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Color name
HEX #C49F3E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49F3E it is the complementary color #3B60C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49F3E shade: #C99F39, #DAB14C, #EBC35F, #FCD572 and #FFE785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49F3E shade: #C49F3E, #B38D2B, #A27B18, #916905 and #805700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49F3E shade: #C4A040, #C47C40, #C45840 and #C44040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49F3E shade: #C4A040, #C4C340, #A1C440, #7EC440 and #5AC440

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49F3E shade matches the following richer shades: #C4A040, #D8A92C and #EDB217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49F3E shade: #C4A040, #B09754, #9C8E68, #88857C and #737B91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49F3E shade: #C45840, #C47B40, #C49F40, #C4C240 and #A3C440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49F3E shade: #886E2A, #A78733, #C4A040, #CEAF5F and #D8BF7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49F3E shade: #C49F3E, #4BC440 and #6A40C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49F3E shade: #C49F3E, #40C49F and #9F40C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49F3E shade: #C49F3E, #4BC440, #4065C4 and #B940C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49F3E shade: #C49F3E, #40C45D, #4065C4 and #C440A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

Complementary color

CMYK 69 / 50 / 0 / 24

HEX #3B60C1

RGB 59 96 193

HSL 223.43, 0.53%, 0.49%

LAB 42.98, 19.59, -54.8

 

CMYK 0 / 21 / 72 / 21

HEX #C99F39

RGB 201 159 57

HSL 42.5, 0.57%, 0.51%

LAB 67.66, 5.23, 56.64

 

CMYK 0 / 19 / 65 / 15

HEX #DAB14C

RGB 218 177 76

HSL 42.68, 0.66%, 0.58%

LAB 74.11, 4, 55.72

 

CMYK 0 / 17 / 60 / 8

HEX #EBC35F

RGB 235 195 95

HSL 42.86, 0.78%, 0.65%

LAB 80.47, 2.95, 54.59

 

CMYK 0 / 15 / 55 / 1

HEX #FCD572

RGB 252 213 114

HSL 43.04, 0.96%, 0.72%

LAB 86.75, 2.05, 53.39

 

CMYK 0 / 9 / 48 / 0

HEX #FFE785

RGB 255 231 133

HSL 48.2, 1%, 0.76%

LAB 91.73, -4.28, 50.39

 

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

CMYK 0 / 21 / 76 / 30

HEX #B38D2B

RGB 179 141 43

HSL 43.24, 0.61%, 0.44%

LAB 60.61, 4.64, 54.57

 

CMYK 0 / 24 / 85 / 36

HEX #A27B18

RGB 162 123 24

HSL 43.04, 0.74%, 0.36%

LAB 53.93, 6.24, 54.5

 

CMYK 0 / 28 / 97 / 43

HEX #916905

RGB 145 105 5

HSL 42.86, 0.93%, 0.29%

LAB 47.15, 8.16, 53

 

CMYK 0 / 32 / 100 / 50

HEX #805700

RGB 128 87 0

HSL 40.78, 1%, 0.25%

LAB 40.26, 10.5, 48.49

 

CMYK 0 / 18 / 67 / 23

HEX #C4A040

RGB 196 160 64

HSL 43.64, 0.53%, 0.51%

LAB 67.46, 2.88, 53.28

 

CMYK 0 / 37 / 67 / 23

HEX #C47C40

RGB 196 124 64

HSL 27.27, 0.53%, 0.51%

LAB 58.53, 22.55, 43.56

 

CMYK 0 / 55 / 67 / 23

HEX #C45840

RGB 196 88 64

HSL 10.91, 0.53%, 0.51%

LAB 50.79, 41.54, 34.64

 

CMYK 0 / 67 / 67 / 23

HEX #C44040

RGB 196 64 64

HSL 0, 0.53%, 0.51%

LAB 46.67, 52.43, 29.7

 

CMYK 0 / 18 / 67 / 23

HEX #C4A040

RGB 196 160 64

HSL 43.64, 0.53%, 0.51%

LAB 67.46, 2.88, 53.28

 

CMYK 0 / 1 / 67 / 23

HEX #C4C340

RGB 196 195 64

HSL 59.55, 0.53%, 0.51%

LAB 76.76, -15.39, 62.88

 

CMYK 18 / 0 / 67 / 23

HEX #A1C440

RGB 161 196 64

HSL 75.91, 0.53%, 0.51%

LAB 74.46, -30.3, 59.71

 

CMYK 36 / 0 / 67 / 23

HEX #7EC440

RGB 126 196 64

HSL 91.82, 0.53%, 0.51%

LAB 72.42, -43.47, 56.94

 

CMYK 54 / 0 / 67 / 23

HEX #5AC440

RGB 90 196 64

HSL 108.18, 0.53%, 0.51%

LAB 70.89, -54.66, 54.86

 

CMYK 0 / 18 / 67 / 23

HEX #C4A040

RGB 196 160 64

HSL 43.64, 0.53%, 0.51%

LAB 67.46, 2.88, 53.28

 

CMYK 0 / 22 / 80 / 15

HEX #D8A92C

RGB 216 169 44

HSL 43.6, 0.69%, 0.51%

LAB 71.66, 5.87, 65.84

 

CMYK 0 / 25 / 90 / 7

HEX #EDB217

RGB 237 178 23

HSL 43.46, 0.86%, 0.51%

LAB 76.01, 9.7, 75.74

 

CMYK 0 / 18 / 67 / 23

HEX #C4A040

RGB 196 160 64

HSL 43.64, 0.53%, 0.51%

LAB 67.46, 2.88, 53.28

 

CMYK 0 / 14 / 52 / 31

HEX #B09754

RGB 176 151 84

HSL 43.7, 0.37%, 0.51%

LAB 63.35, 0.57, 38.44

 

CMYK 0 / 9 / 33 / 39

HEX #9C8E68

RGB 156 142 104

HSL 43.85, 0.21%, 0.51%

LAB 59.36, -0.72, 22.18

 

CMYK 0 / 2 / 9 / 47

HEX #88857C

RGB 136 133 124

HSL 45, 0.05%, 0.51%

LAB 55.55, -0.57, 5.24

 

CMYK 21 / 15 / 0 / 43

HEX #737B91

RGB 115 123 145

HSL 224, 0.12%, 0.51%

LAB 51.67, 2.01, -12.89

 

CMYK 0 / 55 / 67 / 23

HEX #C45840

RGB 196 88 64

HSL 10.91, 0.53%, 0.51%

LAB 50.79, 41.54, 34.64

 

CMYK 0 / 37 / 67 / 23

HEX #C47B40

RGB 196 123 64

HSL 26.82, 0.53%, 0.51%

LAB 58.29, 23.1, 43.29

 

CMYK 0 / 19 / 67 / 23

HEX #C49F40

RGB 196 159 64

HSL 43.18, 0.53%, 0.51%

LAB 67.2, 3.42, 53.01

 

CMYK 0 / 1 / 67 / 23

HEX #C4C240

RGB 196 194 64

HSL 59.09, 0.53%, 0.51%

LAB 76.49, -14.88, 62.6

 

CMYK 17 / 0 / 67 / 23

HEX #A3C440

RGB 163 196 64

HSL 75, 0.53%, 0.51%

LAB 74.6, -29.51, 59.88

 

CMYK 0 / 19 / 69 / 47

HEX #886E2A

RGB 136 110 42

HSL 43.4, 0.53%, 0.35%

LAB 47.69, 2.39, 40.49

 

CMYK 0 / 19 / 69 / 35

HEX #A78733

RGB 167 135 51

HSL 43.45, 0.53%, 0.43%

LAB 57.83, 2.97, 48.02

 

CMYK 0 / 18 / 67 / 23

HEX #C4A040

RGB 196 160 64

HSL 43.64, 0.53%, 0.51%

LAB 67.46, 2.88, 53.28

 

CMYK 0 / 15 / 54 / 19

HEX #CEAF5F

RGB 206 175 95

HSL 43.24, 0.53%, 0.59%

LAB 72.63, 1.35, 44.75

 

CMYK 0 / 12 / 41 / 15

HEX #D8BF7F

RGB 216 191 127

HSL 43.15, 0.53%, 0.67%

LAB 78.11, 0.09, 35.51

 

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

CMYK 62 / 0 / 67 / 23

HEX #4BC440

RGB 75 196 64

HSL 115, 0.53%, 0.51%

LAB 70.42, -58.37, 54.21

 

CMYK 46 / 67 / 0 / 23

HEX #6A40C4

RGB 106 64 196

HSL 259.09, 0.53%, 0.51%

LAB 39.1, 48.25, -62.68

 

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

CMYK 67 / 0 / 19 / 23

HEX #40C49F

RGB 64 196 159

HSL 163.18, 0.53%, 0.51%

LAB 71.6, -44.47, 8.24

 

CMYK 19 / 67 / 0 / 23

HEX #9F40C4

RGB 159 64 196

HSL 283.18, 0.53%, 0.51%

LAB 45.67, 59.17, -51.74

 

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

CMYK 62 / 0 / 67 / 23

HEX #4BC440

RGB 75 196 64

HSL 115, 0.53%, 0.51%

LAB 70.42, -58.37, 54.21

 

CMYK 67 / 48 / 0 / 23

HEX #4065C4

RGB 64 101 196

HSL 223.18, 0.53%, 0.51%

LAB 44.78, 18.25, -53.64

 

CMYK 6 / 67 / 0 / 23

HEX #B940C4

RGB 185 64 196

HSL 295, 0.53%, 0.51%

LAB 49.46, 64.99, -45.47

 

CMYK 0 / 19 / 68 / 23

HEX #C49F3E

RGB 196 159 62

HSL 43.43, 0.53%, 0.51%

LAB 67.19, 3.31, 53.87

 

CMYK 67 / 0 / 53 / 23

HEX #40C45D

RGB 64 196 93

HSL 133.18, 0.53%, 0.51%

LAB 70.43, -57.25, 41.14

 

CMYK 67 / 48 / 0 / 23

HEX #4065C4

RGB 64 101 196

HSL 223.18, 0.53%, 0.51%

LAB 44.78, 18.25, -53.64

 

CMYK 0 / 67 / 14 / 23

HEX #C440A8

RGB 196 64 168

HSL 312.73, 0.53%, 0.51%

LAB 49.77, 63.12, -28.51

 

Description

Color code: HEX #C49F3E | qconv.com Color code: HEX #C49F3E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 159 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 159 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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