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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C47C09 it is the complementary color #3B83F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C47C09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C47C09 shade: #C97C04, #DA8E17, #EBA02A, #FCB23D and #FFC450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C47C09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C47C09 shade: #C47C09, #B36A00, #A25800, #914600 and #803400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C47C09 shade: #C37B09, #C34909, #C31709 and #C30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C47C09 shade: #C37B09, #C3AD09, #A6C309, #74C309 and #42C309

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C47C09 shade matches the following richer shades: #C37B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C47C09 shade: #C37B09, #B2781A, #A2742A, #91703B and #816C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C47C09 shade: #C31609, #C34709, #C37909, #C3AA09 and #AAC309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C47C09 shade: #744905, #9B6207, #C37B09, #EA940B and #F5A72A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C47C09 shade: #C47C09, #2EC309 and #2E09C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C47C09 shade: #C47C09, #09C379 and #7909C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C47C09 shade: #C47C09, #2EC309, #0953C3 and #9E09C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C47C09 shade: #C47C09, #09C31C, #0953C3 and #C309B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

Complementary color

CMYK 76 / 47 / 0 / 4

HEX #3B83F6

RGB 59 131 246

HSL 216.9, 0.91%, 0.6%

LAB 55.9, 16.94, -63.99

 

CMYK 0 / 38 / 98 / 21

HEX #C97C04

RGB 201 124 4

HSL 36.55, 0.96%, 0.4%

LAB 58.83, 22.81, 64.55

 

CMYK 0 / 35 / 89 / 15

HEX #DA8E17

RGB 218 142 23

HSL 36.62, 0.81%, 0.47%

LAB 65.21, 20.68, 66.57

 

CMYK 0 / 32 / 82 / 8

HEX #EBA02A

RGB 235 160 42

HSL 36.68, 0.83%, 0.54%

LAB 71.54, 18.78, 67.18

 

CMYK 0 / 29 / 76 / 1

HEX #FCB23D

RGB 252 178 61

HSL 36.75, 0.97%, 0.61%

LAB 77.8, 17.11, 66.86

 

CMYK 0 / 23 / 69 / 0

HEX #FFC450

RGB 255 196 80

HSL 39.77, 1%, 0.66%

LAB 82.55, 9.84, 64.08

 

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

CMYK 0 / 41 / 100 / 30

HEX #B36A00

RGB 179 106 0

HSL 35.53, 1%, 0.35%

LAB 51.71, 23.03, 59.25

 

CMYK 0 / 46 / 100 / 36

HEX #A25800

RGB 162 88 0

HSL 32.59, 1%, 0.32%

LAB 45.17, 25.54, 53.94

 

CMYK 0 / 52 / 100 / 43

HEX #914600

RGB 145 70 0

HSL 28.97, 1%, 0.28%

LAB 38.55, 28.09, 48.62

 

CMYK 0 / 59 / 100 / 50

HEX #803400

RGB 128 52 0

HSL 24.38, 1%, 0.25%

LAB 31.91, 30.56, 43.2

 

CMYK 0 / 37 / 95 / 24

HEX #C37B09

RGB 195 123 9

HSL 36.77, 0.91%, 0.4%

LAB 57.84, 20.8, 62.67

 

CMYK 0 / 63 / 95 / 24

HEX #C34909

RGB 195 73 9

HSL 20.65, 0.91%, 0.4%

LAB 47.48, 46.48, 55.75

 

CMYK 0 / 88 / 95 / 24

HEX #C31709

RGB 195 23 9

HSL 4.52, 0.91%, 0.4%

LAB 41.59, 62.73, 52.27

 

CMYK 0 / 95 / 95 / 24

HEX #C30909

RGB 195 9 9

HSL 0, 0.91%, 0.4%

LAB 40.92, 64.64, 51.91

 

CMYK 0 / 37 / 95 / 24

HEX #C37B09

RGB 195 123 9

HSL 36.77, 0.91%, 0.4%

LAB 57.84, 20.8, 62.67

 

CMYK 0 / 11 / 95 / 24

HEX #C3AD09

RGB 195 173 9

HSL 52.9, 0.91%, 0.4%

LAB 70.53, -6.26, 71.86

 

CMYK 15 / 0 / 95 / 24

HEX #A6C309

RGB 166 195 9

HSL 69.35, 0.91%, 0.4%

LAB 74.29, -29.81, 73.69

 

CMYK 41 / 0 / 95 / 24

HEX #74C309

RGB 116 195 9

HSL 85.48, 0.91%, 0.4%

LAB 71.39, -48.96, 70.17

 

CMYK 66 / 0 / 95 / 24

HEX #42C309

RGB 66 195 9

HSL 101.61, 0.91%, 0.4%

LAB 69.62, -62.93, 68

 

CMYK 0 / 37 / 95 / 24

HEX #C37B09

RGB 195 123 9

HSL 36.77, 0.91%, 0.4%

LAB 57.84, 20.8, 62.67

 

CMYK 0 / 37 / 95 / 24

HEX #C37B09

RGB 195 123 9

HSL 36.77, 0.91%, 0.4%

LAB 57.84, 20.8, 62.67

 

CMYK 0 / 33 / 85 / 30

HEX #B2781A

RGB 178 120 26

HSL 37.11, 0.75%, 0.4%

LAB 55.04, 15.25, 55.56

 

CMYK 0 / 28 / 74 / 36

HEX #A2742A

RGB 162 116 42

HSL 37, 0.59%, 0.4%

LAB 52.22, 10.91, 46.1

 

CMYK 0 / 23 / 59 / 43

HEX #91703B

RGB 145 112 59

HSL 36.98, 0.42%, 0.4%

LAB 49.4, 6.6, 34.06

 

CMYK 0 / 16 / 42 / 49

HEX #816C4B

RGB 129 108 75

HSL 36.67, 0.26%, 0.4%

LAB 46.84, 3.38, 21.56

 

CMYK 0 / 89 / 95 / 24

HEX #C31609

RGB 195 22 9

HSL 4.19, 0.91%, 0.4%

LAB 41.53, 62.91, 52.23

 

CMYK 0 / 64 / 95 / 24

HEX #C34709

RGB 195 71 9

HSL 20, 0.91%, 0.4%

LAB 47.14, 47.37, 55.54

 

CMYK 0 / 38 / 95 / 24

HEX #C37909

RGB 195 121 9

HSL 36.13, 0.91%, 0.4%

LAB 57.36, 21.9, 62.34

 

CMYK 0 / 13 / 95 / 24

HEX #C3AA09

RGB 195 170 9

HSL 51.94, 0.91%, 0.4%

LAB 69.73, -4.69, 71.27

 

CMYK 13 / 0 / 95 / 24

HEX #AAC309

RGB 170 195 9

HSL 68.06, 0.91%, 0.4%

LAB 74.57, -28.15, 74.02

 

CMYK 0 / 37 / 96 / 55

HEX #744905

RGB 116 73 5

HSL 36.76, 0.92%, 0.24%

LAB 34.98, 13.21, 42.48

 

CMYK 0 / 37 / 95 / 39

HEX #9B6207

RGB 155 98 7

HSL 36.89, 0.91%, 0.32%

LAB 46.6, 16.88, 52.73

 

CMYK 0 / 37 / 95 / 24

HEX #C37B09

RGB 195 123 9

HSL 36.77, 0.91%, 0.4%

LAB 57.84, 20.8, 62.67

 

CMYK 0 / 37 / 95 / 8

HEX #EA940B

RGB 234 148 11

HSL 36.86, 0.91%, 0.48%

LAB 68.53, 24.13, 72.1

 

CMYK 0 / 32 / 83 / 4

HEX #F5A72A

RGB 245 167 42

HSL 36.95, 0.91%, 0.56%

LAB 74.33, 19.31, 70.03

 

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

CMYK 76 / 0 / 95 / 24

HEX #2EC309

RGB 46 195 9

HSL 108.06, 0.91%, 0.4%

LAB 69.21, -66.48, 67.49

 

CMYK 76 / 95 / 0 / 24

HEX #2E09C3

RGB 46 9 195

HSL 251.94, 0.91%, 0.4%

LAB 25.91, 63.56, -84.03

 

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

CMYK 95 / 0 / 38 / 24

HEX #09C379

RGB 9 195 121

HSL 156.13, 0.91%, 0.4%

LAB 69.8, -57.9, 25.98

 

CMYK 38 / 95 / 0 / 24

HEX #7909C3

RGB 121 9 195

HSL 276.13, 0.91%, 0.4%

LAB 34.4, 69.01, -69.71

 

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

CMYK 76 / 0 / 95 / 24

HEX #2EC309

RGB 46 195 9

HSL 108.06, 0.91%, 0.4%

LAB 69.21, -66.48, 67.49

 

CMYK 95 / 57 / 0 / 24

HEX #0953C3

RGB 9 83 195

HSL 216.13, 0.91%, 0.4%

LAB 38.17, 24.49, -63.84

 

CMYK 19 / 95 / 0 / 24

HEX #9E09C3

RGB 158 9 195

HSL 288.06, 0.91%, 0.4%

LAB 40.25, 73.77, -59.9

 

CMYK 0 / 37 / 95 / 23

HEX #C47C09

RGB 196 124 9

HSL 36.9, 0.91%, 0.4%

LAB 58.2, 20.69, 62.99

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 95 / 57 / 0 / 24

HEX #0953C3

RGB 9 83 195

HSL 216.13, 0.91%, 0.4%

LAB 38.17, 24.49, -63.84

 

CMYK 0 / 95 / 10 / 24

HEX #C309B0

RGB 195 9 176

HSL 306.13, 0.91%, 0.4%

LAB 45.54, 76.83, -39.89

 

Description

Color code: HEX #C47C09 | qconv.com Color code: HEX #C47C09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 124 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 124 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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