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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49328 it is the complementary color #3B6CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49328 shade: #C99323, #DAA536, #EBB749, #FCC95C and #FFDB6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49328 shade: #C49328, #B38115, #A26F02, #915D00 and #804B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49328 shade: #C39228, #C36828, #C33F28 and #C32828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49328 shade: #C39228, #C3BC28, #A0C328, #76C328 and #4CC328

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49328 shade matches the following richer shades: #C39228, #D69915 and #E9A002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49328 shade: #C39228, #B08B3B, #9D844E, #8A7D61 and #777674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49328 shade: #C33F28, #C36828, #C39228, #C3BB28 and #A1C328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49328 shade: #7E5F1A, #A07821, #C39228, #D7A73D and #DEB65F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49328 shade: #C49328, #3AC328 and #5428C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49328 shade: #C49328, #28C392 and #9228C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49328 shade: #C49328, #3AC328, #2859C3 and #B128C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49328 shade: #C49328, #28C344, #2859C3 and #C328A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

Complementary color

CMYK 73 / 50 / 0 / 16

HEX #3B6CD7

RGB 59 108 215

HSL 221.15, 0.66%, 0.54%

LAB 47.7, 19.97, -59.82

 

CMYK 0 / 27 / 83 / 21

HEX #C99323

RGB 201 147 35

HSL 40.48, 0.7%, 0.46%

LAB 64.49, 10.85, 61.82

 

CMYK 0 / 24 / 75 / 15

HEX #DAA536

RGB 218 165 54

HSL 40.61, 0.69%, 0.53%

LAB 70.93, 9.25, 61.66

 

CMYK 0 / 22 / 69 / 8

HEX #EBB749

RGB 235 183 73

HSL 40.74, 0.8%, 0.6%

LAB 77.29, 7.88, 60.91

 

CMYK 0 / 20 / 63 / 1

HEX #FCC95C

RGB 252 201 92

HSL 40.88, 0.96%, 0.67%

LAB 83.57, 6.69, 59.88

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB6F

RGB 255 219 111

HSL 45, 1%, 0.72%

LAB 88.48, -0.02, 56.89

 

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

CMYK 0 / 28 / 88 / 30

HEX #B38115

RGB 179 129 21

HSL 41.01, 0.79%, 0.39%

LAB 57.4, 10.56, 58.98

 

CMYK 0 / 31 / 99 / 36

HEX #A26F02

RGB 162 111 2

HSL 40.88, 0.98%, 0.32%

LAB 50.75, 12.6, 57.13

 

CMYK 0 / 36 / 100 / 43

HEX #915D00

RGB 145 93 0

HSL 38.48, 1%, 0.28%

LAB 44.01, 15.02, 52.05

 

CMYK 0 / 41 / 100 / 50

HEX #804B00

RGB 128 75 0

HSL 35.16, 1%, 0.25%

LAB 37.15, 17.6, 46.46

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 47 / 79 / 24

HEX #C36828

RGB 195 104 40

HSL 24.77, 0.66%, 0.46%

LAB 53.66, 31.8, 49.85

 

CMYK 0 / 68 / 79 / 24

HEX #C33F28

RGB 195 63 40

HSL 8.9, 0.66%, 0.46%

LAB 46.06, 51.44, 42.43

 

CMYK 0 / 79 / 79 / 24

HEX #C32828

RGB 195 40 40

HSL 0, 0.66%, 0.46%

LAB 43.17, 59.42, 39.52

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 4 / 79 / 24

HEX #C3BC28

RGB 195 188 40

HSL 57.29, 0.66%, 0.46%

LAB 74.65, -13.33, 68.96

 

CMYK 18 / 0 / 79 / 24

HEX #A0C328

RGB 160 195 40

HSL 73.55, 0.66%, 0.46%

LAB 73.97, -31.49, 67.36

 

CMYK 39 / 0 / 79 / 24

HEX #76C328

RGB 118 195 40

HSL 89.81, 0.66%, 0.46%

LAB 71.58, -47.32, 64.29

 

CMYK 61 / 0 / 79 / 24

HEX #4CC328

RGB 76 195 40

HSL 106.06, 0.66%, 0.46%

LAB 69.98, -59.57, 62.23

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 29 / 90 / 16

HEX #D69915

RGB 214 153 21

HSL 41.04, 0.82%, 0.46%

LAB 67.38, 12.98, 68.47

 

CMYK 0 / 31 / 99 / 9

HEX #E9A002

RGB 233 160 2

HSL 41.04, 0.98%, 0.46%

LAB 71.19, 17.26, 74.99

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 21 / 66 / 31

HEX #B08B3B

RGB 176 139 59

HSL 41.03, 0.5%, 0.46%

LAB 59.9, 5.25, 46.84

 

CMYK 0 / 16 / 50 / 38

HEX #9D844E

RGB 157 132 78

HSL 41.01, 0.34%, 0.46%

LAB 56.31, 2.28, 32.54

 

CMYK 0 / 9 / 30 / 46

HEX #8A7D61

RGB 138 125 97

HSL 40.98, 0.17%, 0.46%

LAB 52.88, 0.38, 17.1

 

CMYK 0 / 1 / 3 / 53

HEX #777674

RGB 119 118 116

HSL 40, 0.01%, 0.46%

LAB 49.67, -0.01, 1.23

 

CMYK 0 / 68 / 79 / 24

HEX #C33F28

RGB 195 63 40

HSL 8.9, 0.66%, 0.46%

LAB 46.06, 51.44, 42.43

 

CMYK 0 / 47 / 79 / 24

HEX #C36828

RGB 195 104 40

HSL 24.77, 0.66%, 0.46%

LAB 53.66, 31.8, 49.85

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 4 / 79 / 24

HEX #C3BB28

RGB 195 187 40

HSL 56.9, 0.66%, 0.46%

LAB 74.38, -12.82, 68.72

 

CMYK 17 / 0 / 79 / 24

HEX #A1C328

RGB 161 195 40

HSL 73.16, 0.66%, 0.46%

LAB 74.04, -31.09, 67.44

 

CMYK 0 / 25 / 79 / 51

HEX #7E5F1A

RGB 126 95 26

HSL 41.4, 0.66%, 0.3%

LAB 42.3, 5.55, 41.85

 

CMYK 0 / 25 / 79 / 37

HEX #A07821

RGB 160 120 33

HSL 41.1, 0.66%, 0.38%

LAB 52.97, 7.32, 50.47

 

CMYK 0 / 25 / 79 / 24

HEX #C39228

RGB 195 146 40

HSL 41.03, 0.66%, 0.46%

LAB 63.6, 8.91, 59.09

 

CMYK 0 / 22 / 72 / 16

HEX #D7A73D

RGB 215 167 61

HSL 41.3, 0.66%, 0.54%

LAB 71.16, 7.21, 58.99

 

CMYK 0 / 18 / 57 / 13

HEX #DEB65F

RGB 222 182 95

HSL 41.1, 0.66%, 0.62%

LAB 75.95, 4.34, 49.05

 

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

CMYK 70 / 0 / 79 / 24

HEX #3AC328

RGB 58 195 40

HSL 113.03, 0.66%, 0.46%

LAB 69.53, -63.33, 61.64

 

CMYK 57 / 79 / 0 / 24

HEX #5428C3

RGB 84 40 195

HSL 257.03, 0.66%, 0.46%

LAB 32.57, 56.34, -72.88

 

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

CMYK 79 / 0 / 25 / 24

HEX #28C392

RGB 40 195 146

HSL 161.03, 0.66%, 0.46%

LAB 70.56, -50.31, 13.74

 

CMYK 25 / 79 / 0 / 24

HEX #9228C3

RGB 146 40 195

HSL 281.03, 0.66%, 0.46%

LAB 40.52, 65.5, -59.56

 

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

CMYK 70 / 0 / 79 / 24

HEX #3AC328

RGB 58 195 40

HSL 113.03, 0.66%, 0.46%

LAB 69.53, -63.33, 61.64

 

CMYK 79 / 54 / 0 / 24

HEX #2859C3

RGB 40 89 195

HSL 221.03, 0.66%, 0.46%

LAB 40.47, 22.52, -60.07

 

CMYK 9 / 79 / 0 / 24

HEX #B128C3

RGB 177 40 195

HSL 293.03, 0.66%, 0.46%

LAB 45.37, 71.09, -51.5

 

CMYK 0 / 25 / 80 / 23

HEX #C49328

RGB 196 147 40

HSL 41.15, 0.66%, 0.46%

LAB 63.96, 8.81, 59.46

 

CMYK 79 / 0 / 65 / 24

HEX #28C344

RGB 40 195 68

HSL 130.84, 0.66%, 0.46%

LAB 69.4, -63.75, 51.24

 

CMYK 79 / 54 / 0 / 24

HEX #2859C3

RGB 40 89 195

HSL 221.03, 0.66%, 0.46%

LAB 40.47, 22.52, -60.07

 

CMYK 0 / 79 / 15 / 24

HEX #C328A6

RGB 195 40 166

HSL 311.23, 0.66%, 0.46%

LAB 46.81, 70.27, -31.97

 

Description

Color code: HEX #C49328 | qconv.com Color code: HEX #C49328 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 147 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 147 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 80 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 80% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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