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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45CD3 it is the complementary color #3BA32C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45CD3 shade: #C95CCE, #DA6EE1, #EB80F4, #FC92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45CD3 shade: #C45CD3, #B34AC0, #A238AD, #91269A and #801487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45CD3 shade: #C35BD2, #D25BC1, #D25BA1, #D25B81 and #D25B60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45CD3 shade: #C35BD2, #A35BD2, #835BD2, #635BD2 and #5B5BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45CD3 shade matches the following richer shades: #C35BD2, #D04AE3 and #DC39F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45CD3 shade: #C35BD2, #B66CC1, #AA7DB0, #9D8E9F and #909F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45CD3 shade: #835BD2, #A25BD2, #C25BD2, #D25BC2 and #D25BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45CD3 shade: #9C2FAB, #B73AC9, #C35BD2, #CF7BDB and #DB9CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45CD3 shade: #C45CD3, #D2635B and #5BD292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45CD3 shade: #C45CD3, #D2C25B and #5BD2C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45CD3 shade: #C45CD3, #D2635B, #6BD25B and #5BCAD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45CD3 shade: #C45CD3, #D2875B, #6BD25B and #5BA6D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

Complementary color

CMYK 64 / 0 / 73 / 36

HEX #3BA32C

RGB 59 163 44

HSL 112.44, 0.57%, 0.41%

LAB 59.26, -52.06, 50.23

 

CMYK 2 / 55 / 0 / 19

HEX #C95CCE

RGB 201 92 206

HSL 297.37, 0.54%, 0.58%

LAB 56.61, 58.73, -39.74

 

CMYK 3 / 51 / 0 / 12

HEX #DA6EE1

RGB 218 110 225

HSL 296.35, 0.66%, 0.66%

LAB 62.92, 58.21, -40.38

 

CMYK 4 / 48 / 0 / 4

HEX #EB80F4

RGB 235 128 244

HSL 295.34, 0.84%, 0.73%

LAB 69.21, 57.58, -40.9

 

CMYK 1 / 43 / 0 / 0

HEX #FC92FF

RGB 252 146 255

HSL 298.35, 1%, 0.79%

LAB 75.12, 55.46, -37.53

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

CMYK 7 / 61 / 0 / 25

HEX #B34AC0

RGB 179 74 192

HSL 293.39, 0.48%, 0.52%

LAB 49.84, 58.71, -42.6

 

CMYK 6 / 68 / 0 / 32

HEX #A238AD

RGB 162 56 173

HSL 294.36, 0.51%, 0.45%

LAB 43.55, 58.74, -41.63

 

CMYK 6 / 75 / 0 / 40

HEX #91269A

RGB 145 38 154

HSL 295.34, 0.6%, 0.38%

LAB 37.37, 58.16, -40.25

 

CMYK 5 / 85 / 0 / 47

HEX #801487

RGB 128 20 135

HSL 296.35, 0.74%, 0.3%

LAB 31.44, 56.57, -38.23

 

CMYK 7 / 57 / 0 / 18

HEX #C35BD2

RGB 195 91 210

HSL 292.44, 0.57%, 0.59%

LAB 55.82, 58.37, -43.31

 

CMYK 0 / 57 / 8 / 18

HEX #D25BC1

RGB 210 91 193

HSL 308.57, 0.57%, 0.59%

LAB 57.11, 59.4, -31.45

 

CMYK 0 / 57 / 23 / 18

HEX #D25BA1

RGB 210 91 161

HSL 324.71, 0.57%, 0.59%

LAB 55.84, 54.6, -14.9

 

CMYK 0 / 57 / 39 / 18

HEX #D25B81

RGB 210 91 129

HSL 340.84, 0.57%, 0.59%

LAB 54.83, 50.6, 2.4

 

CMYK 0 / 57 / 54 / 18

HEX #D25B60

RGB 210 91 96

HSL 357.48, 0.57%, 0.59%

LAB 54.06, 47.42, 20.79

 

CMYK 7 / 57 / 0 / 18

HEX #C35BD2

RGB 195 91 210

HSL 292.44, 0.57%, 0.59%

LAB 55.82, 58.37, -43.31

 

CMYK 22 / 57 / 0 / 18

HEX #A35BD2

RGB 163 91 210

HSL 276.3, 0.57%, 0.59%

LAB 51.75, 50.21, -50.04

 

CMYK 38 / 57 / 0 / 18

HEX #835BD2

RGB 131 91 210

HSL 260.17, 0.57%, 0.59%

LAB 48.21, 42.45, -55.9

 

CMYK 53 / 57 / 0 / 18

HEX #635BD2

RGB 99 91 210

HSL 244.03, 0.57%, 0.59%

LAB 45.34, 35.54, -60.67

 

CMYK 57 / 57 / 0 / 18

HEX #5B5BD2

RGB 91 91 210

HSL 240, 0.57%, 0.59%

LAB 44.74, 34.01, -61.67

 

CMYK 7 / 57 / 0 / 18

HEX #C35BD2

RGB 195 91 210

HSL 292.44, 0.57%, 0.59%

LAB 55.82, 58.37, -43.31

 

CMYK 8 / 67 / 0 / 11

HEX #D04AE3

RGB 208 74 227

HSL 292.55, 0.73%, 0.59%

LAB 55.94, 71.73, -52.63

 

CMYK 10 / 77 / 0 / 4

HEX #DC39F4

RGB 220 57 244

HSL 292.3, 0.89%, 0.59%

LAB 56.76, 82.64, -60.75

 

CMYK 7 / 57 / 0 / 18

HEX #C35BD2

RGB 195 91 210

HSL 292.44, 0.57%, 0.59%

LAB 55.82, 58.37, -43.31

 

CMYK 6 / 44 / 0 / 24

HEX #B66CC1

RGB 182 108 193

HSL 292.24, 0.41%, 0.59%

LAB 56.61, 42.95, -32.52

 

CMYK 3 / 29 / 0 / 31

HEX #AA7DB0

RGB 170 125 176

HSL 292.94, 0.24%, 0.59%

LAB 58.37, 26.38, -20.19

 

CMYK 1 / 11 / 0 / 38

HEX #9D8E9F

RGB 157 142 159

HSL 292.94, 0.08%, 0.59%

LAB 60.8, 8.79, -6.94

 

CMYK 9 / 0 / 11 / 38

HEX #909F8E

RGB 144 159 142

HSL 112.94, 0.08%, 0.59%

LAB 63.9, -8.63, 7.07

 

CMYK 38 / 57 / 0 / 18

HEX #835BD2

RGB 131 91 210

HSL 260.17, 0.57%, 0.59%

LAB 48.21, 42.45, -55.9

 

CMYK 23 / 57 / 0 / 18

HEX #A25BD2

RGB 162 91 210

HSL 275.8, 0.57%, 0.59%

LAB 51.63, 49.96, -50.23

 

CMYK 8 / 57 / 0 / 18

HEX #C25BD2

RGB 194 91 210

HSL 291.93, 0.57%, 0.59%

LAB 55.69, 58.11, -43.53

 

CMYK 0 / 57 / 8 / 18

HEX #D25BC2

RGB 210 91 194

HSL 308.07, 0.57%, 0.59%

LAB 57.15, 59.56, -31.96

 

CMYK 0 / 57 / 23 / 18

HEX #D25BA2

RGB 210 91 162

HSL 324.2, 0.57%, 0.59%

LAB 55.88, 54.73, -15.43

 

CMYK 9 / 73 / 0 / 33

HEX #9C2FAB

RGB 156 47 171

HSL 292.74, 0.57%, 0.43%

LAB 41.28, 60.45, -44.11

 

CMYK 9 / 71 / 0 / 21

HEX #B73AC9

RGB 183 58 201

HSL 292.45, 0.57%, 0.51%

LAB 48.65, 67.66, -49.66

 

CMYK 7 / 57 / 0 / 18

HEX #C35BD2

RGB 195 91 210

HSL 292.44, 0.57%, 0.59%

LAB 55.82, 58.37, -43.31

 

CMYK 5 / 44 / 0 / 14

HEX #CF7BDB

RGB 207 123 219

HSL 292.5, 0.57%, 0.67%

LAB 63.79, 47.5, -35.78

 

CMYK 4 / 32 / 0 / 11

HEX #DB9CE4

RGB 219 156 228

HSL 292.5, 0.57%, 0.75%

LAB 72.52, 35.37, -27.15

 

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

CMYK 0 / 53 / 57 / 18

HEX #D2635B

RGB 210 99 91

HSL 4.03, 0.57%, 0.59%

LAB 55.46, 43.14, 25.56

 

CMYK 57 / 0 / 30 / 18

HEX #5BD292

RGB 91 210 146

HSL 147.73, 0.57%, 0.59%

LAB 76.31, -48.07, 21.88

 

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

CMYK 0 / 8 / 57 / 18

HEX #D2C25B

RGB 210 194 91

HSL 51.93, 0.57%, 0.59%

LAB 77.9, -7.23, 52.91

 

CMYK 57 / 0 / 8 / 18

HEX #5BD2C2

RGB 91 210 194

HSL 171.93, 0.57%, 0.59%

LAB 77.41, -37.21, -2.15

 

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

CMYK 0 / 53 / 57 / 18

HEX #D2635B

RGB 210 99 91

HSL 4.03, 0.57%, 0.59%

LAB 55.46, 43.14, 25.56

 

CMYK 49 / 0 / 57 / 18

HEX #6BD25B

RGB 107 210 91

HSL 111.93, 0.57%, 0.59%

LAB 76.05, -52.61, 49.13

 

CMYK 57 / 4 / 0 / 18

HEX #5BCAD2

RGB 91 202 210

HSL 184.03, 0.57%, 0.59%

LAB 75.52, -29.2, -13.57

 

CMYK 7 / 56 / 0 / 17

HEX #C45CD3

RGB 196 92 211

HSL 292.44, 0.57%, 0.59%

LAB 56.18, 58.34, -43.31

 

CMYK 0 / 36 / 57 / 18

HEX #D2875B

RGB 210 135 91

HSL 22.18, 0.57%, 0.59%

LAB 63.16, 24.28, 35.36

 

CMYK 49 / 0 / 57 / 18

HEX #6BD25B

RGB 107 210 91

HSL 111.93, 0.57%, 0.59%

LAB 76.05, -52.61, 49.13

 

CMYK 57 / 21 / 0 / 18

HEX #5BA6D2

RGB 91 166 210

HSL 202.18, 0.57%, 0.59%

LAB 65.08, -10.64, -29.47

 

Description

Color code: HEX #C45CD3 | qconv.com Color code: HEX #C45CD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 92 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 92 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 56 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 56% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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