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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C47F41 it is the complementary color #3B80BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C47F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C47F41 shade: #C97F3C, #DA914F, #EBA362, #FCB575 and #FFC788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C47F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C47F41 shade: #C47F41, #B36D2E, #A25B1B, #914908 and #803700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C47F41 shade: #C47F40, #C45B40 and #C44040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C47F41 shade: #C47F40, #C4A240, #C3C440, #9FC440 and #7BC440

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C47F41 shade matches the following richer shades: #C47F40, #D87D2C and #ED7C17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C47F41 shade: #C47F40, #B08054, #9C8168, #88827C and #738391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C47F41 shade: #C44049, #C45A40, #C47E40, #C4A140 and #C4C440

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C47F41 shade: #88562A, #A76A33, #C47F40, #CE945F and #D8A97F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C47F41 shade: #C47F41, #6CC440 and #4940C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C47F41 shade: #C47F41, #40C47E and #7E40C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C47F41 shade: #C47F41, #6CC440, #4086C4 and #9840C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C47F41 shade: #C47F41, #44C440, #4086C4 and #C040C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

Complementary color

CMYK 69 / 33 / 0 / 25

HEX #3B80BE

RGB 59 128 190

HSL 208.4, 0.53%, 0.49%

LAB 51.93, -1.41, -38.8

 

CMYK 0 / 37 / 70 / 21

HEX #C97F3C

RGB 201 127 60

HSL 28.51, 0.57%, 0.51%

LAB 59.82, 22.81, 47.12

 

CMYK 0 / 33 / 64 / 15

HEX #DA914F

RGB 218 145 79

HSL 28.49, 0.65%, 0.58%

LAB 66.31, 21.33, 45.59

 

CMYK 0 / 31 / 58 / 8

HEX #EBA362

RGB 235 163 98

HSL 28.47, 0.77%, 0.65%

LAB 72.72, 20.04, 44.06

 

CMYK 0 / 28 / 54 / 1

HEX #FCB575

RGB 252 181 117

HSL 28.44, 0.96%, 0.72%

LAB 79.06, 18.9, 42.59

 

CMYK 0 / 22 / 47 / 0

HEX #FFC788

RGB 255 199 136

HSL 31.76, 1%, 0.77%

LAB 83.91, 12.38, 39.09

 

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

CMYK 0 / 39 / 74 / 30

HEX #B36D2E

RGB 179 109 46

HSL 28.42, 0.59%, 0.44%

LAB 52.64, 22.57, 45.37

 

CMYK 0 / 44 / 83 / 36

HEX #A25B1B

RGB 162 91 27

HSL 28.44, 0.71%, 0.37%

LAB 45.96, 24.44, 46.52

 

CMYK 0 / 50 / 94 / 43

HEX #914908

RGB 145 73 8

HSL 28.47, 0.9%, 0.3%

LAB 39.25, 26.58, 46.56

 

CMYK 0 / 57 / 100 / 50

HEX #803700

RGB 128 55 0

HSL 25.78, 1%, 0.25%

LAB 32.53, 28.96, 43.61

 

CMYK 0 / 35 / 67 / 23

HEX #C47F40

RGB 196 127 64

HSL 28.64, 0.53%, 0.51%

LAB 59.24, 20.91, 44.35

 

CMYK 0 / 54 / 67 / 23

HEX #C45B40

RGB 196 91 64

HSL 12.27, 0.53%, 0.51%

LAB 51.37, 40.04, 35.33

 

CMYK 0 / 67 / 67 / 23

HEX #C44040

RGB 196 64 64

HSL 0, 0.53%, 0.51%

LAB 46.67, 52.43, 29.7

 

CMYK 0 / 35 / 67 / 23

HEX #C47F40

RGB 196 127 64

HSL 28.64, 0.53%, 0.51%

LAB 59.24, 20.91, 44.35

 

CMYK 0 / 17 / 67 / 23

HEX #C4A240

RGB 196 162 64

HSL 44.55, 0.53%, 0.51%

LAB 67.98, 1.81, 53.83

 

CMYK 1 / 0 / 67 / 23

HEX #C3C440

RGB 195 196 64

HSL 60.45, 0.53%, 0.51%

LAB 76.95, -16.31, 63.04

 

CMYK 19 / 0 / 67 / 23

HEX #9FC440

RGB 159 196 64

HSL 76.82, 0.53%, 0.51%

LAB 74.33, -31.1, 59.53

 

CMYK 37 / 0 / 67 / 23

HEX #7BC440

RGB 123 196 64

HSL 93.18, 0.53%, 0.51%

LAB 72.27, -44.51, 56.74

 

CMYK 0 / 35 / 67 / 23

HEX #C47F40

RGB 196 127 64

HSL 28.64, 0.53%, 0.51%

LAB 59.24, 20.91, 44.35

 

CMYK 0 / 42 / 80 / 15

HEX #D87D2C

RGB 216 125 44

HSL 28.26, 0.69%, 0.51%

LAB 61.18, 29.47, 56.27

 

CMYK 0 / 48 / 90 / 7

HEX #ED7C17

RGB 237 124 23

HSL 28.32, 0.86%, 0.51%

LAB 63.74, 38, 66.58

 

CMYK 0 / 35 / 67 / 23

HEX #C47F40

RGB 196 127 64

HSL 28.64, 0.53%, 0.51%

LAB 59.24, 20.91, 44.35

 

CMYK 0 / 27 / 52 / 31

HEX #B08054

RGB 176 128 84

HSL 28.7, 0.37%, 0.51%

LAB 57.37, 13.32, 31.05

 

CMYK 0 / 17 / 33 / 39

HEX #9C8168

RGB 156 129 104

HSL 28.85, 0.21%, 0.51%

LAB 55.85, 6.57, 17.44

 

CMYK 0 / 4 / 9 / 47

HEX #88827C

RGB 136 130 124

HSL 30, 0.05%, 0.51%

LAB 54.71, 1.13, 4.04

 

CMYK 21 / 10 / 0 / 43

HEX #738391

RGB 115 131 145

HSL 208, 0.12%, 0.51%

LAB 53.94, -2.62, -9.48

 

CMYK 0 / 67 / 63 / 23

HEX #C44049

RGB 196 64 73

HSL 355.91, 0.53%, 0.51%

LAB 46.82, 52.96, 24.51

 

CMYK 0 / 54 / 67 / 23

HEX #C45A40

RGB 196 90 64

HSL 11.82, 0.53%, 0.51%

LAB 51.17, 40.55, 35.1

 

CMYK 0 / 36 / 67 / 23

HEX #C47E40

RGB 196 126 64

HSL 28.18, 0.53%, 0.51%

LAB 59, 21.46, 44.08

 

CMYK 0 / 18 / 67 / 23

HEX #C4A140

RGB 196 161 64

HSL 44.09, 0.53%, 0.51%

LAB 67.72, 2.35, 53.55

 

CMYK 0 / 0 / 67 / 23

HEX #C4C440

RGB 196 196 64

HSL 60, 0.53%, 0.51%

LAB 77.03, -15.89, 63.15

 

CMYK 0 / 37 / 69 / 47

HEX #88562A

RGB 136 86 42

HSL 28.09, 0.53%, 0.35%

LAB 41.31, 16.41, 33.53

 

CMYK 0 / 37 / 69 / 35

HEX #A76A33

RGB 167 106 51

HSL 28.45, 0.53%, 0.43%

LAB 50.41, 19.29, 40.07

 

CMYK 0 / 35 / 67 / 23

HEX #C47F40

RGB 196 127 64

HSL 28.64, 0.53%, 0.51%

LAB 59.24, 20.91, 44.35

 

CMYK 0 / 28 / 54 / 19

HEX #CE945F

RGB 206 148 95

HSL 28.65, 0.53%, 0.59%

LAB 65.85, 15.9, 36.47

 

CMYK 0 / 22 / 41 / 15

HEX #D8A97F

RGB 216 169 127

HSL 28.31, 0.53%, 0.67%

LAB 72.57, 11.77, 28.26

 

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

CMYK 45 / 0 / 67 / 23

HEX #6CC440

RGB 108 196 64

HSL 100, 0.53%, 0.51%

LAB 71.58, -49.43, 55.8

 

CMYK 63 / 67 / 0 / 23

HEX #4940C4

RGB 73 64 196

HSL 244.09, 0.53%, 0.51%

LAB 36.12, 42.8, -67.68

 

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

CMYK 67 / 0 / 36 / 23

HEX #40C47E

RGB 64 196 126

HSL 148.18, 0.53%, 0.51%

LAB 70.92, -51.68, 24.98

 

CMYK 36 / 67 / 0 / 23

HEX #7E40C4

RGB 126 64 196

HSL 268.18, 0.53%, 0.51%

LAB 41.36, 52.15, -58.91

 

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

CMYK 45 / 0 / 67 / 23

HEX #6CC440

RGB 108 196 64

HSL 100, 0.53%, 0.51%

LAB 71.58, -49.43, 55.8

 

CMYK 67 / 32 / 0 / 23

HEX #4086C4

RGB 64 134 196

HSL 208.18, 0.53%, 0.51%

LAB 54.16, -2.06, -38.71

 

CMYK 22 / 67 / 0 / 23

HEX #9840C4

RGB 152 64 196

HSL 280, 0.53%, 0.51%

LAB 44.7, 57.64, -53.35

 

CMYK 0 / 35 / 67 / 23

HEX #C47F41

RGB 196 127 65

HSL 28.4, 0.53%, 0.51%

LAB 59.25, 20.97, 43.86

 

CMYK 65 / 0 / 67 / 23

HEX #44C440

RGB 68 196 64

HSL 118.18, 0.53%, 0.51%

LAB 70.23, -59.89, 53.96

 

CMYK 67 / 32 / 0 / 23

HEX #4086C4

RGB 64 134 196

HSL 208.18, 0.53%, 0.51%

LAB 54.16, -2.06, -38.71

 

CMYK 2 / 67 / 0 / 23

HEX #C040C4

RGB 192 64 196

HSL 298.18, 0.53%, 0.51%

LAB 50.52, 66.58, -43.71

 

Description

Color code: HEX #C47F41 | qconv.com Color code: HEX #C47F41 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 127 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 127 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 67 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 67% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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