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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C490EB3F it is the complementary color #3B6F143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C490EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C490EB3F shade: #C990E63F, #DAA2F93F, #EBB4FF3F, #FCC6FF3F and #FFD8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C490EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C490EB3F shade: #C490EB3F, #B37ED83F, #A26CC53F, #915AB23F and #80489F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C490EB3F shade: #C38FEA, #DC8FEA, #EA8FE0, #EA8FC8 and #EA8FAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C490EB3F shade: #C38FEA, #AB8FEA, #928FEA and #8F8FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C490EB3F shade matches the following richer shades: #C38FEA and #C584F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C490EB3F shade: #C38FEA, #C29AE0, #C0A4D5, #BFAFCA and #BDBAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C490EB3F shade: #928FEA, #AA8FEA, #C38FEA, #DB8FEA and #EA8FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C490EB3F shade: #9E49DE, #B16CE4, #C38FEA, #D6B2F1 and #E8D5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C490EB3F shade: #C490EB, #EA8FA4 and #8FEA9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C490EB3F shade: #C490EB, #EAC38F and #8FEAC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C490EB3F shade: #C490EB, #EA8FA4, #B7EA8F and #8FEAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C490EB3F shade: #C490EB, #EA958F, #B7EA8F and #8FE4EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 10 / 0 / 2

HEX #C490EB3F

RGBA 196 144 235 0.25

HSLA 274.29, 0.69%, 0.74%, 0.25

LABA 67.78, 36.29, -38.5, 0.25

 

Complementary color

CMYK 12 / 0 / 20 / 14

HEX #3B6F143F

RGBA 59 111 20 0.25

HSLA 94.29, 0.69%, 0.26%, 0.25

LABA 41.77, -33.45, 41.68, 0.25

 

CMYK 3 / 9 / 0 / 2

HEX #C990E63F

RGBA 201 144 230 0.25

HSLA 279.77, 0.63%, 0.73%, 0.25

LABA 68.08, 36.72, -35.26, 0.25

 

CMYK 3 / 9 / 0 / 1

HEX #DAA2F93F

RGBA 218 162 249 0.25

HSLA 278.62, 0.88%, 0.81%, 0.25

LABA 74.56, 36, -35.44, 0.25

 

CMYK 2 / 7 / 0 / 0

HEX #EBB4FF3F

RGBA 235 180 255 0.25

HSLA 284, 1%, 0.85%, 0.25

LABA 80.47, 32.74, -29.42, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FCC6FF3F

RGBA 252 198 255 0.25

HSLA 296.84, 1%, 0.89%, 0.25

LABA 86.16, 28.56, -20.62, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD8FF3F

RGBA 255 216 255 0.25

HSLA 300, 1%, 0.92%, 0.25

LABA 90.59, 20.08, -13.92, 0.25

 

CMYK 4 / 10 / 0 / 2

HEX #C490EB3F

RGBA 196 144 235 0.25

HSLA 274.29, 0.69%, 0.74%, 0.25

LABA 67.78, 36.29, -38.5, 0.25

 

CMYK 4 / 10 / 0 / 4

HEX #B37ED83F

RGBA 179 126 216 0.25

HSLA 275.33, 0.54%, 0.67%, 0.25

LABA 61.19, 37.07, -38.39, 0.25

 

CMYK 4 / 11 / 0 / 6

HEX #A26CC53F

RGBA 162 108 197 0.25

HSLA 276.4, 0.43%, 0.6%, 0.25

LABA 54.49, 37.89, -38.28, 0.25

 

CMYK 5 / 12 / 0 / 8

HEX #915AB23F

RGBA 145 90 178 0.25

HSLA 277.5, 0.36%, 0.53%, 0.25

LABA 47.68, 38.74, -38.16, 0.25

 

CMYK 5 / 14 / 0 / 9

HEX #80489F3F

RGBA 128 72 159 0.25

HSLA 278.62, 0.38%, 0.45%, 0.25

LABA 40.78, 39.59, -37.98, 0.25

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 6 / 39 / 0 / 8

HEX #DC8FEA

RGB 220 143 234

HSL 290.77, 0.68%, 0.74%

LAB 70.04, 43.75, -34.26

 

CMYK 0 / 39 / 4 / 8

HEX #EA8FE0

RGB 234 143 224

HSL 306.59, 0.68%, 0.74%

LAB 71.23, 46.18, -26.8

 

CMYK 0 / 39 / 15 / 8

HEX #EA8FC8

RGB 234 143 200

HSL 322.42, 0.68%, 0.74%

LAB 70.39, 42.2, -14.8

 

CMYK 0 / 39 / 25 / 8

HEX #EA8FAF

RGB 234 143 175

HSL 338.9, 0.68%, 0.74%

LAB 69.63, 38.49, -2

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 27 / 39 / 0 / 8

HEX #AB8FEA

RGB 171 143 234

HSL 258.46, 0.68%, 0.74%

LAB 65.16, 29.42, -42.24

 

CMYK 38 / 39 / 0 / 8

HEX #928FEA

RGB 146 143 234

HSL 241.98, 0.68%, 0.74%

LAB 63.09, 22.61, -45.62

 

CMYK 39 / 39 / 0 / 8

HEX #8F8FEA

RGB 143 143 234

HSL 240, 0.68%, 0.74%

LAB 62.86, 21.83, -46

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 20 / 46 / 0 / 4

HEX #C584F5

RGB 197 132 245

HSL 274.51, 0.85%, 0.74%

LAB 65.72, 45.25, -47.23

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 13 / 31 / 0 / 12

HEX #C29AE0

RGB 194 154 224

HSL 274.29, 0.53%, 0.74%

LAB 69.44, 27.82, -29.9

 

CMYK 10 / 23 / 0 / 16

HEX #C0A4D5

RGB 192 164 213

HSL 274.29, 0.37%, 0.74%

LAB 71.26, 19.35, -21.09

 

CMYK 5 / 13 / 0 / 21

HEX #BFAFCA

RGB 191 175 202

HSL 275.56, 0.2%, 0.74%

LAB 73.55, 10.75, -11.61

 

CMYK 2 / 3 / 0 / 25

HEX #BDBAC0

RGB 189 186 192

HSL 270, 0.05%, 0.74%

LAB 75.91, 2.17, -2.66

 

CMYK 38 / 39 / 0 / 8

HEX #928FEA

RGB 146 143 234

HSL 241.98, 0.68%, 0.74%

LAB 63.09, 22.61, -45.62

 

CMYK 27 / 39 / 0 / 8

HEX #AA8FEA

RGB 170 143 234

HSL 257.8, 0.68%, 0.74%

LAB 65.07, 29.14, -42.38

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 6 / 39 / 0 / 8

HEX #DB8FEA

RGB 219 143 234

HSL 290.11, 0.68%, 0.74%

LAB 69.93, 43.45, -34.44

 

CMYK 0 / 39 / 4 / 8

HEX #EA8FE1

RGB 234 143 225

HSL 305.93, 0.68%, 0.74%

LAB 71.26, 46.35, -27.29

 

CMYK 29 / 67 / 0 / 13

HEX #9E49DE

RGB 158 73 222

HSL 274.23, 0.69%, 0.58%

LAB 48.65, 60.53, -61.88

 

CMYK 22 / 53 / 0 / 11

HEX #B16CE4

RGB 177 108 228

HSL 274.5, 0.69%, 0.66%

LAB 57.73, 48.93, -50.59

 

CMYK 17 / 39 / 0 / 8

HEX #C38FEA

RGB 195 143 234

HSL 274.29, 0.68%, 0.74%

LAB 67.42, 36.33, -38.53

 

CMYK 11 / 26 / 0 / 5

HEX #D6B2F1

RGB 214 178 241

HSL 274.29, 0.69%, 0.82%

LAB 77.57, 24.47, -26.51

 

CMYK 6 / 14 / 0 / 3

HEX #E8D5F7

RGB 232 213 247

HSL 273.53, 0.68%, 0.9%

LAB 87.71, 12.67, -14.23

 

CMYK 17 / 39 / 0 / 8

HEX #C490EB

RGB 196 144 235

HSL 274.29, 0.69%, 0.74%

LAB 67.78, 36.29, -38.5

 

CMYK 0 / 39 / 30 / 8

HEX #EA8FA4

RGB 234 143 164

HSL 346.15, 0.68%, 0.74%

LAB 69.34, 37.01, 3.72

 

CMYK 39 / 0 / 32 / 8

HEX #8FEA9E

RGB 143 234 158

HSL 129.89, 0.68%, 0.74%

LAB 85.58, -42.68, 28.59

 

CMYK 17 / 39 / 0 / 8

HEX #C490EB

RGB 196 144 235

HSL 274.29, 0.69%, 0.74%

LAB 67.78, 36.29, -38.5

 

CMYK 0 / 17 / 39 / 8

HEX #EAC38F

RGB 234 195 143

HSL 34.29, 0.68%, 0.74%

LAB 81.02, 6.9, 31.32

 

CMYK 39 / 0 / 17 / 8

HEX #8FEAC3

RGB 143 234 195

HSL 154.29, 0.68%, 0.74%

LAB 86.32, -35.79, 10.45

 

CMYK 17 / 39 / 0 / 8

HEX #C490EB

RGB 196 144 235

HSL 274.29, 0.69%, 0.74%

LAB 67.78, 36.29, -38.5

 

CMYK 0 / 39 / 30 / 8

HEX #EA8FA4

RGB 234 143 164

HSL 346.15, 0.68%, 0.74%

LAB 69.34, 37.01, 3.72

 

CMYK 22 / 0 / 39 / 8

HEX #B7EA8F

RGB 183 234 143

HSL 93.63, 0.68%, 0.74%

LAB 87.43, -31.95, 38.98

 

CMYK 39 / 0 / 9 / 8

HEX #8FEAD5

RGB 143 234 213

HSL 166.15, 0.68%, 0.74%

LAB 86.75, -31.95, 1.64

 

CMYK 17 / 39 / 0 / 8

HEX #C490EB

RGB 196 144 235

HSL 274.29, 0.69%, 0.74%

LAB 67.78, 36.29, -38.5

 

CMYK 0 / 36 / 39 / 8

HEX #EA958F

RGB 234 149 143

HSL 3.96, 0.68%, 0.74%

LAB 70.16, 31.29, 16.58

 

CMYK 22 / 0 / 39 / 8

HEX #B7EA8F

RGB 183 234 143

HSL 93.63, 0.68%, 0.74%

LAB 87.43, -31.95, 38.98

 

CMYK 39 / 3 / 0 / 8

HEX #8FE4EA

RGB 143 228 234

HSL 183.96, 0.68%, 0.74%

LAB 85.64, -24.18, -11.05

 

Description

Color code: HEX #C490EB3F | qconv.com Color code: HEX #C490EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 144 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 144 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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