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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48239 it is the complementary color #3B7DC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48239 shade: #C98234, #DA9447, #EBA65A, #FCB86D and #FFCA80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48239 shade: #C48239, #B37026, #A25E13, #914C00 and #803A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48239 shade: #C68339, #C65D39 and #C63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48239 shade: #C68339, #C6A939, #BDC639, #97C639 and #71C639

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48239 shade matches the following richer shades: #C68339, #DA8425 and #EF8510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48239 shade: #C68339, #B1824E, #9C8163, #888077 and #737F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48239 shade: #C6393C, #C65C39, #C68239, #C6A739 and #BFC639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48239 shade: #865927, #A66E30, #C68339, #CF9759 and #D8AB79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48239 shade: #C48239, #61C639 and #4A39C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48239 shade: #C48239, #39C682 and #8239C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48239 shade: #C48239, #61C639, #397DC6 and #9E39C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48239 shade: #C48239, #39C63C, #397DC6 and #C639C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

Complementary color

CMYK 70 / 37 / 0 / 22

HEX #3B7DC6

RGB 59 125 198

HSL 211.51, 0.55%, 0.5%

LAB 51.47, 3.23, -44.11

 

CMYK 0 / 35 / 74 / 21

HEX #C98234

RGB 201 130 52

HSL 31.41, 0.59%, 0.5%

LAB 60.45, 20.77, 51.5

 

CMYK 0 / 32 / 67 / 15

HEX #DA9447

RGB 218 148 71

HSL 31.43, 0.67%, 0.57%

LAB 66.93, 19.22, 50.2

 

CMYK 0 / 29 / 62 / 8

HEX #EBA65A

RGB 235 166 90

HSL 31.45, 0.78%, 0.64%

LAB 73.33, 17.88, 48.78

 

CMYK 0 / 27 / 57 / 1

HEX #FCB86D

RGB 252 184 109

HSL 31.47, 0.96%, 0.71%

LAB 79.66, 16.7, 47.34

 

CMYK 0 / 21 / 50 / 0

HEX #FFCA80

RGB 255 202 128

HSL 34.96, 1%, 0.75%

LAB 84.51, 10.09, 43.9

 

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

CMYK 0 / 37 / 79 / 30

HEX #B37026

RGB 179 112 38

HSL 31.49, 0.65%, 0.43%

LAB 53.29, 20.56, 49.59

 

CMYK 0 / 42 / 88 / 36

HEX #A25E13

RGB 162 94 19

HSL 31.47, 0.79%, 0.35%

LAB 46.62, 22.53, 50.01

 

CMYK 0 / 48 / 100 / 43

HEX #914C00

RGB 145 76 0

HSL 31.45, 1%, 0.28%

LAB 39.9, 24.76, 49.43

 

CMYK 0 / 55 / 100 / 50

HEX #803A00

RGB 128 58 0

HSL 27.19, 1%, 0.25%

LAB 33.17, 27.33, 44.01

 

CMYK 0 / 34 / 71 / 22

HEX #C68339

RGB 198 131 57

HSL 31.49, 0.55%, 0.5%

LAB 60.37, 19.18, 49.02

 

CMYK 0 / 53 / 71 / 22

HEX #C65D39

RGB 198 93 57

HSL 15.32, 0.55%, 0.5%

LAB 51.98, 39.43, 39.92

 

CMYK 0 / 71 / 71 / 22

HEX #C63939

RGB 198 57 57

HSL 0, 0.55%, 0.5%

LAB 45.94, 55.44, 33.02

 

CMYK 0 / 34 / 71 / 22

HEX #C68339

RGB 198 131 57

HSL 31.49, 0.55%, 0.5%

LAB 60.37, 19.18, 49.02

 

CMYK 0 / 15 / 71 / 22

HEX #C6A939

RGB 198 169 57

HSL 47.66, 0.55%, 0.5%

LAB 69.95, -1.43, 58.84

 

CMYK 5 / 0 / 71 / 22

HEX #BDC639

RGB 189 198 57

HSL 63.83, 0.55%, 0.5%

LAB 76.98, -20.19, 65.5

 

CMYK 24 / 0 / 71 / 22

HEX #97C639

RGB 151 198 57

HSL 80, 0.55%, 0.5%

LAB 74.36, -35.6, 62.03

 

CMYK 43 / 0 / 71 / 22

HEX #71C639

RGB 113 198 57

HSL 96.17, 0.55%, 0.5%

LAB 72.36, -49.18, 59.37

 

CMYK 0 / 34 / 71 / 22

HEX #C68339

RGB 198 131 57

HSL 31.49, 0.55%, 0.5%

LAB 60.37, 19.18, 49.02

 

CMYK 0 / 39 / 83 / 15

HEX #DA8425

RGB 218 132 37

HSL 31.49, 0.71%, 0.5%

LAB 62.96, 26.36, 60.62

 

CMYK 0 / 44 / 93 / 6

HEX #EF8510

RGB 239 133 16

HSL 31.48, 0.87%, 0.5%

LAB 65.88, 34.11, 69.76

 

CMYK 0 / 34 / 71 / 22

HEX #C68339

RGB 198 131 57

HSL 31.49, 0.55%, 0.5%

LAB 60.37, 19.18, 49.02

 

CMYK 0 / 27 / 56 / 31

HEX #B1824E

RGB 177 130 78

HSL 31.52, 0.39%, 0.5%

LAB 57.91, 12.1, 34.99

 

CMYK 0 / 17 / 37 / 39

HEX #9C8163

RGB 156 129 99

HSL 31.58, 0.22%, 0.5%

LAB 55.76, 5.92, 20.15

 

CMYK 0 / 6 / 13 / 47

HEX #888077

RGB 136 128 119

HSL 31.76, 0.07%, 0.5%

LAB 54.03, 1.38, 5.96

 

CMYK 18 / 9 / 0 / 45

HEX #737F8C

RGB 115 127 140

HSL 211.2, 0.1%, 0.5%

LAB 52.64, -1.5, -8.52

 

CMYK 0 / 71 / 70 / 22

HEX #C6393C

RGB 198 57 60

HSL 358.72, 0.55%, 0.5%

LAB 45.99, 55.58, 31.31

 

CMYK 0 / 54 / 71 / 22

HEX #C65C39

RGB 198 92 57

HSL 14.89, 0.55%, 0.5%

LAB 51.79, 39.93, 39.7

 

CMYK 0 / 34 / 71 / 22

HEX #C68239

RGB 198 130 57

HSL 31.06, 0.55%, 0.5%

LAB 60.13, 19.73, 48.77

 

CMYK 0 / 16 / 71 / 22

HEX #C6A739

RGB 198 167 57

HSL 46.81, 0.55%, 0.5%

LAB 69.43, -0.37, 58.32

 

CMYK 4 / 0 / 71 / 22

HEX #BFC639

RGB 191 198 57

HSL 62.98, 0.55%, 0.5%

LAB 77.14, -19.35, 65.7

 

CMYK 0 / 34 / 71 / 47

HEX #865927

RGB 134 89 39

HSL 31.58, 0.55%, 0.34%

LAB 41.78, 13.54, 35.56

 

CMYK 0 / 34 / 71 / 35

HEX #A66E30

RGB 166 110 48

HSL 31.53, 0.55%, 0.42%

LAB 51.24, 16.42, 42.42

 

CMYK 0 / 34 / 71 / 22

HEX #C68339

RGB 198 131 57

HSL 31.49, 0.55%, 0.5%

LAB 60.37, 19.18, 49.02

 

CMYK 0 / 27 / 57 / 19

HEX #CF9759

RGB 207 151 89

HSL 31.53, 0.55%, 0.58%

LAB 66.61, 14.19, 40.56

 

CMYK 0 / 21 / 44 / 15

HEX #D8AB79

RGB 216 171 121

HSL 31.58, 0.55%, 0.66%

LAB 72.96, 10.06, 31.98

 

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

CMYK 51 / 0 / 71 / 22

HEX #61C639

RGB 97 198 57

HSL 102.98, 0.55%, 0.5%

LAB 71.71, -54.05, 58.49

 

CMYK 63 / 71 / 0 / 22

HEX #4A39C6

RGB 74 57 198

HSL 247.23, 0.55%, 0.5%

LAB 34.92, 47.55, -70.8

 

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

CMYK 71 / 0 / 34 / 22

HEX #39C682

RGB 57 198 130

HSL 151.06, 0.55%, 0.5%

LAB 71.47, -52.81, 23.58

 

CMYK 34 / 71 / 0 / 22

HEX #8239C6

RGB 130 57 198

HSL 271.06, 0.55%, 0.5%

LAB 40.81, 56.72, -60.93

 

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

CMYK 51 / 0 / 71 / 22

HEX #61C639

RGB 97 198 57

HSL 102.98, 0.55%, 0.5%

LAB 71.71, -54.05, 58.49

 

CMYK 71 / 37 / 0 / 22

HEX #397DC6

RGB 57 125 198

HSL 211.06, 0.55%, 0.5%

LAB 51.4, 2.94, -44.23

 

CMYK 20 / 71 / 0 / 22

HEX #9E39C6

RGB 158 57 198

HSL 282.98, 0.55%, 0.5%

LAB 44.62, 62.26, -54.59

 

CMYK 0 / 34 / 71 / 23

HEX #C48239

RGB 196 130 57

HSL 31.51, 0.55%, 0.5%

LAB 59.89, 18.87, 48.44

 

CMYK 71 / 0 / 70 / 22

HEX #39C63C

RGB 57 198 60

HSL 121.28, 0.55%, 0.5%

LAB 70.58, -63, 55.84

 

CMYK 71 / 37 / 0 / 22

HEX #397DC6

RGB 57 125 198

HSL 211.06, 0.55%, 0.5%

LAB 51.4, 2.94, -44.23

 

CMYK 0 / 71 / 2 / 22

HEX #C639C3

RGB 198 57 195

HSL 301.28, 0.55%, 0.5%

LAB 50.54, 70.22, -43.05

 

Description

Color code: HEX #C48239 | qconv.com Color code: HEX #C48239 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 130 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 130 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 71% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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