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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C481EDCE it is the complementary color #3B7E12CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C481EDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C481EDCE shade: #C981E8CE, #DA93FBCE, #EBA5FFCE, #FCB7FFCE and #FFC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C481EDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C481EDCE shade: #C481EDCE, #B36FDACE, #A25DC7CE, #914BB4CE and #8039A1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C481EDCE shade: #C482ED, #E182ED, #ED82DC, #ED82BF and #ED82A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C481EDCE shade: #C482ED, #A882ED, #8B82ED and #8282ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C481EDCE shade matches the following richer shades: #C482ED and #C776F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C481EDCE shade: #C482ED, #C28EE2, #BF99D6, #BCA5CA and #B9B0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C481EDCE shade: #8B82ED, #A882ED, #C482ED, #E182ED and #ED82DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C481EDCE shade: #A33AE3, #B45EE8, #C482ED, #D5A6F2 and #E6CAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C481EDCE shade: #C481ED, #ED8296 and #82ED99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C481EDCE shade: #C481ED, #EDC482 and #82EDC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C481EDCE shade: #C481ED, #ED8296, #ABED82 and #82EDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C481EDCE shade: #C481ED, #ED8F82, #ABED82 and #82E1ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 37 / 0 / 6

HEX #C481EDCE

RGBA 196 129 237 0.81

HSLA 277.22, 0.75%, 0.72%, 0.81

LABA 64.6, 44.85, -44.59, 0.81

 

Complementary color

CMYK 43 / 0 / 69 / 41

HEX #3B7E12CE

RGBA 59 126 18 0.81

HSLA 97.22, 0.75%, 0.28%, 0.81

LABA 46.84, -39.84, 46.97, 0.81

 

CMYK 11 / 36 / 0 / 7

HEX #C981E8CE

RGBA 201 129 232 0.81

HSLA 281.94, 0.69%, 0.71%, 0.81

LABA 64.92, 45.2, -41.29, 0.81

 

CMYK 11 / 34 / 0 / 1

HEX #DA93FBCE

RGBA 218 147 251 0.81

HSLA 280.96, 0.93%, 0.78%, 0.81

LABA 71.38, 44.43, -41.48, 0.81

 

CMYK 6 / 29 / 0 / 0

HEX #EBA5FFCE

RGBA 235 165 255 0.81

HSLA 286.67, 1%, 0.82%, 0.81

LABA 77.16, 40.7, -34.53, 0.81

 

CMYK 1 / 23 / 0 / 0

HEX #FCB7FFCE

RGBA 252 183 255 0.81

HSLA 297.5, 1%, 0.86%, 0.81

LABA 82.8, 36.45, -25.72, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFC9FFCE

RGBA 255 201 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 87.12, 27.95, -19.13, 0.81

 

CMYK 14 / 37 / 0 / 6

HEX #C481EDCE

RGBA 196 129 237 0.81

HSLA 277.22, 0.75%, 0.72%, 0.81

LABA 64.6, 44.85, -44.59, 0.81

 

CMYK 14 / 40 / 0 / 12

HEX #B36FDACE

RGBA 179 111 218 0.81

HSLA 278.13, 0.59%, 0.65%, 0.81

LABA 58.05, 45.67, -44.45, 0.81

 

CMYK 15 / 43 / 0 / 18

HEX #A25DC7CE

RGBA 162 93 199 0.81

HSLA 279.06, 0.49%, 0.57%, 0.81

LABA 51.42, 46.48, -44.27, 0.81

 

CMYK 16 / 47 / 0 / 24

HEX #914BB4CE

RGBA 145 75 180 0.81

HSLA 280, 0.41%, 0.5%, 0.81

LABA 44.73, 47.24, -44.02, 0.81

 

CMYK 17 / 52 / 0 / 30

HEX #8039A1CE

RGBA 128 57 161 0.81

HSLA 280.96, 0.48%, 0.43%, 0.81

LABA 38, 47.83, -43.61, 0.81

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 5 / 45 / 0 / 7

HEX #E182ED

RGB 225 130 237

HSL 293.27, 0.75%, 0.72%

LAB 68.08, 52.5, -38.9

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DC

RGB 237 130 220

HSL 309.53, 0.75%, 0.72%

LAB 68.85, 53, -28.21

 

CMYK 0 / 45 / 19 / 7

HEX #ED82BF

RGB 237 130 191

HSL 325.79, 0.75%, 0.72%

LAB 67.82, 48.45, -13.61

 

CMYK 0 / 45 / 32 / 7

HEX #ED82A2

RGB 237 130 162

HSL 342.06, 0.75%, 0.72%

LAB 66.96, 44.5, 1.44

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 29 / 45 / 0 / 7

HEX #A882ED

RGB 168 130 237

HSL 261.31, 0.75%, 0.72%

LAB 62, 36.65, -48.88

 

CMYK 41 / 45 / 0 / 7

HEX #8B82ED

RGB 139 130 237

HSL 245.05, 0.75%, 0.72%

LAB 59.5, 29.23, -53.01

 

CMYK 45 / 45 / 0 / 7

HEX #8282ED

RGB 130 130 237

HSL 240, 0.75%, 0.72%

LAB 58.81, 27.08, -54.14

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 20 / 53 / 0 / 2

HEX #C776F9

RGB 199 118 249

HSL 277.1, 0.92%, 0.72%

LAB 63.29, 53.98, -53.26

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 14 / 37 / 0 / 11

HEX #C28EE2

RGB 194 142 226

HSL 277.14, 0.59%, 0.72%

LAB 66.75, 34.87, -35.16

 

CMYK 11 / 29 / 0 / 16

HEX #BF99D6

RGB 191 153 214

HSL 277.38, 0.43%, 0.72%

LAB 68.54, 25.33, -25.79

 

CMYK 7 / 18 / 0 / 21

HEX #BCA5CA

RGB 188 165 202

HSL 277.3, 0.26%, 0.72%

LAB 70.78, 15.23, -15.79

 

CMYK 3 / 8 / 0 / 25

HEX #B9B0BF

RGB 185 176 191

HSL 276, 0.1%, 0.72%

LAB 72.98, 6, -6.48

 

CMYK 41 / 45 / 0 / 7

HEX #8B82ED

RGB 139 130 237

HSL 245.05, 0.75%, 0.72%

LAB 59.5, 29.23, -53.01

 

CMYK 29 / 45 / 0 / 7

HEX #A882ED

RGB 168 130 237

HSL 261.31, 0.75%, 0.72%

LAB 62, 36.65, -48.88

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 5 / 45 / 0 / 7

HEX #E182ED

RGB 225 130 237

HSL 293.27, 0.75%, 0.72%

LAB 68.08, 52.5, -38.9

 

CMYK 0 / 45 / 7 / 7

HEX #ED82DD

RGB 237 130 221

HSL 308.97, 0.75%, 0.72%

LAB 68.89, 53.16, -28.7

 

CMYK 28 / 74 / 0 / 11

HEX #A33AE3

RGB 163 58 227

HSL 277.28, 0.75%, 0.56%

LAB 47.44, 68.79, -66.64

 

CMYK 22 / 59 / 0 / 9

HEX #B45EE8

RGB 180 94 232

HSL 277.39, 0.75%, 0.64%

LAB 55.62, 57.66, -56.17

 

CMYK 17 / 45 / 0 / 7

HEX #C482ED

RGB 196 130 237

HSL 277.01, 0.75%, 0.72%

LAB 64.82, 44.32, -44.25

 

CMYK 12 / 31 / 0 / 5

HEX #D5A6F2

RGB 213 166 242

HSL 277.11, 0.75%, 0.8%

LAB 74.72, 30.88, -31.45

 

CMYK 7 / 18 / 0 / 3

HEX #E6CAF7

RGB 230 202 247

HSL 277.33, 0.74%, 0.88%

LAB 84.88, 17.85, -18.49

 

CMYK 17 / 46 / 0 / 7

HEX #C481ED

RGB 196 129 237

HSL 277.22, 0.75%, 0.72%

LAB 64.6, 44.85, -44.59

 

CMYK 0 / 45 / 37 / 7

HEX #ED8296

RGB 237 130 150

HSL 348.79, 0.75%, 0.72%

LAB 66.65, 43.06, 7.77

 

CMYK 45 / 0 / 35 / 7

HEX #82ED99

RGB 130 237 153

HSL 132.9, 0.75%, 0.72%

LAB 85.81, -48.46, 31.35

 

CMYK 17 / 46 / 0 / 7

HEX #C481ED

RGB 196 129 237

HSL 277.22, 0.75%, 0.72%

LAB 64.6, 44.85, -44.59

 

CMYK 0 / 17 / 45 / 7

HEX #EDC482

RGB 237 196 130

HSL 37.01, 0.75%, 0.72%

LAB 81.34, 6.2, 38.52

 

CMYK 45 / 0 / 17 / 7

HEX #82EDC4

RGB 130 237 196

HSL 157.01, 0.75%, 0.72%

LAB 86.65, -40.31, 10.33

 

CMYK 17 / 46 / 0 / 7

HEX #C481ED

RGB 196 129 237

HSL 277.22, 0.75%, 0.72%

LAB 64.6, 44.85, -44.59

 

CMYK 0 / 45 / 37 / 7

HEX #ED8296

RGB 237 130 150

HSL 348.79, 0.75%, 0.72%

LAB 66.65, 43.06, 7.77

 

CMYK 28 / 0 / 45 / 7

HEX #ABED82

RGB 171 237 130

HSL 97.01, 0.75%, 0.72%

LAB 87.41, -39.13, 45.18

 

CMYK 45 / 0 / 8 / 7

HEX #82EDDA

RGB 130 237 218

HSL 169.35, 0.75%, 0.72%

LAB 87.18, -35.43, -0.42

 

CMYK 17 / 46 / 0 / 7

HEX #C481ED

RGB 196 129 237

HSL 277.22, 0.75%, 0.72%

LAB 64.6, 44.85, -44.59

 

CMYK 0 / 40 / 45 / 7

HEX #ED8F82

RGB 237 143 130

HSL 7.29, 0.75%, 0.72%

LAB 68.94, 34.19, 22.17

 

CMYK 28 / 0 / 45 / 7

HEX #ABED82

RGB 171 237 130

HSL 97.01, 0.75%, 0.72%

LAB 87.41, -39.13, 45.18

 

CMYK 45 / 5 / 0 / 7

HEX #82E1ED

RGB 130 225 237

HSL 186.73, 0.75%, 0.72%

LAB 84.33, -25.07, -14.64

 

Description

Color code: HEX #C481EDCE | qconv.com Color code: HEX #C481EDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 129 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 129 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 37 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 37% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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