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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45FAA it is the complementary color #3BA055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45FAA shade: #C95FA5, #DA71B8, #EB83CB, #FC95DE and #FFA7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45FAA shade: #C45FAA, #B34D97, #A23B84, #912971 and #80175E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45FAA shade: #C45FAA, #C45F8F, #C45F73 and #C45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45FAA shade: #C45FAA, #C35FC4, #A75FC4, #8C5FC4 and #715FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45FAA shade matches the following richer shades: #C45FAA, #D64DB2, #E73BBB and #F92AC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45FAA shade: #C45FAA, #B271A1, #A08299, #8F9490 and #7DA687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45FAA shade: #A75FC4, #C25FC4, #C45FAB, #C45F90 and #C45F75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45FAA shade: #98387F, #B64399, #C45FAA, #CF7DBA and #DA9BCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45FAA shade: #C45FAA, #C48C5F and #5FC4B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45FAA shade: #C45FAA, #ABC45F and #5FABC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45FAA shade: #C45FAA, #C48C5F, #5FC478 and #5F96C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45FAA shade: #C45FAA, #C4AB5F, #5FC478 and #5F78C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

Complementary color

CMYK 63 / 0 / 47 / 37

HEX #3BA055

RGB 59 160 85

HSL 135.45, 0.46%, 0.43%

LAB 58.72, -45.92, 30.58

 

CMYK 0 / 53 / 18 / 21

HEX #C95FA5

RGB 201 95 165

HSL 320.38, 0.5%, 0.58%

LAB 55.4, 50.53, -18.02

 

CMYK 0 / 48 / 16 / 15

HEX #DA71B8

RGB 218 113 184

HSL 319.43, 0.59%, 0.65%

LAB 61.81, 49.86, -18.99

 

CMYK 0 / 44 / 14 / 8

HEX #EB83CB

RGB 235 131 203

HSL 318.46, 0.72%, 0.72%

LAB 68.17, 49.14, -19.81

 

CMYK 0 / 41 / 12 / 1

HEX #FC95DE

RGB 252 149 222

HSL 317.48, 0.94%, 0.79%

LAB 74.49, 48.4, -20.53

 

CMYK 0 / 35 / 5 / 0

HEX #FFA7F1

RGB 255 167 241

HSL 309.55, 1%, 0.83%

LAB 79.18, 43.26, -23.69

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 57 / 16 / 30

HEX #B34D97

RGB 179 77 151

HSL 316.47, 0.4%, 0.5%

LAB 48.42, 50.33, -20.75

 

CMYK 0 / 64 / 19 / 36

HEX #A23B84

RGB 162 59 132

HSL 317.48, 0.47%, 0.43%

LAB 41.96, 50.65, -19.44

 

CMYK 0 / 72 / 22 / 43

HEX #912971

RGB 145 41 113

HSL 318.46, 0.56%, 0.36%

LAB 35.59, 50.5, -17.69

 

CMYK 0 / 82 / 27 / 50

HEX #80175E

RGB 128 23 94

HSL 319.43, 0.7%, 0.3%

LAB 29.44, 49.49, -15.25

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 52 / 27 / 23

HEX #C45F8F

RGB 196 95 143

HSL 331.49, 0.46%, 0.57%

LAB 53.92, 45.77, -7.43

 

CMYK 0 / 52 / 41 / 23

HEX #C45F73

RGB 196 95 115

HSL 348.12, 0.46%, 0.57%

LAB 53.12, 42.31, 7.96

 

CMYK 0 / 52 / 52 / 23

HEX #C45F5F

RGB 196 95 95

HSL 0, 0.46%, 0.57%

LAB 52.67, 40.31, 19.15

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 1 / 52 / 0 / 23

HEX #C35FC4

RGB 195 95 196

HSL 299.41, 0.46%, 0.57%

LAB 55.86, 53.9, -35.28

 

CMYK 15 / 52 / 0 / 23

HEX #A75FC4

RGB 167 95 196

HSL 282.77, 0.46%, 0.57%

LAB 52.27, 46.14, -41.17

 

CMYK 29 / 52 / 0 / 23

HEX #8C5FC4

RGB 140 95 196

HSL 266.73, 0.46%, 0.57%

LAB 49.19, 38.83, -46.25

 

CMYK 42 / 52 / 0 / 23

HEX #715FC4

RGB 113 95 196

HSL 250.69, 0.46%, 0.57%

LAB 46.55, 32, -50.61

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 64 / 17 / 16

HEX #D64DB2

RGB 214 77 178

HSL 315.77, 0.63%, 0.57%

LAB 54.88, 64.16, -26.21

 

CMYK 0 / 74 / 19 / 9

HEX #E73BBB

RGB 231 59 187

HSL 315.35, 0.78%, 0.57%

LAB 55.79, 75.84, -29.8

 

CMYK 0 / 83 / 21 / 2

HEX #F92AC4

RGB 249 42 196

HSL 315.36, 0.95%, 0.57%

LAB 57.83, 85.02, -31.58

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 37 / 10 / 30

HEX #B271A1

RGB 178 113 161

HSL 315.69, 0.3%, 0.57%

LAB 55.94, 32.99, -15.16

 

CMYK 0 / 19 / 4 / 37

HEX #A08299

RGB 160 130 153

HSL 314, 0.14%, 0.57%

LAB 57.79, 15.55, -7.95

 

CMYK 3 / 0 / 3 / 42

HEX #8F9490

RGB 143 148 144

HSL 132, 0.02%, 0.57%

LAB 60.81, -2.59, 1.47

 

CMYK 25 / 0 / 19 / 35

HEX #7DA687

RGB 125 166 135

HSL 134.63, 0.19%, 0.57%

LAB 64.47, -20.34, 11.6

 

CMYK 15 / 52 / 0 / 23

HEX #A75FC4

RGB 167 95 196

HSL 282.77, 0.46%, 0.57%

LAB 52.27, 46.14, -41.17

 

CMYK 1 / 52 / 0 / 23

HEX #C25FC4

RGB 194 95 196

HSL 298.81, 0.46%, 0.57%

LAB 55.72, 53.62, -35.5

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAB

RGB 196 95 171

HSL 314.85, 0.46%, 0.57%

LAB 54.93, 49.93, -22.29

 

CMYK 0 / 52 / 27 / 23

HEX #C45F90

RGB 196 95 144

HSL 330.89, 0.46%, 0.57%

LAB 53.96, 45.9, -7.97

 

CMYK 0 / 52 / 40 / 23

HEX #C45F75

RGB 196 95 117

HSL 346.93, 0.46%, 0.57%

LAB 53.17, 42.53, 6.84

 

CMYK 0 / 63 / 16 / 40

HEX #98387F

RGB 152 56 127

HSL 315.63, 0.46%, 0.41%

LAB 39.64, 48.33, -20.08

 

CMYK 0 / 63 / 16 / 29

HEX #B64399

RGB 182 67 153

HSL 315.13, 0.46%, 0.49%

LAB 47.31, 55.98, -23.6

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 40 / 10 / 19

HEX #CF7DBA

RGB 207 125 186

HSL 315.37, 0.46%, 0.65%

LAB 62.91, 40.5, -18.58

 

CMYK 0 / 29 / 7 / 15

HEX #DA9BCA

RGB 218 155 202

HSL 315.24, 0.46%, 0.73%

LAB 71.29, 30.83, -14.73

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 29 / 52 / 23

HEX #C48C5F

RGB 196 140 95

HSL 26.73, 0.46%, 0.57%

LAB 62.78, 16.11, 32.37

 

CMYK 52 / 0 / 8 / 23

HEX #5FC4B5

RGB 95 196 181

HSL 171.09, 0.46%, 0.57%

LAB 73.06, -33.15, -1.49

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 13 / 0 / 52 / 23

HEX #ABC45F

RGB 171 196 95

HSL 74.85, 0.46%, 0.57%

LAB 75.43, -23.82, 47.38

 

CMYK 52 / 13 / 0 / 23

HEX #5FABC4

RGB 95 171 196

HSL 194.85, 0.46%, 0.57%

LAB 66.17, -16.63, -20.03

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 29 / 52 / 23

HEX #C48C5F

RGB 196 140 95

HSL 26.73, 0.46%, 0.57%

LAB 62.78, 16.11, 32.37

 

CMYK 52 / 0 / 39 / 23

HEX #5FC478

RGB 95 196 120

HSL 134.85, 0.46%, 0.57%

LAB 71.74, -46.08, 29.37

 

CMYK 52 / 23 / 0 / 23

HEX #5F96C4

RGB 95 150 196

HSL 207.33, 0.46%, 0.57%

LAB 60.1, -5.15, -29.35

 

CMYK 0 / 52 / 13 / 23

HEX #C45FAA

RGB 196 95 170

HSL 315.45, 0.46%, 0.57%

LAB 54.89, 49.77, -21.77

 

CMYK 0 / 13 / 52 / 23

HEX #C4AB5F

RGB 196 171 95

HSL 45.15, 0.46%, 0.57%

LAB 70.66, -0.72, 42.14

 

CMYK 52 / 0 / 39 / 23

HEX #5FC478

RGB 95 196 120

HSL 134.85, 0.46%, 0.57%

LAB 71.74, -46.08, 29.37

 

CMYK 52 / 39 / 0 / 23

HEX #5F78C4

RGB 95 120 196

HSL 225.15, 0.46%, 0.57%

LAB 51.67, 12.5, -42.54

 

Description

Color code: HEX #C45FAA | qconv.com Color code: HEX #C45FAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 95 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 95 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 13 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 13% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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