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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49818 it is the complementary color #3B67E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49818 shade: #C99813, #DAAA26, #EBBC39, #FCCE4C and #FFE05F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49818 shade: #C49818, #B38605, #A27400, #916200 and #805000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49818 shade: #C39718, #C36918, #C33B18 and #C31818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49818 shade: #C39718, #C1C318, #93C318, #65C318 and #36C318

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49818 shade matches the following richer shades: #C39718 and #D5A006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49818 shade: #C39718, #B18F2A, #A0863C, #8E7D4D and #7C755F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49818 shade: #C33A18, #C36818, #C39618, #C3C318 and #96C318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49818 shade: #7A5E0F, #9E7B14, #C39718, #E4B221 and #E8BF46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49818 shade: #C49818, #24C318 and #5118C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49818 shade: #C49818, #18C396 and #9618C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49818 shade: #C49818, #24C318, #1846C3 and #B818C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49818 shade: #C49818, #18C340, #1846C3 and #C3189B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

Complementary color

CMYK 74 / 55 / 0 / 9

HEX #3B67E7

RGB 59 103 231

HSL 224.65, 0.78%, 0.57%

LAB 47.49, 28.96, -69.22

 

CMYK 0 / 24 / 91 / 21

HEX #C99813

RGB 201 152 19

HSL 43.85, 0.83%, 0.43%

LAB 65.69, 7.76, 66.96

 

CMYK 0 / 22 / 83 / 15

HEX #DAAA26

RGB 218 170 38

HSL 44, 0.71%, 0.5%

LAB 72.09, 6.02, 68.16

 

CMYK 0 / 20 / 76 / 8

HEX #EBBC39

RGB 235 188 57

HSL 44.16, 0.82%, 0.57%

LAB 78.42, 4.53, 68.29

 

CMYK 0 / 18 / 70 / 1

HEX #FCCE4C

RGB 252 206 76

HSL 44.32, 0.97%, 0.64%

LAB 84.67, 3.23, 67.8

 

CMYK 0 / 12 / 63 / 0

HEX #FFE05F

RGB 255 224 95

HSL 48.38, 1%, 0.69%

LAB 89.58, -3.63, 65.22

 

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

CMYK 0 / 25 / 97 / 30

HEX #B38605

RGB 179 134 5

HSL 44.48, 0.95%, 0.36%

LAB 58.64, 7.52, 63.02

 

CMYK 0 / 28 / 100 / 36

HEX #A27400

RGB 162 116 0

HSL 42.96, 1%, 0.32%

LAB 52.03, 9.73, 58.41

 

CMYK 0 / 32 / 100 / 43

HEX #916200

RGB 145 98 0

HSL 40.55, 1%, 0.28%

LAB 45.3, 12.12, 52.89

 

CMYK 0 / 38 / 100 / 50

HEX #805000

RGB 128 80 0

HSL 37.5, 1%, 0.25%

LAB 38.42, 14.65, 47.28

 

CMYK 0 / 23 / 88 / 24

HEX #C39718

RGB 195 151 24

HSL 44.56, 0.78%, 0.43%

LAB 64.8, 5.72, 64.9

 

CMYK 0 / 46 / 88 / 24

HEX #C36918

RGB 195 105 24

HSL 28.42, 0.78%, 0.43%

LAB 53.78, 30.8, 56.09

 

CMYK 0 / 70 / 88 / 24

HEX #C33B18

RGB 195 59 24

HSL 12.28, 0.78%, 0.43%

LAB 45.35, 52.6, 49.37

 

CMYK 0 / 88 / 88 / 24

HEX #C31818

RGB 195 24 24

HSL 0, 0.78%, 0.43%

LAB 41.72, 62.76, 46.49

 

CMYK 0 / 23 / 88 / 24

HEX #C39718

RGB 195 151 24

HSL 44.56, 0.78%, 0.43%

LAB 64.8, 5.72, 64.9

 

CMYK 1 / 0 / 88 / 24

HEX #C1C318

RGB 193 195 24

HSL 60.7, 0.78%, 0.43%

LAB 76.33, -18.15, 74.05

 

CMYK 25 / 0 / 88 / 24

HEX #93C318

RGB 147 195 24

HSL 76.84, 0.78%, 0.43%

LAB 73.09, -37.21, 70.06

 

CMYK 48 / 0 / 88 / 24

HEX #65C318

RGB 101 195 24

HSL 92.98, 0.78%, 0.43%

LAB 70.78, -53.48, 67.18

 

CMYK 72 / 0 / 88 / 24

HEX #36C318

RGB 54 195 24

HSL 109.47, 0.78%, 0.43%

LAB 69.38, -64.8, 65.43

 

CMYK 0 / 23 / 88 / 24

HEX #C39718

RGB 195 151 24

HSL 44.56, 0.78%, 0.43%

LAB 64.8, 5.72, 64.9

 

CMYK 0 / 25 / 97 / 16

HEX #D5A006

RGB 213 160 6

HSL 44.64, 0.95%, 0.43%

LAB 68.97, 8.59, 71.91

 

CMYK 0 / 23 / 88 / 24

HEX #C39718

RGB 195 151 24

HSL 44.56, 0.78%, 0.43%

LAB 64.8, 5.72, 64.9

 

CMYK 0 / 19 / 76 / 31

HEX #B18F2A

RGB 177 143 42

HSL 44.89, 0.62%, 0.43%

LAB 60.92, 2.6, 55.17

 

CMYK 0 / 16 / 63 / 37

HEX #A0863C

RGB 160 134 60

HSL 44.4, 0.45%, 0.43%

LAB 56.93, 0.97, 42.62

 

CMYK 0 / 12 / 46 / 44

HEX #8E7D4D

RGB 142 125 77

HSL 44.31, 0.3%, 0.43%

LAB 52.9, -0.44, 28.49

 

CMYK 0 / 6 / 23 / 51

HEX #7C755F

RGB 124 117 95

HSL 45.52, 0.13%, 0.43%

LAB 49.29, -1.18, 13.13

 

CMYK 0 / 70 / 88 / 24

HEX #C33A18

RGB 195 58 24

HSL 11.93, 0.78%, 0.43%

LAB 45.21, 52.99, 49.26

 

CMYK 0 / 47 / 88 / 24

HEX #C36818

RGB 195 104 24

HSL 28.07, 0.78%, 0.43%

LAB 53.57, 31.33, 55.92

 

CMYK 0 / 23 / 88 / 24

HEX #C39618

RGB 195 150 24

HSL 44.21, 0.78%, 0.43%

LAB 64.55, 6.27, 64.69

 

CMYK 0 / 0 / 88 / 24

HEX #C3C318

RGB 195 195 24

HSL 60, 0.78%, 0.43%

LAB 76.5, -17.29, 74.25

 

CMYK 23 / 0 / 88 / 24

HEX #96C318

RGB 150 195 24

HSL 75.79, 0.78%, 0.43%

LAB 73.27, -36.03, 70.28

 

CMYK 0 / 23 / 88 / 52

HEX #7A5E0F

RGB 122 94 15

HSL 44.3, 0.78%, 0.27%

LAB 41.5, 3.8, 44.96

 

CMYK 0 / 22 / 87 / 38

HEX #9E7B14

RGB 158 123 20

HSL 44.78, 0.78%, 0.35%

LAB 53.48, 4.28, 55.09

 

CMYK 0 / 23 / 88 / 24

HEX #C39718

RGB 195 151 24

HSL 44.56, 0.78%, 0.43%

LAB 64.8, 5.72, 64.9

 

CMYK 0 / 22 / 86 / 11

HEX #E4B221

RGB 228 178 33

HSL 44.62, 0.78%, 0.51%

LAB 75.1, 6, 72.45

 

CMYK 0 / 18 / 70 / 9

HEX #E8BF46

RGB 232 191 70

HSL 44.81, 0.78%, 0.59%

LAB 78.96, 2.27, 63.78

 

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

CMYK 82 / 0 / 88 / 24

HEX #24C318

RGB 36 195 24

HSL 115.79, 0.78%, 0.43%

LAB 69.09, -67.37, 65.06

 

CMYK 58 / 88 / 0 / 24

HEX #5118C3

RGB 81 24 195

HSL 260, 0.78%, 0.43%

LAB 30.26, 61.93, -76.71

 

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

CMYK 88 / 0 / 23 / 24

HEX #18C396

RGB 24 195 150

HSL 164.21, 0.78%, 0.43%

LAB 70.47, -50.69, 11.42

 

CMYK 23 / 88 / 0 / 24

HEX #9618C3

RGB 150 24 195

HSL 284.21, 0.78%, 0.43%

LAB 39.71, 70.33, -60.85

 

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

CMYK 82 / 0 / 88 / 24

HEX #24C318

RGB 36 195 24

HSL 115.79, 0.78%, 0.43%

LAB 69.09, -67.37, 65.06

 

CMYK 88 / 64 / 0 / 24

HEX #1846C3

RGB 24 70 195

HSL 223.86, 0.78%, 0.43%

LAB 35.03, 33.74, -68.96

 

CMYK 6 / 88 / 0 / 24

HEX #B818C3

RGB 184 24 195

HSL 296.14, 0.78%, 0.43%

LAB 45.34, 75.84, -51.48

 

CMYK 0 / 22 / 88 / 23

HEX #C49818

RGB 196 152 24

HSL 44.65, 0.78%, 0.43%

LAB 65.17, 5.63, 65.23

 

CMYK 88 / 0 / 67 / 24

HEX #18C340

RGB 24 195 64

HSL 134.04, 0.78%, 0.43%

LAB 69.18, -65.76, 52.61

 

CMYK 88 / 64 / 0 / 24

HEX #1846C3

RGB 24 70 195

HSL 223.86, 0.78%, 0.43%

LAB 35.03, 33.74, -68.96

 

CMYK 0 / 88 / 21 / 24

HEX #C3189B

RGB 195 24 155

HSL 314.04, 0.78%, 0.43%

LAB 45.11, 72.22, -28.04

 

Description

Color code: HEX #C49818 | qconv.com Color code: HEX #C49818 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 152 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 152 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 88 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 88% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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