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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C481DB it is the complementary color #3B7E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C481DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C481DB shade: #C981D6, #DA93E9, #EBA5FC, #FCB7FF and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C481DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C481DB shade: #C481DB, #B36FC8, #A25DB5, #914BA2 and #80398F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C481DB shade: #C480DB, #DB80DA, #DB80C1, #DB80A9 and #DB8090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C481DB shade: #C480DB, #AB80DB, #9280DB and #8080DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C481DB shade matches the following richer shades: #C480DB, #CA73E8 and #D165F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C481DB shade: #C480DB, #BD8DCE, #B79AC1, #B0A7B3 and #AAB5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C481DB shade: #9280DB, #AA80DB, #C380DB, #DB80DB and #DB80C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C481DB shade: #A63FC9, #B560D2, #C480DB, #D3A0E4 and #E2C0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C481DB shade: #C481DB, #DB8086 and #80DB9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C481DB shade: #C481DB, #DBC380 and #80DBC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C481DB shade: #C481DB, #DB8086, #98DB80 and #80DBD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C481DB shade: #C481DB, #DB9580, #98DB80 and #80C6DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

Complementary color

CMYK 53 / 0 / 71 / 51

HEX #3B7E24

RGB 59 126 36

HSL 104.67, 0.56%, 0.32%

LAB 46.95, -38.61, 40.7

 

CMYK 6 / 40 / 0 / 16

HEX #C981D6

RGB 201 129 214

HSL 290.82, 0.51%, 0.67%

LAB 64.14, 41.58, -32.5

 

CMYK 6 / 37 / 0 / 9

HEX #DA93E9

RGB 218 147 233

HSL 289.53, 0.66%, 0.75%

LAB 70.63, 40.84, -32.8

 

CMYK 7 / 35 / 0 / 1

HEX #EBA5FC

RGB 235 165 252

HSL 288.28, 0.94%, 0.82%

LAB 77.04, 40.12, -33.09

 

CMYK 1 / 28 / 0 / 0

HEX #FCB7FF

RGB 252 183 255

HSL 297.5, 1%, 0.86%

LAB 82.8, 36.45, -25.72

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

CMYK 11 / 45 / 0 / 22

HEX #B36FC8

RGB 179 111 200

HSL 285.84, 0.45%, 0.61%

LAB 57.19, 41.86, -35.61

 

CMYK 10 / 49 / 0 / 29

HEX #A25DB5

RGB 162 93 181

HSL 287.05, 0.37%, 0.54%

LAB 50.51, 42.64, -35.32

 

CMYK 10 / 54 / 0 / 36

HEX #914BA2

RGB 145 75 162

HSL 288.28, 0.37%, 0.46%

LAB 43.74, 43.39, -34.94

 

CMYK 10 / 60 / 0 / 44

HEX #80398F

RGB 128 57 143

HSL 289.53, 0.43%, 0.39%

LAB 36.93, 43.99, -34.42

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 0 / 42 / 0 / 14

HEX #DB80DA

RGB 219 128 218

HSL 300.66, 0.56%, 0.68%

LAB 66.18, 48.28, -31.4

 

CMYK 0 / 42 / 12 / 14

HEX #DB80C1

RGB 219 128 193

HSL 317.14, 0.56%, 0.68%

LAB 65.24, 43.98, -18.86

 

CMYK 0 / 42 / 23 / 14

HEX #DB80A9

RGB 219 128 169

HSL 332.97, 0.56%, 0.68%

LAB 64.45, 40.28, -6.47

 

CMYK 0 / 42 / 34 / 14

HEX #DB8090

RGB 219 128 144

HSL 349.45, 0.56%, 0.68%

LAB 63.76, 36.93, 6.74

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 22 / 42 / 0 / 14

HEX #AB80DB

RGB 171 128 219

HSL 268.35, 0.56%, 0.68%

LAB 60.97, 34.31, -40.48

 

CMYK 33 / 42 / 0 / 14

HEX #9280DB

RGB 146 128 219

HSL 251.87, 0.56%, 0.68%

LAB 58.66, 27.31, -44.26

 

CMYK 42 / 42 / 0 / 14

HEX #8080DB

RGB 128 128 219

HSL 240, 0.56%, 0.68%

LAB 57.21, 22.6, -46.65

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 13 / 50 / 0 / 9

HEX #CA73E8

RGB 202 115 232

HSL 284.62, 0.72%, 0.68%

LAB 62.21, 52.76, -45.55

 

CMYK 15 / 59 / 0 / 4

HEX #D165F6

RGB 209 101 246

HSL 284.69, 0.89%, 0.68%

LAB 61.23, 64.11, -54.8

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 8 / 32 / 0 / 19

HEX #BD8DCE

RGB 189 141 206

HSL 284.31, 0.4%, 0.68%

LAB 65.22, 29.7, -26.47

 

CMYK 5 / 20 / 0 / 24

HEX #B79AC1

RGB 183 154 193

HSL 284.62, 0.24%, 0.68%

LAB 67.3, 17.85, -16.1

 

CMYK 2 / 7 / 0 / 30

HEX #B0A7B3

RGB 176 167 179

HSL 285, 0.07%, 0.68%

LAB 69.56, 5.48, -5.01

 

CMYK 6 / 0 / 8 / 29

HEX #AAB5A6

RGB 170 181 166

HSL 104, 0.09%, 0.68%

LAB 72.46, -6.65, 6.32

 

CMYK 33 / 42 / 0 / 14

HEX #9280DB

RGB 146 128 219

HSL 251.87, 0.56%, 0.68%

LAB 58.66, 27.31, -44.26

 

CMYK 22 / 42 / 0 / 14

HEX #AA80DB

RGB 170 128 219

HSL 267.69, 0.56%, 0.68%

LAB 60.87, 34.02, -40.64

 

CMYK 11 / 42 / 0 / 14

HEX #C380DB

RGB 195 128 219

HSL 284.18, 0.56%, 0.68%

LAB 63.47, 41.32, -36.38

 

CMYK 0 / 42 / 0 / 14

HEX #DB80DB

RGB 219 128 219

HSL 300, 0.56%, 0.68%

LAB 66.22, 48.46, -31.89

 

CMYK 0 / 42 / 11 / 14

HEX #DB80C3

RGB 219 128 195

HSL 315.82, 0.56%, 0.68%

LAB 65.31, 44.31, -19.87

 

CMYK 17 / 69 / 0 / 21

HEX #A63FC9

RGB 166 63 201

HSL 284.78, 0.56%, 0.52%

LAB 46.82, 62.12, -52.74

 

CMYK 14 / 54 / 0 / 18

HEX #B560D2

RGB 181 96 210

HSL 284.74, 0.56%, 0.6%

LAB 54.91, 52.3, -44.88

 

CMYK 11 / 42 / 0 / 14

HEX #C480DB

RGB 196 128 219

HSL 284.84, 0.56%, 0.68%

LAB 63.58, 41.62, -36.2

 

CMYK 7 / 30 / 0 / 11

HEX #D3A0E4

RGB 211 160 228

HSL 285, 0.56%, 0.76%

LAB 72.62, 30.68, -27.06

 

CMYK 5 / 19 / 0 / 7

HEX #E2C0ED

RGB 226 192 237

HSL 285.33, 0.56%, 0.84%

LAB 81.83, 19.97, -17.8

 

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

CMYK 0 / 42 / 39 / 14

HEX #DB8086

RGB 219 128 134

HSL 356.04, 0.56%, 0.68%

LAB 63.52, 35.74, 12.08

 

CMYK 42 / 0 / 28 / 14

HEX #80DB9E

RGB 128 219 158

HSL 139.78, 0.56%, 0.68%

LAB 80.58, -40.35, 21.68

 

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

CMYK 0 / 11 / 42 / 14

HEX #DBC380

RGB 219 195 128

HSL 44.18, 0.56%, 0.68%

LAB 79.41, -0.7, 36.74

 

CMYK 42 / 0 / 11 / 14

HEX #80DBC3

RGB 128 219 195

HSL 164.18, 0.56%, 0.68%

LAB 81.4, -32.78, 3.29

 

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

CMYK 0 / 42 / 39 / 14

HEX #DB8086

RGB 219 128 134

HSL 356.04, 0.56%, 0.68%

LAB 63.52, 35.74, 12.08

 

CMYK 31 / 0 / 42 / 14

HEX #98DB80

RGB 152 219 128

HSL 104.18, 0.56%, 0.68%

LAB 81.23, -37.74, 38.13

 

CMYK 42 / 0 / 3 / 14

HEX #80DBD5

RGB 128 219 213

HSL 176.04, 0.56%, 0.68%

LAB 81.87, -28.59, -5.59

 

CMYK 11 / 41 / 0 / 14

HEX #C481DB

RGB 196 129 219

HSL 284.67, 0.56%, 0.68%

LAB 63.8, 41.08, -35.86

 

CMYK 0 / 32 / 42 / 14

HEX #DB9580

RGB 219 149 128

HSL 13.85, 0.56%, 0.68%

LAB 68.1, 23.85, 21.78

 

CMYK 31 / 0 / 42 / 14

HEX #98DB80

RGB 152 219 128

HSL 104.18, 0.56%, 0.68%

LAB 81.23, -37.74, 38.13

 

CMYK 42 / 10 / 0 / 14

HEX #80C6DB

RGB 128 198 219

HSL 193.85, 0.56%, 0.68%

LAB 76.13, -16.61, -17.38

 

Description

Color code: HEX #C481DB | qconv.com Color code: HEX #C481DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 129 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 129 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 41 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 41% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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