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Color name
HEX #C49D3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49D3C it is the complementary color #3B62C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49D3C shade: #C99D37, #DAAF4A, #EBC15D, #FCD370 and #FFE583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49D3C shade: #C49D3C, #B38B29, #A27916, #916703 and #805500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49D3C shade: #C49D3B, #C4783B, #C4533B and #C43B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49D3C shade: #C49D3B, #C4C23B, #A2C43B, #7CC43B and #57C43B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49D3C shade matches the following richer shades: #C49D3B, #D9A626 and #EEAE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49D3C shade: #C49D3B, #B0944F, #9B8B64, #868279 and #727A8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49D3C shade: #C4523B, #C4763B, #C49B3B, #C4C03B and #A4C43B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49D3C shade: #856A28, #A58331, #C49D3B, #CEAD5A and #D7BD7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49D3C shade: #C49D3C, #48C43B and #643BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49D3C shade: #C49D3C, #3BC49B and #9B3BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49D3C shade: #C49D3C, #48C43B, #3B64C4 and #B73BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49D3C shade: #C49D3C, #3BC456, #3B64C4 and #C43BA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

Complementary color

CMYK 70 / 50 / 0 / 24

HEX #3B62C3

RGB 59 98 195

HSL 222.79, 0.54%, 0.5%

LAB 43.66, 19.04, -54.87

 

CMYK 0 / 22 / 73 / 21

HEX #C99D37

RGB 201 157 55

HSL 41.92, 0.57%, 0.5%

LAB 67.13, 6.21, 56.93

 

CMYK 0 / 20 / 66 / 15

HEX #DAAF4A

RGB 218 175 74

HSL 42.08, 0.66%, 0.57%

LAB 73.58, 4.94, 56.04

 

CMYK 0 / 18 / 60 / 8

HEX #EBC15D

RGB 235 193 93

HSL 42.25, 0.78%, 0.64%

LAB 79.95, 3.85, 54.93

 

CMYK 0 / 16 / 56 / 1

HEX #FCD370

RGB 252 211 112

HSL 42.43, 0.96%, 0.71%

LAB 86.23, 2.92, 53.72

 

CMYK 0 / 10 / 49 / 0

HEX #FFE583

RGB 255 229 131

HSL 47.42, 1%, 0.76%

LAB 91.21, -3.46, 50.71

 

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

CMYK 0 / 22 / 77 / 30

HEX #B38B29

RGB 179 139 41

HSL 42.61, 0.63%, 0.43%

LAB 60.08, 5.66, 54.83

 

CMYK 0 / 25 / 86 / 36

HEX #A27916

RGB 162 121 22

HSL 42.43, 0.76%, 0.36%

LAB 53.4, 7.31, 54.65

 

CMYK 0 / 29 / 98 / 43

HEX #916703

RGB 145 103 3

HSL 42.25, 0.96%, 0.29%

LAB 46.61, 9.28, 53.07

 

CMYK 0 / 34 / 100 / 50

HEX #805500

RGB 128 85 0

HSL 39.84, 1%, 0.25%

LAB 39.73, 11.68, 48.14

 

CMYK 0 / 20 / 70 / 23

HEX #C49D3B

RGB 196 157 59

HSL 42.92, 0.54%, 0.5%

LAB 66.65, 4.22, 54.6

 

CMYK 0 / 39 / 70 / 23

HEX #C4783B

RGB 196 120 59

HSL 26.72, 0.54%, 0.5%

LAB 57.54, 24.45, 44.96

 

CMYK 0 / 58 / 70 / 23

HEX #C4533B

RGB 196 83 59

HSL 10.51, 0.54%, 0.5%

LAB 49.78, 43.7, 36.26

 

CMYK 0 / 70 / 70 / 23

HEX #C43B3B

RGB 196 59 59

HSL 0, 0.54%, 0.5%

LAB 45.88, 54.14, 31.68

 

CMYK 0 / 20 / 70 / 23

HEX #C49D3B

RGB 196 157 59

HSL 42.92, 0.54%, 0.5%

LAB 66.65, 4.22, 54.6

 

CMYK 0 / 1 / 70 / 23

HEX #C4C23B

RGB 196 194 59

HSL 59.12, 0.54%, 0.5%

LAB 76.46, -15.14, 64.45

 

CMYK 17 / 0 / 70 / 23

HEX #A2C43B

RGB 162 196 59

HSL 74.89, 0.54%, 0.5%

LAB 74.49, -30.22, 61.67

 

CMYK 37 / 0 / 70 / 23

HEX #7CC43B

RGB 124 196 59

HSL 91.53, 0.54%, 0.5%

LAB 72.28, -44.53, 58.71

 

CMYK 56 / 0 / 70 / 23

HEX #57C43B

RGB 87 196 59

HSL 107.74, 0.54%, 0.5%

LAB 70.75, -55.88, 56.64

 

CMYK 0 / 20 / 70 / 23

HEX #C49D3B

RGB 196 157 59

HSL 42.92, 0.54%, 0.5%

LAB 66.65, 4.22, 54.6

 

CMYK 0 / 24 / 82 / 15

HEX #D9A626

RGB 217 166 38

HSL 42.91, 0.7%, 0.5%

LAB 70.98, 7.72, 67.17

 

CMYK 0 / 27 / 93 / 7

HEX #EEAE11

RGB 238 174 17

HSL 42.62, 0.87%, 0.5%

LAB 75.13, 12.15, 76.14

 

CMYK 0 / 20 / 70 / 23

HEX #C49D3B

RGB 196 157 59

HSL 42.92, 0.54%, 0.5%

LAB 66.65, 4.22, 54.6

 

CMYK 0 / 16 / 55 / 31

HEX #B0944F

RGB 176 148 79

HSL 42.68, 0.38%, 0.5%

LAB 62.49, 1.77, 39.97

 

CMYK 0 / 10 / 35 / 39

HEX #9B8B64

RGB 155 139 100

HSL 42.55, 0.22%, 0.5%

LAB 58.37, 0.01, 23.08

 

CMYK 0 / 3 / 10 / 47

HEX #868279

RGB 134 130 121

HSL 41.54, 0.05%, 0.5%

LAB 54.46, -0.18, 5.4

 

CMYK 19 / 13 / 0 / 45

HEX #727A8D

RGB 114 122 141

HSL 222.22, 0.11%, 0.5%

LAB 51.17, 1.3, -11.31

 

CMYK 0 / 58 / 70 / 23

HEX #C4523B

RGB 196 82 59

HSL 10.07, 0.54%, 0.5%

LAB 49.6, 44.18, 36.04

 

CMYK 0 / 40 / 70 / 23

HEX #C4763B

RGB 196 118 59

HSL 25.84, 0.54%, 0.5%

LAB 57.08, 25.54, 44.45

 

CMYK 0 / 21 / 70 / 23

HEX #C49B3B

RGB 196 155 59

HSL 42.04, 0.54%, 0.5%

LAB 66.13, 5.31, 54.07

 

CMYK 0 / 2 / 70 / 23

HEX #C4C03B

RGB 196 192 59

HSL 58.25, 0.54%, 0.5%

LAB 75.92, -14.13, 63.92

 

CMYK 16 / 0 / 70 / 23

HEX #A4C43B

RGB 164 196 59

HSL 74.01, 0.54%, 0.5%

LAB 74.63, -29.41, 61.84

 

CMYK 0 / 20 / 70 / 48

HEX #856A28

RGB 133 106 40

HSL 42.58, 0.54%, 0.34%

LAB 46.24, 3.17, 39.8

 

CMYK 0 / 21 / 70 / 35

HEX #A58331

RGB 165 131 49

HSL 42.41, 0.54%, 0.42%

LAB 56.54, 4.18, 47.5

 

CMYK 0 / 20 / 70 / 23

HEX #C49D3B

RGB 196 157 59

HSL 42.92, 0.54%, 0.5%

LAB 66.65, 4.22, 54.6

 

CMYK 0 / 16 / 56 / 19

HEX #CEAD5A

RGB 206 173 90

HSL 42.93, 0.54%, 0.58%

LAB 72.06, 2, 46.53

 

CMYK 0 / 12 / 43 / 16

HEX #D7BD7A

RGB 215 189 122

HSL 43.23, 0.54%, 0.66%

LAB 77.43, 0.2, 37.2

 

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

CMYK 63 / 0 / 70 / 23

HEX #48C43B

RGB 72 196 59

HSL 114.31, 0.54%, 0.5%

LAB 70.3, -59.48, 56.03

 

CMYK 49 / 70 / 0 / 23

HEX #643BC4

RGB 100 59 196

HSL 257.96, 0.54%, 0.5%

LAB 37.52, 49.81, -65.28

 

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

CMYK 70 / 0 / 21 / 23

HEX #3BC49B

RGB 59 196 155

HSL 162.04, 0.54%, 0.5%

LAB 71.4, -46.2, 10.11

 

CMYK 21 / 70 / 0 / 23

HEX #9B3BC4

RGB 155 59 196

HSL 282.04, 0.54%, 0.5%

LAB 44.35, 60.42, -53.89

 

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

CMYK 63 / 0 / 70 / 23

HEX #48C43B

RGB 72 196 59

HSL 114.31, 0.54%, 0.5%

LAB 70.3, -59.48, 56.03

 

CMYK 70 / 49 / 0 / 23

HEX #3B64C4

RGB 59 100 196

HSL 222.04, 0.54%, 0.5%

LAB 44.28, 18.12, -54.46

 

CMYK 7 / 70 / 0 / 23

HEX #B73BC4

RGB 183 59 196

HSL 294.31, 0.54%, 0.5%

LAB 48.49, 66.42, -47.03

 

CMYK 0 / 20 / 69 / 23

HEX #C49D3C

RGB 196 157 60

HSL 42.79, 0.54%, 0.5%

LAB 66.65, 4.28, 54.18

 

CMYK 70 / 0 / 56 / 23

HEX #3BC456

RGB 59 196 86

HSL 131.82, 0.54%, 0.5%

LAB 70.23, -59.11, 44.23

 

CMYK 70 / 49 / 0 / 23

HEX #3B64C4

RGB 59 100 196

HSL 222.04, 0.54%, 0.5%

LAB 44.28, 18.12, -54.46

 

CMYK 0 / 70 / 14 / 23

HEX #C43BA9

RGB 196 59 169

HSL 311.82, 0.54%, 0.5%

LAB 49.16, 65.1, -30.04

 

Description

Color code: HEX #C49D3C | qconv.com Color code: HEX #C49D3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 157 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 157 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 69% 23% C M Y K

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Provide designers and agencies with accurate color values.

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