.84, 14.39, 51.41

 

CMYK 0 / 31 / 73 / 4

HEX #F5AA43

RGB 245 170 67

HSL 34.72, 0.9%, 0.61%

LAB 75.18, 18.63, 61.62

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 11 / 27 / 29

HEX #B4A083

RGB 180 160 131

HSL 35.51, 0.25%, 0.61%

LAB 66.89, 2.77, 17.81

 

CMYK 0 / 4 / 10 / 36

HEX #A49D93

RGB 164 157 147

HSL 35.29, 0.09%, 0.61%

LAB 65.05, 0.75, 6.13

 

CMYK 9 / 6 / 0 / 36

HEX #949AA3

RGB 148 154 163

HSL 216, 0.08%, 0.61%

LAB 63.39, -0.32, -5.45

 

CMYK 26 / 15 / 0 / 30

HEX #8498B3

RGB 132 152 179

HSL 214.47, 0.24%, 0.61%

LAB 62.18, -0.85, -16.39

 

CMYK 0 / 40 / 41 / 23

HEX #C47573

RGB 196 117 115

HSL 1.48, 0.41%, 0.61%

LAB 57.75, 30.76, 14.45

 

CMYK 0 / 29 / 41 / 23

HEX #C48B73

RGB 196 139 115

HSL 17.78, 0.41%, 0.61%

LAB 62.88, 18.71, 21.48

 

CMYK 0 / 18 / 41 / 23

HEX #C4A173

RGB 196 161 115

HSL 34.07, 0.41%, 0.61%

LAB 68.36, 6.66, 28.79

 

CMYK 0 / 7 / 41 / 23

HEX #C4B773

RGB 196 183 115

HSL 50.37, 0.41%, 0.61%

LAB 74.09, -5.09, 36.2

 

CMYK 4 / 0 / 41 / 23

HEX #BCC473

RGB 188 196 115

HSL 65.93, 0.41%, 0.61%

LAB 76.93, -15.01, 39.66

 

CMYK 0 / 24 / 58 / 37

HEX #A17A43

RGB 161 122 67

HSL 35.11, 0.41%, 0.45%

LAB 53.92, 8.69, 35.61

 

CMYK 0 / 22 / 53 / 28

HEX #B88F56

RGB 184 143 86

HSL 34.9, 0.41%, 0.53%

LAB 62.09, 8.58, 36.04

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 0 / 13 / 31 / 18

HEX #D0B590

RGB 208 181 144

HSL 34.69, 0.41%, 0.69%

LAB 75.12, 4.22, 22.45

 

CMYK 0 / 9 / 22 / 13

HEX #DDC9AD

RGB 221 201 173

HSL 35, 0.41%, 0.77%

LAB 81.93, 2.61, 16.54

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 32 / 0 / 41 / 23

HEX #86C473

RGB 134 196 115

HSL 105.93, 0.41%, 0.61%

LAB 73.41, -35.14, 34.46

 

CMYK 35 / 41 / 0 / 23

HEX #8073C4

RGB 128 115 196

HSL 249.63, 0.41%, 0.61%

LAB 52.77, 23.92, -40.64

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 41 / 0 / 18 / 23

HEX #73C4A1

RGB 115 196 161

HSL 154.07, 0.41%, 0.61%

LAB 73.35, -32.84, 9.88

 

CMYK 18 / 41 / 0 / 23

HEX #A173C4

RGB 161 115 196

HSL 274.07, 0.41%, 0.61%

LAB 55.91, 33.44, -35.49

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 32 / 0 / 41 / 23

HEX #86C473

RGB 134 196 115

HSL 105.93, 0.41%, 0.61%

LAB 73.41, -35.14, 34.46

 

CMYK 41 / 23 / 0 / 23

HEX #7396C4

RGB 115 150 196

HSL 214.07, 0.41%, 0.61%

LAB 61.17, -0.18, -27.6

 

CMYK 10 / 41 / 0 / 23

HEX #B173C4

RGB 177 115 196

HSL 285.93, 0.41%, 0.61%

LAB 57.65, 38.26, -32.65

 

CMYK 0 / 17 / 41 / 23

HEX #C4A273

RGB 196 162 115

HSL 34.81, 0.41%, 0.61%

LAB 68.62, 6.12, 29.13

 

CMYK 41 / 0 / 39 / 23

HEX #73C478

RGB 115 196 120

HSL 123.7, 0.41%, 0.61%

LAB 72.55, -40.49, 30.59

 

CMYK 41 / 23 / 0 / 23

HEX #7396C4

RGB 115 150 196

HSL 214.07, 0.41%, 0.61%

LAB 61.17, -0.18, -27.6

 

CMYK 0 / 41 / 3 / 23

HEX #C473BF

RGB 196 115 191

HSL 303.7, 0.41%, 0.61%

LAB 59.67, 43.14, -26.49

 

Description

Color code: HEX #C4A273 | qconv.com Color code: HEX #C4A273 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 162 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 162 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 41 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 41% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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