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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4551B it is the complementary color #3BAAE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4551B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4551B shade: #C95516, #DA6729, #EB793C, #FC8B4F and #FF9D62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4551B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4551B shade: #C4551B, #B34308, #A23100, #911F00 and #800D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4551B shade: #C5551B, #C5271B and #C51B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4551B shade: #C5551B, #C5831B, #C5B11B, #ACC51B and #7EC51B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4551B shade matches the following richer shades: #C5551B and #D85009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4551B shade: #C5551B, #B35B2D, #A1613F, #8F6751 and #7D6C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4551B shade: #C51B3D, #C5261B, #C5541B, #C5811B and #C5AF1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4551B shade: #7D3611, #A14616, #C5551B, #E26828 and #E7814C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4551B shade: #C4551B, #6BC51B and #1B26C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4551B shade: #C4551B, #1BC554 and #541BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4551B shade: #C4551B, #6BC51B, #1B8DC5 and #761BC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4551B shade: #C4551B, #37C51B, #1B8DC5 and #A91BC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

Complementary color

CMYK 74 / 25 / 0 / 11

HEX #3BAAE4

RGB 59 170 228

HSL 200.59, 0.76%, 0.56%

LAB 65.97, -12.19, -38.1

 

CMYK 0 / 58 / 89 / 21

HEX #C95516

RGB 201 85 22

HSL 21.12, 0.8%, 0.44%

LAB 50.65, 43.32, 54.7

 

CMYK 0 / 53 / 81 / 15

HEX #DA6729

RGB 218 103 41

HSL 21.02, 0.71%, 0.51%

LAB 56.85, 41.51, 53.61

 

CMYK 0 / 49 / 74 / 8

HEX #EB793C

RGB 235 121 60

HSL 20.91, 0.81%, 0.58%

LAB 63.06, 39.79, 51.93

 

CMYK 0 / 45 / 69 / 1

HEX #FC8B4F

RGB 252 139 79

HSL 20.81, 0.97%, 0.65%

LAB 69.27, 38.18, 50.11

 

CMYK 0 / 38 / 62 / 0

HEX #FF9D62

RGB 255 157 98

HSL 22.55, 1%, 0.69%

LAB 73.71, 31.23, 45.81

 

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

CMYK 0 / 63 / 96 / 30

HEX #B34308

RGB 179 67 8

HSL 20.7, 0.91%, 0.37%

LAB 43.68, 43.31, 52.23

 

CMYK 0 / 70 / 100 / 36

HEX #A23100

RGB 162 49 0

HSL 18.15, 1%, 0.32%

LAB 37.62, 44.94, 49.7

 

CMYK 0 / 79 / 100 / 43

HEX #911F00

RGB 145 31 0

HSL 12.83, 1%, 0.28%

LAB 31.81, 45.93, 44.69

 

CMYK 0 / 90 / 100 / 50

HEX #800D00

RGB 128 13 0

HSL 6.09, 1%, 0.25%

LAB 26.38, 45.61, 38.84

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 0 / 80 / 86 / 23

HEX #C5271B

RGB 197 39 27

HSL 4.24, 0.76%, 0.44%

LAB 43.36, 59.94, 46.57

 

CMYK 0 / 86 / 86 / 23

HEX #C51B1B

RGB 197 27 27

HSL 0, 0.76%, 0.44%

LAB 42.36, 62.79, 45.74

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 0 / 34 / 86 / 23

HEX #C5831B

RGB 197 131 27

HSL 36.71, 0.76%, 0.44%

LAB 60.05, 17.61, 60.35

 

CMYK 0 / 10 / 86 / 23

HEX #C5B11B

RGB 197 177 27

HSL 52.94, 0.76%, 0.44%

LAB 71.82, -7.17, 69.95

 

CMYK 13 / 0 / 86 / 23

HEX #ACC51B

RGB 172 197 27

HSL 68.82, 0.76%, 0.44%

LAB 75.32, -27.94, 71.99

 

CMYK 36 / 0 / 86 / 23

HEX #7EC51B

RGB 126 197 27

HSL 85.06, 0.76%, 0.44%

LAB 72.53, -45.87, 68.52

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 0 / 63 / 96 / 15

HEX #D85009

RGB 216 80 9

HSL 20.58, 0.92%, 0.44%

LAB 52.24, 50.92, 60.5

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 0 / 49 / 75 / 30

HEX #B35B2D

RGB 179 91 45

HSL 20.6, 0.6%, 0.44%

LAB 48.58, 32.33, 41.63

 

CMYK 0 / 40 / 61 / 37

HEX #A1613F

RGB 161 97 63

HSL 20.82, 0.44%, 0.44%

LAB 47.6, 22.59, 30.17

 

CMYK 0 / 28 / 43 / 44

HEX #8F6751

RGB 143 103 81

HSL 21.29, 0.28%, 0.44%

LAB 47.15, 13.13, 18.74

 

CMYK 0 / 14 / 20 / 51

HEX #7D6C64

RGB 125 108 100

HSL 19.2, 0.11%, 0.44%

LAB 46.98, 5.3, 6.94

 

CMYK 0 / 86 / 69 / 23

HEX #C51B3D

RGB 197 27 61

HSL 348, 0.76%, 0.44%

LAB 42.75, 63.94, 26.72

 

CMYK 0 / 81 / 86 / 23

HEX #C5261B

RGB 197 38 27

HSL 3.88, 0.76%, 0.44%

LAB 43.26, 60.21, 46.49

 

CMYK 0 / 57 / 86 / 23

HEX #C5541B

RGB 197 84 27

HSL 20.12, 0.76%, 0.44%

LAB 49.85, 42.39, 51.96

 

CMYK 0 / 35 / 86 / 23

HEX #C5811B

RGB 197 129 27

HSL 36, 0.76%, 0.44%

LAB 59.57, 18.71, 59.96

 

CMYK 0 / 11 / 86 / 23

HEX #C5AF1B

RGB 197 175 27

HSL 52.24, 0.76%, 0.44%

LAB 71.29, -6.12, 69.51

 

CMYK 0 / 57 / 86 / 51

HEX #7D3611

RGB 125 54 17

HSL 20.56, 0.76%, 0.28%

LAB 31.9, 28.63, 36.08

 

CMYK 0 / 57 / 86 / 37

HEX #A14616

RGB 161 70 22

HSL 20.72, 0.76%, 0.36%

LAB 41.24, 35.17, 44.38

 

CMYK 0 / 57 / 86 / 23

HEX #C5551B

RGB 197 85 27

HSL 20.47, 0.76%, 0.44%

LAB 50.03, 41.9, 52.12

 

CMYK 0 / 54 / 82 / 11

HEX #E26828

RGB 226 104 40

HSL 20.65, 0.76%, 0.52%

LAB 58.25, 44.05, 55.76

 

CMYK 0 / 44 / 67 / 9

HEX #E7814C

RGB 231 129 76

HSL 20.52, 0.76%, 0.6%

LAB 64.33, 34.91, 45.27

 

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

CMYK 46 / 0 / 86 / 23

HEX #6BC51B

RGB 107 197 27

HSL 91.76, 0.76%, 0.44%

LAB 71.65, -52.27, 67.42

 

CMYK 86 / 81 / 0 / 23

HEX #1B26C5

RGB 27 38 197

HSL 236.12, 0.76%, 0.44%

LAB 28.51, 53.43, -80.9

 

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

CMYK 86 / 0 / 57 / 23

HEX #1BC554

RGB 27 197 84

HSL 140.12, 0.76%, 0.44%

LAB 70.04, -63.78, 44.81

 

CMYK 57 / 86 / 0 / 23

HEX #541BC5

RGB 84 27 197

HSL 260.12, 0.76%, 0.44%

LAB 31.11, 61.77, -76.46

 

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

CMYK 46 / 0 / 86 / 23

HEX #6BC51B

RGB 107 197 27

HSL 91.76, 0.76%, 0.44%

LAB 71.65, -52.27, 67.42

 

CMYK 86 / 28 / 0 / 23

HEX #1B8DC5

RGB 27 141 197

HSL 199.76, 0.76%, 0.44%

LAB 55.39, -10.07, -37.4

 

CMYK 40 / 86 / 0 / 23

HEX #761BC5

RGB 118 27 197

HSL 272.12, 0.76%, 0.44%

LAB 35.33, 65.55, -69.36

 

CMYK 0 / 57 / 86 / 23

HEX #C4551B

RGB 196 85 27

HSL 20.59, 0.76%, 0.44%

LAB 49.87, 41.52, 51.92

 

CMYK 72 / 0 / 86 / 23

HEX #37C51B

RGB 55 197 27

HSL 110.12, 0.76%, 0.44%

LAB 70.05, -65.14, 65.41

 

CMYK 86 / 28 / 0 / 23

HEX #1B8DC5

RGB 27 141 197

HSL 199.76, 0.76%, 0.44%

LAB 55.39, -10.07, -37.4

 

CMYK 14 / 86 / 0 / 23

HEX #A91BC5

RGB 169 27 197

HSL 290.12, 0.76%, 0.44%

LAB 43.14, 73.1, -56.32

 

Description

Color code: HEX #C4551B | qconv.com Color code: HEX #C4551B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 85 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 85 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 86 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 86% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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