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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C478CE3F it is the complementary color #3B87313F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C478CE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C478CE3F shade: #C978C93F, #DA8ADC3F, #EB9CEF3F, #FCAEFF3F and #FFC0FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C478CE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C478CE3F shade: #C478CE3F, #B366BB3F, #A254A83F, #9142953F and #8030823F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C478CE3F shade: #C478CE, #CE78C1, #CE78AA, #CE7893 and #CE787B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C478CE3F shade: #C478CE, #AD78CE, #9678CE, #7E78CE and #7878CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C478CE3F shade matches the following richer shades: #C478CE, #D069DD, #DB5AEC and #E64BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C478CE3F shade: #C478CE, #B987BF, #AE96B1, #A2A5A2 and #97B393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C478CE3F shade: #9678CE, #AD78CE, #C478CE, #CE78C1 and #CE78AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C478CE3F shade: #A641B3, #B75AC3, #C478CE, #D196D9 and #DFB5E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C478CE3F shade: #C478CE, #CE7F78 and #78CEA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C478CE3F shade: #C478CE, #CEC478 and #78CEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C478CE3F shade: #C478CE, #CE7F78, #82CE78 and #78C7CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C478CE3F shade: #C478CE, #CE9978, #82CE78 and #78ADCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 10 / 0 / 5

HEX #C478CE3F

RGBA 196 120 206 0.25

HSLA 293.02, 0.47%, 0.64%, 0.25

LABA 61.33, 43.31, -32.42, 0.25

 

Complementary color

CMYK 14 / 0 / 16 / 12

HEX #3B87313F

RGBA 59 135 49 0.25

HSLA 113.02, 0.47%, 0.36%, 0.25

LABA 50.07, -40.97, 38.27, 0.25

 

CMYK 0 / 10 / 0 / 5

HEX #C978C93F

RGBA 201 120 201 0.25

HSLA 300, 0.43%, 0.63%, 0.25

LABA 61.71, 43.89, -28.96, 0.25

 

CMYK 0 / 9 / 0 / 3

HEX #DA8ADC3F

RGBA 218 138 220 0.25

HSLA 298.54, 0.54%, 0.7%, 0.25

LABA 68.2, 43.14, -29.39, 0.25

 

CMYK 0 / 9 / 0 / 2

HEX #EB9CEF3F

RGBA 235 156 239 0.25

HSLA 297.11, 0.72%, 0.77%, 0.25

LABA 74.62, 42.41, -29.78, 0.25

 

CMYK 0 / 8 / 0 / 0

HEX #FCAEFF3F

RGBA 252 174 255 0.25

HSLA 297.78, 1%, 0.84%, 0.25

LABA 80.84, 41.16, -28.71, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FF3F

RGBA 255 192 255 0.25

HSLA 300, 1%, 0.88%, 0.25

LABA 85.09, 32.67, -22.21, 0.25

 

CMYK 1 / 10 / 0 / 5

HEX #C478CE3F

RGBA 196 120 206 0.25

HSLA 293.02, 0.47%, 0.64%, 0.25

LABA 61.33, 43.31, -32.42, 0.25

 

CMYK 1 / 11 / 0 / 7

HEX #B366BB3F

RGBA 179 102 187 0.25

HSLA 294.35, 0.38%, 0.57%, 0.25

LABA 54.74, 44.07, -32.02, 0.25

 

CMYK 1 / 13 / 0 / 9

HEX #A254A83F

RGBA 162 84 168 0.25

HSLA 295.71, 0.33%, 0.49%, 0.25

LABA 48.07, 44.79, -31.54, 0.25

 

CMYK 1 / 14 / 0 / 10

HEX #9142953F

RGBA 145 66 149 0.25

HSLA 297.11, 0.39%, 0.42%, 0.25

LABA 41.35, 45.4, -30.91, 0.25

 

CMYK 0 / 16 / 0 / 12

HEX #8030823F

RGBA 128 48 130 0.25

HSLA 298.54, 0.46%, 0.35%, 0.25

LABA 34.63, 45.75, -30.04, 0.25

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 42 / 6 / 19

HEX #CE78C1

RGB 206 120 193

HSL 309.07, 0.47%, 0.64%

LAB 62, 44, -23.94

 

CMYK 0 / 42 / 17 / 19

HEX #CE78AA

RGB 206 120 170

HSL 325.12, 0.47%, 0.64%

LAB 61.18, 40.21, -12.09

 

CMYK 0 / 42 / 29 / 19

HEX #CE7893

RGB 206 120 147

HSL 341.16, 0.47%, 0.64%

LAB 60.48, 36.85, 0.06

 

CMYK 0 / 42 / 40 / 19

HEX #CE787B

RGB 206 120 123

HSL 357.91, 0.47%, 0.64%

LAB 59.88, 33.86, 13.01

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 16 / 42 / 0 / 19

HEX #AD78CE

RGB 173 120 206

HSL 276.98, 0.47%, 0.64%

LAB 58.76, 36.43, -36.61

 

CMYK 27 / 42 / 0 / 19

HEX #9678CE

RGB 150 120 206

HSL 260.93, 0.47%, 0.64%

LAB 56.46, 29.74, -40.39

 

CMYK 39 / 42 / 0 / 19

HEX #7E78CE

RGB 126 120 206

HSL 244.19, 0.47%, 0.64%

LAB 54.37, 23.16, -43.82

 

CMYK 42 / 42 / 0 / 19

HEX #7878CE

RGB 120 120 206

HSL 240, 0.47%, 0.64%

LAB 53.9, 21.61, -44.59

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 6 / 52 / 0 / 13

HEX #D069DD

RGB 208 105 221

HSL 293.28, 0.63%, 0.64%

LAB 60.55, 57.19, -41.97

 

CMYK 7 / 62 / 0 / 7

HEX #DB5AEC

RGB 219 90 236

HSL 293.01, 0.79%, 0.64%

LAB 60.27, 69.43, -50.69

 

CMYK 8 / 70 / 0 / 2

HEX #E64BFB

RGB 230 75 251

HSL 292.84, 0.96%, 0.64%

LAB 60.62, 80.14, -58.37

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 3 / 29 / 0 / 25

HEX #B987BF

RGB 185 135 191

HSL 293.57, 0.3%, 0.64%

LAB 62.85, 28.73, -21.72

 

CMYK 2 / 15 / 0 / 31

HEX #AE96B1

RGB 174 150 177

HSL 293.33, 0.15%, 0.64%

LAB 64.95, 13.83, -10.76

 

CMYK 2 / 0 / 2 / 35

HEX #A2A5A2

RGB 162 165 162

HSL 120, 0.02%, 0.64%

LAB 67.43, -1.64, 1.17

 

CMYK 16 / 0 / 18 / 30

HEX #97B393

RGB 151 179 147

HSL 112.5, 0.17%, 0.64%

LAB 70.12, -15.77, 13.2

 

CMYK 27 / 42 / 0 / 19

HEX #9678CE

RGB 150 120 206

HSL 260.93, 0.47%, 0.64%

LAB 56.46, 29.74, -40.39

 

CMYK 16 / 42 / 0 / 19

HEX #AD78CE

RGB 173 120 206

HSL 276.98, 0.47%, 0.64%

LAB 58.76, 36.43, -36.61

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 42 / 6 / 19

HEX #CE78C1

RGB 206 120 193

HSL 309.07, 0.47%, 0.64%

LAB 62, 44, -23.94

 

CMYK 0 / 42 / 17 / 19

HEX #CE78AA

RGB 206 120 170

HSL 325.12, 0.47%, 0.64%

LAB 61.18, 40.21, -12.09

 

CMYK 7 / 64 / 0 / 30

HEX #A641B3

RGB 166 65 179

HSL 293.16, 0.47%, 0.48%

LAB 45.83, 57.04, -41.5

 

CMYK 6 / 54 / 0 / 24

HEX #B75AC3

RGB 183 90 195

HSL 293.14, 0.47%, 0.56%

LAB 53.3, 52.85, -38.83

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 4 / 31 / 0 / 15

HEX #D196D9

RGB 209 150 217

HSL 292.84, 0.47%, 0.72%

LAB 69.74, 33.33, -25.46

 

CMYK 2 / 21 / 0 / 11

HEX #DFB5E4

RGB 223 181 228

HSL 293.62, 0.47%, 0.8%

LAB 78.66, 23.18, -17.77

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 38 / 42 / 19

HEX #CE7F78

RGB 206 127 120

HSL 4.88, 0.47%, 0.64%

LAB 61.36, 29.77, 16.78

 

CMYK 42 / 0 / 21 / 19

HEX #78CEA2

RGB 120 206 162

HSL 149.3, 0.47%, 0.64%

LAB 76.52, -35.92, 13.86

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 5 / 42 / 19

HEX #CEC478

RGB 206 196 120

HSL 53.02, 0.47%, 0.64%

LAB 78.44, -7.28, 39.34

 

CMYK 42 / 0 / 5 / 19

HEX #78CEC4

RGB 120 206 196

HSL 173.02, 0.47%, 0.64%

LAB 77.35, -28.38, -3.19

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 38 / 42 / 19

HEX #CE7F78

RGB 206 127 120

HSL 4.88, 0.47%, 0.64%

LAB 61.36, 29.77, 16.78

 

CMYK 37 / 0 / 42 / 19

HEX #82CE78

RGB 130 206 120

HSL 113.02, 0.47%, 0.64%

LAB 76.22, -40.25, 35.49

 

CMYK 42 / 3 / 0 / 19

HEX #78C7CE

RGB 120 199 206

HSL 184.88, 0.47%, 0.64%

LAB 75.64, -22.45, -11.13

 

CMYK 5 / 42 / 0 / 19

HEX #C478CE

RGB 196 120 206

HSL 293.02, 0.47%, 0.64%

LAB 61.33, 43.31, -32.42

 

CMYK 0 / 26 / 42 / 19

HEX #CE9978

RGB 206 153 120

HSL 23.02, 0.47%, 0.64%

LAB 67.47, 15.63, 25.08

 

CMYK 37 / 0 / 42 / 19

HEX #82CE78

RGB 130 206 120

HSL 113.02, 0.47%, 0.64%

LAB 76.22, -40.25, 35.49

 

CMYK 42 / 16 / 0 / 19

HEX #78ADCE

RGB 120 173 206

HSL 203.02, 0.47%, 0.64%

LAB 68.27, -8.88, -22.25

 

Description

Color code: HEX #C478CE3F | qconv.com Color code: HEX #C478CE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 120 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 120 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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