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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C473EA it is the complementary color #3B8C15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C473EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C473EA shade: #C973E5, #DA85F8, #EB97FF, #FCA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C473EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C473EA shade: #C473EA, #B361D7, #A24FC4, #913DB1 and #802B9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C473EA shade: #C371EA, #E471EA, #EA71CF, #EA71AF and #EA718E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C473EA shade: #C371EA, #A371EA, #8271EA and #7171EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C473EA shade matches the following richer shades: #C371EA and #C864F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C473EA shade: #C371EA, #BE7EDD, #BA8BCF, #B599C2 and #B0A6B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C473EA shade: #8171EA, #A171EA, #C271EA, #E271EA and #EA71D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C473EA shade: #A529DF, #B44DE4, #C371EA, #D295EF and #E1B9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C473EA shade: #C473EA, #EA7181 and #71EA91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C473EA shade: #C473EA, #EAC271 and #71EAC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C473EA shade: #C473EA, #EA7181, #99EA71 and #71EADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C473EA shade: #C473EA, #EA8571, #99EA71 and #71D6EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

Complementary color

CMYK 58 / 0 / 85 / 45

HEX #3B8C15

RGB 59 140 21

HSL 100.84, 0.74%, 0.32%

LAB 51.54, -45.15, 50.39

 

CMYK 12 / 50 / 0 / 10

HEX #C973E5

RGB 201 115 229

HSL 285.26, 0.69%, 0.67%

LAB 61.94, 51.88, -44.3

 

CMYK 12 / 46 / 0 / 3

HEX #DA85F8

RGB 218 133 248

HSL 284.35, 0.89%, 0.75%

LAB 68.36, 51.13, -44.57

 

CMYK 8 / 41 / 0 / 0

HEX #EB97FF

RGB 235 151 255

HSL 288.46, 1%, 0.8%

LAB 74.2, 48.03, -39.11

 

CMYK 1 / 34 / 0 / 0

HEX #FCA9FF

RGB 252 169 255

HSL 297.91, 1%, 0.83%

LAB 79.78, 43.76, -30.34

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

CMYK 17 / 55 / 0 / 16

HEX #B361D7

RGB 179 97 215

HSL 281.69, 0.6%, 0.61%

LAB 55.11, 52.31, -47.41

 

CMYK 17 / 60 / 0 / 23

HEX #A24FC4

RGB 162 79 196

HSL 282.56, 0.5%, 0.54%

LAB 48.58, 52.96, -47.05

 

CMYK 18 / 66 / 0 / 31

HEX #913DB1

RGB 145 61 177

HSL 283.45, 0.49%, 0.47%

LAB 42.05, 53.41, -46.53

 

CMYK 19 / 73 / 0 / 38

HEX #802B9E

RGB 128 43 158

HSL 284.35, 0.57%, 0.39%

LAB 35.57, 53.44, -45.71

 

CMYK 17 / 52 / 0 / 8

HEX #C371EA

RGB 195 113 234

HSL 280.66, 0.74%, 0.68%

LAB 61.09, 52.32, -48.47

 

CMYK 3 / 52 / 0 / 8

HEX #E471EA

RGB 228 113 234

HSL 297.02, 0.74%, 0.68%

LAB 65.16, 61.09, -41.79

 

CMYK 0 / 52 / 12 / 8

HEX #EA71CF

RGB 234 113 207

HSL 313.39, 0.74%, 0.68%

LAB 64.81, 58.25, -27.21

 

CMYK 0 / 52 / 25 / 8

HEX #EA71AF

RGB 234 113 175

HSL 329.26, 0.74%, 0.68%

LAB 63.67, 53.59, -10.84

 

CMYK 0 / 52 / 39 / 8

HEX #EA718E

RGB 234 113 142

HSL 345.62, 0.74%, 0.68%

LAB 62.72, 49.56, 6.66

 

CMYK 17 / 52 / 0 / 8

HEX #C371EA

RGB 195 113 234

HSL 280.66, 0.74%, 0.68%

LAB 61.09, 52.32, -48.47

 

CMYK 30 / 52 / 0 / 8

HEX #A371EA

RGB 163 113 234

HSL 264.79, 0.74%, 0.68%

LAB 57.6, 44.08, -54.24

 

CMYK 44 / 52 / 0 / 8

HEX #8271EA

RGB 130 113 234

HSL 248.43, 0.74%, 0.68%

LAB 54.55, 36.2, -59.29

 

CMYK 52 / 52 / 0 / 8

HEX #7171EA

RGB 113 113 234

HSL 240, 0.74%, 0.68%

LAB 53.23, 32.54, -61.47

 

CMYK 17 / 52 / 0 / 8

HEX #C371EA

RGB 195 113 234

HSL 280.66, 0.74%, 0.68%

LAB 61.09, 52.32, -48.47

 

CMYK 19 / 60 / 0 / 3

HEX #C864F7

RGB 200 100 247

HSL 280.82, 0.9%, 0.68%

LAB 59.99, 62.64, -57.41

 

CMYK 17 / 52 / 0 / 8

HEX #C371EA

RGB 195 113 234

HSL 280.66, 0.74%, 0.68%

LAB 61.09, 52.32, -48.47

 

CMYK 14 / 43 / 0 / 13

HEX #BE7EDD

RGB 190 126 221

HSL 280.42, 0.58%, 0.68%

LAB 62.58, 41.35, -38.92

 

CMYK 10 / 33 / 0 / 19

HEX #BA8BCF

RGB 186 139 207

HSL 281.47, 0.41%, 0.68%

LAB 64.49, 30.06, -28.17

 

CMYK 7 / 21 / 0 / 24

HEX #B599C2

RGB 181 153 194

HSL 280.98, 0.25%, 0.68%

LAB 66.9, 17.94, -17.28

 

CMYK 3 / 8 / 0 / 29

HEX #B0A6B5

RGB 176 166 181

HSL 280, 0.09%, 0.68%

LAB 69.35, 6.42, -6.42

 

CMYK 45 / 52 / 0 / 8

HEX #8171EA

RGB 129 113 234

HSL 247.93, 0.74%, 0.68%

LAB 54.47, 35.97, -59.42

 

CMYK 31 / 52 / 0 / 8

HEX #A171EA

RGB 161 113 234

HSL 263.8, 0.74%, 0.68%

LAB 57.39, 43.58, -54.58

 

CMYK 17 / 52 / 0 / 8

HEX #C271EA

RGB 194 113 234

HSL 280.17, 0.74%, 0.68%

LAB 60.98, 52.06, -48.66

 

CMYK 3 / 52 / 0 / 8

HEX #E271EA

RGB 226 113 234

HSL 296.03, 0.74%, 0.68%

LAB 64.9, 60.55, -42.22

 

CMYK 0 / 52 / 10 / 8

HEX #EA71D2

RGB 234 113 210

HSL 311.9, 0.74%, 0.68%

LAB 64.93, 58.72, -28.71

 

CMYK 26 / 82 / 0 / 13

HEX #A529DF

RGB 165 41 223

HSL 280.88, 0.74%, 0.52%

LAB 45.51, 73.87, -67.48

 

CMYK 21 / 66 / 0 / 11

HEX #B44DE4

RGB 180 77 228

HSL 280.93, 0.74%, 0.6%

LAB 52.52, 64.66, -58.88

 

CMYK 17 / 52 / 0 / 8

HEX #C371EA

RGB 195 113 234

HSL 280.66, 0.74%, 0.68%

LAB 61.09, 52.32, -48.47

 

CMYK 12 / 38 / 0 / 6

HEX #D295EF

RGB 210 149 239

HSL 280.67, 0.74%, 0.76%

LAB 70.48, 38.56, -36.4

 

CMYK 8 / 24 / 0 / 4

HEX #E1B9F5

RGB 225 185 245

HSL 280, 0.75%, 0.84%

LAB 80.35, 24.96, -24.34

 

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

CMYK 0 / 52 / 45 / 8

HEX #EA7181

RGB 234 113 129

HSL 352.07, 0.74%, 0.68%

LAB 62.41, 48.21, 13.68

 

CMYK 52 / 0 / 38 / 8

HEX #71EA91

RGB 113 234 145

HSL 135.87, 0.74%, 0.68%

LAB 84.17, -52.94, 33.1

 

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

CMYK 0 / 17 / 52 / 8

HEX #EAC271

RGB 234 194 113

HSL 40.17, 0.74%, 0.68%

LAB 80.33, 4.46, 45.75

 

CMYK 52 / 0 / 17 / 8

HEX #71EAC2

RGB 113 234 194

HSL 160.17, 0.74%, 0.68%

LAB 85.12, -43.4, 9.12

 

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

CMYK 0 / 52 / 45 / 8

HEX #EA7181

RGB 234 113 129

HSL 352.07, 0.74%, 0.68%

LAB 62.41, 48.21, 13.68

 

CMYK 35 / 0 / 52 / 8

HEX #99EA71

RGB 153 234 113

HSL 100.17, 0.74%, 0.68%

LAB 85.41, -45.85, 50.57

 

CMYK 52 / 0 / 7 / 8

HEX #71EADA

RGB 113 234 218

HSL 172.07, 0.74%, 0.68%

LAB 85.71, -37.81, -2.64

 

CMYK 16 / 51 / 0 / 8

HEX #C473EA

RGB 196 115 234

HSL 280.84, 0.74%, 0.68%

LAB 61.6, 51.56, -47.66

 

CMYK 0 / 43 / 52 / 8

HEX #EA8571

RGB 234 133 113

HSL 9.92, 0.74%, 0.68%

LAB 66.11, 36.66, 27.72

 

CMYK 35 / 0 / 52 / 8

HEX #99EA71

RGB 153 234 113

HSL 100.17, 0.74%, 0.68%

LAB 85.41, -45.85, 50.57

 

CMYK 52 / 9 / 0 / 8

HEX #71D6EA

RGB 113 214 234

HSL 189.92, 0.74%, 0.68%

LAB 80.48, -24.15, -18.91

 

Description

Color code: HEX #C473EA | qconv.com Color code: HEX #C473EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 115 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 115 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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