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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4673D it is the complementary color #3B98C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4673D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4673D shade: #C96738, #DA794B, #EB8B5E, #FC9D71 and #FFAF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4673D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4673D shade: #C4673D, #B3552A, #A24317, #913104 and #801F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4673D shade: #C3663C, #C3423C and #C33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4673D shade: #C3663C, #C38A3C, #C3AF3C, #B3C33C and #8EC33C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4673D shade matches the following richer shades: #C3663C, #D85E27 and #EC5613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4673D shade: #C3663C, #AE6E51, #9A7665, #857D7A and #71858E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4673D shade: #C33C5B, #C3403C, #C3643C, #C3893C and #C3AD3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4673D shade: #844529, #A45532, #C3663C, #CD7F5B and #D6977B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4673D shade: #C4673D, #80C33C and #3C49C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4673D shade: #C4673D, #3CC364 and #643CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4673D shade: #C4673D, #80C33C, #3C9BC3 and #803CC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4673D shade: #C4673D, #57C33C, #3C9BC3 and #A83CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

Complementary color

CMYK 70 / 22 / 0 / 24

HEX #3B98C2

RGB 59 152 194

HSL 198.67, 0.53%, 0.5%

LAB 59.23, -13.75, -29.67

 

CMYK 0 / 49 / 72 / 21

HEX #C96738

RGB 201 103 56

HSL 19.45, 0.57%, 0.5%

LAB 54.45, 35.43, 43.29

 

CMYK 0 / 44 / 66 / 15

HEX #DA794B

RGB 218 121 75

HSL 19.3, 0.66%, 0.57%

LAB 60.86, 33.86, 41.33

 

CMYK 0 / 41 / 60 / 8

HEX #EB8B5E

RGB 235 139 94

HSL 19.15, 0.78%, 0.65%

LAB 67.23, 32.43, 39.47

 

CMYK 0 / 38 / 55 / 1

HEX #FC9D71

RGB 252 157 113

HSL 18.99, 0.96%, 0.72%

LAB 73.55, 31.14, 37.76

 

CMYK 0 / 31 / 48 / 0

HEX #FFAF84

RGB 255 175 132

HSL 20.98, 1%, 0.76%

LAB 78.22, 24.54, 33.81

 

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

CMYK 0 / 53 / 77 / 30

HEX #B3552A

RGB 179 85 42

HSL 18.83, 0.62%, 0.43%

LAB 47.3, 35.35, 41.81

 

CMYK 0 / 59 / 86 / 36

HEX #A24317

RGB 162 67 23

HSL 18.99, 0.75%, 0.36%

LAB 40.83, 37.11, 43.67

 

CMYK 0 / 66 / 97 / 43

HEX #913104

RGB 145 49 4

HSL 19.15, 0.95%, 0.29%

LAB 34.45, 38.82, 44.71

 

CMYK 0 / 76 / 100 / 50

HEX #801F00

RGB 128 31 0

HSL 14.53, 1%, 0.25%

LAB 28.3, 40.22, 40.5

 

CMYK 0 / 48 / 69 / 24

HEX #C3663C

RGB 195 102 60

HSL 18.67, 0.53%, 0.5%

LAB 53.42, 33.76, 39.83

 

CMYK 0 / 66 / 69 / 24

HEX #C3423C

RGB 195 66 60

HSL 2.67, 0.53%, 0.5%

LAB 46.74, 51.06, 32.08

 

CMYK 0 / 69 / 69 / 24

HEX #C33C3C

RGB 195 60 60

HSL 0, 0.53%, 0.5%

LAB 45.85, 53.48, 31.02

 

CMYK 0 / 48 / 69 / 24

HEX #C3663C

RGB 195 102 60

HSL 18.67, 0.53%, 0.5%

LAB 53.42, 33.76, 39.83

 

CMYK 0 / 29 / 69 / 24

HEX #C38A3C

RGB 195 138 60

HSL 34.67, 0.53%, 0.5%

LAB 61.74, 14.21, 48.98

 

CMYK 0 / 10 / 69 / 24

HEX #C3AF3C

RGB 195 175 60

HSL 51.11, 0.53%, 0.5%

LAB 71.27, -5.75, 58.88

 

CMYK 8 / 0 / 69 / 24

HEX #B3C33C

RGB 179 195 60

HSL 67.11, 0.53%, 0.5%

LAB 75.41, -22.73, 62.61

 

CMYK 27 / 0 / 69 / 24

HEX #8EC33C

RGB 142 195 60

HSL 83.56, 0.53%, 0.5%

LAB 72.96, -37.5, 59.34

 

CMYK 0 / 48 / 69 / 24

HEX #C3663C

RGB 195 102 60

HSL 18.67, 0.53%, 0.5%

LAB 53.42, 33.76, 39.83

 

CMYK 0 / 56 / 82 / 15

HEX #D85E27

RGB 216 94 39

HSL 18.64, 0.69%, 0.5%

LAB 54.81, 45.07, 52.5

 

CMYK 0 / 64 / 92 / 7

HEX #EC5613

RGB 236 86 19

HSL 18.53, 0.85%, 0.5%

LAB 56.62, 55.45, 62.56

 

CMYK 0 / 48 / 69 / 24

HEX #C3663C

RGB 195 102 60

HSL 18.67, 0.53%, 0.5%

LAB 53.42, 33.76, 39.83

 

CMYK 0 / 37 / 53 / 32

HEX #AE6E51

RGB 174 110 81

HSL 18.71, 0.36%, 0.5%

LAB 52.67, 22.29, 26.69

 

CMYK 0 / 23 / 34 / 40

HEX #9A7665

RGB 154 118 101

HSL 19.25, 0.21%, 0.5%

LAB 52.69, 11.62, 14.79

 

CMYK 0 / 6 / 8 / 48

HEX #857D7A

RGB 133 125 122

HSL 16.36, 0.04%, 0.5%

LAB 53.01, 2.47, 2.71

 

CMYK 20 / 6 / 0 / 44

HEX #71858E

RGB 113 133 142

HSL 198.62, 0.11%, 0.5%

LAB 54.28, -5.14, -7.25

 

CMYK 0 / 69 / 53 / 24

HEX #C33C5B

RGB 195 60 91

HSL 346.22, 0.53%, 0.5%

LAB 46.43, 55.52, 13

 

CMYK 0 / 67 / 69 / 24

HEX #C3403C

RGB 195 64 60

HSL 1.78, 0.53%, 0.5%

LAB 46.44, 51.89, 31.72

 

CMYK 0 / 49 / 69 / 24

HEX #C3643C

RGB 195 100 60

HSL 17.78, 0.53%, 0.5%

LAB 53, 34.81, 39.35

 

CMYK 0 / 30 / 69 / 24

HEX #C3893C

RGB 195 137 60

HSL 34.22, 0.53%, 0.5%

LAB 61.5, 14.76, 48.71

 

CMYK 0 / 11 / 69 / 24

HEX #C3AD3C

RGB 195 173 60

HSL 50.22, 0.53%, 0.5%

LAB 70.74, -4.7, 58.34

 

CMYK 0 / 48 / 69 / 48

HEX #844529

RGB 132 69 41

HSL 18.46, 0.53%, 0.34%

LAB 36.6, 24.43, 28.57

 

CMYK 0 / 48 / 70 / 36

HEX #A45532

RGB 164 85 50

HSL 18.42, 0.53%, 0.42%

LAB 45.11, 29.64, 34.56

 

CMYK 0 / 48 / 69 / 24

HEX #C3663C

RGB 195 102 60

HSL 18.67, 0.53%, 0.5%

LAB 53.42, 33.76, 39.83

 

CMYK 0 / 38 / 56 / 20

HEX #CD7F5B

RGB 205 127 91

HSL 18.95, 0.53%, 0.58%

LAB 60.7, 26.57, 32.15

 

CMYK 0 / 29 / 43 / 16

HEX #D6977B

RGB 214 151 123

HSL 18.46, 0.53%, 0.66%

LAB 67.92, 20.25, 24.19

 

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

CMYK 34 / 0 / 69 / 24

HEX #80C33C

RGB 128 195 60

HSL 89.78, 0.53%, 0.5%

LAB 72.19, -42.63, 58.3

 

CMYK 69 / 63 / 0 / 24

HEX #3C49C3

RGB 60 73 195

HSL 234.22, 0.53%, 0.5%

LAB 37.24, 35.2, -65.3

 

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

CMYK 69 / 0 / 49 / 24

HEX #3CC364

RGB 60 195 100

HSL 137.78, 0.53%, 0.5%

LAB 70.11, -56.57, 37.29

 

CMYK 49 / 69 / 0 / 24

HEX #643CC3

RGB 100 60 195

HSL 257.78, 0.53%, 0.5%

LAB 37.63, 49.01, -64.52

 

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

CMYK 34 / 0 / 69 / 24

HEX #80C33C

RGB 128 195 60

HSL 89.78, 0.53%, 0.5%

LAB 72.19, -42.63, 58.3

 

CMYK 69 / 21 / 0 / 24

HEX #3C9BC3

RGB 60 155 195

HSL 197.78, 0.53%, 0.5%

LAB 60.2, -14.91, -28.74

 

CMYK 34 / 69 / 0 / 24

HEX #803CC3

RGB 128 60 195

HSL 270.22, 0.53%, 0.5%

LAB 40.83, 54.24, -59.17

 

CMYK 0 / 47 / 69 / 23

HEX #C4673D

RGB 196 103 61

HSL 18.67, 0.53%, 0.5%

LAB 53.79, 33.7, 39.75

 

CMYK 55 / 0 / 69 / 24

HEX #57C33C

RGB 87 195 60

HSL 108, 0.53%, 0.5%

LAB 70.44, -55.43, 55.94

 

CMYK 69 / 21 / 0 / 24

HEX #3C9BC3

RGB 60 155 195

HSL 197.78, 0.53%, 0.5%

LAB 60.2, -14.91, -28.74

 

CMYK 14 / 69 / 0 / 24

HEX #A83CC3

RGB 168 60 195

HSL 288, 0.53%, 0.5%

LAB 46.31, 62.59, -50.06

 

Description

Color code: HEX #C4673D | qconv.com Color code: HEX #C4673D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 103 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 103 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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