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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C458CF it is the complementary color #3BA730. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C458CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C458CF shade: #C958CA, #DA6ADD, #EB7CF0, #FC8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C458CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C458CF shade: #C458CF, #B346BC, #A234A9, #912296 and #801083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C458CF shade: #C459CF, #CF59BA, #CF599A, #CF597A and #CF595B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C458CF shade: #C459CF, #A459CF, #8459CF, #6559CF and #5959CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C458CF shade matches the following richer shades: #C459CF, #D248E0 and #E036F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C458CF shade: #C459CF, #B66ABD, #A87CAC, #9A8D9B and #8B9E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C458CF shade: #8459CF, #A459CF, #C359CF, #CF59BB and #CF599C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C458CF shade: #9A30A5, #B839C5, #C459CF, #CF79D8 and #DB99E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C458CF shade: #C458CF, #CF6559 and #59CF94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C458CF shade: #C458CF, #CFC359 and #59CFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C458CF shade: #C458CF, #CF6559, #65CF59 and #59C3CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C458CF shade: #C458CF, #CF8859, #65CF59 and #59A0CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

Complementary color

CMYK 65 / 0 / 71 / 35

HEX #3BA730

RGB 59 167 48

HSL 114.45, 0.55%, 0.42%

LAB 60.59, -53.15, 50.06

 

CMYK 0 / 56 / 0 / 21

HEX #C958CA

RGB 201 88 202

HSL 299.47, 0.52%, 0.57%

LAB 55.75, 59.85, -38.82

 

CMYK 1 / 52 / 0 / 13

HEX #DA6ADD

RGB 218 106 221

HSL 298.43, 0.63%, 0.64%

LAB 62.03, 59.4, -39.55

 

CMYK 2 / 48 / 0 / 6

HEX #EB7CF0

RGB 235 124 240

HSL 297.41, 0.79%, 0.71%

LAB 68.29, 58.81, -40.14

 

CMYK 1 / 44 / 0 / 0

HEX #FC8EFF

RGB 252 142 255

HSL 298.41, 1%, 0.78%

LAB 74.36, 57.43, -38.72

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

CMYK 5 / 63 / 0 / 26

HEX #B346BC

RGB 179 70 188

HSL 295.42, 0.47%, 0.51%

LAB 49, 59.72, -41.61

 

CMYK 4 / 69 / 0 / 34

HEX #A234A9

RGB 162 52 169

HSL 296.41, 0.53%, 0.43%

LAB 42.77, 59.58, -40.49

 

CMYK 3 / 77 / 0 / 41

HEX #912296

RGB 145 34 150

HSL 297.41, 0.63%, 0.36%

LAB 36.68, 58.75, -38.92

 

CMYK 2 / 88 / 0 / 49

HEX #801083

RGB 128 16 131

HSL 298.43, 0.78%, 0.29%

LAB 30.87, 56.78, -36.63

 

CMYK 5 / 57 / 0 / 19

HEX #C459CF

RGB 196 89 207

HSL 294.41, 0.55%, 0.58%

LAB 55.47, 59, -42.16

 

CMYK 0 / 57 / 10 / 19

HEX #CF59BA

RGB 207 89 186

HSL 310.68, 0.55%, 0.58%

LAB 56.04, 58.35, -29.12

 

CMYK 0 / 57 / 26 / 19

HEX #CF599A

RGB 207 89 154

HSL 326.95, 0.55%, 0.58%

LAB 54.81, 53.65, -12.41

 

CMYK 0 / 57 / 41 / 19

HEX #CF597A

RGB 207 89 122

HSL 343.22, 0.55%, 0.58%

LAB 53.83, 49.78, 5.04

 

CMYK 0 / 57 / 56 / 19

HEX #CF595B

RGB 207 89 91

HSL 358.98, 0.55%, 0.58%

LAB 53.13, 46.91, 22.41

 

CMYK 5 / 57 / 0 / 19

HEX #C459CF

RGB 196 89 207

HSL 294.41, 0.55%, 0.58%

LAB 55.47, 59, -42.16

 

CMYK 21 / 57 / 0 / 19

HEX #A459CF

RGB 164 89 207

HSL 278.14, 0.55%, 0.58%

LAB 51.32, 50.83, -49.01

 

CMYK 36 / 57 / 0 / 19

HEX #8459CF

RGB 132 89 207

HSL 261.86, 0.55%, 0.58%

LAB 47.69, 43.01, -55.01

 

CMYK 51 / 57 / 0 / 19

HEX #6559CF

RGB 101 89 207

HSL 246.1, 0.55%, 0.58%

LAB 44.82, 36.22, -59.78

 

CMYK 57 / 57 / 0 / 19

HEX #5959CF

RGB 89 89 207

HSL 240, 0.55%, 0.58%

LAB 43.91, 33.9, -61.31

 

CMYK 5 / 57 / 0 / 19

HEX #C459CF

RGB 196 89 207

HSL 294.41, 0.55%, 0.58%

LAB 55.47, 59, -42.16

 

CMYK 6 / 68 / 0 / 12

HEX #D248E0

RGB 210 72 224

HSL 294.47, 0.71%, 0.58%

LAB 55.8, 72.39, -51.14

 

CMYK 7 / 78 / 0 / 5

HEX #E036F1

RGB 224 54 241

HSL 294.55, 0.87%, 0.58%

LAB 56.92, 83.71, -58.79

 

CMYK 5 / 57 / 0 / 19

HEX #C459CF

RGB 196 89 207

HSL 294.41, 0.55%, 0.58%

LAB 55.47, 59, -42.16

 

CMYK 4 / 44 / 0 / 26

HEX #B66ABD

RGB 182 106 189

HSL 294.94, 0.39%, 0.58%

LAB 56.01, 43.24, -31.15

 

CMYK 2 / 28 / 0 / 33

HEX #A87CAC

RGB 168 124 172

HSL 295, 0.22%, 0.58%

LAB 57.77, 25.47, -18.83

 

CMYK 1 / 9 / 0 / 39

HEX #9A8D9B

RGB 154 141 155

HSL 295.71, 0.07%, 0.58%

LAB 60.15, 7.49, -5.66

 

CMYK 12 / 0 / 13 / 38

HEX #8B9E89

RGB 139 158 137

HSL 114.29, 0.1%, 0.58%

LAB 63.13, -10.84, 8.73

 

CMYK 36 / 57 / 0 / 19

HEX #8459CF

RGB 132 89 207

HSL 261.86, 0.55%, 0.58%

LAB 47.69, 43.01, -55.01

 

CMYK 21 / 57 / 0 / 19

HEX #A459CF

RGB 164 89 207

HSL 278.14, 0.55%, 0.58%

LAB 51.32, 50.83, -49.01

 

CMYK 6 / 57 / 0 / 19

HEX #C359CF

RGB 195 89 207

HSL 293.9, 0.55%, 0.58%

LAB 55.33, 58.74, -42.39

 

CMYK 0 / 57 / 10 / 19

HEX #CF59BB

RGB 207 89 187

HSL 310.17, 0.55%, 0.58%

LAB 56.09, 58.51, -29.63

 

CMYK 0 / 57 / 25 / 19

HEX #CF599C

RGB 207 89 156

HSL 325.93, 0.55%, 0.58%

LAB 54.88, 53.92, -13.48

 

CMYK 7 / 71 / 0 / 35

HEX #9A30A5

RGB 154 48 165

HSL 294.36, 0.55%, 0.42%

LAB 40.74, 58.56, -41.42

 

CMYK 7 / 71 / 0 / 23

HEX #B839C5

RGB 184 57 197

HSL 294.43, 0.55%, 0.5%

LAB 48.45, 67.53, -47.67

 

CMYK 5 / 57 / 0 / 19

HEX #C459CF

RGB 196 89 207

HSL 294.41, 0.55%, 0.58%

LAB 55.47, 59, -42.16

 

CMYK 4 / 44 / 0 / 15

HEX #CF79D8

RGB 207 121 216

HSL 294.32, 0.55%, 0.66%

LAB 63.26, 47.96, -34.93

 

CMYK 3 / 32 / 0 / 12

HEX #DB99E1

RGB 219 153 225

HSL 295, 0.55%, 0.74%

LAB 71.74, 36.41, -26.7

 

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

CMYK 0 / 51 / 57 / 19

HEX #CF6559

RGB 207 101 89

HSL 6.1, 0.55%, 0.58%

LAB 55.37, 40.87, 26.51

 

CMYK 57 / 0 / 29 / 19

HEX #59CF94

RGB 89 207 148

HSL 150, 0.55%, 0.58%

LAB 75.38, -46.86, 19.54

 

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

CMYK 0 / 6 / 57 / 19

HEX #CFC359

RGB 207 195 89

HSL 53.9, 0.55%, 0.58%

LAB 77.88, -9.15, 53.75

 

CMYK 57 / 0 / 6 / 19

HEX #59CFC3

RGB 89 207 195

HSL 173.9, 0.55%, 0.58%

LAB 76.49, -35.96, -4.05

 

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

CMYK 0 / 51 / 57 / 19

HEX #CF6559

RGB 207 101 89

HSL 6.1, 0.55%, 0.58%

LAB 55.37, 40.87, 26.51

 

CMYK 51 / 0 / 57 / 19

HEX #65CF59

RGB 101 207 89

HSL 113.9, 0.55%, 0.58%

LAB 74.9, -53.33, 48.64

 

CMYK 57 / 6 / 0 / 19

HEX #59C3CF

RGB 89 195 207

HSL 186.1, 0.55%, 0.58%

LAB 73.32, -26.98, -15.26

 

CMYK 5 / 57 / 0 / 19

HEX #C458CF

RGB 196 88 207

HSL 294.45, 0.55%, 0.58%

LAB 55.3, 59.45, -42.43

 

CMYK 0 / 34 / 57 / 19

HEX #CF8859

RGB 207 136 89

HSL 23.9, 0.55%, 0.58%

LAB 63.01, 22.35, 36.16

 

CMYK 51 / 0 / 57 / 19

HEX #65CF59

RGB 101 207 89

HSL 113.9, 0.55%, 0.58%

LAB 74.9, -53.33, 48.64

 

CMYK 57 / 23 / 0 / 19

HEX #59A0CF

RGB 89 160 207

HSL 203.9, 0.55%, 0.58%

LAB 63.15, -8.67, -30.79

 

Description

Color code: HEX #C458CF | qconv.com Color code: HEX #C458CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 57 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 57% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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